This volume suggests that reading and writing about literature are ways to gain an ethical understanding of how we live in the world. Postmodern narrative is an important way to reveal and discuss who are society's victims, inviting the reader to become one with them. A close reading of fiction by Toni Morrison, Patrick Suskind, D.M. Thomas, Ian McEwan and J.M. Coetzee reveals a violence imposed on gender, race and the body-politic. Such violence is not new to the postmodern world, but reflects Western culture's religious traditions, as this book demonstrates through a reading of stories from the Hebrew Bible and the Christian New Testament.

Alexander the Great is one of the most celebrated figures of antiquity. In this book, Carol G. Thomas places this powerful figure within the context of his time, place, culture, and ancestry in order to discover what influences shaped his life and career.
The book begins with an exploration of the Macedonia that conditioned the lives of its inhabitants. It also traces such influences on Alexander's life as his royal Argead ancestry, his father, Philip II, and his mother, Olympias. The author examines Alexander's engagement with Greek culture, especially his relationship with Aristotle, and contemplates how other societal factors - especially the highly militarized Macedonian kingdom and the nature of Macedonia's relationship with neighboring states - contributed to his achievement.
What was the significance of these influences on the man who succeeded in conquering most of the known world from the Adriatic Sea to the Indus River? The author focuses on this question in exploring ancient landscapes and resurrecting key figures from antiquity in order to penetrate the motivation, goals, and inner being of Alexander the Great.

A major, defining polarity in Euripidean drama, wisdom and folly, has never so far been the subject of a book-length study. The volume aims at filling this gap. Virtually all Euripidean characters, from gods to slaves, are subject to some aspect of folly and claim at least some measure of wisdom. The playwright's sophisticated handling of the tradition and the pervasive ambiguity in his work add extra layers of complexity. Wisdom and folly become inextricably intertwined, as gods pursue their agendas and mortal characters struggle to control their destiny, deal with their troubles, confront their past, and chart their future. Their amoral or immoral behavior and various limitations often affect also their families and communities. Leading international scholars discuss wisdom and folly from various thematic angles and theoretical perspectives. A final section deals with the polarity's reception in vase-painting and literature. The result is a wealth of fresh insights into moral, social and historical issues. The volume is of interest to students and scholars of classical drama and its reception, of philosophy, and of rhetoric

This book translates into English ten influential articles and extracts from books about Homer written in German over the past fifty years. The work of prestigious scholars such as Wolfgang Schadenwaldt, Karl Reinhardt, and Hermann Fraenkel are represented. These key works, which cover such topics as similes, the end of the Odyssey, the adventures of Odysseus, the meeting of Hector and Andromache, ring-composition, the Telemachy, and Homeric social life will now become easily accessible for the first time to teachers and scholars in the English-speaking world. An accompanying introduction develops the arguments in the light of contemporary scholarly concerns.

Reissuing works originally published between 1929 and 1996, Routledge Library Editions: Arthurian Literature offers a selection of scholarship on the genre. Classic previously out-of-print works are brought back into print here in this small set of literary criticism, translation, art and drama.The enduring myth and legend appears from Mediaeval literature through to more modern writings and offers a spectrum of poetry and prose which is studied widely, as expemplified in this set.

No Japanese writer was more obsessed with desire than Tanizaki Jun'ichiro (1886-1965). Over a career that spanned half a century, he explored, with both joyful fascination and ruthless insight, the dazzling varieties of sexuality, the complementary attractions of exoticism and nostalgia, the human yearning for mastery over others, and the tense relationship between fantasy and the exterior world. His fiction is filled with portrayals of desire in all its violence, irony, pathos, and comedy.
In one of Tanizaki's novels, a young engineer fascinated with the West sets out to transform a Japanese bar girl into his very own version of Mary Pickford. He succeeds to such an extent that the girl, growing tired of his immutable Japaneseness, begins to take foreign lovers. Cuckolded and humiliated though his is, the engineer is unable to leave his fantasy-come-to-life and resigns himself to enslavement.
In another novel, a Westernized Japanese finds himself gradually drawn to the past. Specifically, he is attracted to his father-in-law's companion, a young woman who has been trained and costumed to play the part of an old-fashioned mistress. Though this woman is no more a flesh-and-blood embodiment of tradition than a bunraku doll, the protagonist contemplates a life with someone like her, a life defined by the pursuit of abstract, dehumanized cultural ideals.
Visions of Desire locates such novels in the shifting discourse on cultural identity and cultural aspiration that permeates Japanese life. Ito argues that Tanizaki's novels do not merely end in the reification and contemplation of cultural ideals but rather problematize the desire behind such ideals. He finds in the writer's fiction a subtle understanding of cultural aspiration as a process riddled with subversions, influenced by patterns of mediation, and circumscribed by the lonely efforts of individual subjectivity. He discovers in Tanizaki's fables about the male effort to transform women into cultural icons a clear awareness of the sexual and class hierarchies that make such transformation possible.
Visions of Desire is the first book in English on a writer who is possibly modern Japan's greatest novelist. Ito has written for both the specialist and the general reader, setting his argument in a discussion both of Tanizaki's times and of the life of a writer who believed in living out the fantasies that fueled his fictions.

