Beyond Reception applies a new concept for analyzing cultural change, known as 'transformation', the study of Renaissance humanism. Traditional scholarship takes the Renaissance humanists at their word, that they were simply viewing the ancient world as it actually was and recreating its key features within their own culture. Initially modern studies in the classical tradition accepted this claim and saw this process as largely passive. 'Transformation theory' emphasizes the active role played by the receiving culture both in constructing a vision of the past and in transforming that vision into something that was a meaningful part of the later culture. A chapter than explains the terminology and workings of 'transformation theory' is followed by essays by nine established experts that suggest how the key disciplines of grammar, rhetoric, history, poetry, and philosophy in the Renaissance represent transformations of what went on in these fields in ancient Greece and Rome. The picture that emerges suggests that Renaissance humanism as it was actually practiced both received and transformed the classical past, at the same time as it constructed a vision of that past that still resonates today.

The mythical narratives of Stesichorus provide the earliest surviving examples of poetic production in the Greek West. This book illustrates how Stesichorus reshaped Greek epic to create a remarkably innovative type of lyric poetry - a literature that was particularly expressive in its handling of motifs associated with travel, such as the voyages of heroes, their returns home, and their escapes. This comprehensive survey of Stesichorus' treatment of myth discusses his engagement with Homer and Hesiod, his powerful and often moving means of characterisation, his subtle treatment of narrative, and his elaboration of emotional episodes unprecedented in archaic Greek lyric poetry. All Greek is translated, making the book accessible to anyone with an interest in one of the great poets of archaic Greece, whose work had such an impact on the later genre of tragedy.

This innovative and intriguing introduction to Old English literature is structured around what the author calls 'figures' from Anglo-Saxon culture: the Vow, the Hall, the Miracle, the Pulpit, and the Scholar.
An innovative and intriguing introduction to Old English literature.
Structured around 'figures' from Anglo-Saxon culture: the Vow, the Hall, the Miracle, the Pulpit, and the Scholar.
Situates Old English literary texts within a cultural framework.
Creates new connections between different genres, periods and authors.
Combines close textual analysis with historical context.
Based on the author's many years experience of teaching Old English literature.
The author is co-editor with Seamus Heaney of "Beowulf: A Verse Translation" (2001) and recently published with Blackwell "Lady Godiva: A Literary History of the Legend" (2003).

This casebook presents representative texts from Roman legal sources that introduce the basic problems arising in Roman families, including marriage and divorce, the pattern of authority within households, the transmission of property between generations, and the supervision of orphans.

This book explores the fascinating world of sex and gender roles in the classical period. It provides readers with essays that represent a range of perspectives on women, gender and sexuality in the ancient world. They are accessible to general readers whilst also challenging them to confront problems of evidence and interpretation, new theories and methodologies, and contemporary assumptions about gender and sexuality.

The essays cover a broad spectrum of scholarly perspectives, and trace the debates and themes of the field from the late 1960s to the late 1990s. They also address a range of literary and non-literary genres, including some non-canonical sources such as medical writings and inscriptions, to elucidate ancient ideas about sexuality and the discourses that shaped these ideas. The book also provides translations of primary sources to enable readers to confront the evidence for themselves and assess the methodology used by historians. It includes Greek literature and society, Roman culture and the legacy of classical myth for modern feminist scholars. It includes and examines not only women in antiquity but also masculinity and sexuality to provide a comprehensive account of this fascinating topic.

This volume collects the most recent essays of Richard Hunter, one of the world's leading experts in the field of Greek and Latin literature. The essays range across all periods of ancient literature from Homer to late antiquity, with a particular focus not just on the texts in their original contexts, but also on how they were interpreted and exploited for both literary and more broadly cultural purposes later in antiquity. Taken together, the essays sketch a picture of a continuous tradition of critical and historical engagement with the literature of the past from the period of Aristophanes and then Plato and Aristotle in classical Athens to the rich prose literature of the Second Sophistic. Richard Hunter's earlier essays are collected in On Coming After (Berlin 2008).

