Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Despite its enormous extent and impact, the Swedish scholarship produced in the context of Olof Rudbeck's monumental 'Atlantica' (4 vols, 1679-1702) has hitherto escaped attention outside Scandinavia. The present volume explores the numerous disciplines that comprised this, one of the last, but grandest appropriations of the classical heritage in early modern times. In the decades around 1700, dozens of scholars all around the Baltic Sea embarked on studies of classical and Norse mythology, material remains and antiquities, of languages, botany and zoology as well as biblical scholarship, in order to reveal the primordial status of ancient Sweden. Fusing together numerous disciplines within Rudbeck's elaborate and all-encompassing epistemological framework, they gave to a nation that had advanced to the rank of a European superpower a narrative of a glorious past that matched its contemporary pretentions. Presenting case studies stretching from the 17th to the 19th century and across a wide number of fields, this volume traces the extent and longue duree of one of the most fascinating and underestimated episodes in European intellectual history.

As the first woman, Eve was the pattern for all her daughters. The importance of readings of Eve for understanding how women were viewed at various times is a critical commonplace, but one which has been only narrowly investigated. This book systematically explores the different ways in which Eve was understood by Christians in antiquity and in the English Middle Ages, and it relates these understandings to female social roles. The result is an Eve more various than she is often depicted by scholars. Beginning with material from the bible, the Church Fathers and Jewish sources, the book goes on to look at a broad selection of medieval writing, including theological works and literary texts in Old and Middle English. In addition to dealing with famous authors such as Augustine, Aquinas, Dante and Chaucer, the writings of authors who are now less well-known, but who were influential in their time, are explored. The book allows readers to trace the continuities and discontinuities in the way Eve was portrayed over a millennium and a half, and as such it is of interest to those interested in women or the bible in the Middle Ages.

The Poetics of Aristotle By Aristotle A Translation By S. H. Butcher Aristotle's Poetics is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama-comedy, tragedy, and the satyr play-as well as lyric poetry, epic poetry, and the dithyramb). He examines its "first principles" and identifies its genres and basic elements. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." The work was lost to the Western world and often misrepresented for a long time. It was available through the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

First published in English in 1968, this book provides a critical guide to the wide field of the Middle English Romances and gives a helpful survey of the contemporary state of scholarship. Dr Mehl traces the development of Middle English Romances from thee thirteenth to the end of the fourteenth century, and interprets a number of these romances. The emphasis is literary, on their form and dominant themes rather than source-material or language.

The heat of Beowulf develops a new approach to the aesthetics of Beowulf by engaging with the work of twentieth-century poets Robin Blaser and Jack Spicer, whose avant-garde poetics were informed by a serious encounter with the poem in the seminar of medievalist Arthur G. Brodeur. By considering Blaser's and Spicer's poetics as they were shaped by their encounter with Beowulf, the book is able to open up questions about the non-representational poetics of the poem, rebooting a mid-century approach to aesthetics on a new critical trajectory. The book considers the poem's aesthetics through relationship translation theory, as well as early medieval discourses of sensory-affective experience and twentieth-century phenomenology. The heat of Beowulf reexamines the scholarship on Old English poetics from the mid-twentieth century as it intersected with post-war avant-garde poetics, and how understanding these critical histories can reshape how we read Beowulf now. -- .

"This book analyzes the interaction between gender and species in Chaucer's poetry and strives to understand his adaptation of medieval discourse through an ecofeminist lens. Works that either speak of animals, or more pertinently those with animals speaking, offer fruitful results in the attempt to understand the medieval textual handling of the 'others' of society"--

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Francis Cairns has made well-known contributions to the study of Roman Epic and Elegy. Papers on Catullus and Horace assembles his substantial body of work on Roman Lyric - about 30 papers published between 1969 and 2010 in many European and American periodicals, themed volumes and Festschriften, along with some new papers. Many aspects of the lyric poetry of Catullus and Horace are treated in this collection. Particular emphasis is given to the political and religious interests of both poets, to their interactions with their contemporaries, to the 'learning' which informs their poetry, and to their generic practices. Philological problems of text and interpretation are treated pari passu, as are relevant aesthetic questions. The volume is fully indexed and contains a composite bibliography and addenda and corrigenda. Papers on Catullus and Horace will make access to this body of important scholarly material easier and more convenient for scholars and students of Latin poetry.

