This volume centers on the study of the relations between literature and the environment and poses important questions to an evolving field: why has ecocriticism focused on narrow, more recent historical periods? What has prevented or discouraged critics from extending environmentally-conscious readings further into the past, and what is lost as a consequence? "Early Modern Ecostudies" engages directly with such issues and advances a new practice that borrows from the methodologies of current ecocriticism, interrogates its problematic assumptions, and extends its reach and significance. Dealing with a range of subjects, these essays apply ecocritical methods to traditional authors such as Shakespeare, Sidney, More, and Milton; canonical texts such Edward Taylor's poetry and the Florentine Codex; and documents from the literature of discovery, medicine, and natural history.

Lists and catalogues have been en vogue in philosophy, cultural, media and literary studies for more than a decade. These explorations of enumerative modes, however, have not yet had the impact on classical scholarship that they deserve. While they routinely take (a limited set of) ancient models as their starting point, there is no comparably comprehensive study that focuses on antiquity; conversely, studies on lists and catalogues in Classics remain largely limited to individual texts, and - with some notable exceptions - offer little in terms of explicit theorising. The present volume is an attempt to close this gap and foster the dialogue between the recent theoretical re-appraisal of enumerative modes and scholarship on ancient cultures. The 16 contributions to the volume juxtapose literary forms of enumeration with an abundance of ancient non-, sub- or para-literary practices of listing and cataloguing. In their different approaches to this vast and heterogenous corpus, they offer a sense of the hermeneutic, epistemic and methodological challenges with which the study of enumeration is faced, and elucidate how pragmatics, materiality, performativity and aesthetics are mediated in lists and catalogues.

The studies in this volume examine the intersection of the Dead Sea Scrolls with early rabbinic literature. This is a particularly rich area for comparative study, which has not heretofore received sufficient scholarly attention. While some of the contributions in this volume focus on specific comparative case studies, others address far-reaching issues of historical and comparative methodology. Particular attention is paid to questions of the nature of sectarian and rabbinic law, and how each may elucidate the other. These studies model the directions that need to be pursued in future scholarship on the lines of continuity and discontinuity that connect and differentiate these two literary corpora and their respective religious cultures and social structures.

The fact that aspects of witnesses and evidence put them in the centre of the institutional and cultural (e.g. religious, literary) construction of ancient societies indicates that it is important to keep offering nuanced approaches to the topic of this volume. To advance knowledge of the processes of presenting witnesses and gathering, or constructing, evidence is, in fact, to better and more fully understand the ways in which deliberative Athenian democracy functions, what the core elements of political life and civic identity are, and how they relate to the system of using logos to make decisions. For, witnesses and evidence were important prerequisites of getting the Athenian citizenship and exerting the civic/political identity as a member of the community. It is important, therefore, all the matters that relate to information-gathering and decision-making to be examined anew. Emphasis can be placed on a variety of genres to allow scholars recreate the fullest and clearest possible image about the witnessing and evidencing in antiquity. Chapters in this volume include considerations of social, political, literary, and moral theory, alongside studies of the impact of information-gathering and decision-making in oratory and drama, with a steady focus on the application of key ideas and values in social and political justice to issues of pressing ethical concern.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their "emplotments" (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.

Errors of many kinds abound in Akkadian writings, but this fact s far-reaching implications have never been unraveled and systematized. To attempt this is the aim of this book. Drawing on scholarship from other fields, it outlines a framework for the critical evaluation of extant text and the formulation of conjectural emendations. Along the way, it explores issues at the interface of orthography, textual transmission, scribal education, grammar, literacy, and literary interpretation."

The politics of Middle English parables examines the dynamic intersection of fiction, theology and social practice in late-medieval England. Parables occupy a prominent place in Middle English literature, appearing in dream visions and story collections as well as in lives of Christ and devotional treatises. While most scholarship approaches the translated stories as stable vehicles of Christian teaching, this book highlights the many variations and points of conflict across Middle English renditions of the same story. In parables related to labour, social inequality, charity and penance, the book locates a creative theological discourse through which writers attempted to re-construct Christian belief and practice. Analysis of these diverse retellings reveals not what a given parable meant in a definitive sense but rather how Middle English parables inscribe the ideologies, power structures and cultural debates of late-medieval Christianity. -- .

As a genre situated at the crossroad of rhetoric and fiction, declamatio offers the freedom to experiment with new forms of discourse. Placing the literariness of declamatio into the spotlight, this volume showcases declamation as a realm of genuine literary creation with its own theoretical underpinning, literary technique and generic conventions. Focusing on the oeuvre of (Ps)Quintilian, this volume demonstrates that these texts constitute a genre on their own, the rhetorical and literary framework of which remains not yet fully mapped. It is of interest to students and scholars of Rhetoric and Roman Literature.

