This book explores for the first time the relation between Atticist lexicography and the pronunciation of Greek, an aspect of Atticism that has never been studied thouroughly before. It examines the ideas of the Atticist about what Greek should sound like, drawing on Atticist lexicography as the main source of information on the special pronunciation of the Atticist. The book addresses all scholars with an interest in Atticism, Greek in the Imperial period, and linguistic purism more in general. It sheds new light on an aspect of Atticism that is otherwise poorly attested, and complements the existiting study on later Greek and the impact of Atticism in the history of the Greek language.

Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire. The book argues that, particularly between 1550 and 1680, Chinese elite editors rewrote and printed early plays and songs, so-called Yuan-dynasty zaju and sanqu, to imagine and embody new concepts of authorship, readership and desire, an interpretation that contrasts starkly with the national and racially-oriented reception of song-drama developed by European critics after 1735 and subsequently modified by Japanese and Chinese critics after 1897. By analyzing the critical and material facets of the early song and play tradition across different historical periods and cultural settings, Theaters of Desire presents a compelling case study of literary canon formation.

The work of Bernard of Clairvaux (1090-1153) consists of mystical highlights, moments of stylistic beauty and traditional exegetical discourse. In contrast to previous studies this book does not limit itself to the historical and devotional side of Bernard, but brings to the fore his stylistic originality. Bernard emerges as a flexible thinker, a great dramatist and an adroit master of language who combines the fixed pattern of monastic life with the vicissitudes of extra-mural events.
On the one hand, Bernard's writings are composed according to the rhythm of the uninterrupted ritual of prayer and singing inside the walls of the monastery. On the other hand, that ritual is interspersed with notions of love and death. The present study describes the literary devices through which Bernard shapes the monastic existence as a subtle blend of liturgical routine and uncontrollable events and emotions.

Written while Boethius was in prison awaiting execution, The Consolation of Philosophy consists of a dialogue in alternating prose and verse between the author, lamenting his own sorrows, and a majestic woman, who is the incarnation of his guardian Philosophy. The woman develops a modified form of Neoplatonism and Stoicism, demonstrating the unreality of earthly fortunes, then proving that the highest good and the highest happiness are in God, and reconciling the apparent contradictions concerning the existence of everything.

This is an innovative and original exploration of the connections between Sir Gawain and the Green Knight, one of the most well-known works of medieval English literature, and the tradition of French Arthurian romance, best-known through the works of Chretien de Troyes two centuries earlier. The book compares Gawain with a wide range of French Arthurian romances, exploring their recurrent structural patterns ad motifs, their ethical orientation and the social context in which they were produced. It presents a wealth of new sources and analogues, which provide illuminating points of comparison for analysis of the self-consciousness with which the Gawain-poet handled the staple ingredients of Arthurian romance. Throughout, Ad Putter plays close attention to the ways in which the modes of representation of Arthurian romance are related to social and historical context. By revealing in the course of their romances the importance of conscience, courtliness, and self-restraint, literati such as the Gawain-poet and Chretien de Troyes helped a feudal society with an obsolete chivalric ideology adapt to the changing times.

The current focus on the theme of authorship in Medieval and Early Modern studies reopens questions of poetic agency and intent. Bringing into conversation several kinds of scholarship on medieval authorship, the essays in Author, Reader, Book examine interrelated questions raised by the relationship between an author and a reader, the relationships between authors and their antecedents, and the ways in which authorship interacts with the physical presentation of texts in books.The broad chronological range within this volume reveals the persistence of literary concerns that remain consistent through different periods, languages, and cultural contexts. Theoretical reflections, case studies from a wide variety of languages, examinations of devotional literature from figures such as Bishop Reginald Pecock, and analyses of works that are more secular in focus, including some by Chaucer and Christine de Pizan, come together in this volume to transcend linguistic and disciplinary boundaries.

"In this book, Miriamne Ara Krummel complicates the notion of the English Middle Ages as a monolithic age of Christian faith. Cataloguing and explicating the complex depictions of semitisms to be found in medieval literature and material culture, this volume argues that Jews were always present in medieval England, and it is only in rereading the historical record that it has been considered Judenrein-without Jews"--

The Greeks discovered the individual, it is said, but in what sense is this true? Characters in Greek literature may often seem strangely different from their modern counterparts: less idiosyncratic, less real, and with less psychological depth or interest. Personality traits seems to cluster more predictably in the characters of Greek authors than of those today. Despite the wide-ranging scope of this aspect of Greek literature, most previous discussions on Greek characterization and individuality have been limited to particular authors or genres. This volume attempts to illuminate the connections and mutual influences of the various genres in the portrayal of the individual. Ten essays explore the question of the distinction of character and personality (C. Gill); how the Greeks viewed the concept of character (S. Halliwell); characterization in epic (O. Taplin), in tragedy (P. E. Easterling, S. Goldhill, and J. Griffin), in comedy (M. Silk), in philosophical dialectic (L. Coventry), in oratory and rhetoric (D. A. Russell), and in biography (C. B. R. Pelling). This work will be invaluable to anyone interested in Greek literature and in the phenomenon of characterization and individuality in literature in general.

