The text of Ovid's Metamorphoses is not as indisputably established as one might think. Many passages are still obscure or plainly corrupt. 550 manuscripts, 500 editions and reprints, as well as countless critical notes and works must be taken into account when trying to establish the most reliable text for new generations of readers. This volume provides a detailed line-by-line analysis of Book XIII and offers thereby an indispensable starting point for a new critical edition not only of this but also of other parts of the poem.

The Narrative Grotesque examines late medieval narratology in two Older Scots poems: Gavin Douglas's The Palyce of Honour (c.1501) and William Dunbar's The Tretis of the Tua Mariit Wemen and the Wedo (c.1507). The narrative grotesque is exemplified in these poems, which fracture narratological boundaries by fusing disparate poetic forms and creating hybrid subjectivities. Consequently, these poems interrogate conventional boundaries in poetic making. The narrative grotesque is applied as a framework to elucidate these chimeric texts and to understand newly late medieval engagement with poetics and narratology. -- .

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Focusing on issues of interpretation, this book collects and translates a number of medieval mi'raj accounts. The narratives of Muhammad's heavenly journey offer a prism through which to view the medieval elite's communal, political and theological motives. These accounts reveal the historiographic process in which a single event becomes a focal point for those struggling to define the past and establish a communal, confessional and political identity by reporting the apparant facts about a particular moment in time. In other words, these tales have real stakes for both their authors and their audiences, and shed light on Muslim communal concerns from the late eighth through to the fourteenth century. Brooke Olson Vuckovic's groundbreaking study provides readers access to the documentation and translation of these lesser-known Arabic texts, and uncovers their role in building a meaningful, cohesive and coherent Muslim community in medieval times.

English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth century, when alliterative poetry ceased to be composed. Eric Weiskott draws on the study of meter to challenge the traditional division of medieval English literary history into Old English and Middle English periods. The two halves of the alliterative tradition, divided by the Norman Conquest of 1066, have been studied separately since the nineteenth century; this book uses the history of metrical form and its cultural meanings to bring the two halves back together. In combining literary history and metrical description into a new kind of history he calls 'verse history', Weiskott reimagines the historical study of poetics.

This is an exploration of how the legend of Thor has been adopted, adapted and transformed through history. The myths of the Norse god Thor were preserved in the "Icelandic Eddas", set down in the early Middle Ages. The bane of giants and trolls, Thor was worshipped as the last line of defence against all that threatened early Nordic society. Thor's significance persisted long after the Christian conversion and, in the mid-eighteenth century, Thor resumed a symbolic prominence among northern countries. Admired and adopted in Scandinavia and Germany, he became central to the rhetoric of national romanticism and to more belligerent assertions of nationalism. Resurrected in the latter part of the twentieth century in "Marvel Magazine", Thor was further transformed into an articulation both of an anxious male sexuality and of a parallel nervousness regarding American foreign policy. Martin Arnold explores the extraordinary regard in which Thor has been held since medieval times and considers why and how his myth has been adopted, adapted and transformed.

This new volume in the Routledge Medieval Casebooks series explores medieval rhetorical practices. Ten original essays examine the ways in which contemporary readers and scholars might employ rhetorical theory to illuminate underlying meanings in medieval texts. The contributors also explore how rhetoric was used as a means of textual innovation in the work of medieval authors such as Chaucer and his contemporaries.

Why do we remember some parts of the historical past, and forget others? Collective memory acts as a filter, a process mediated by ideology, chance, and the very structures of narrative and memory. "Remembering the Early Modern Voyage "uses three rich case studies to examine the operations of memory on the sixteenth and seventeenth century origins of Anglophone North America: Richard Hakluyt's famous anthology of Elizabethan voyages, Captain John Smith's eccentric autobiography, and the little known history of early modern Newfoundland. Attending not only to the narratives themselves, but to their use and reuse over several centuries, this book offers interrogations and recalibrations of a history still critical for the present.""

A vivid exploration of the many ways the classical world remains relevant today, this is a passionate justification of why we continue to read about and study the lives and works of the ancient Greeks and Romans. Challenging the way the phrase 'That's just ancient history' is used to dismiss something as being irrelevant, Greg and Alicia Aldrete demonstrate just how much ancient Greece and Rome have influenced and shaped our world today in ways both large and small. From the more commonly known influences on politics, law, literature and timekeeping through to the everyday rituals and routines we take for granted when we exercise, dine, marry and dress, we are rooted in the ancient world. Even the political upheaval, celebrity obsession and blurring of public and private boundaries that we see in current news betray ancient characteristics - now brought to the fore here in a new final chapter. If you have ever wondered how far exactly we still walk in the footsteps of the ancients or wanted to understand how study of the classical world can inform and explain our lives today, this is the book for you.

A concise guide to Classical Mythology by a well respected expert in the field which allows students to contextualize primary sources with information about the culture and society in which they were conceived. A new chapter focuses on the use of myth in the modern world, allowing student to examine critically the persuasive power of well-known images from antiquity and how these images can be exploited. Provides an authoritative guide to students in a field which has become distorted by pet theories and reinterpretations, allowing students to engage with with key academic theories without losing sight of the myths themselves. Guides students through Classical Mythology from the earliest myths to modern retellings in computer games, films, art and music allowing the students to see a continuum between work and identify key trends in the reception of mythic stories.

This volume contains word-for-word commentaries on Pindar's Olympian Odes 3, 7, 12, 14. Emphasis is placed on the explanations of peculiarities of grammar and idiom, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of them which are new - are documented as fully, but at the same time as concisely, as possible. This documentation, which includes a critical examination of other views, has been made more easily accessible by detailed indexes. The poems discussed do not have special similarities or interrelationships. On the other hand, they may be considered representative of the poet's art. From this point of view, the present selection may serve as an introduction to the study of Pindar's work. Vol. II will contain commentaries on Olympians 1, 10, 11, Nemean 11, and Isthmian 2. A third volume on Pythians 1, 8, 10 is inteded to conclude the series.

Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections. The Yorkshire landowner Robert Thornton (c.1397- c.1465) copied the contents of two important manuscripts, Lincoln Cathedral, MS 91 (the "Lincoln manuscript"), and London, British Library, MS Additional 31042 (the "London manuscript") in the middle decades of the fifteenth century. Viewed in combination, his books comprise a rare repository of varied English and Latin literary, religious and medical texts that survived the dissolution of the monasteries, when so many other medieval books were destroyed. Residing in the texts he copied and used are many indicators of what this gentleman scribe of the North Riding read, how he practised his religion, and what worldly values he held for himself and his family. Because of the extraordinary nature of his collected texts - Middle English romances, alliterative verse (the alliterative Morte Arthure only exists here), lyrics and treatises of religion ormedicine - editors and scholars have long been deeply interested in uncovering Thornton's habits as a private, amateur scribe. The essays collected here provide, for the first time, a sustained, focussed light on Thornton and hisbooks. They examine such matters as what Thornton as a scribe made, how he did it, and why he did it, placing him in a wider context and looking at the contents of the manuscripts. Susanna Fein is Professor of Englishat Kent State University; Michael Johnston is an Assistant Professor of English at Purdue University. Contributors: Julie Nelson Couch, Susanna Fein, Rosalind Field, Joel Fredell, Ralph Hanna, Michael Johnston, George R. Keiser, Julie Orlemanski, Mary Michele Poellinger, Dav Smith, Thorlac Turville-Petre.

This book addresses the vexed status of literary value. Unlike other approaches, it pursues neither an apologetic thesis about literature's defining values nor, conversely, a demystifying account of those values' ideological uses. Instead, arguing that the category of literary value is inescapable, it focuses pragmatically on everyday scholarly and pedagogical activities, proposing how we may reconcile that category's inevitability with our understandable wariness of its uncertainties and complicities. Toward these ends, it offers a preliminary theory of literary valuing and explores the problem of literary value in respect to the literary edition, canonicity and interpretation. Much of this exploration occurs within Chaucer studies, which, because of Chaucer's simultaneous canonicity and marginality, provides fertile ground for thinking through the problem's challenges. Using this subfield as a synecdoche, the book seeks to forge a viable rationale for literary studies generally. -- .

A fresh examination of the four poems of the Cotton manuscript, arguing that they share a profound theological vision. Pearl, Cleanness, Patience and Sir Gawain and the Green Knight are accomplished examples of four different literary genres and represent some of the finest poetry in Middle English. They are, by turns, fast and funny, powerfully dramatic, gentle and ironic, telling of painful bereavement and the terror of victims of disaster and violence, as well as the comic bewilderment of people entangled in alarmingly mysterious situations. The anonymous poet's evident delight in the pleasures and artistry of courtly life has led some readers to suggest that he was a gifted but complacent frequenter of courts, his attention dedicated to the wealthy and his sympathies to thepowerful, and moreover, that his poems pay the merest lipservice to religious observance. God and the Gawain-poet argues that, on the contrary, the poet's wide-ranging engagement with all human life explicitly acknowledgesall material creation as God's gift, revelling in its physicality, in bodily senses and movement and the ways a community celebrates itself. Dr Hatt shows how, in exhorting readers to recognize and respond to the narrative of divine gift, he appears as an energetic Christian poet and a humane and compassionate observer. Cecilia A. Hatt gained her D.Phil from Oxford University.

The foremost critical edition of the Greek lyric poets: Alcman, Stesichorus, Ibycus, Anacreon, Simonides and Corinna, and other minor poets, and songs and fragments.

This book offers an examination of Cicero's speech, the "Pro Balbo," which was delivered during a momentous period of Roman history, in defence of a highly influential political advisor of Caesar who was charged under the "lex Papia" for an illegal grant of citizenship. The first detailed study of the speech, this study analyzes the work according to the ancient rhetorical categories: types of arguments ("inventio": ethos, pathos and logos), the arrangement of these arguments ("dispositio"), and the use of style ("elocutio"). Kimberly Barber takes a thorough look at Cicero's technique, providing an understanding of the speech and illuminating the rhetorical issues raised by its legal context.

Series Information:
Studies in Medieval History and Culture: Outstanding Dissertations

The careers of Philip II and his son Alexander the Great (III) were interlocked in innumerable ways: Philip II centralized ancient Macedonia, created an army of unprecedented skill and flexibility, came to dominate the Greek peninsula, and planned the invasion of the Persian Empire with a combined Graeco-Macedonian force, but it was Alexander who actually led the invading forces, defeated the great Persian Empire, took his army to the borders of modern India, and created a monarchy and empire that, despite its fragmentation, shaped the political, cultural, and religious world of the Hellenistic era. Alexander drove the engine his father had built, but had he not done so, Philip's achievements might have proved as ephemeral as had those of so many earlier Macedonian rulers. On the other hand, some scholars believe that Alexander played a role, direct or indirect, in the murder of his father, so that he could lead the expedition to Asia that his father had organized. In short, it is difficult to understand or assess one without considering the other. This collection of previously unpublished articles looks at the careers and impact of father and son together. Some of the articles consider only one of the Macedonian rulers although most deal with both, and with the relationship, actual or imagined, between the two. The volume will contain articles on military and political history but also articles that look at the self-generated public images of Philip and Alexander, the counter images created by their enemies, and a number that look at how later periods understood them, concluding with the Hollywood depiction of the relationship. Despite the plethora of collected works that deal with Philip and Alexander, this volume promises to make a genuine contribution to the field by focusing specifically on their relationship to one another.

This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience. Love elegy presents the phenomena and discourses of Roman imperialism-in terms of visual spectacle (the military triumph), literary genre (epic in relation to elegy), material culture (art and luxury goods), and geographic space-as intersecting with ancient norms of gender and sexuality in a way that reinforces Rome's dominance in the Mediterranean. The introductory chapter lays out the postcolonial frame, drawing from the work of Edward Said among other theorists, and situates love elegy in relation to Roman Hellenism and the varied Roman responses to Greece and its cultural influences. Four of the six subsequent chapters focus on the rhetorical ambivalence that characterizes love elegy's treatment of Greek influence: the representation of the domina or mistress as simultaneously a figure for 'captive Greece' and a trope for Roman imperialism; the motif of the elegiac triumph, with varying figures playing the triumphator, as suggestive of Greco-Roman cultural rivalry; Rome's competing visions of an Attic and an Asiatic Hellenism. The second and the final chapter focus on the figures of Osiris and Isis, respectively, as emblematic of Rome's colonialist and ambivalent representation of Egypt, with the conclusion offering a deconstructive reading of elegy's rhetoric of orientalism.

This book is a pioneering attempt to explore the fascinating and hardly known realm of reciting poetry in medieval and Renaissance Italy. The study of more than 50 treatises on both music and poetry, as well as other literary sources and documents from the period between 1300 and 1600, highlights above all the practice of parlar cantando («speaking through singing - the term found in De li contrasti, a fourteenth-century treatise on poetry) as rooted in the art of reciting verses. Situating the practice of parlar cantando in the context of late medieval poetic delivery, the author sheds new light on the origin and history of late Renaissance opera style, which their inventors called stile recitativo, rappresentativo or, exactly, parlar cantando. The deepest roots of the Italian tradition of parlar cantando are thus revealed, and the cultural background of the birth of opera is reinterpreted and revisited from the much broader perspective of what appears to be the most important Italian mode of music making between the age of Dante and Petrarch and the beginning of Italian opera around 1600.

A Treasury of Virtues is a collection by the Fatimid Shafi'i judge al-Quda'i (d. 454 H/1062 AD) of sayings, sermons, and teachings attributed to 'Ali ibn Abi Talib (d. 40 H/661 AD). 'Ali was the cousin and son-in-law of the Prophet Muhammad, the first Shia Imam and the fourth Sunni Caliph. An acknowledged master of Arabic eloquence and a sage of Islamic wisdom, Ali was renowned for his words, which were collected, quoted, and studied over the centuries, and extensively anthologized, excerpted, and interpreted.

Of the many compilations of 'Ali's words, A Treasury of Virtues arguably possesses the broadest compass of genres, and the largest variety of themes. Included are aphorisms, proverbs, sermons, speeches, homilies, prayers, letters, dialogues and verse, all of which provide instruction on how to be a morally upstanding human being. The shorter compilation included here, One Hundred Proverbs, is attributed to the eminent writer al-Jahiz (d. 255 H/869 AD). This volume presents a new critical edition of the Arabic based on several original manuscripts, the first English translation of both these important collections, and an extended introduction.