In 30-15 BC Sextus Propertius composed at Rome four books of elegies which range from erotic to learned to political and exhibit an unparalleled richness of themes, concepts and language. This book investigates their sources and motives, examining Propertius' family background in Umbrian Asisium and tracing his career as he sought through poetry to restore his family's fortunes after the Civil Wars. Propertius' progress within the Roman poetic establishment depended on his patrons - Tullus, 'Gallus', Maecenas and Augustus. Initially his poetry was influenced radically by his elegiac predecessor C. Cornelius Gallus, arguably also the 'Gallus' who jointly patronised Propertius' first book. New heuristic techniques help to recover the impact on Propertius of Cornelius Gallus' (mainly lost) elegies. Propertius' subsequent move into Maecenas', and then Augustus', patronage had an equally powerful, ideological, impact; in his latter books he became (alongside Virgil and Horace) a major and committed Augustan voice.

Patrick Boyde brings Dante's thought and poetry into focus for the modern reader by restoring the Comedy to its intellectual and literary context in 1300. He begins by describing the authorities that Dante acknowledged in the field of ethics and the modes of thought he shared with the great thinkers of his time. After giving a clear account of the differing approaches and ideals embodied in Aristotelian philosophy, Christianity and courtly literature, Boyde concentrates on the poetic representation of the most important vices and virtues in the Comedy. He stresses the heterogeneity and originality of Dante's treatment, and the challenges posed by his desire to harmonize these divergent value-systems. The book ends with a detailed case study of the 'vices and worth' of Ulysses in which Boyde throws light on recent controversies by deliberately remaining within the framework of the thirteenth-century assumptions, methods and concepts explored in previous chapters.

This study addresses two desiderata of historical emotion research: reflecting on the interdependence of textual functions and the representation of emotions, and acknowledging the interdependence of studies on the premodern and modern periods in the history of emotion. Contemporary research on the history of emotion is characterised by a proliferation of studies on very different eras, authors, themes, texts, and aspects. The enthusiasm and confidence with which situations, actions, and interactions involving emotions in history are discovered, however, has led to overly direct attempts to access the represented objects (emotions/feelings/affects); as a result, too little attention has been paid to the conditions and functions of their representations. That is why this study engages with the emotion research of historians from an unashamedly philological perspective. Such an approach provides, among other things, insights into the varied, often contradictory, observations that can be made about the history of emotion in modernity and premodernity.

Claudian was one of the last great Latin poets of the classical tradition, writing at the imperial court in Milan in the late fourth to early fifth century AD. With the current upsurge of research into late antiquity, he is a figure of great interest who has been undeservedly neglected - a creative artist with an immense knowledge of classical literature and a distinctive literary style. His works have been mined for what they reveal about the history of the period, as he largely wrote political propaganda for members of the court circle; but the De Raptu Proserpinae is fascinating in that it shows him working with subject matter of more personal choice. J. B. Hall has already produced two editions of the work, which deal exhaustively with the complicated manuscript traditions; but he self-confessedly leaves aside literary questions, which are the subject of this commentary. This is therefore the first study to look at the poem as a work of literary interest in its own right. The book includes a text designed to simplify Hall's apparatus, and a facing translation to make the work more accessible to non-specialists.

Chaucerian Ecopoetics performs ecocritical close readings of Geoffrey Chaucer's poetry. Shawn Normandin explains how Chaucer's language demystifies the aesthetic charm of his narratives and calls into question the anthropocentrism they often depict. This text combines ecocriticism with reading techniques associated with deconstruction, to provide innovative interpretations of the General Prologue, the Knight's Tale, the Miller's Tale, the Reeve's Tale, the Franklin's Tale, the Physician's Tale, and the Monk's Tale. In stressing the importance of rhetorical nuance and literary form, Chaucerian Ecopoetics enables readers to better understand the ideological prehistory of today's environmental crisis.