This is an English translation of Aristophanes' popular comedy in which the god Dionysus seeks to bring the great dramatist Euripides from Hades, where he encounters another great Classical playwright, Aeschylus. Includes background material on the historical and cultural context of this work, suggestions for further reading, and notes. The Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture and the roots of contemporary thought.

"Ancient Epic" offers a comprehensive and accessible introduction to six of the greatest ancient epics - Homer's "Iliad" and "Odyssey," Vergil's "Aeneid," Ovid's "Metamorphoses," and Apollonius of Rhodes' "Agonautica."Provides an accessible introduction to the ancient epicOffers interpretive analyses of poems within a comprehensive historical contextIncludes a detailed timeline, suggestions for further readings, and an appendix of the Olympian gods and their Akkadian counterparts

This book interrogates our ideas about heterosexuality through examination of medieval romance narratives. Familiar configurations of romantic fiction such as male desire overwhelming feminine reluctance and the aloof masculine hero undone by love derive from this period. This book tests current theories of language and desire through stylistic analysis, examining transitivity choices and speech acts in sexual encounters and conversations in medieval romances. In the context of current preoccupations with gender and sexuality, and consent in rape cases, this study is of interest to scholars investigating language and sexuality as well as those researching and teaching medieval literature and culture.

This is the first modern study in English of the life and thought of the ninth-century Byzantine theologian and monastic reformer, Theodore the Stoudite. Cholij analyses Theodore's letters and religious writings in context in order to reach new conclusions concerning the religious and secular issues which engaged him in controversy. This analysis develops a new definition of the origins of the Orthodox sacramental tradition.

There is a scholarly consensus on the crucial role played by the philosophers of late Antiquity, especially the dominant figure of Plotinus, in reshaping the thought of Plato and Aristotle. It is also well-established that the rise of the Arabic philosophy was fostered by the movement of the Graeco-Arabic transmission. However, the development of coherent theories describing the role of late ancient philosophical thought in the creation of Arabic philosophy has been hampered by poor interaction between the various disciplines involved. "The Libraries of the Neoplatonists," with its twin focus on the textual transmission within the schools of late Antiquity and on the dissemination of philosophical writings in the Syriac-speaking and Arabic-speaking areas, provides a magisterial survey of the Neoplatonic transmission of the Greek heritage to later ages and various linguistic areas.

St. Birgitta of Sweden (1303-1373, canonized 1391) was one of the most charismatic and influential female visionaries of the later Middle Ages. Altogether, she received some 700 revelations, dealing with subjects ranging from meditations on the human condition, domestic affairs in Sweden, and ecclesiastical matters in Rome, to revelations in praise of the Incarnation and devotion to the Virgin. Her Revelations, collected and ordered by her confessors, circulated widely throughout Europe and long after her death. Many eminent individuals, including Cardinal Juan Torquemada, Jean Gerson, and Martin Luther, read and commented on her writings, which influenced the spiritual lives of countless individuals. Birgitta was also the founder of a new monastic order, which still exists today. She is the patron saint of Sweden, and in 2000 was declared (with Catherine of Siena and Edith Stein) co-patroness of Europe. Birgitta's Revelations present her as a commanding and dauntless visionary who develops a contemplative mysticism that is always interwoven with social engagement and a commitment to the salvation of the world. The varied styles of her revelations are dominated by frequent juxtapositions of memorable images and allegories that illustrate her fierce and fertile imagination, her sharp powers of observation and understanding, and her passionate and receptive storytelling powers. This fourth and final volume of the translation of the Revelations of St. Birgitta of Sweden, comprises The Heavenly Emperor's Book to Kings, The Rule, and minor works. While the complete collection of Birgitta's books-called Liber caelistis-ends with Books VII, the eighth book was added after her death. It was compiled by Alfonso of Jaen, and is prefaced by his own treatise, titled The Hermits Letter to Kings, which examines the ways in which revelations are tested and proven to be true visions conferred by the Holy Spirit. The translation is based on the recently completed critical edition of the Latin text and promises to be the standard English translation of the Revelations for years to come.

"Temporal Circumstances" provides powerful and detailed interpretations of the most important and challenging of the "Canterbury Tales." Well-informed and clearly written, this book will interest both those familiar with Chaucer's masterpiece and readers new to it.