Investigations into the "realities" of staging dramatic performances, of a variety of kinds, in the middle ages. We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of perfomance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre/dance/puppetry/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, andwhat conditioned them. PHILIP BUTTERWORTH Is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds, where he was formerly Reader in Medieval Theatre and Dean for Research; KATIE NORMINGTON is Senior Vice Principal (Academic) at Royal Holloway, University of London, where she is also Professor of Drama. Contributors: Kathryn Emily Dickason, Leanne Groeneveld, Max Harris, David Klausner, Femke Kramer, Jennifer Nevile, Nerida Newbigin, Tom Pettitt, Bart Ramakers, Claire Sponsler.

The Homeric Hymns honour the Greek gods. They are called 'Homeric' because the ancients attributed them to Homer; it is now accepted that they were composed by later poets working in the same tradition. Four of them stand out by reason of their length and quality: Hymns 2-5, in honour of Demeter, Apollo, Hermes, and Aphrodite respectively. This volume offers a faithful verse translation of all the hymns, Explanatory Notes, and a Glossary of Names.

This volume in the "York Notes Companions "spans five centuries of post-Conquest literature, written at a time in which enormous social, political and linguistic changes transformed life in Britain.

This volume in the "York Notes Companions "spans five centuries of post-Conquest literature, written at a time in which enormous social, political and linguistic changes transformed life in Britain.

• Part of the first literature study guides to cover key literary periods and texts and combine them with historical and cultural contexts
• Contains essential information on relevant literary criticism
• Dr Carole Maddern is an experienced lecturer who has also written extensively in the field
• Contains various helpful features such as extented commentaries, additional notes, timelines and annotated further reading
  

The Arthurian episodic romance, which includes the love story of Lancelot and Guinevere and the Quest for the Grail are enduringly popular tales, but ones with a very complex history. These five volumes collect together and offer translations of the Lancelot-Grail Cycle (also known as the Vulgate Cycle) and the later Post-Vulgate Cycle.

The influence of these Cycles is almost incalculable; they have been translated or adapted into a number of languages and have been the source or basis for many writers, including Sir Thomas Malory, though they also act as great works in their own right.

For ease of use, each volume is divided into numbered and titled sections or chapters, summaries of all romances, keyed to chapter divisions, are included in the final volume (V) and notes give information about textual and cultural matters and offer a key to internal cross references.

For institutional purchases for e-book sets please contact [email protected] (customers in the UK, Europe and Rest of World)

Thucydides' account of the war between Athens and Sparta is the first great work of political history and still a fundamental text for political science and international relations today; it is also a compelling story, full of vivid characters and tragic miscalculations. This collection of essays is designed to accompany, instruct, and stimulate readers of Thucydides by making accessible some classic and influential studies that are frequently cited but not always easy to access. (One-third of the essays appear here in English for the first time.) All Greek is translated, and an introductory chapter surveys the chronology and thematic controversies among Thucydides' readings from antiquity to the present.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

Peire Vidal, one of the most celebrated of the Occitan troubadours, was a favorite performer at the courts of France, Spain, Italy, Malta, and Palestine during the late twelfth and early thirteenth centuries. His witty and humorous love-songs and satires provide a fascinating insight into the courtly society of his times. This book includes the first English translation and commentary of the complete works of Peire Vidal. It is a useful and accessible text for students and specialists of medieval literature.

The Ptolemaic period in Egypt (332-30 BC) is one of the most well-documented periods of the Hellenistic age: in addition to the papyrological record there are more than 600 surviving Greek and Greek/Egyptian bilingual and trilingual inscriptions, ranging from massive public monuments, such as the Rosetta Stone, to small private dedications, funerary plaques, and metrical epigrams for the deceased. This volume offers a series of detailed studies of the historical and cultural contexts of these important inscriptions and is intended to complement the multi-volume Corpus of Ptolemaic Inscriptions edition, in which the Greek and Egyptian texts will be presented together for the first time. The subjects discussed in the twelve chapters range widely across a variety of sub-disciplines, from advances in new technologies of image-capture, the juxtaposition of Greek and Egyptian elements in the layout and iconography of the monuments, and the palaeography of the Greek texts, to the history of the acquisition and study of the great bilingual decrees voted by the priests of the indigenous Egyptian cults, the introduction of Greek civic administration and communal associations in the cities and villages, and the role of the military in monumental commemoration. Particular attention is given to the role of indigenous and Greek religious institutions in Alexandria and the towns and villages of the Nile Delta and Valley, in which commemorative dedications to divinities of temples and statues by the monarchs and by private individuals are numerous and prominent. In a period shaped by the interplay between Egyptian and Greek culture, the existence of public and private inscribed monuments was a vital element of dynastic control. The unique insights offered by this thorough examination of the epigraphical landscape of Ptolemaic Egypt are invaluable to understanding the ways in which the Greek immigrant rulers and population established and reinforced their social and cultural dominance of an indigenous population which had its own long-established and traditional written and iconographic mode of public and private communication.