Ibycus is one of the nine canonical lyric poets, a crucial figure in the history of Greek poetry and the archaic world. His work has value both for its own poetic qualities and for its importance from a literary-historical point of view. Ibycus' imagery is complex and demanding, his intertextual relationships sophisticated and his use of metre both traditional and innovative. His work also helps us to understand the relationship between the poetry of West and East Greece and to further our knowledge of patronage and the epinician tradition. This commentary includes an introduction to Ibycus' life and poetry, covering the internal and external evidence for his life and the content, imagery and metre of his poetry. It then offers an individual analysis and detailed commentary on a selection of Ibycus' poems, including both the more famous poems and less well-known fragments, all of which give insight into his style and themes, as well as his relationship to other poets of the period. The commentary also offers a re-examination of the fragments preserved on the Oxyrhynchus papyri, providing a new edition of these poems which gets as close as possible to the material preserved.

Continuum's "Introductions to British Literature and Culture" series provide practical guides to key literary periods. Guides in the series help to orientate students as they begin a new module or area of study, providing concise information on the historical, cultural, literary and critical context and acting as an initial map of the knowledge needed to study the literature and culture of a specific period. Each guide includes an overview of the historical period, intellectual contexts, major genres, critical approaches and a guide to original research and resource materials in the area, enabling students to progress confidently to further study. "The Guide to Medieval Literature and Culture" provides students with the ideal introduction to literature and its context from the 7th to 15th centuries, including: the historical, cultural and intellectual background including religion and philosophy, society and politics, art and culture; major works and genres including religious literature, history writing, drama, Chaucer, and Langland; concise explanations of key terms needed to understand the literature and criticism; key critical approaches to medieval literature from the Renaissance to the present; and a chronology mapping historical events and literary works and further reading including websites and electronic resources.

Sextus Empiricus is one of the most important ancient philosophical writers after Plato and Aristotle. His writings are our main source for the doctrines and methods of Scepticism. He probably lived in the second century AD. Eleven books of his writings have survived, covering logic, physics, ethics, and many other fields. Against the Grammarians is the first book of Sextus' Adversus Mathematicos, his broad-ranging polemic against the various liberal studies of classical learning. It is prefaced by a short general attack on the arts (included in this volume); then Sextus focuses on the grammatical writers of the classical era, categorizing, analysing, and criticizing their doctrines. The result is not only an invaluable source for ancient ideas about grammar, language, and literary technique, but an excellent example of sustained Sceptical reasoning. David Blank presents a new translation into clear modern English of this important treatise, together with the first ever commentary on the work. In an extended introduction he discusses Against the Grammarians in the broad context of Sextus' work as a whole, Scepticism in general, and the history of ancient writings in this field.

A leading cultural historian of premodern Japan draws a rich portrait of the emerging samurai culture as it is portrayed in gunki-mono, or war tales, examining eight major works spanning the mid-tenth to late fourteenth centuries. Although many of the major war tales have been translated into English, Warriors of Japan is the first book-length study of the tales and their place in Japanese history. The war tales are one of the most important sources of knowledge about Japan's premodern warriors, revealing much about the medieval psyche and the evolving perceptions of warriors, warfare, and warrior customs.

Eusebius of Caesarea (d. 339) is our major historical witness to the triumph of Christianity in the early fourth century. His commentary on the Book of Isaiah has only been available to modern scholars since 1975. The present book, the first comprehensive study, examines how Eusebius interpreted Isaiah in the context of Constantine's conversion.

The Chronica by the grammarian Apollodorus of Athens (2nd century BC) was an exemplary chronographical reference work. It was composed in trimeters and represents the first Iambic didactic poem ever. So far, the surviving original verses have hardly been appreciated and analyzed in their own terms. Therefore a comprehensive collection of these verses is provided, including an introduction, edition, translation and commentary. Most verses stem from Philodemus' Index Academicorum, a Herculanean papyrus. Through the use of new imaging techniques and cutting-edge editing methods, enormous textual progress has been made. Many verses have been newly restored or significantly improved. They often reveal new hard facts about Academic philosophers and also bear some relevance for the dating of the Chronica and for Apollodorus' biography. In short, this collection guarantees easy access to the genuine verses of the Chronica, as originally drafted by Apollodorus, and thereby facilitates a contextualization or comparison with other (Iambic) didactic poems on a dramatically changed textual basis. The scope of the book fulfills various scholarly desiderata from a historical, philosophical, philological and literary-critical standpoint.