Davis challenges the dominant accounts of the Elizabethan literary system, revealing the competing commercial, intellectual, political, and personal interests that swirled around the printing of The Countesse of Pembrokes Arcadia, Astrophel and Stella, and The Defence of Poesie. He also produces lively, accessible, significant new readings of arguably the most influential secular literary work of the Elizabethan age: the 1598 folio Arcadia, comprising all these works. Finally, by applying Jerome J.McGann's revisionary textual theories, Davis generates an original narrative literary history of Sidney's works and many of the most important printing enterprises of 1590s London.

This is the first volume in a set of two. Volume 1 introduces and collects together the scattered quotations of the Greek writers of the sixth to the fourth centuries BC who first recorded in prose the tales of Greek mythology (the 'mythographers'), whilst Volume 2 will be a scholarly commentary.

An examination of female same-sex desire in Chaucer and medieval romance. In both medieval and modern contexts, women who do not desire men invite awkward silences. Men's dissident sexual practices have been discussed energetically by writers of law and religion, medicine and morality; reams of medieval texts are devoted to horrified or fascinated references to men's deviant intimacies with men. Yet women - despite the best efforts of recent scholars - remain at the margins of this picture, especially in studies of literature. This book aims to re-centre female desire. Identifying a feminine or lesbian hermeneutic in late-medieval English literature, it offers new approaches to medieval texts often denigrated for their omissions and fragmentation, their violence and uneven poetic texture. The hermeneutic tradition Chaucer inherited, stretching from Jerome to Jean de Meun, represents female bodies as blank tablets awaiting masculine inscription, rather than autonomous agents. In the Legend, Chaucer considers the unspoken problem of female desires and bodies that resist, evade, and orient themselves away from such a position. Can women take on hermeneutic authority, that phallic capacity, without rendering themselves monstrous or self-defeating? This question resonates through three Middle English romances succeeding the Legend: the alliterative Morte Arthure, the Sowdone of Babylon, and Undo Your Door. With combative innovation, they repurpose the hermeneutic tradition and Chaucer's use of it to celebrate an array of audacious female desires and embodiments which cross and re-cross established categories of masculine and feminine, licit and illicit, animate and inanimate. Together, these texts make visible the desires and the embodiments of women who otherwise slip out of visibility, in both medieval and post-medieval contexts.

The narratives of Solomon and Jeroboam, of Elijah and Ahab, have fascinated readers for millennia. They are the principal foundation of our knowledge of the history of Israel during the early years of the divided monarchy, and their reliability and verifiability as historical sources have long been the subject of intense scholarly analysis and debate. But even apart from questions of historical authenticity, they are gripping stories of richly drawn characters caught up in the complex tale of Yahweh's dealings with Israel: Solomon the wise is the builder of Yahweh's Temple, yet he becomes an idolater; Jeroboam is chosen by Yahweh as king, yet he worships the golden calves; Elijah is a prophet second only to Moses, yet he tries to renounce his calling; and Ahab is the worst of Israel's kings, yet shows traces of greatness. This study explores the narrative world created by the ancient Israelite author - the people who inhabit it, the lives they live and the deeds they do, and the face of God who is revealed in their stories.

Winner of the 2021 Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History Winner of the 2022 SMFS Best First Book in Medieval Feminist Studies Award An overlooked aspect of the iconography of the Annunciation investigated - Mary's book. The Annunciation remains one of the most recognizable scenes in western Christianity: the angel Gabriel addressing the Virgin Mary, capturing the moment when Christ becomes incarnate. But one consistent detail has evaded our scrutiny - Mary's book. What was she reading? What does her book mean? This innovative study traces the history of Mary's book at the Annunciation from the early Middle Ages through to the Reformation, focusing on a wide variety of religious treatises, visionary accounts, and art. It argues that the Virgin provided a sophisticated model of reading and interpretation that was foundational to devotional practices across all spectrums of society in medieval England, and especially for enclosed female readers. By imitating the Virgin, readers learned how to read; they learned how to pray; they learned how to channel God through vision and revelation. Most of all, they learned how to conceive God spiritually, just as Mary had conceived him physically, and just as she had conceived intellectually her reading of the Old Testament prophecies foretelling the Incarnation - that she herself was part of their fulfillment. The Annunciation offered a hermeneutic model of conception radically based on the reproductive female body, otherwise deeply problematic in medieval culture. Scholars have long studied the importance of the Virgin Mary for medieval people. But few would think of her as an intellectual role model. Yet that is what this book contends - that Mary's reading at the Annunciation is, essentially, a missing link for understanding how reading, interpretation, and devotion worked in the Middle Ages.

Oxford Studies in Ancient Philosophy is an annual publication which includes original articles, which may be of substantial length, on a wide range of topics in ancient philosophy, and review articles of major books. Contributors to this volume; Jonathan Barnes, Roger Crisp, T.H. Irwin, Christopher Janaway, Richard J. Ketchum, Voula Tsouna McKirahan, Martha Nussbaum, Dirk Obbink, and Allan Silverman.

There is hardly a more controversial issue in the study of ancient religion than Orphism. More than two centuries of debate have not closed the subject, since new evidence and divergent approaches have kept appearing regularly. This volume sheds light on the most relevant pieces of evidence for ancient Orphism, collected in the recent edition by Alberto Bernabe. It contains 65 short new studies on Orphic fragments by leading international scholars who comment one of the most controversial phenomena in Antiquity from a plurality of perspectives. Readers will acquire a global vision of the multiple dimensions of the Orphic tradition, as well as many new insights into particular Orphic fragments.

The Florida, an anthology of 23 orations that Apuleius of Madauros delivered primarily in Carthage during the 160's A.D., offers a rich store of evidence about epideictic rhetoric, Middle Platonism, and the civic and intellectual life of the North African provincial metropolis. In addition to locating the work in its historical and cultural context, this commentary investigates Apuleius' remarkable language and style. Full attention is given to the rich and complex intertextual relationship of the Florida to earlier Greek and Roman literature, as well as to the work's extensive links to Middle Platonism, the Second Sophistic, and the rest of the Apuleian corpus, particularly his philosophical works.

This book argues that pre-modern societies were characterized by a common quest for human flourishing or excellence, i.e. virtue. The history of virtue is a particularly fruitful approach when studying pre-modern periods. Systems of moral philosophy and more day-to-day moral ideas and practices in which virtue was central were incredibly important in pre-modern societies within and among diverse scholarly, literary, religious and social communities. Virtue was a cornerstone of pre-modern societies, permeating society in many different ways, and on many different levels, and it was conveyed in erudite and pedagogical texts, ritual, performance and images. The construction of virtues such as wisdom, courage, and justice helped shape identities and communities, but also served to legitimize and reinforce differences pertaining to gender, social hierarchies, and nations. On a more fundamental level, studying the history of virtue helps us understand the guiding principles of historical action. Thus, we believe that the history of virtue is central to understanding these societies, and that the history of virtue, including criticisms of virtue and virtue ethics, tells us important things about how men and women thought and acted in ages past.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

After a period of neglect, Ovid's elegiac poem on the Roman calendar has been the focus of much recent scholarship. In her comprehensive and scholarly study of the final book, Joy Littlewood analyzes Ovid's account of the origins of the festivals of June, demonstrating that Book 6 is effectively a commemoration of Roman War, and elegantly provides a framing bracket to balance the opening celebration of Peace in Book 1. She explores the subtle interweaving of pietas and virtus in Roman religion and its relationship to Augustan ideology, the depth and accuracy of Ovid's antiquarianism, and his audacious expansion of generic boundaries.

Since the Renaissance, scholars have attempted to reconstruct ancient Greek music mainly on the basis of literary testimonies. Since the late 19th c. evidence from inscriptions and papyri enriched the picture. This book explores the factors that guided such reconstructions, from Aristophanes' comments on music to the influence of Roman music in late antiquity, thereby offering a crucial contribution to our understanding of ancient music's legacy.

This volume assembles sixteen authoritative articles on Homer's Odyssey that have appeared over the last thirty years. A wide variety of interpretative strategies are represented, including, in addition to traditional close readings, the approaches of comparative anthropology, narratology, feminism, and audience-oriented criticism. Papers have been selected for their clarity and accessibility, and each is informed by close attention to philological and textual detail. A full glossary and list of abbreviations have been included, and a specially written introduction puts the selections in a wider context by giving an overview of major strands in the interpretation of Homer in the second half of the twentieth century.

The portrayal of princes plays a central role in the historical literature of the European Renaissance. The sixteen contributions collected in this volume examine such portrayals in a broad variety of historiographical, biographical, and poetic texts. It emerges clearly that historical portrayals were not essentially bound by generic constraints but instead took the form of res gestae or historiae, discrete or collective biographies, panegyric, mirrors for princes, epic poetry, orations, even commonplace books - whatever the occasion called for. Beyond questions of genre, the chapters focus on narrative strategies and the transformation of ancient, medieval, and contemporary authors, as well as on the influence of political, cultural, intellectual, and social contexts. Four broad thematic foci inform the structure of this book: the virtues ascribed to the prince, the cultural and political pretensions inscribed in literary portraits, the historical and literary models on which these portraits were based, and the method that underlay them. The volume is rounded out by a critical summary that considers the portrayal of princes in humanist historiogrpahy from the point of view of transformation theory.