A period of tumultuous political and religious strife, the English Civil War has inspired writers for the past four centuries. Their works vary widely in quality from the hurriedly written political verse of the 17th century and the superficial or sentimental novels of the 19th and 20th centuries to the brilliantly conceived novels of Daniel Defoe, Nigel Tranter, and Iain Pears. All provide a perspective on a turbulent era. A useful tool for historians and researchers, this bibliography provides access to verse, novels, short stories, and plays about the Civil War era written between 1625 and 1999.

The book opens with an introductory survey of the political and religious conflicts that led to the war and the execution of Charles I and that continued through the Interregnum, Cromwell's Protectorate, and the Restoration of Charles II. It then provides a discussion of some of the fiction written about the events and personalities of the period. With over 900 annotated entries, the bibliography itself includes virtually all of the fiction written about the period.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Witnesses to the disappearance of a text, palimpsest manuscripts bear the marks of their own genesis, with their original inscription rubbed out and written over on the same parchment.

This collection explores analogies of erasure and rewriting observed in editorial and literary practices underlying the production of texts from medieval England.

Raeleen Chai- Elsholz, Introduction: Palimpsests and ‘Palimpsestuous’ Reinscriptions, pp. 1-17. Abstract: This introduction analyzes the term “palimpsest” in relation to the various types of artifacts of cultural production discussed in the volume’s essays.

Adrian Papahagi, An Anglo- Saxon Palimpsest from Fleury: Orléans, Bibliothèque Municipale MS 342 (290), pp. 21-33. Abstract: This essay examines an Orléans manuscript (s. x/xi) against the background of exchanges between Fleury and Anglo- Saxon abbeys, and suggests it was palimpsested in Fleury.

Peter A. Stokes, Recovering Anglo-Saxon Erasures: Some Questions, Tools, and Techniques, pp. 35-60. Abstract: This essay provides practical instruction in enhancing digital images of damaged or palimpsested manuscripts, encompassing basic principles, hands-on techniques, and the ethics of enhancement.

Jane Roberts, Some Psalter Glosses in Their Immediate Context, pp. 61-79. Abstract: This essay looks closely at three Anglo-Saxon glossed psalters and how the palimpsestic layers of gloss and text, language and layout, speak to the meditative reader.

Paul E. Szarmach, The Palimpsest and Old English Homiletic Composition, pp. 81-94. Abstract: This essay proposes that the palimpsest offers a way to understand the composition techniques of Old English homilists, notably Ælfric, Wulfstan, and the anonymous tradition.

Sharon M. Rowley, 'Ic Beda’ . . . ‘Cwæð Beda’: Reinscribing Bede in the Old English Historia Ecclesiastica Gentis Anglorum, pp. 95-113. Abstract: This essay examines literal and metaphorical palimpsests in the OEHE, emphasizing the strategies through which Bede’s translators represent Bede’s voice in direct and indirect discourse.

Florence Bourgne, Vernacular Engravings in Late Medieval England, pp. 115-136. Abstract: Anxious late-medieval vernacular authors saturated their texts with references to engraved writings. These often refer to inscriptions on wax tablets, a fragile albeit professional medium.

Leo Carruthers, Rewriting Genres: Beowulf as Epic Romance, pp. 139-155. Abstract: Investigation of its historical matter in parallel with its generic classifications shows Beowulf to be a literary palimpsest anticipating the historical novel.

Gila Aloni, Palimpsestic Philomela: Reinscription in Chaucer’s “Legend of Philomela", pp. 157-173. Abstract: In rewriting Ovid’s Metamorphoses, Book VI, Chaucer partially erases his source to make room for his own “Legend of Philomela.”

Claire Vial, The Middle English Breton Lays and the Mists of Origin, pp. 175-191. Abstract: Awareness of generic ancestry offers evidence of the palimpsestuous nature of the “true” Middle English Breton lays.

Colette Stévanovitch, Enquiries into the Textual History of the Seventeenth- Century Sir Lambewell (London, British Library, Additional 27897), pp. 193-204. Abstract: The mid- seventeenth-century romance Sir Lambewell incorporates accretions from various periods, which reflect the tastes of various audiences and coexist as in a palimpsest.

Jean- Marc Elsholz, Elucidations: Bringing to Light the Aesthetic Underwriting of the Matière de Bretagne in John Boorman’s Excalibur, pp. 205-226. Abstract: Boorman’s film Excalibur enacts medieval theories of light that form the underwriting of successive layers of the Arthurian romance tradition.

This book explores the tangled relationship between literary production and epistemological foundation as exemplified in one of the masterpieces of Italian literature. Filippo Andrei argues that Giovanni Boccaccio's Decameron has a significant though concealed engagement with philosophy, and that the philosophical implications of its narratives can be understood through an epistemological approach to the text. He analyzes the influence of Dante, Petrarch, Thomas Aquinas, Aristotle, and other classical and medieval thinkers on Boccaccio's attitudes towards ethics and knowledge-seeking. Beyond providing an epistemological reading of the Decameron, this book also evaluates how a theoretical reflection on the nature of rhetoric and poetic imagination can ultimately elicit a theory of knowledge.

This book explores Roman love elegy from postcolonial perspectives, arguing that the tropes, conventions, and discourses of the Augustan genre serve to reinforce the imperial identity of its elite, metropolitan audience. Love elegy presents the phenomena and discourses of Roman imperialism-in terms of visual spectacle (the military triumph), literary genre (epic in relation to elegy), material culture (art and luxury goods), and geographic space-as intersecting with ancient norms of gender and sexuality in a way that reinforces Rome's dominance in the Mediterranean. The introductory chapter lays out the postcolonial frame, drawing from the work of Edward Said among other theorists, and situates love elegy in relation to Roman Hellenism and the varied Roman responses to Greece and its cultural influences. Four of the six subsequent chapters focus on the rhetorical ambivalence that characterizes love elegy's treatment of Greek influence: the representation of the domina or mistress as simultaneously a figure for 'captive Greece' and a trope for Roman imperialism; the motif of the elegiac triumph, with varying figures playing the triumphator, as suggestive of Greco-Roman cultural rivalry; Rome's competing visions of an Attic and an Asiatic Hellenism. The second and the final chapter focus on the figures of Osiris and Isis, respectively, as emblematic of Rome's colonialist and ambivalent representation of Egypt, with the conclusion offering a deconstructive reading of elegy's rhetoric of orientalism.

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

The present edition of the first book of the Epistulae ex Ponto gives a revised text with a new translation, an extended introduction, and the first full-scale commentary of this work in English. The commentary pays particular attention to stylistic questions and examines how the Epistulae exPonto differs from the poet's remaining oeuvre. It demonstrates that Ovid generally adopts a more colloquial and prosaic style (as suits the epistolary form) and that he carefully adjusts the stylistic register to the respective addressees of the letters.

This book illuminates the pervasive interplay of 'sacred' and 'secular' phenomena in the literature, history, politics, and religion of the Middle Ages and Early Modern periods. Following an introduction that examines methodological questions in the study of the sacred and the secular, the other essays treat (among other topics): Old English poetry, troubadour lyrics, twelfth-century romance, the Gregorian Reform, Middle English lyrics and the work of the Pearl-poet, Luther, and Shakespeare. The essays gathered here constitute a new way of applying a classic dichotomy to major cultural phenomena of the pre-modern era.

This book explores the body's physical limits and the ways in which the confines of the body are delineated, transgressed, or controlled in literary and philosophical texts. Drawing on classics, philosophy, religious studies, medieval studies, and critical theory and examining material ranging from Homer to Game of Thrones, this volume facilitates an interdisciplinary investigation into how the boundaries of the body define the human form in language. This volume's essays suggest that the body's meaning is perhaps never more evident than in the violation of its wholeness. The boundaries of the body are areas of transition between states and are therefore vulnerable. As individuals find themselves isolated from their world and one another, their bodies regularly allow for physical interactions, incur transgressions and violations, and undergo profound transformations. Thus sympathy, sexuality, disease, and violence are among the main themes of the volume, which, ultimately, reexamines the place of the body in our understanding of what it means to be human.

The British Romantic poets were among the first to realize the centrality of the "Divine Comedy" for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats, and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.

This study shows how contemporary theory can serve to clarify structures of identity and economies of desire in medieval texts. Bringing the resources of psychoanalytic and poststructuralist theory to bear on Chaucer's tales about women, this book addresses those registers of the Canterbury project that remain major concerns for recent feminist theory: the specificity of feminine desire, the cultural articulation of gender, the logic of sacrifice as a cultural ideal, the structure of misogyny and domestic violence. This book maps out the ways in which Chaucer's rhetoric is not merely an element of style or an instrument of persuasion but the very matrix for the representation of de-centered subjectivity.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Historical research into emotionality is at present generally enjoying an heightened level of interest. This bilingual volume documents the proceedings of an international conference, discussing current paradigms and perspectives in historical literary research into emotions and heightening awareness of the mediality of cultures of emotion in historical change. The discussion of methodological questions opens up avenues for interdisciplinary research.

This work explores the role of canon law in the ecclesiastical reform movement of the eleventh century, commonly known as the Gregorian Reform. Focusing on the Collectio canonum of Bishop Anselm of Lucca, it explores how the reformers came to value and employ law as as means of achieving desired ends in a time of social upheaval and revolution.

This study focuses on the character, literary precursors and effects of the language in Virgil's Eclogues. It is divided into four major sections: word formation, linguistic models, style level, personal names. Each section examines the influence of earlier poets (Theocritus, Callimachus, Ennius, Lucretius, Catullus et al.), the reception by later poets of the Augustan Age (Propertius, Tibullus, Ovid) and in particular the relationship of the Eclogues to Vergil's later work (Georgica, Aeneis).

Comprises of individual volumes on: Dante, Geoffrey Chaucer (2 volumes), Sir Thomas Malory, John Skelton and Edmund Spenser. The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes. Publication: October 1995.