This book aims to provide the reader of Homer with the traditional knowledge and fluency in Homeric poetry which an original ancient audience would have brought to a performance of this type of narrative. To that end, Adrian Kelly presents the text of Iliad VIII next to an apparatus referring to the traditional units being employed, and gives a brief description of their semantic impact. He describes the referential curve of the narrative in a continuous commentary, tabulates all the traditional units in a separate lexicon of Homeric structure, and examines critical decisions concerning the text in a discussion which employs the referential method as a critical criterion. Two small appendices deal with speech introduction formulae, and with the traditional function of Here and Athene in early Greek epic poetry.

The most passionate, individual, and controversial of the Latin love elegists, Propertius in Book 3 covers a broad range of subject matter and a vast geographical reach. After books focused on his mistress Cynthia, he maintains his elegiac role but expands his range to provide a lover's commentary on life, discussing luxury, nudity, art, the empire, and the dangers of travel for profit and war. This detailed commentary uses the text recently published in the Oxford Classical Texts series, and sets out to build on the richness of the material in the book by providing clear introductions to the genres the poems explore - the Greek elegy of Callimachus, epic, tragedy, hymn and epigram - and to topics such as patronage, philosophy, and the images of love as slavery and as warfare.

The elements of music, musical values, the relationship of music to the other ancient arts--all of these subjects are explored as Polin discusses the musical heritage of the ancient Near East.

This volume aims at offering a critical reassessment of the progress made in Homeric research in recent years, focussing on its two main trends, Neonalysis and Oral Theory. Interpreting Homer in the 21st century asks for a holistic approach that allows us to reconsider some of our methodological tools and preconceptions concerning what we call Homeric poetry. The neoanalytical and oral 'booms', which have to a large extent influenced the way we see Homer today, may be re-evaluated if we are willing to endorse a more flexible approach to certain scholarly taboos pertaining to these two schools of interpretation. Song-traditions, formula, performance, multiformity on the one hand, and Motivforschung, Epic Cycle on the other, may not be so incompatible as we often tend to think.

Enchanted with novelty and obsessed with power, control, and efficiency, technocrats eagerly and imprudently plow under what they deem anachronistic relics. Utility and ease are their passwords, and the poor individual with sole recourse to personal resources and ingenuity is viewed as a waste of time and energy. What this means for education is that uniformity, predesigned programs, and abdication to an elite corps of experts have come to dominate and characterize our institutions. As antidotes for the technological age, Kuhlman suggests motifs and imagery from the classical world, such as agon, arete, and paideia. He reminds us of the agonies of the artist in the gestation of the great, soul-fulfilling creations of our past. He wonders if truly great accomplishments are possible without the pain and agony of individual struggle. He suggests that the individual psyche is withering on the vine because it is not expected to undergo the suffering necessary to transform it into an educated self.

Examining Malory's political language, this study offers a revisionary view of Arthur's kingship in the Morte Darthur and the role of the Round Table fellowship. Considering a range of historical and political sources, Lexton suggests that Malory used a specific lexicon to engage with contemporary problems of kingship and rule.

In the early fifteenth century, English poets responded to a changed climate of patronage, instituted by Henry IV and successor monarchs, by inventing a new tradition of public and elite poetry. Following Chaucer and others, Hoccleve and Lydgate brought to English verse a new style and subject matter to write about their King, nation, and themselves, and their innovations influenced a continuous line of poets running through and beyond Wyatt. A crucial aspect of this new tradition is its development of ideas and practices associated with the role of poet laureate. Robert J. Meyer-Lee examines the nature and significance of this tradition as it develops from the fourteenth century to Tudor times, tracing its evolution from one author to the next. This study illuminates the relationships between poets and political power and makes plain the tremendous impact this verse has had on the shape of English literary culture.

No study has been carried out examining the gnostic undercurrents in medieval England. For the first time, Natanela Elias investigates the existence of these gnostic traces, using prominent late medieval English literary works such as Piers Plowman and Confessio Amantis and ultimately shedding light on a previously overlooked religious dimension.

According to the customary literary-historical and theoretical notion, the fact that the first modern novel represents a parody or travesty of the chivalric ideal merits no particular attention. Failing to become attuned to the real role of the chivalric ideal at the beginning of the era of the modern novel, commentators missed the chance to adequately review the role of chivalry at the end of that period. The modern novel did not only begin, but also ended with a travesty of the chivalric ideal. The deep need of a significant number of modernist writers to measure their own time according to the ideals of the high and late Middle Ages cannot, therefore, be explained by a set of literary-historical, spiritual-historical or social circumstances. The predilection of a range of twentieth century novelists for a distant feudal past suggests that there exists a fundamental poetic connection between the modern (or at least the modernist) novel and the ideals of chivalry.

This volume is an accessible yet in-depth narratological study of Euripides' Alcestis - the earliest extant play of Euripides and one of the most experimental masterpieces of Greek tragedy, not only standing in place of a satyr-play but also preserving at least some of its typical features. Commencing from the widely-held view, so lamentably ignored within the domain of Classics, that a narratology of drama should be predicated upon the notion of narrative as verbal, as well as visual, rendition of a story, this unique volume contextualizes the play in terms of its reception by the original audience, locating the intricate narrative tropes of the plot in the dynamics of fifth-century Athenian mythology and religion.

In his utopian novel Hiera Anagraphe (Sacred History) Euhemerus of Messene (ca. 300 B.C.) describes his travel to the island Panchaia in the Indian Ocean where he discovered an inscribed stele in the temple of Zeus Triphylius. It turned out that the Olympian gods (Uranos, Kronos, Zeus) were deified kings. The travels of Zeus allowed to describe peoples and places all over the world. Winiarczyk investigates the sources of the theological views of Euhemerus. He proves that Euhemerus' religious views were rooted in old Greek tradition (the worship of heroes, gods as founders of their own cult, tombs of gods, euergetism, rationalistic interpretation of myths, the explanations of the origin of religion by the sophists, the ruler cult). The description of the Panchaian society is intended to suggest an archaic and closed culture, in which the stele recording res gestae of the deified kings might have been preserved. The translation of Ennius' Euhemerus sive Sacra historia (ca. 200 - ca. 194) is a free prose rendering, which Lactantius knew only indirectly. The book is concluded by a short history of Euhemerism in the pagan, Christian and Jewish literature.

A collection of articles by Richard E. Mitchell presenting all the major historiographical problems scholars encounter in reconstructing the early Republic. Mitchell was one of the first scholars to question the practice of taking the broad outlines of the accounts handed down by Roman historians (writing hundreds of years later) at face value in writing modern accounts of the period.

The scattered research history of the Old Frisian runic inscriptions dating to the early Medieval period (ca. AD 400-1000) calls for a comprehensive and systematic reprocessing of these objects within their socio-cultural context and against the backdrop of the Old English Runic tradition. This book presents an annotated edition of 24 inscriptions found in the modern-day Netherlands, England and Germany. It provides the reader with an introduction to runological methodology, a linguistic commentary on the features attested in the inscriptions, and a detailed catalogue which outlines the find history of each object and summarizes previous and new interpretations supplemented by pictures and drawings. This book additionally explores the question of Frisian identity and an independent Frisian runic writing tradition and its relation to the contemporary Anglo-Saxon runic culture. In its entirety, this work provides a rich basis for future research in the field of runic writing around the North Sea and may therefore be of interest to scholars of historical linguistics and early Medieval history and archaeology.