The Second Sophistic (c.AD 60-250) was a time of intense competition for honour and status. Like today, this often caused mental as well as physical stress for the elite of the Roman Empire. This book, which transcends the boundaries between literature, social history, and philosophy, studies Plutarch's practical ethics, a group of twenty-odd texts within the Moralia designed to help powerful Greeks and Romans manage their ambitions and society's expectations successfully. Lieve Van Hoof combines a systematic analysis of the general principles underlying Plutarch's practical ethics, including the author's target readership, therapeutical practices, and self-presentation, with five innovative case studies. A picture emerges of philosophy under the Roman Empire not as a set of abstract, theoretical doctrines, but as a kind of symbolic capital engendering power and prestige for author and reader alike.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

These volumes assemble contributions presented at the XIX International Colloquium on Latin Linguistics in Munich (2017). They embrace essential topics of Latin linguistics with different theoretical and methodological approaches: The volumes contain chapters on Latin lexicography, etymology, morphology, phonology, Greek-Latin language contact, Latin syntax, semantics, and discourse-pragmatics.

This is a collection of previously published essays on late medieval and early modern literature, designed to act as a companion to "Chaucer to Spenser: An Anthology of Writings in English 1375 -1575," edited by Derek Pearsall (1999).

The object of the accompanying anthology is to provide representation of a variety of kinds of prose and verse, including some not traditionally regarded as canonically "literary," and also to trespass beyond the boundaries of the conventional medieval/early modern divide. This new volume provides some of the critical backing for those decisions about the canon and about periodization, and also give evidence of the vigor of opinion and debate in the field in general.

Most of the essays are from the last 20 years, and some are very recent, though space is also found for some earlier classics. The collection pays particular attention to those critics who have had the most powerful recent impact on our reading of the texts of the period: they are selected for their excellence and importance, whether in themselves or as representatives of an influential critical approach, and not for their adherence to any one school of interpretation. They will provide a companion to the texts in the anthology, a commentary and counterpoint to the views expressed in the editor's headnotes and explanatory notes, and a perspective on the best that has been thought and said about the writing of these two extraordinary centuries of creativity, consolidation and seed-sowing.

The Greek View of Poetry details critical theories and the appreciation of poetry by the ancient Greeks. Originally published in 1931, this text deals with a whole range of Greek critics from very early criticism to Longinus and his views on Homer in an attempt to provide a historical view of the importance of poetry to Greek society. This title will be of interest to students of Classics.

This book examines descriptions of the natural world in a wide range of Old English poetry. Jennifer Neville describes the physical conditions experienced by the Anglo-Saxons and argues that the poetic descriptions were not a reflection of these conditions but a literary device used by Anglo-Saxons to define more important issues, such as the state of humanity, the creation and maintenance of society, the power of individuals, the relationship between God and creation, and the power of writing to control information.

In his extraordinary story of the defence of Greece against the Persian invasions of 490-480 BC Herodotus sought to communicate not only what happened, but also the background of thoughts and perceptions that shaped those events and became critical to their interpretation afterwards. Much as the contemporary sophists strove to discover truth about the invisible, Herodotus was acutely concerned to uncover hidden human motivations, whose depiction was vital to his project of recounting and explaining the past. Emily Baragwanath explores the sophisticated narrative techniques with which Herodotus represented this most elusive variety of historical knowledge. Thus he was able to tell a lucid story of the past while nonetheless exposing the methodological and epistemological challenges it presented. Baragwanath illustrates and analyses a range of these techniques over the course of a wide selection of Herodotus' most intriguing narratives - from those on Athenian democracy and tyranny to Leonidas and Thermopylae - and thus supplies a method for reading the Histories more generally.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

This unique collection of essays focuses on various aspects of Plato's Philosophy of Art, not only in The Republic , but in the Phaedrus, Symposium, Laws and related dialogues. The range of issues addressed includes the contest between philosophy and poetry, the moral status of music, the love of beauty, censorship, motivated emotions.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Drawing from theatre, English studies, and art history, among others, these essays discuss the challenges and rewards of teaching medieval and early modern texts in the 21st-century university. Topics range from the intersections of race, religion, gender, and nation in cross-cultural encounters to the use of popular culture as pedagogical tools.

Contrary to the monolithic impression left by postcolonial theories of Orientalism, the book makes the case that Orientals did not exist solely to be gazed at. Hermes shows that there was no shortage of medieval Muslims who cast curious eyes towards the European Other and that more than a handful of them were interested in Europe.

Corti focuses on the meaning and importance of the act of child murder in literary treatments of the ancient myth. A projection of commonly experienced emotions that are often repressed and denied, Medea is the central figure in a tragedy encompassing the psychology of abusive individuals as well as the destructive quality of patriarchal institutions.

In the Euripidean prototype of the tragedy, child murder exposes the ironic issue of archaic communal values, and in the version by the Roman Seneca, disaster results from decadent emotional excess, but Corti asserts that the ancient custom of exposing superfluous infants is relevant to the psychology of both works. The abandonment of infants and persecution of witches are essential elements in the context of Pierre Corneille's vision of Medea as absolute authority imposing order on the petty rivalries of aristocratic children. In the pessimistic drama of the 19th century Austrian poet Franz Grillparzer, the punitive pedagogy of abusive parents, the disruptive effects of repressed memory, and the persecutory potential of group psychology function together as a constellation of interdependent pathologies. Finally, Corti asserts that the extraordinary number of 20th-century writers who have presented versions of the myth of Medea suggests that the drama of child murder is peculiarly relevant to the human predicament in our own age. An important work for students, scholars, and other researchers concerned with myth, world literature, cultural and women's studies, gender, and the psychology of abuse.