As literature written in Latin has almost no female authors, we are dependent on male writers for some understanding of the way women would have spoken. Plautus (3rd to 2nd century BCE) and Terence (2nd century BCE) consistently write particular linguistic features into the lines spoken by their female characters: endearments, soft speech, and incoherent focus on numerous small problems. Dorota M. Dutsch describes the construction of this feminine idiom and asks whether it should be considered as evidence of how Roman women actually spoke.

This study innovatively explores how Malory’s Morte Darthur responds to available literary vernacular Arthurian traditions—the French defined as theoretical in impulse, the English as performative and experimental. Negotiating these influences, Malory transforms constructions of masculine heroism, especially in the presentation of Launcelot, and exposes the tensions and disillusions of the Arthurian project. The Morte poignantly conveys a desire for integrity in narrative and subject-matter, but at the same time tests literary conceptualizations of history, nationalism, gender and selfhood, and considers the failures of social and legal institutionalizations of violence, in a critique of literary form and of social order.

The purposes of this short monograph are to identify and analyze the problems of Athenian society with which the last two extant plays of Aristophanes - the Ekklesiazousai and the Ploutos - are concerned, as well as to examine the playright's views on the essence of these problems and on attempts to find satisfactory solutions to them. The work contains an introduction and seven sections: 1. Historical Background; 2. Poverty: Symptoms, Ideas regarding Solutions and Criticisms of Ideas; 3. Poverty versus Riches; 4. The sources of the ''Communistic'' Ideas; 5. Misthos Ekklesiastikos ; 6. The Censure of Materialism; 7. Aristophanes and the ''Middle Road''. The author has attempted here to set forth both the value of Aristophanes' last plays as historical sources and the significance of their social message.

City Government in Hellenistic and Roman Asia Minor examines the social and administrative transformation of Greek society within the early Roman empire, assessing the extent to which the numerous changes in Greek cities during the imperial period ought to be attributed to Roman influence. The topic is crucial to our understanding of the foundations of Roman imperial power because Greek speakers comprised the empire's second largest population group and played a vital role in its administration, culture, and social life.
This book elucidates the transformation of Greek society in this period from a local point of view, mostly through the study of local sources such as inscriptions and coins. By providing information on public activities, education, family connections, and individual careers, it shows the extent of and geographical variation in Greek provincial reaction to the changes accompanying the establishment of Roman rule. In general, new local administrative and social developments during the period were most heavily influenced by traditional pre-Roman practices, while innovations were few and of limited importance.
Concentrating on the province of Asia, one of the most urbanized Greek-speaking provinces of Rome, this work demonstrates that Greek local administration remained diverse under the Romans, while at the same time local Greek nobility gradually merged with the Roman ruling class into one imperial elite. This conclusion interprets the interference of Roman authorities in local administration as a form of interaction between different segments of the imperial elite, rejecting the old explanation of such interference as a display of Roman control over subjects.

This book meets the need to revise the standard interpretations of an apparently aporetic dialogue, full of eloquent silences and tricky suggestions, as it explores, among many other topics, the dramatis personae, including Plato's self-references behind the scene and the role of Socrates on stage, the question of method and refutation and the way dialectics plays a part in the dialogue. More especifically, it contains a set of papers devoted to perception and Plato's criticism of Heraclitus and Protagoras. A section deals with the problem of the relation between knowledge and thinking, including the the aviary model and the possibility of error. It also emphasizes some positive contributions to the classical Platonic doctrines and his philosophy of education. The reception of the dialogue in antiquity and the medieval age closes the analysis. Representing different hermeneutical traditions, prestigious scholars engage with these issues in divergent ways, as they shed new light on a complex controversial work.

This is the first volume dedicated to Aristophanes' comedy Peace that analyses the play for a student audience and assumes no knowledge of Greek. It launches a much-needed new series of books each discussing a comedy that survives from the ancient world. Six chapters highlight the play's context, themes, staging and legacy including its response to contemporary wartime politics and the possible staging options for flying. It is ideal for students, but helpful also for scholars wanting a quick introduction to the play. Peace was first performed in 421 BC, perhaps only days before the signing of a peace treaty that ended ten years of fighting between Athens and Sparta (the Archidamian War). Aristophanes celebrates this prospect with an imaginative fantasy involving his hero's flight on a gigantic dung-beetle to Olympus, the rescue of the goddess Peace from her imprisonment in a cave, and her return to a Greece weary of ten years of war. Like most of the poet's comedies, this play is heavy on fantasy and imagination, light on formal structure, being an exuberant farce that champions the opponents of War and celebrates the delights of the return to country life with its smells, food and drink, its many pleasures and none of the complications that war brings in its wake.