This book explores the co-development of political, social, economic, and artistic networks of Florentines in the Kingdom of Hungary during the reign of Sigismund of Luxembourg. Analyzing the social network of these politicians, merchants, artisans, royal officers, dignitaries of the Church, and noblemen is the primary objective of this book. The study addresses both descriptively the patterns of connectivity and causally the impacts of this complex network on cultural exchanges of various types, among these migration, commerce, diplomacy, and artistic exchange. In the setting of a case study, this monograph should best be thought of as an attempt to cross the boundaries that divide political, economic, social, and art history so that they simultaneously figure into a single integrated story of Florentine history and development.

A range of approaches (literary, historical, art-historical, codicological) to this mysterious but hugely significant manuscript. Extravagantly heterogeneous in its contents, Oxford, Bodleian Library, MS Digby 86 is an utterly singular production. On its last folio, the scribe signs off with a self-portrait - a cartoonishly-drawn male head wearing a close-fitted hood - and an inscription: "scripsi librum in anno et iii mensibus" (I wrote the book in a year and three months). His fifteen months' labour resulted in one of the most important miscellanies to survive from medieval England: a trilingual marvel of a compilation, with quirky combinations of content that range from religion, to science, to literature of a decidedly secular cast. It holds medical recipes, charms, prayers, prognostications, magic tricks, pious doctrine, a liturgical calendar, religious songs, lively debates, poetry on love and death, proverbs, fables, fabliaux, scurrilous games, and gender-based diatribes. That Digby is from the thirteenth century adds to its appeal, for English literary remnants from before 1300 are all too rare. Scholars on both sides of the vernacular divide, French and English, are deeply intrigued by it. Many of its texts are found nowhere else: for example, the French Arthurian Lay of the Horn, the English fabliau Dame Sirith and the beast fable Fox and Wolf, and the French Strife between Two Ladies (a candid debate on feminine politics). The interpretationsoffered in this volume of its contents, presentation, and ownership, show that there is much to discover in Digby's lively record of the social and spiritual pastimes of a book-owning gentry family. SUSANNA FEIN is Professor of English at Kent State University. CONTRIBUTORS: Maureen Boulton, Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington, John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall, David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith

The perception of demons in late antiquity was determined by the cultural and religious contexts. Therefore the authors of this volume take into consideration a wide variety of texts stemming from different religious milieus ranging from spells, apocalypses, martyrdom literature to hagiography and focus specifically on the literary aspects of the transformation of the demonic in this period of transition.

Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles - and has even provided a model for - other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered - sitting in a library, standing in a gallery, moving through a ruin - condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies'.

Did you know King Arthur had many other children besides Mordred?
Depending on which version of the legend you read, he had both sons and daughters, some of whom even survived him. From the ancient tale of Gwydre, the son who was gored to death by a boar, to Scottish traditions of Mordred as a beloved king, Tyler R. Tichelaar has studied all the references to King Arthur's children to show how they shed light upon a legend that has intrigued us for fifteen centuries.
"King Arthur's Children: A Study in Fiction and Tradition" is the first full-length analysis of every known treatment of King Arthur's children, from Welsh legends and French romances, to Scottish genealogies and modern novels by such authors as Parke Godwin, Stephen Lawhead, Debra Kemp, and Elizabeth Wein. "King Arthur's Children" explores an often overlooked theme in Arthurian literature and reveals King Arthur's bloodline may still exist today.
Arthurian Authors Praise "King Arthur's Children"
"Author Tyler R. Tichelaar has performed impeccable research into the Arthurian legend, fi nding neglected details in early sources and reigniting their significance. Great brainstorming fun I am proud to add this to my personal collection of Arthurian non-fiction."
--Debra Kemp, author of The House of Pendragon series
"Tyler R. Tichelaar's in-depth analysis of the plausibility of King Arthur's children reaffirms the importance the King Arthur legacy continues to have for society and the need of people all over the world to be able to connect to and believe in King Arthur and Camelot."
--Cheryl Carpinello, author of Guinevere: On the Eve of Legend
About the Author
Tyler R. Tichelaar, Ph.D., is the author of several historical novels, most notably "The Marquette Trilogy" and the award-winning "Narrow Lives." King Arthur's Children reveals his findings into the Arthurian legend as a precursor to his upcoming novel "King Arthur's Legacy."
Learn more at www.ChildrenOfArthur.com
from the "Reflections of Camelot" Series at Modern History Press www.ModernHistoryPress.com