A unique study of how novels by Lawrence, Forster and George Eliot can be read as rewritings of Sophocles's Antigone : each is presented as a socially and sexually involving argument between two sisters. The author provides an interconnected case-study where each text works on the hidden meanings of the other. Female sexuality, expressed through the language of duality (vulnerability, frustration, submission and destructivity, consummation and rebirth), becomes an ideal vehicle for crossing the barriers between sexes and between societies, as between the texts themselves.

This volume, in honour of Angus M. Bowie, collects seventeen original essays on Greek comedy. Its contributors treat questions of origin, genre and artistic expression, interpret individual plays from different angles (literary, historical, performative) and cover aspects of reception from antiquity to the 20th century. Topics that have not received much attention so far, such as the prehistory of Doric comedy or music in Old Comedy, receive a prominent place. The essays are arranged in three sections: (1) Genre, (2) Texts and Contexts, (3) Reception. Within each section the chapters are as far as possible arranged in chronological order, according to historical time or to the (putative) dates of the plays under discussion. Thus readers will be able to construe their own diachronic and thematic connections, for example between the portrayal of stock characters in early Doric farce and developed Attic New Comedy or between different forms of comic reception in the fourth century BC. The book is intended for professional scholars, graduate and undergraduate students. Its wide range of subjects and approaches will appeal not only to those working on Greek comedy, but to anyone interested in Greek drama and its afterlife.

Fred C. Robinson is known throughout the world for some of the most original and stimulating work on Old English literature and language published in recent times. This book collects thirty seven of his essays and three substantial new articles, on the literary interpretation of Beowulf, the background and value of Ezra Pound's translation of The Seafarer, and an account of the use of Old English in twentieth-century literary composition.The essays range widely in terms of subject and approach. They include literary and textual interpretation and criticism of many of the best-known Old English poems including The Battle of Maldon and Exodus, an account of the historical, religious and cultural background to the writing of Beowulf, three articles on women in Old English literature and four on the significance of names and naming.The book is informed by the author's preoccupation with meaning, context and language and their subtle interactions. Its contents are characterized by readability and scholarship, and by learning and wit.

This book brings together fourteen studies by Alan Sommerstein on Aristophanes and his fellow comic dramatists, some of which have not previously appeared in print. The studies cover almost all the major topics of Sommerstein's work - the nature and functions of comedy in Aristophanes' time, its connections with the society and politics of its day, the question of Aristophanes' own political stances, the light comedy can throw on classical Athenians' perception of basic social divisions (age, gender, citizen/alien, free/slave), comedy's exploitation of the expressive resources of the Greek language, the composition and production history of individual plays, and the history of the genre as a whole.

A period of tumultuous political and religious strife, the English Civil War has inspired writers for the past four centuries. Their works vary widely in quality from the hurriedly written political verse of the 17th century and the superficial or sentimental novels of the 19th and 20th centuries to the brilliantly conceived novels of Daniel Defoe, Nigel Tranter, and Iain Pears. All provide a perspective on a turbulent era. A useful tool for historians and researchers, this bibliography provides access to verse, novels, short stories, and plays about the Civil War era written between 1625 and 1999.

The book opens with an introductory survey of the political and religious conflicts that led to the war and the execution of Charles I and that continued through the Interregnum, Cromwell's Protectorate, and the Restoration of Charles II. It then provides a discussion of some of the fiction written about the events and personalities of the period. With over 900 annotated entries, the bibliography itself includes virtually all of the fiction written about the period.

Available as both a portable paperback volume and an enhanced digital edition, this complete collection of The Norton Chaucer: Canterbury Tales is meticulously glossed and annotated. With access to the ground-breaking Reading Chaucer Tutorial included in every new copy, this volume delivers unmatched support and value.