Witnesses to the disappearance of a text, palimpsest manuscripts bear the marks of their own genesis, with their original inscription rubbed out and written over on the same parchment.

This collection explores analogies of erasure and rewriting observed in editorial and literary practices underlying the production of texts from medieval England.

Raeleen Chai- Elsholz, Introduction: Palimpsests and ‘Palimpsestuous’ Reinscriptions, pp. 1-17. Abstract: This introduction analyzes the term “palimpsest” in relation to the various types of artifacts of cultural production discussed in the volume’s essays.

Adrian Papahagi, An Anglo- Saxon Palimpsest from Fleury: Orléans, Bibliothèque Municipale MS 342 (290), pp. 21-33. Abstract: This essay examines an Orléans manuscript (s. x/xi) against the background of exchanges between Fleury and Anglo- Saxon abbeys, and suggests it was palimpsested in Fleury.

Peter A. Stokes, Recovering Anglo-Saxon Erasures: Some Questions, Tools, and Techniques, pp. 35-60. Abstract: This essay provides practical instruction in enhancing digital images of damaged or palimpsested manuscripts, encompassing basic principles, hands-on techniques, and the ethics of enhancement.

Jane Roberts, Some Psalter Glosses in Their Immediate Context, pp. 61-79. Abstract: This essay looks closely at three Anglo-Saxon glossed psalters and how the palimpsestic layers of gloss and text, language and layout, speak to the meditative reader.

Paul E. Szarmach, The Palimpsest and Old English Homiletic Composition, pp. 81-94. Abstract: This essay proposes that the palimpsest offers a way to understand the composition techniques of Old English homilists, notably Ælfric, Wulfstan, and the anonymous tradition.

Sharon M. Rowley, 'Ic Beda’ . . . ‘Cwæð Beda’: Reinscribing Bede in the Old English Historia Ecclesiastica Gentis Anglorum, pp. 95-113. Abstract: This essay examines literal and metaphorical palimpsests in the OEHE, emphasizing the strategies through which Bede’s translators represent Bede’s voice in direct and indirect discourse.

Florence Bourgne, Vernacular Engravings in Late Medieval England, pp. 115-136. Abstract: Anxious late-medieval vernacular authors saturated their texts with references to engraved writings. These often refer to inscriptions on wax tablets, a fragile albeit professional medium.

Leo Carruthers, Rewriting Genres: Beowulf as Epic Romance, pp. 139-155. Abstract: Investigation of its historical matter in parallel with its generic classifications shows Beowulf to be a literary palimpsest anticipating the historical novel.

Gila Aloni, Palimpsestic Philomela: Reinscription in Chaucer’s “Legend of Philomela", pp. 157-173. Abstract: In rewriting Ovid’s Metamorphoses, Book VI, Chaucer partially erases his source to make room for his own “Legend of Philomela.”

Claire Vial, The Middle English Breton Lays and the Mists of Origin, pp. 175-191. Abstract: Awareness of generic ancestry offers evidence of the palimpsestuous nature of the “true” Middle English Breton lays.

Colette Stévanovitch, Enquiries into the Textual History of the Seventeenth- Century Sir Lambewell (London, British Library, Additional 27897), pp. 193-204. Abstract: The mid- seventeenth-century romance Sir Lambewell incorporates accretions from various periods, which reflect the tastes of various audiences and coexist as in a palimpsest.

Jean- Marc Elsholz, Elucidations: Bringing to Light the Aesthetic Underwriting of the Matière de Bretagne in John Boorman’s Excalibur, pp. 205-226. Abstract: Boorman’s film Excalibur enacts medieval theories of light that form the underwriting of successive layers of the Arthurian romance tradition.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Why do Froissart's Chroniques still find enthusiastic readers six hundred years after they were written? In this fresh reading Peter Ainsworth shows that their strength lies as much in their textual richness and complexity as in their appealing subject matter: the exploits of French and English noblemen during the Hundred Years War. A record of international chivalry that pretends to the title of `history', the Chroniques are in fact neither history nor romance, though they partake a little of both and are still valued by scholars as a historical source. Rather they constitute a variegated and enthralling narrative of vast proportions, veering from the historical to the outrageously fictional, from the journalistic travelogue to the moral tale, from self-effacement in the service of impartiality to unshamed self-celebration.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

The present edition of the first book of the Epistulae ex Ponto gives a revised text with a new translation, an extended introduction, and the first full-scale commentary of this work in English. The commentary pays particular attention to stylistic questions and examines how the Epistulae exPonto differs from the poet's remaining oeuvre. It demonstrates that Ovid generally adopts a more colloquial and prosaic style (as suits the epistolary form) and that he carefully adjusts the stylistic register to the respective addressees of the letters.

Theodore Metochites' Aristotelian paraphrases (c. 1312), covering all 40 books of the Stagirite's extant works on natural philosophy, constitute one of the major achievements of late Byzantine learning. This volume offers the first critical edition of Metochites' paraphrases of the three books of the De anima, accompanied by an introduction and an English translation with an apparatus of parallel passages in Aristotle's ancient commentators. The first part of the introduction presents and evaluates the sources for the text, consisting of thirteen Greek manuscripts, a 15th-century Greek epitome and a 16th-century Latin translation. The genealogical relationships between these are established on the basis of separative and conjunctive errors, identified, inter alia, through critical discussions of more than 300 passages. The second part of the introduction discusses the nature, purpose and sources of the paraphrases as well as several linguistic questions with implications for editing and translating the text. The third part of the introduction sets out the principles of this edition and translation.

Collects together fragments and texts from the key female writers in one place, making it ideal for structuring a course around the book. Includes the Greek and Latin texts, with vocabulary, so the book can be used for language teaching as well as for students not learning Greek and Latin.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This volume explores and calls into question certain commonly held assumptions about writing and technological advancement in the Islamic tradition. In particular, it challenges the idea that mechanical print naturally and inevitably displaces handwritten texts as well as the notion that the so-called transition from manuscript to print is unidirectional. Indeed, rather than distinct technologies that emerge in a progressive series (one naturally following the other), they frequently co-exist in complex and complementary relationships - relationships we are only now starting to recognize and explore. The book brings together essays by internationally recognized scholars from an array of disciplines (including philology, linguistics, religious studies, history, anthropology, and typography) whose work focuses on the written word - channeled through various media - as a social and cultural phenomenon within the Islamic tradition. These essays promote systematic approaches to the study of Islamic writing cultures writ large, in an effort to further our understanding of the social, cultural and intellectual relationships between manuscripts, printed texts and the people who use and create them.

This work explores the role of canon law in the ecclesiastical reform movement of the eleventh century, commonly known as the Gregorian Reform. Focusing on the Collectio canonum of Bishop Anselm of Lucca, it explores how the reformers came to value and employ law as as means of achieving desired ends in a time of social upheaval and revolution.

Historical research into emotionality is at present generally enjoying an heightened level of interest. This bilingual volume documents the proceedings of an international conference, discussing current paradigms and perspectives in historical literary research into emotions and heightening awareness of the mediality of cultures of emotion in historical change. The discussion of methodological questions opens up avenues for interdisciplinary research.

Xenophon's many and varied works represent a major source of information about the ancient Greek world: for example, about culture, politics, social life and history in the fourth century BC, Socrates, horses and hunting with dogs, the Athenian economy, and Sparta. However, there has been controversy about how his works should be read. This selection of significant modern critical essays will introduce readers to the wide range of his writing, the debates it has inspired, and the interpretative methodologies that have been used. A specially written Introduction by Vivienne J. Gray offers a survey of Xenophon's works, an account of his life with respect to them, a brief discussion of modern readings, reference to modern scholarship since the original publication of the articles, and a critical summary of their content. Several articles have been translated for the first time from French and German, and all quotations have been translated into English.

This study focuses on the character, literary precursors and effects of the language in Virgil's Eclogues. It is divided into four major sections: word formation, linguistic models, style level, personal names. Each section examines the influence of earlier poets (Theocritus, Callimachus, Ennius, Lucretius, Catullus et al.), the reception by later poets of the Augustan Age (Propertius, Tibullus, Ovid) and in particular the relationship of the Eclogues to Vergil's later work (Georgica, Aeneis).

Comprises of individual volumes on: Dante, Geoffrey Chaucer (2 volumes), Sir Thomas Malory, John Skelton and Edmund Spenser. The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes. Publication: October 1995.

The fluidity of myth and history in antiquity and the ensuing rapidity with which these notions infiltrated and cross-fertilized one another has repeatedly attracted the scholarly interest. The understanding of myth as a phenomenon imbued with social and historical nuances allows for more than one methodological approaches. Within the wider context of interdisciplinary exchange of ideas, the present volume returns to origins, as it traces and registers the association and interaction between myth and history in various literary genres in Greek and Roman antiquity (i.e. an era when the scientific definitions of and distinctions between myth and history had not yet been perceived as such, let alone fully shaped and implemented), providing original ideas, new interpretations and (re)evaluations of key texts and less well-known passages, close readings, and catholic overviews. The twenty-four chapters of this volume expand from Greek epos to lyric poetry, historiography, dramatic poetry and even beyond, to genres of Roman era and late antiquity. It is the editors' hope that this volume will appeal to students and academic researchers in the areas of classics, social and political history, archaeology, and even social anthropology.

This study of Early Christian literature and its influence on European thought and culture brings much to bear on a subject often overshadowed by the study of ancient Greek influences. The book, which begins with an excellent introduction by the author, covers Christian literature from its earliest manifestations in the first century to the Middle Ages. The author describes the lives of numerous writers (including Tertullian, St. Isidore of Seville and Arnobius) as well as their works and the ideas that shaped them, allowing readers to appreciate the rise of Latin literature and the historical circumstances that surrounded it.

Im Spatmittelalter bildete sich ein transmediterranes Netzwerk von Heiligen Orten, die mit der Seefahrt verbunden waren und sich durch ihre Lage am symbolischen Treffpunkt zwischen Meer, Land und Himmel hervorhoben. Die Aufsatze diese Bandes beschreiben die besondere Sakralgeographie der entlang der mittelalterlichen Seewege gelegenen Heiligtumer und erforschen deren Charakteristiken aus historischer, religions- und kunstgeschichtlicher Sicht."

Learn why Cicero is considered one of the most important individuals in all of Western culture! Marcus Tullius Cicero (106-43 BC) was a poet, philosopher, writer, scholar, barrister, statesman, patriot, and the linguist who helped make Latin into a universal language. His many influences in rhetoric, politics, literature, and ideas are seen throughout Western civilization. Cicero, Classicism, and Popular Culture explores the fascinating man behind the eloquence and his monumental effect on language, morality, and popularity of Western culture. One of the leading authorities on popular culture, Dr. Marshall Fishwick discusses the multifaceted man who may be, besides Jesus, the central figure in all of Western civilization. The author recounts his own personal quest of traveling the land and ancient cities of Italy, gleaning insights from people he met along the way who have knowledge about Cicero's life and times. However, Cicero, Classicism, and Popular Culture is more than a simple search for the man and his accomplishments, a man whose mere words changed the way people think. This book shows in each of us the roots of our own ideas, beliefs, and culture. Cicero, Classicism, and Popular Culture discusses: Cicero's rise to acclaim his affect on the language of popular culture common traits Cicero shared with Thomas Jefferson rhetoric, the art of oratory community two pivotal essays on friendship and old age vision of his reputation the search for peace Marshall McLuhan, Ciceronian Cicero's Rome Cicero's ancestral home of Arpinum Julius Caesar, politics, and the influences of Cicero the Roman republic and its downfall America as the new Rome much more! Cicero, Classicism, and Popular Culture is a startling, entertaining examination of the man who made Western culture what it is today. The book is insightful reading for educators, students, or anyone interested in one of the major forces in popular culture.

Greek Tragic Women on Shakespearean Stages argues that ancient Greek plays exerted a powerful and uncharted influence on early modern England's dramatic landscape. Drawing on original research to challenge longstanding assumptions about Greek texts' invisibility, the book shows not only that the plays were more prominent than we have believed, but that early modern readers and audiences responded powerfully to specific plays and themes. The Greek plays most popular in the period were not male-centered dramas such as Sophocles' Oedipus, but tragedies by Euripides that focused on raging bereaved mothers and sacrificial virgin daughters, especially Hecuba and Iphigenia. Because tragedy was firmly linked with its Greek origin in the period's writings, these iconic female figures acquired a privileged status as synecdoches for the tragic theater and its ability to conjure sympathetic emotions in audiences. When Hamlet reflects on the moving power of tragic performance, he turns to the most prominent of these figures: 'What's Hecuba to him, or he to Hecuba/ That he should weep for her?' Through readings of plays by Shakespeare and his contemporary dramatists, this book argues that newly visible Greek plays, identified with the origins of theatrical performance and represented by passionate female figures, challenged early modern writers to reimagine the affective possibilities of tragedy, comedy, and the emerging genre of tragicomedy.

"Envisaging Heaven in the Middle Ages" considers medieval notions of heaven in theological and mystical writings; in visions of the otherworld; and in medieval arts such as drama, poetry, music and vernacular literature.
The volume considers the influence of images and visions of heaven on the secular literature by some of the greatest writers of the period, such as Chretien de Troyes and Chaucer. The coherence and beauty of these notions make heaven one of the most impressive medieval cathedrals of the mind.
The book shows that the idea of heaven in the Middle Ages was as varied as those who wrote about it, and reveals the extent to which the Christian afterlife was (as it is today) a projection of human hopes and fears.
The book also reveals the extent to which the Christian afterlife was (as it is today) a projection of human hopes and fears. Because "the reality" of heaven was one based on speculation, as well as fancy, medieval heavens were products both of ingenious thought and of creative, wishful imagination.
With contributions from such experts as Peter Dronke, Robin Kirkpatrick, Peter Meredith, Bernard McGinn, Barbara Newman and A.C. Spearing, this collection will be essential reading for all those interested in medieval religion and culture.

This volume contributes to the ongoing scholarly debate regarding the reception of Cicero. It focuses on one particular moment in Cicero's life, the period from the death of Caesar up to Cicero's own death. These final years have shaped Cicero's reception in an special way, as they have condensed and enlarged themes that his life stands for: on the positive side his fight for freedom and the republic against mighty opponents (for which he would finally be killed); on the other hand his inconsistency in terms of political alliances and tendency to overestimate his own influence. For that reason, many later readers viewed the final months of Cicero's life as his swan song, and as representing the essence of his life as a whole. The fixed scope of this volume facilitates an analysis of the underlying debates about the historical character Cicero and his textual legacy (speeches, letters and philosophical works) through the ages, stretching from antiquity itself to the present day. Major themes negotiated in this volume are the influence of Cicero's regular attempts to anticipate his later reception; the question of whether or not Cicero showed consistency in his behaviour; his debatable heroism with regard to republican freedom; and the interaction between philosophy, rhetoric and politics.