In Readers and Reading Culture in the High Roman Empire, William Johnson examines the system and culture of reading among the elite in second-century Rome. The investigation proceeds in case-study fashion using the principal surviving witnesses, beginning with the communities of Pliny and Tacitus (with a look at Pliny's teacher, Quintilian) from the time of the emperor Trajan. Johnson then moves on to explore elite reading during the era of the Antonines, including the medical community around Galen, the philological community around Gellius and Fronto (with a look at the curious reading habits of Fronto's pupil Marcus Aurelius), and the intellectual communities lampooned by the satirist Lucian. Along the way, evidence from the papyri is deployed to help to understand better and more concretely both the mechanics of reading, and the social interactions that surrounded the ancient book. The result is a rich cultural history of individual reading communities that differentiate themselves in interesting ways even while in aggregate showing a coherent reading culture with fascinating similarities and contrasts to the reading culture of today.

This study of Early Christian literature and its influence on European thought and culture brings much to bear on a subject often overshadowed by the study of ancient Greek influences. The book, which begins with an excellent introduction by the author, covers Christian literature from its earliest manifestations in the first century to the Middle Ages. The author describes the lives of numerous writers (including Tertullian, St. Isidore of Seville and Arnobius) as well as their works and the ideas that shaped them, allowing readers to appreciate the rise of Latin literature and the historical circumstances that surrounded it.

Learn why Cicero is considered one of the most important individuals in all of Western culture! Marcus Tullius Cicero (106-43 BC) was a poet, philosopher, writer, scholar, barrister, statesman, patriot, and the linguist who helped make Latin into a universal language. His many influences in rhetoric, politics, literature, and ideas are seen throughout Western civilization. Cicero, Classicism, and Popular Culture explores the fascinating man behind the eloquence and his monumental effect on language, morality, and popularity of Western culture. One of the leading authorities on popular culture, Dr. Marshall Fishwick discusses the multifaceted man who may be, besides Jesus, the central figure in all of Western civilization. The author recounts his own personal quest of traveling the land and ancient cities of Italy, gleaning insights from people he met along the way who have knowledge about Cicero's life and times. However, Cicero, Classicism, and Popular Culture is more than a simple search for the man and his accomplishments, a man whose mere words changed the way people think. This book shows in each of us the roots of our own ideas, beliefs, and culture. Cicero, Classicism, and Popular Culture discusses: Cicero's rise to acclaim his affect on the language of popular culture common traits Cicero shared with Thomas Jefferson rhetoric, the art of oratory community two pivotal essays on friendship and old age vision of his reputation the search for peace Marshall McLuhan, Ciceronian Cicero's Rome Cicero's ancestral home of Arpinum Julius Caesar, politics, and the influences of Cicero the Roman republic and its downfall America as the new Rome much more! Cicero, Classicism, and Popular Culture is a startling, entertaining examination of the man who made Western culture what it is today. The book is insightful reading for educators, students, or anyone interested in one of the major forces in popular culture.

Theodore Metochites' Aristotelian paraphrases (c. 1312), covering all 40 books of the Stagirite's extant works on natural philosophy, constitute one of the major achievements of late Byzantine learning. This volume offers the first critical edition of Metochites' paraphrases of the three books of the De anima, accompanied by an introduction and an English translation with an apparatus of parallel passages in Aristotle's ancient commentators. The first part of the introduction presents and evaluates the sources for the text, consisting of thirteen Greek manuscripts, a 15th-century Greek epitome and a 16th-century Latin translation. The genealogical relationships between these are established on the basis of separative and conjunctive errors, identified, inter alia, through critical discussions of more than 300 passages. The second part of the introduction discusses the nature, purpose and sources of the paraphrases as well as several linguistic questions with implications for editing and translating the text. The third part of the introduction sets out the principles of this edition and translation.

This is the first volume to explore the commentaries on ancient texts produced and circulating in Byzantium. It adopts a broad chronological perspective (from the twelfth to the fifteenth century) and examines different types of commentaries on ancient poetry and prose within the context of the study and teaching of grammar, rhetoric, philosophy and science. By discussing the exegetical literature of the Byzantines as embedded in the socio-cultural context of the Komnenian and Palaiologan periods, the book analyses the frameworks and networks of knowledge transfer, patronage and identity building that motivated the Byzantine engagement with the ancient intellectual and literary tradition.

Xenophon's many and varied works represent a major source of information about the ancient Greek world: for example, about culture, politics, social life and history in the fourth century BC, Socrates, horses and hunting with dogs, the Athenian economy, and Sparta. However, there has been controversy about how his works should be read. This selection of significant modern critical essays will introduce readers to the wide range of his writing, the debates it has inspired, and the interpretative methodologies that have been used. A specially written Introduction by Vivienne J. Gray offers a survey of Xenophon's works, an account of his life with respect to them, a brief discussion of modern readings, reference to modern scholarship since the original publication of the articles, and a critical summary of their content. Several articles have been translated for the first time from French and German, and all quotations have been translated into English.