Stanley Lombardo's deft abridgment of his 2005 translation of the Aeneid preserves the arc and weight of Virgil's epic by presenting major books in their entirety and abridged books in extended passages seamlessly fitted together with narrative bridges. W. R. Johnson's Introduction, a shortened version of his masterly Introduction to that translation, will be welcomed by both beginning and seasoned students of the Aeneid , and by students of Roman history, classical mythology, and Western civilization.

This new volume in the Routledge Medieval Casebooks series explores medieval rhetorical practices. Ten original essays examine the ways in which contemporary readers and scholars might employ rhetorical theory to illuminate underlying meanings in medieval texts. The contributors also explore how rhetoric was used as a means of textual innovation in the work of medieval authors such as Chaucer and his contemporaries.

The third edition of The Beast Within has been updated throughout to include current scholarship, new discussion of definitions, and fresh perspectives on critical animal theory that places animals, rather than humans, at the center of the discourse. Organized thematically, Salisbury incorporates many new sections and subsections to reveal the multifaceted history of the relationship between humans and animals: domestication, animal diseases and pandemics, dogfights, cockfights, Islamic dietary restrictions, menageries and zoos, and animals as entertainers. To show how modern concerns have been informed by medieval precedents, sections have been expanded to uncover medieval understandings of animal sexuality, animals before the law, and vegetarianism and modern 'fake meat'. The logical narrative concludes with chapters on 'Animals as Humans' and 'Humans as Animals', demonstrating that the lines between humans and animals have become increasingly blurred from the fourth to the twenty-first century. With an interdisciplinary approach that discusses humans and animals in relation to domestication, symbolism, science, law, religion, food and diet, sexuality, and entertainment, The Beast Within is an essential resource for all students of animal history, literature, and art in the Middle Ages.

This volume of essays offers innovations in teaching Chaucer in higher education. The projects explored in this study focus on a student-centred, active learning designed to enhance independent research skills and critical thinking. These studies also seek to establish conversations - between teachers and learners, and students and their texts.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Responses from the nineteenth century onwards to the medieval French poet. Medieval Paris' paradigmatic poet, Francois Villon, has long captured the imaginations of creative writers. Attracted by his beguilingly pseudo-autobiographical literary persona and a body of work that moves seamlessly between bawdy humour, bitterness, devotion, and regret, Villon's heirs have been many and varied. A veritable "poet's poet", his oeuvre has appealed to fellow versifiers in particular, providing a rich source for translation and imitation. This book explores creative responses to Villon by British and North American poets, focusing on translations and imitations of his work by Algernon Swinburne, Dante Gabriel Rossetti, Ezra Pound, Basil Bunting, and Robert Lowell. They are presented as exemplary of the greater trend of rendering Villon into English, transporting the reader from the first verse translations of his work in the nineteenth century, to post-modern adaptations and parodies ofVillon in the twentieth. By concentrating on the manner in which individual poets have reacted to Villon, and to one another, the study unravels multiple layers of poetic relations. It argues that the relationships that exist between the translated or imitated texts are collaborative as much as they are competitive, establishing a canon of Villon in English poetry whose allusions are not only to the French source, but to the parallel corpus of English translations and imitations. CLAIRE PASCOLINI-CAMPBELL holds degrees in medieval and comparative literatures from the University of St Andrews and University College London.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

In this ground-breaking book, Alison Milbank explains why a comprehension of the Victorian reception of Dante is essential for a full understanding of Victorianism as a whole. Her focus on this much-neglected topic allows her to reconfigure the British nineteenth-century understanding of history, nationalism, aesthetics and gender, and their often strange intersections. The account also builds towards a demonstration that the modernist perpetuation of the Dante obsession reveals an equal continuity with many aspects of Victorianism. The book provides not only an authoritative introduction to these important cultural themes, but also a re-reading of the genealogy of literature in the modern period. Instead of the Victorian realism challenged by Modernist symbolism's attempts to transcend linear time, Milbank offers us a contrary, continuous 'Danteism'. For both the Victorians and the Modernists Dante is the first writer to historicise, fictionalise and humanise the eternal role, and he becomes paradoxically the means by which history, secularised fiction and a positivist humanism could be reconnected to a lost transcendent. Dante and the Victorians provides the first comprehensive account of why the reading of Dante was central to nineteenth-century British language and culture. -- .

Twenty-six Lives of Saints, mainly from the British Isles, or with British connections. Almost all previously unpublished, the Lives were added as supplementary material to the Gilte Legende deriving from the enormously influential Legenda Aurea of Jacobus de Voragine.

This book offers an examination of Cicero's speech, the "Pro Balbo," which was delivered during a momentous period of Roman history, in defence of a highly influential political advisor of Caesar who was charged under the "lex Papia" for an illegal grant of citizenship. The first detailed study of the speech, this study analyzes the work according to the ancient rhetorical categories: types of arguments ("inventio": ethos, pathos and logos), the arrangement of these arguments ("dispositio"), and the use of style ("elocutio"). Kimberly Barber takes a thorough look at Cicero's technique, providing an understanding of the speech and illuminating the rhetorical issues raised by its legal context.

This book aims to offer a contemporary literary interpretation of the play, including a readable discussion of its underlying historical, religious, moral, social, and mythical issues. Also, it discusses the most recent interpretative scholarship on the play, the main intertextual affiliations with earlier Thebes-related tragedies, especially focusing on Sophocles' Antigone and Oedipus Tyrannus, and the literature and performance reception of the play; it contains an up-to-date bibliography and detailed indices. Thebook won the Academy of Athens Great Award for the Best Monograph in Classical Philology for 2008.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

This book analyses how the three books of visions by Hildegard of Bingen use the allegorical vision as a form of knowledge. It describes how the visionary's use of allegory and allegorical exegesis is linked to theories of cognition, interpretation, and prophecy. It argues that the form of the allegorical vision is not just the product of a medieval symbolic mentality, but specific to Hildegard's position and the major transformations taking place in the prescholastic intellectual milieu, such as the changing use of Scripture or the shift from traditional hermeneutics to cognitive language philosophy. The book shows that Hildegard uses traditional forms of knowledge - prophecy, the vision, monastic theology, allegorical hermeneutics - in startlingly innovative ways by combining them and by revising them for her own time.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

This study is the first to introduce evidentiality to the stylistic analysis of literary works, specifically that of the great Persian writer Sa'di, focused on how he used linguistic means to illustrate a real or ideational world. The authors begin by introducing the concept of evidentiality; its definition, its coding in Persian, the rationale behind evidentiality analysis, and semantic-pragmatic functions of evidentiality. The book highlights how evidentiality can be accounted for as a stylistic device to reveal the validity of a narration, as well as the author's commitment and contribution to it. Three of Sa'di's major works are analysed - Bustan, Golestan and Sonnets - using Krippendoff's frequency approach. It is argued that Sa'di deployed an array of evidentials in his work, from direct visual evidentials in Golestan and Sonnets to heard and quoted evidentials in Bustan. To illustrate this, the book includes translations of Sa'di's poetry and prose. In addition, the authors consider historical and contemporary manifestations of the Persian narrative style, as well as exploring the cultural concerns of the Persian speech community. The book will be appeal to general linguists, practitioners of pragmatics and stylistics, literary critics, and those interested in contrastive analysis of literature and cultural studies.

The rhetorical trope of irony is well-trod territory, with books and essays devoted to its use by a wide range of medieval and Renaissance writers, from the Beowulf-poet and Chaucer to Boccaccio and Shakespeare; however, the use of sarcasm, the "flesh tearing" form of irony, in the same literature has seldom been studied at length or in depth. Sarcasm is notoriously difficult to pick out in a written text, since it relies so much on tone of voice and context. This is the first book-length study of medieval and Renaissance sarcasm. Its fourteen essays treat instances in a range of genres, both sacred and secular, and of cultures from Anglo-Saxon to Arabic, where the combination of circumstance and word choice makes it absolutely clear that the speaker, whether a character or a narrator, is being sarcastic. Essays address, among other things, the clues writers give that sarcasm is at work, how it conforms to or deviates from contemporary rhetorical theories, what role it plays in building character or theme, and how sarcasm conforms to the Christian milieu of medieval Europe, and beyond to medieval Arabic literature. The collection thus illuminates a half-hidden but surprisingly common early literary technique for modern readers.

Series Information:
Studies in Medieval History and Culture: Outstanding Dissertations

This timely volume ventures into the subject of sadomasochism in varied aspects of medieval life. Saint's Lives and mystical treatises provide evidence of failed sadism and empowering masochism. Literary culture in the form of epics and courtly tales preserve stories of eroticised power. These exciting chapters join together to form a picture of medieval culture that is kinky in its practice and deeply psychological at its core. -- .

New approaches to a range of Old English texts. Throughout her career, Professor Katherine O'Brien O'Keeffe has focused on the often-overlooked details of early medieval textual life, moving from the smallest punctum to a complete reframing of the humanities' biggest questions. In her hands, the traditional tools of medieval studies -- philology, paleography, and close reading - become a fulcrum to reveal the unspoken worldviews animating early medieval textual production. The essays collected here both honour and reflect her influence as a scholar and teacher. They cover Latin works, such as the writings of Prudentius and Bede, along with vernacular prose texts: the Pastoral Care, the OE Boethius, the law codes, the Anglo-Saxon Chronicle, and AElfric's Lives of Saints. The Old English poetic corpus is also considered, with a focus on less-studied works, including Genesis and Fortunes of Men. This diverse array of texts provides a foundation for the volume's analysis of agency, identity, and subjectivity in early medieval England; united in their methodology, the articles in this collection all question received wisdom and challenge critical consensus on key issues of humanistic inquiry, among them affect and embodied cognition, sovereignty and power, and community formation.

The foremost critical edition of the Greek lyric poets: Alcman, Stesichorus, Ibycus, Anacreon, Simonides and Corinna, and other minor poets, and songs and fragments.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This study offers new approaches for considering the unique narrative possibilities of fairies in medieval romance, from Geoffrey of Monmouth's "Historia Regum Britannie" to Thomas Malory's "Morte d'Arthur." James Wade provides a counter-reading to theories of the Celtic origins of medieval fairies and suggests ways in which these unusual figures can help us think about the internal logics of medieval romance.

This is a study of the Wycliffite heresy, otherwise known as Lollardy, which flourished in England in the late fourteenth and early fifteenth centuries. Kantik Ghosh examines major texts by John Wyclif, William Woodford, Nicolas Love, Thomas Netter as well as the anonymous authors of the English Wycliffite Sermons, along with a wide range of scholastic, homiletic and meditative texts in Latin and English. Whatever the ultimate fate of Lollardy as a religious movement, he reveals that the debates it initiated successfully changed the intellectual landscape of England.

This innovative critical volume brings the study of Margery Kempe into the twenty-first century. Structured around four categories of 'encounter' - textual, internal, external and performative - the volume offers a capacious exploration of The Book of Margery Kempe, characterised by multiple complementary and dissonant approaches. It employs a multiplicity of scholarly and critical lenses, including the intertextual history of medieval women's literary culture, medical humanities, history of science, digital humanities, literary criticism, oral history, the global Middle Ages, archival research and creative re-imagining. Revealing several new discoveries about Margery Kempe and her Book in its global contexts, and offering multiple ways of reading the Book in the modern world, it will be an essential companion for years to come. -- .

Written to celebrate the 100th birthday of Sir Kenneth Dover, this volume unites the two major elements in his life: the relatively private groundbreaking scholarly work he did on aspects of Greek language and history and the more public-facing roles he assumed in universities and at the British Academy that led to him being in the national spotlight later in his career. The contributors to this volume consider all the major facets of Dover's life and work, setting them in the context of the burgeoning field of the history of scholarship. Contributors include students and colleagues of Dover's at different stages of his career, while others are themselves leading experts in areas of Classics to which Dover devoted his energies. Chapters on his academic works and the controversies he faced in public life are not bland celebrations of his legacy but critique and assess his life and work, ensuring that there is much to be learned not just about Dover but also about the fields he helped to shape.