This translation, first published in 1992, presents one of the most memorable medieval ballads, largely because it contains a number of surprises and falsified expectations. Jaufre, the hero, arrives at the court of King Arthur with a total and naive faith in the King and his ability to effect a total transformation in his followers by inducting them into the order of knighthood. As his quest proceeds, he learns the mistake in his idealised view of chivalry and his uncompromising view of pure justice, untempered by mercy. By charting the choices Jaufre makes in military and amorous encounters and the effectiveness of his responses to social trials and temptations, the audience discerns the route to independent adulthood, prestige and virtue, as the poet conceives of them. This fascinating reissue will be of particular value to students and academics researching the concepts typically explored within medieval ballads and romances.

Xenophon is usually believed to have written his Hellenica as a general ''history of his own times'' in Greece, and is criticized for his disproportionately close attention to Spartan affairs and his apparent bias in favour of the Spartans. But his treatment of Sparta is much more coherent and purposive than has been noticed; and knowing the cirumstances of his life, we should consider that there were ample reasons of prudence (at least) for him to have written with much circumspection about Sparta and especially about Agesilaus and Agesilaus' friends. This methodical interpretative study of Lysander in the Hellenica as well as of the Polity of the Lacedaemonians demonstrates that Xenophon wrote aobut this city - famous for the communal life of its citizens - with critical and philosophic intent. As a case study in reading classical history, it might signal the need for a complete reevaluation of other historians as well.

The tales of the virgin martyrs typically emphasize the torture and mutilation of beautiful young women. To the modern reader, these medieval texts seem like exercises in sadism, but they also provided Medieval women such as Hildegard of Bingen and Joan of Arc with role models who helped them to shape their own extraordinary destinies. This book explores the ability of the virgin body to generate contradictory meanings, both repressive and liberating, depending on who told the tale and how it was told.

The Derveni papyrus is the oldest literary papyrus ever found, and one of the very few from Greece itself, which makes it one of the most interesting new texts from the ancient Greek world to have been discovered this century. The eschatological doctrines and an allegorical commentary on an Orphic theogony in terms of Presocratic physics which it contains make it a uniquely important document for the history of ancient Greek religion, philosophy, and literary criticism. This book is the first to have been published on the text. It includes a full and reliable translation of the Papyrus together with a range of articles by leading European and American classicists who are internationally recognised experts in Greek religion and philosophy. Professor K. Tsantsanoglou, who will publish the papyrus when work on it is complete, presents important new material and has checked all the articles against the Papyrus. Thus for the first time, material is provided which will authorize scholarship upon the Papyrus in a way hitherto impossible, will stimulate further work on it, and will make the book a standard reference work on the subject for years to come.

A Companion to Alain Chartier: Father of French Eloquence brings together fourteen contributions that offer a range of perspectives and insights into the works of this exceptional late medieval author. As heir to the past and herald of the future, Chartier reinvented the traditional, whether in Latin or French, verse or prose. Chartier's open-ended, dialogic works and his own politically-engaged writing inspired his successors to think and write in new ways about ethics, the individual's role in society, relationships between men and women, and the responsibility of a poet to his/her audience. As these essays show, Chartier's renovation of poetic form and content had considerable influence over successive generations of writers in France and across Europe. Contributors are: Adrian Armstrong, Florence Bouchet, Emma Cayley, Daisy Delogu, Ashby Kinch, James C. Laidlaw, Marta Marfany, Deborah McGrady, Joan E. McRae, Jean-Claude Muhlethaler, Liv Robinson, Camille Serchuk, Andrea Tarnowski, Craig Taylor, and Hanno Wijsman.

This book offers a new, accurate and actable translation of one of Euripides' most popular plays, together with a commentary which provides insight into the challenges it sets for production and suggestions for how to solve them. The introduction discusses the social and cultural context of the play and its likely impact on the original audience, the way in which it was originally performed, the challenges which the lead roles present today and Medea's implications for the modern audience. The text of the translation is followed by the 'Theatrical Commentary' section on the issues involved in staging each scene and chorus today, embodying insights gained from a professional production. Notes on the translation, a glossary of names, suggestions for further reading and a chronology of Euripides' life and times round out the volume. The book is intended for use by theatre practitioners who wish to stage or workshop Medea and by students both of drama, theatre and performance and of classical studies.