The Homeric Questions of the Neoplatonic philosopher Porphyry (3rd cent. CE) is an important work in the history of Homeric criticism. In contrast to the philosopher's allegorical readings of Homer in De Antro and De Styge, in the Homeric Questions Porphyry solves problemata by applying the dictum that "the poet explains himself". Based on a new collation of the manuscripts, this edition of Porphyry's Homeric Questions on the Iliad is the first since 1880. The preface contains sections on Porphyry's life and works, the manuscript tradition of the text, scholarship on the Homeric Questions, and the principles of this edition. The editor has eliminated much that had been wrongly attributed to Porphyry on stylistic grounds and has constructed text according to a strict distinction between extracts of the Homeric Questions, epitomes of the extracts, and Porphyrian scholia - all confusingly interspersed in the old text. A facing English translation at last makes this text accessible to the Greek-less reader. The commentary explains Porphyry's arguments and the editor's textual decisions. The editor sheds new light on Porphyry's use of the dictum that "the poet explains himself", by differentiating it from that of Alexandria textual critics.

As a genre situated at the crossroad of rhetoric and fiction declamatio offers the freedom to experiment with new forms of discourse. Placing the literariness of declamatio into the spotlight, this volume showcases declamation as a realm of genuine literary creation with its own theoretical underpinning, literary technique and generic conventions. Focusing on the oeuvre of Calpurnius Flaccus this volume demonstrates that these texts constitute a genre on their own, the rhetorical and literary framework of which remains not yet fully mapped. Contributions from an international group of leading scholars from the field of Roman Literature and Rhetoric will explore the question of how Roman Declamation functions as a literary genre. This volume investigates the literary technique and the generic conventions of declamatio in its social, pedagocial and ethical context to determine "the poetics" of Roman Declamation. This volume is of interest to students and scholars of Rhetoric and Roman Literature. If you are interested in Roman Declamation, we also recommend the volume on the Declamations Ascribed to Quintilian by the same editors to you.

The most original and ground-breaking work on Beowulf in several decades, this book uses "lexomic" methods that blend computer-assisted statistical analysis with traditional approaches to reveal new and surprising information about the construction and sources of the greatest surviving Old English poem. Techniques of cluster analysis identify patterns of vocabulary distribution that indicate robust similarities and differences among segments of the poem. The correlation of these patterns with knowledge gained from source-study, philological analysis, and neglected previous scholarship sheds new light on the material of which Beowulf was made and the way it was composed. The implications of this investigation for the dating, structure, and cultural context of Beowulf will overturn the current scholarly consensus and significantly improve our understanding of the poem, its nature, and origins.

Ezra Pound belatedly conceded that T.S.Eliot "was the true Dantescan voice" of the modern world. This is the first study to deal with this assertion and the relationship between the two poets. It attempts to show how Dante's total vision impinges on Eliot's craft and thought. Eliot's indebtedness to his Italian master, whose poetry he deemed "as the most persistent and deepest influence" upon his own verse, manifests itself in a variety of literary strategies, including imitation, parody, citation and allusion. At the same time Eliot's debt transcends the literary to embrace Dante's total vision, or his philosophy, theology and politics. Various aspects of Eliot's recourse to Dante's craft and thought may appear in a new light - his recurring fascination with Ulysses in "Inferno XXVI" and especially with Arnaut Daniel in "Purgatorio XXVI"; the exodus motif as it informs "The Waste Land", "The Hollow Men" and "Ash Wednesday"; the metaphor of Dante's book of memory as it applies to Eliot's work; the notion of order in its ethical, aesthetic and political dimensions. Finally, light is shed on some of the reasons why Eliot's Dante ultimately differs radically from that of the other mod

Helma Dik approaches word order in Greek tragic dialogue from the perspective of language rather than metre. The tragic poets engaged in mimesis of natural dialogue; therefore the analysis of the linguistic characteristics of the dialogue precedes exploration of the metrical dimension, on the assumption that poets would not be overly constrained by the iambic trimeter, which, after all, was the most natural speaking verse according to Aristotle. Dik analyses the word order of tragic dialogue in pragmatic terms, arguing that, in sentences, words functioning as Topic (the 'starting point' of an utterance) or Focus (the most salient piece of information) will come early, and that other less important words will follow. Similarly, the position of adjectives within noun phrases is analysed as a function of their relative salience rather than in terms of their semantics. This approach aims to account for word order in sentences generally, but it also allows for a new interpretation of familiar phenomena in Greek, such as 'postponed interrogatives'. The book concludes with a commentary on the word order in four passages of Sophocles' Electra.

This book examines the historical election of Barack Obama as the first African-American president from the perspective of racial relations. To trace the effect of time, Liu links Obama's multiracial winning coalition to the two-party system and the profound impact of racial changes since 1965. Contrary to the popular momentum theory which emphasizes the early victories in mainly two states, Iowa and New Hampshire, this book demonstrates that state context matters. Obama's electoral performance in a state is better explained by its level of racial tension, rather than the emotional need of Americans to elect a black president.

The oath was an institution of fundamental importance across a wide range of social interactions throughout the ancient Greek world, making a crucial contribution to social stability and harmony; yet there has been no comprehensive, dedicated scholarly study of the subject for over a century. This volume of a two-volume study explores how oaths functioned in the working of the Greek city-state (polis) and in relations between different states as well as between Greeks and non-Greeks.

Explores the representation of emotions as psychological concepts and cultural constructs in Geoffrey Chaucer's narrative poetry. McTaggart argues that Chaucer's main works including The Canterbury Tales are united thematically in their positive view of guilt and in their anxiety about the desire for sacrifice and vengeance that shame can provoke.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: Greek and Roman Textual Relations, edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity.