This book is about Virgil's ideas of nature, landscape, history, and patriotism. It is also concerned with ideas of nature throughout antiquity and with the poetry and culture of the 1st century BC as a whole. It combines a close reading of Virgil's texts with a broad vision of the revolution in Western sensibility they helped to effect.

"Constructing Chaucer "examines the scholarly appropriation and manipulation of Geoffrey Chaucer since his death in 1400 and seeks to enhance the theoretical dialogue on the famous author's reception history by challenging long-standing assumptions about the "Father of English Poetry." In response to the academy's recent disregard for the narrative persona-construct that was especially prominent in medieval literatures, this book offers a new and historically-based version of persona-theory and applies the paradigm to the reception of key texts where Chaucer's use of the persona is most acute. This method is centered upon the fresh concept of "autofiction," which is offered in order to recuperate and revitalize the persona as a critical tool. By applying the theory of autofiction to Chaucer's verse, Gust questions age-old traditions, presents a series of provocative new interpretations, and fosters a more complete understanding of the ideologies of Chaucer criticism.

This is the first major study of the interplay between Latin and Germanic vernaculars in early medieval records. Building on previous work on the uses of the written word in the early Middle Ages, which has dispelled the myth that this was an age of 'orality', the contributions in this volume bring to the fore the crucial question of language choice in the documentary cultures of early medieval societies. Specifically, they examine the interactions between Latin and Germanic vernaculars in the Anglo-Saxon and eastern Frankish worlds and in neighbouring areas. The chapters are underpinned by an important comparative dimension on account of the two regions' shared linguistic heritage and numerous cross-Channel links. Contributors are: Stefan Esders, Albert Fenton, Robert Gallagher, Wolfgang Haubrichs, Charles Insley, Kathryn A. Lowe, Rosamond McKitterick, Rory Naismith, Janet L. Nelson, Edward Roberts, Annina Seiler, Marco Stoffella, Francesca Tinti, Kate Wiles, Bernhard Zeller. See inside the book.

A significant trend in the study of Greek and Roman historiographers is to accept that their works are to a degree both science and fiction. As scholarly interest broadens, in addition to evaluating ancient historians on the basis of the reliability of the information they record, and verifying the narratives against various elements of the material (inscriptions, excavations, numismatics), new studies are beginning to elaborate on the stylistic and narrative qualities of the texts themselves. The present volume offers a fine collection of essays that on the whole emphasize the literary dimensions of the ancient Greek and Roman historians. Offering narratological, linguistic, and theoretical approaches to historiography, the contributors of the book elaborate on the intersections between historiography and other literary genres, the literary manipulation of military events and the criteria of selectivity, the reception of ancient historical texts in other genres, time and space in historical narrative, and plenty of other relevant topics. The shared belief of the authors is that there is a close interrelation between the literary features and the scientific value of ancient Greek and Roman historiography.

Guynn offers an innovative new approach to the ethical, cultural, and ideological analysis of medieval allegory. Working between poststructuralism and historical materialism, he considers both the playfulness of allegory (its openness to multiple interpretations and perspectives) and its disciplinary force (the use of rhetoric to naturalize hegemonies and suppress difference and dissent). Ultimately, he argues that both tendencies can be linked to the consolidation of power within ruling class institutions and the persecution of demonized others, notably women and sexual minorities. The book examines a number of centrally canonical works, including the verse romance "Eneas," Alan of Lille's "De planctu Naturae," "The Romance of the Rose," and the "Querelle de la Rose."

This collection is the work of scholars on Middle English, Insular French and Medieval Latin writings of the late twelfth century in England and its possessions, when an English-speaking populace was ruled by a French-speaking aristocracy and administered by a Latin-speaking and writing clergy. The political discourses of Henry's reign are acknowledged, developed and ironised within the first real flowering of so many vernacular genres, romance and history in particular. The energetic and intrepid writers of this period are examined in relation to the development of social institutions and emergent ideas of 'nationhood', as the literature of Henry's court is shown to act as an echo-chamber within which anxieties about the proper exercise of power in a legal order founded on martial conquest could be reflected and soothed.

Menander set Perikeiromene, or the `Woman with shorn head' in Corinth, famous for its beautiful women, at a time when the city's troubles were at their height owing to the Macedonian conquest of Greece. The story reflects in miniature some of the turbulence of the times. A mercenary soldier Polemon returns home from service to discover, as he thinks, that his girl, Glykera, has found another lover. In a fit of jealous rage he shears off her hair and goes off to drown his sorrows with companions. Glykera promptly moves out from Polemon's house to the neighbour's house, in which her purported new lover Moschion lives. But all is not as it seems... Typically for the genre of New Comedy, Menander takes his characters to the brink in this lively drama before the recognitions which set everything straight. Discoveries of fragmented manuscripts of this play in the twentieth century have more or less brought it back to life.

Ovid was the most influential and widely imitated of all classical Latin poets. This volume publishes papers delivered at a conference on the Reception of Ovid in March 2013, jointly organised by the Institute of Classical Studies and the Warburg Institute, University of London. It presents studies of the impact of Ovid's work on Renaissance commentators, on neo-Latin poetry and epistolography, on Renaissance engravers, on poets like Dante, Mantuan, Pontano, Ariosto, Tasso, Spenser, Lodge, Weever, Milton and Cowley and on artists including Correggio and Rubens. The main focus of the volume is inevitably the afterlife of the Metamorphoses but it also includes discussions of the impact of Heroides, Fasti, and Ibis, and publishes for the first time a Latin verse life of Ovid composed around 1460 by Bernardo Moretti. Contributors are Helene Casanova-Robin, Frank T. Coulson, Fatima Diez-Plazas, Ingo Gildenhard, Philip Hardie, Maggie Kilgour, Gesine Manuwald, Elizabeth McGrath, John Miller, Victoria Moul, Caroline Stark, and Herica Valladares.

Jeremy Citrome employs the language of contemporary psychoanalysis to explain how surgical metaphors became an important tool of ecclesiastical power in the wake of the Fourth Lateran Council of 1215. Pastoral, theological, recreational, and medical writings are among the texts discussed in this wide-ranging study.

Despite its importance in the history of Ancient science, Menelaus' Spherics is still by and large unknown. This treatise, which lies at the foundation of spherical geometry, is lost in Greek but has been preserved in its Arabic versions. The reader will find here, for the first time edited and translated into English, the essentials of this tradition, namely: a fragment of an early Arabic translation and the first Arabic redaction of the Spherics composed by al-Mahani /al-Harawi, together with a historical and mathematical study of Menelaus' treatise. With this book, a new and important part of the Greek and Arabic legacy to the history of mathematics comes to light. This book will be an indispensable acquisition for any reader interested in the history of Ancient geometry and science and, more generally, in Greek and Arabic science and culture.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Older research on the premodern world limited its focus on the Church, the court, and, more recently, on urban space. The present volume invites readers to consider the meaning of rural space, both in light of ecocritical readings and social-historical approaches. While previous scholars examined the figure of the peasant in the premodern world, the current volume combines a large number of specialized studies that investigate how the natural environment and the appearance of members of the rural population interacted with the world of the court and of the city. The experience in rural space was important already for writers and artists in the premodern era, as the large variety of scholarly approaches indicates. The present volume signals how much the surprisingly close interaction between members of the aristocratic and of the peasant class determined many literary and art-historical works. In a surprisingly large number of cases we can even discover elements of utopia hidden in rural space. We also observe how much the rural world was a significant element already in early-medieval mentality. Moreover, as many authors point out, the impact of natural forces on premodern society was tremendous, if not catastrophic.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Questions about how ancient Greek texts establish their authority, reflect on each other, and project their own truths have become central for a wide range of recent critical discourses. In this volume, an influential group of international scholars examines these themes in a variety of poetic and rhetorical genres. The result is a series of striking and original readings from different critical perspectives that display the centrality of these questions for understanding the poetic and rhetorical aims of ancient Greek texts. Characterized by a combination of close attention to philological detail and theoretical sophistication, the essays in this volume make a compelling case for this kind of focused, critically informed dialogue about the nature of ancient textual praxis. Students of classical literature will find a wealth of critical insights and challenging new readings of many familiar texts.

Medieval writers were fascinated by fortune and misfortune, yet the critical problems raised by such explorations have not been adequately theorized. Allan Mitchell invites us to consider these contingencies in relation to an "ethics of the event." His book examines how Middle English writers including Chaucer, Gower, Lydgate, and Malory treat unpredictable events such as sexual attraction, political disaster, social competition, traumatic accidents, and the textual condition itself--locating in fortune the very potentiality of ethical life. While earlier scholarship has detailed the iconography of Lady Fortune, this book alters and advances the conversation so that we see fortune less as a negative exemplum than as a positive sign of radical phenomena.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Medieval historians and literary scholars have not ignored the topic of sexual violence and rape, but the primary focus has regularly rested on English, French, or Italian documents. Here we have the first book-length study that investigates the treatment of sexual crimes in medieval and early modern German and Latin literature, making great efforts to shed light on often ignored scenes and episodes even in some of the 'classical' works such as Wolfram von Eschenbach's Parzival or the anonymous Nibelungenlied. As this monograph reveals, many times we face situations where we cannot easily determine whether rape has occurred or not. Consequently, we recognize an important discourse in these literary examples concerning the question of how to view and deal with sexual violence, which could also involve men as victims. This critical examination extends toward sixteenth-century jest narratives (Schwanke) where the issue of rape continued to occupy the authors' minds. Moreover, as numerous side glances to contemporary European literature indicate, the theme of sexual violence was of universal concern and critical importance during the entire premodern era.

This translation, first published in 1992, presents one of the most memorable medieval ballads, largely because it contains a number of surprises and falsified expectations. Jaufre, the hero, arrives at the court of King Arthur with a total and naive faith in the King and his ability to effect a total transformation in his followers by inducting them into the order of knighthood. As his quest proceeds, he learns the mistake in his idealised view of chivalry and his uncompromising view of pure justice, untempered by mercy. By charting the choices Jaufre makes in military and amorous encounters and the effectiveness of his responses to social trials and temptations, the audience discerns the route to independent adulthood, prestige and virtue, as the poet conceives of them. This fascinating reissue will be of particular value to students and academics researching the concepts typically explored within medieval ballads and romances.

Work in Progress offers an in-depth study of the role of literary revision in the compositional practices and representational strategies of Roman authors at the end of the republic and the beginning of the principate. It focuses on Cicero, Horace, Quintilian, Martial, and Pliny the Younger, but also offers discussions of Isocrates, Plato, and Hellenistic poetry. The book's central argument is that revision made textuality into a medium of social exchange. Revisions were not always made by authors working alone: often, they were the result of conversations between an author and friends or literary contacts, and these conversations exemplified a commitment to collective debate and active collaboration. Revision was thus much more than an unavoidable element in literary genesis: it was one way in which authorship became a form of social agency. Consequently, when we think about revision for authors of the late republic and early empire we should not think solely of painstaking attendance to craft aimed exclusively at the perfection of a literary work. Nor should we think of the resulting texts as closed and invariant statements sent from an author to his reader. So long as an author was still willing to revise, his text served as a temporary platform around and in which a community came into being.
The theories of revision that guide the author's study come from the new genetic criticism that has been successfully applied, especially in Europe, to modern authors. While many of the tools of analysis applicable to modern authors (author-written manuscripts, corrected proofs, etc.) are not available for ancient authors, Sean Gurd has amassed a surprising number of passages in ancient texts about revision, its importance to the author, and the circle of critics involved in the process of rewriting.

A major, defining polarity in Euripidean drama, wisdom and folly, has never so far been the subject of a book-length study. The volume aims at filling this gap. Virtually all Euripidean characters, from gods to slaves, are subject to some aspect of folly and claim at least some measure of wisdom. The playwright's sophisticated handling of the tradition and the pervasive ambiguity in his work add extra layers of complexity. Wisdom and folly become inextricably intertwined, as gods pursue their agendas and mortal characters struggle to control their destiny, deal with their troubles, confront their past, and chart their future. Their amoral or immoral behavior and various limitations often affect also their families and communities. Leading international scholars discuss wisdom and folly from various thematic angles and theoretical perspectives. A final section deals with the polarity's reception in vase-painting and literature. The result is a wealth of fresh insights into moral, social and historical issues. The volume is of interest to students and scholars of classical drama and its reception, of philosophy, and of rhetoric

In Imagining the Text, James Brown examines ekphrasis - the verbal representation of a visual representation - in Wirnt von Gravenberg's thirteenth-century Arthurian romance Wigalois, one of the most popular and enduring stories in the Middle High German literary tradition. Through close reading of the text and examining illustrated Wigalois manuscripts, early print editions, and frescoes, Brown explores how ekphrasis structures the narrative, harmonizes potential conflicts in the text, and contributes to the construction of courtly identity. Imagining the Text demonstrates that the vibrant symbiosis of word and image is crucial to the poem's sustained popularity for more than six hundred years, and contributes to the history of the book and to the study of medieval and modern modes of perception.

To have a clear understanding of Chaucer's Canterbury Tales, the reader needs to know about the vocations of the pilgrims. For some 600 years, this information has been difficult to locate. This reference provides a detailed historical description of the occupations of Chaucer's pilgrims. An entry is devoted to each traveler, and the entries have similar formats to foster comparison. Each entry discusses the historical daily routine of the pilgrim's occupation, the portrayal of the profession in Chaucer's poem, and the relationship between the tale and Chaucer's General Prologue. Chaucer's Canterbury Tales is one of the oldest and most widely studied works of English literature. The tales provide a glimpse of medieval life, and the professions of the pilgrims figure prominently in the poetry. To have a clear understanding of Chaucer's work, the reader needs to know about the vocations of the pilgrims. For some 600 years, this information has been difficult to locate. This reference work conveniently synthesizes and discusses information about the occupation of each of Chaucer's pilgrims and provides an historical context. The volume contains individual entries for each of Chaucer's pilgrims, and the entries share a similar format to foster comparison. Each entry includes three parts. First, the pilgrim's profession is discussed in terms of the daily routine of the medieval occupation. Second, the vocation is examined in terms of its reflection in the tale told by the pilgrim. Third, the vocation and the tale are discussed, when possible, in relation to the descriptions of the characters provided in the General Prologue. Each entry includes a bibliography, and the volume concludes with a list of works for further reading.

Reissuing works originally published between 1958 and 1993, this five-volume set offers a selection of scholarship on the greatest classical poet, whose two monumental epics, the Iliad and the Odyssey, remain foundational to the Western cultural tradition. Routledge Library Editions: Homer helps to situate this immense artistic achievement in its historical and cultural context, considering issues such as the relationship between the Homeric epics and the Mycenaean civilisation which preceded them, the importance of Homer for the flowering of Greek tragedy, and the reception of Homer during and after the Enlightenment.

Reissuing works originally published between 1929 and 1996, Routledge Library Editions: Arthurian Literature offers a selection of scholarship on the genre. Classic previously out-of-print works are brought back into print here in this small set of literary criticism, translation, art and drama.The enduring myth and legend appears from Mediaeval literature through to more modern writings and offers a spectrum of poetry and prose which is studied widely, as expemplified in this set.

The study of the ancient Egyptian military and warfare now encompasses the background court society in which the various eulogies drawn up for the glorification of the kings were composed. This study proceeds from a previous analysis of the leadership characteristics of the military pharaohs to their underlying war records to the literary compositions that the pharaohs had drawn up for their glorification. A study of these court-inspired accounts fits within the overarching new perspectives of royally directed and inspired ancient Egyptian literature. The historical background covers the New Kingdom pharaohs Kamose, Thutmose III, Ramesses II and III, with Merenptah, plus Pianchy. The concentration is primarily upon the narrative structures employed in each of these king's monumental inscriptions.