Heloise, the twelfth-century French abbess and reformer, emerges from this book as one of history’s most extraordinary women, a thinker-writer of profound insight and skill. Her learned mind attracted the most radical philosopher of her time, Peter Abelard. He became her teacher, lover, husband, and finally monastic ally. That relationship has made her fame until now. But Heloise is far more important in her own right. Seventeen experts of international standing collaborate here to reveal and analyze how Heloise’s daring achievements shaped normative issues of theology, rhetoric, rational argument, gender, and emotional authenticity. At last we are able to see her for herself, in her moment of history and human awareness.

Reissuing works originally published between 1958 and 1993, this five-volume set offers a selection of scholarship on the greatest classical poet, whose two monumental epics, the Iliad and the Odyssey, remain foundational to the Western cultural tradition. Routledge Library Editions: Homer helps to situate this immense artistic achievement in its historical and cultural context, considering issues such as the relationship between the Homeric epics and the Mycenaean civilisation which preceded them, the importance of Homer for the flowering of Greek tragedy, and the reception of Homer during and after the Enlightenment.

The book presents a new focus on the legal philosophical texts of Aristotle, which offers a much richerframe for the understanding of practical thought, legal reasoning and political experience. It allows understanding how human beings interact in a complex world, and how extensive the complexity is which results from humans' own power of self-construction and autonomy. The Aristotelian approach recognizes the limits of rationality and the inevitable and constitutive contingency in Law. All this offers a helpful instrument to understand the changes globalisation imposes to legal experience today. The contributions in this collection do not merely pay attention to private virtues, but focus primarily on public virtues. They deal with the fact that law is dependent on political power and that a person can never be sure about the facts of a case or about the right way to act. They explore the assumption that a detailed knowledge of Aristotle's epistemology is necessary, because of the direct connection between Enlightened reasoning and legal positivism. They pay attention to the concept of proportionality, which can be seen as a precondition to discuss liberalism.

The study of the ancient Egyptian military and warfare now encompasses the background court society in which the various eulogies drawn up for the glorification of the kings were composed. This study proceeds from a previous analysis of the leadership characteristics of the military pharaohs to their underlying war records to the literary compositions that the pharaohs had drawn up for their glorification. A study of these court-inspired accounts fits within the overarching new perspectives of royally directed and inspired ancient Egyptian literature. The historical background covers the New Kingdom pharaohs Kamose, Thutmose III, Ramesses II and III, with Merenptah, plus Pianchy. The concentration is primarily upon the narrative structures employed in each of these king's monumental inscriptions.

"Gender and Power in Medieval Exegesis" analyzes the nexus of gender and power in biblical commentaries from the fifth to the fifteenth century, focusing on crucial moments in the development of exegesis. The argument pursues the literary trope of the woman on top through major literary-exegetical works: Augustine's "Confessions, "Jerome's "Against Jovinian, "the Fleury "Slaughter of Innocents," and Chaucer's "Wife of Bath's Prologue." Theresa Tinkle reveals how the authoritative woman in these works can signify either a troubling disruption of ordained social order, or an admirable inversion of order that sets the Church apart from dominant culture. Establishing a feminist-historicist perspective, this book situates exegesis in history and exposes the cultural pressures behind exegetes' decision making.

This book examines the transmission processes of the Aristotelian Mechanics. It does so to enable readers to appreciate the value of the treatise based on solid knowledge of the principles of the text. In addition, the book's critical examination helps clear up many of the current misunderstandings about the transmission of the text and the diagrams. The first part of the book sets out the Greek manuscript tradition of the Mechanics, resulting in a newly established stemma codicum that illustrates the affiliations of the manuscripts. This research has led to new insights into the transmission of the treatise, most importantly, it also demonstrates an urgent need for a new text. A first critical edition of the diagrams contained in the Greek manuscripts of the treatise is also presented. These diagrams are not only significant for a reconstruction of the text but can also be considered as a commentary on the text. Diagrams are thus revealed to be a powerful tool in studying processes of the transfer and transformation of knowledge. This becomes especially relevant when the manuscript diagrams are compared with those in the printed editions and in commentaries from the early modern period. The final part of the book shows that these early modern diagrams and images reflect the altered scope of the mechanical discipline in the sixteenth century.

What role did the performance of poetry, music, song, and dance play in the political life of the ancient city? How has philosophy positioned itself and articulated its own ambitions in relation to the poet tradition? The Polis and the Stage poses such questions through a reading of Plato last, longest, and unfinished work, the Laws. Plato's engagement with the Greek poetic tradition has long been recognized as foundational in the history of literary criticism, but the broader critical and philosophical significance of the Laws has been largely ignored. Although Plato is often thought hostile to mimetic art, famously banishing poets from the ideal city of the Republic, this book shows that in his final dialogue Plato made a striking about-face, proposing to rehabilitate Athenian performance culture and envisioning a city, in which poetry, music, song, and dance are instrumental in the cultivation of philosophical virtues. The psychological underpinnings of aesthetic experience and the power of mimetic art to predispose a society to specific kinds of constitutions are central themes throughout this study. Plato's views of the performative properties of language and genre receives systematic treatment in this study for the first time. Performance as a mechanism of sexual construction-a network of social practices uniquely suited to communicate and enforce normative conceptions of gender and erotic pleasure-is another focus, with special attention given to positions occupied by women in the culture envisaged in the Laws. As a whole, Marcus Folch's book provides an integrated interpretation of Plato's final dialogue with the Greek poetic tradition, an exploration of the dialectic between philosophy and mimetic art, which will be of interest to anyone concerned with understanding ancient Greek performance and the emergence of philosophical discourse in fourth-century Athens.

Manmade marvels of the later medieval courts--animated golden birds, mechanical angels, and other fantastic machines--were not merely amusing distractions, but also agents of social negotiation and political import. In "Manmade Marvels," the dancing metal peacocks, animated statuary, and spectacular illusions of the romance tradition are disembedded from traditional literary representation as supernatural fictions, and situated in the political culture where mechanical marvels were fashioned to delight courts, garner prestige, and symbolize power. This book provides a synthesis of court politics and technological history, intellectual traditions, and the practices of everyday life. Lightsey restores these marvels to the cultural roles they played as they were created by craftsmen and consumed by elite culture, invigorating our understanding of the role of craft in embellishing noble lives with the marvelous.

Amidon offers the first English translation of Books 10 and 11 of Rufinus' Church History. Books 1-9 comprise a Latin translation of Eusebius' history. Books 10 and 11 are Rufinus' own continuation, covering the period 325-395. As the first Latin church history, this work exerted great influence over the subsequent scholarship of the Western Church.

This book is the much awaited English translation of Liu Zaifu's book, Reflections on Dream of the Red Chamber. The book consists of three parts-reflections on Dream of the Red Chamber, comments on Dream of the Red Chamber, and discussions on Dream of the Red Chamber. There is also an appendix, "A Discussion of the Philosophy in Dream of the Red Chamber," a speech delivered by Liu Zaifu at the Institute of Philosophy, Central University and at the Chinese Department of Tunghai University, Taiwan, in December 2005. The first part comprises two hundred and four personal reflections on all aspects of Dream of the Red Chamber, the undisputed best traditional novel in China. The second part contains three essays on the spiritual value of the novel, the feeling of repentance and the transcendental philosophical viewpoint in the novel. The third part includes thirteen discussions of various characters and episodes in the novel. The appendix discusses the philosophy in the novel. As the best traditional novel in Chinese literature, Dream of the Red Chamber has attracted a tremendous amount of critical attention over the last hundred years and has given rise to a scholarly field commonly referred to as "redology." In contrast to the works on the novel by other scholars, Liu's book stands out with its personal, intuitive approach. Instead of engaging himself in evidential research, as many scholars in the field have done, Liu reflects on the spiritual orientation and the philosophical implications in the novel from a personal perspective. In so doing he infuses his reflections with his personal experience, his interpretations of works in Chinese literature and world literature, and hisphilosophical views. Influenced by Zen, Liu's book makes a connection between Dream of the Red Chamber and real life as it exalts the values and philosophical understandings in the novel. Reflections on Dream of the Red Chamber, with its highly original approach to its subject, will be an essential resource for English-speaking readers interested in the classical novel as well as those interested in contemporary literary criticism in China.

Known as "the Theologian", St Gregory of Nazianzus (in the eastern part of Turkey) is, with St Basil and St Gregory of Nyssa, one of the celebrated Cappadocian Fathers of the fourth-century Christian Church. Highly educated in both Christian theology and classical Greek literature, he found himself torn between a solitary, contemplative life and the reluctantly accepted, though in actuality relished, public figure of bishop, vigorous in defence of orthodoxy against the attacks of the Arians. He was even, briefly, Bishop of Constantinople and chairman of the Council in 381 which produced what we now know as the Nicene Creed. This edition of his poems brings together his theological acumen in a formative period and shows his ability to operate in the genre of didactic verse going back to the eighth century BC. The poems cover a range of topics, from the strictly theological to others dealing more broadly with the creation of the world, providence, the world of spiritual beings, and the human soul. They give a unique new insight both on the theological ideas of the period and on the uneasy emergence of Christian culture from the pagan past.