In The Art and Rhetoric of the Homeric Catalogue, Benjamin Sammons takes a fresh look at a familiar element of the Homeric epics -- the poetic catalogue. This study uncovers the great variety of functions fulfilled by the catalogue as a manner of speech within very different contexts, ranging from celebrated examples such as the poet's famous "Catalogue of Ships," to others less commonly treated under this rubric, such as catalogues within the speech and rhetoric of Homer's characters. Sammons shows that catalogue poetry is no ossified or primitive relic of the old tradition, but a living subgenre of poetry that is used by Homer in a creative and original way. He finds that catalogues may be used by the poet or his characters to reflect -- or distort -- the themes of the poem at large, to impose an interpretation on events as they unfold, and possibly to allude to competing poetic traditions or even contemporaneous poems. Throughout, the study focuses on how Homer uses his catalogue to talk about the epic genre itself: to explore the boundaries of the heroic world, the limits of heroic glory, and the ideals and realities of his own traditional role as an epic bard. Building on a renewed interest in the "literary list" in other disciplines, Sammons shows that Homer is not only one of the earliest known practitioners of the poetic catalogue, but one of the subtlest and most skillful.

Jerome's Epitaph on Saint Paula (Epitaphium Sanctae Paulae) is one of the most famous writings by one of the most prolific authors in all of Latin antiquity. Composed in 404, it is an elaborate eulogy commemorating the life of Paula (347-404), a wealthy Christian widow from Rome who renounced her senatorial status and embraced a lifestyle of ascetic self-discipline and voluntary poverty. She used her vast inherited fortune to fund various charitable causes and to co-found with Jerome, in 386, a monastic complex in Bethlehem which was equipped with a hostelry for Christian pilgrims. The Epitaphium is one of the core primary texts on female spirituality (both real and idealized) in Late Antiquity, and it also is one of Jerome's crowning literary achievements, yet until now it has not received the depth of scholarly analysis that only a proper commentary can afford. This book presents the first full-scale commentary on this monumental work in any language. Cain accesses a very extensive array of ancient sources to fully contextualize the Epitaphium and he comprehensively addresses stylistic, literary, historical, topographical, theological, text-critical and other issues of interpretive interest, including relevant matters of Hebrew, Greek, and Latin philology. Considerable effort also is expended on extricating the elusive Paula of history from the sticky web of Jerome's idealized hagiographic construct of her. Accompanying the commentary is an introduction which situates the Epitaphium in the broader context of its author's life and work and exposes its various propagandistic dimensions. The critical Latin text and the facing-page translation will make the Epitaphium more accessible than ever before and will provide a reliable textual apparatus for future scholarship on this key Hieronymian writing.

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. This volume collects Euripides' Electra (translated by Janet Lembke and Kenneth J. Reckford), an exciting story of vengeance that counterposes suspense and horror with comic realism; Orestes (John Peck and Frank Nisetich), the tragedy of a young man who kills his mother to avenge her murder of his father; Iphigenia in Tauris (Richmond Lattimore), a delicately written and beautifully contrived Euripidean "romance"; and Iphigeneia at Aulis (W. S. Merwin and George E. Dimock, Jr.), a compelling look at the devastating consequence of "man's inhumanity to man." This volume reprints the informative introductions and notes of the original editions, and adds a single combined glossary and Greek line numbers.

This first full-scale account of Leviticus by a world renowned anthropologist presents the biblical work as a literary masterpiece. Seen in an anthropological perspective Leviticus has a mystical structure which plots the book into three parts corresponding to the three parts of the desert tabernacle, both corresponding to the parts of Mount Sinai. This completely new reading transforms the interpretation of the purity laws. The pig and other forbidden animals are not abhorrent, they command the same respect due to all God's creatures. Boldly challenging several traditions of Bible criticism, Mary Douglas claims that Leviticus is not the narrow doctrine of a crabbed professional priesthood but a powerful intellectual statement about a modern religion which emphasizes God's justice and compassion.

The information overload produced by the printing press and the new forms of the structuring of knowledge are echoed in fictional works. The essays assembled in this book study the textualization of problematic forms of knowledge in medieval and early modern Spanish literature. Literary Works like the Libro buen amor, La Lozana Andaluza, or the Guzman de Alfarache are read against the backdrop of scientific developments of their times.

Few ancient authors are as challenging as Euripides, and few have provoked so many diverse critical opinions through the ages. This volume aims to bring together some classic essays illustrating the main strands of Euripidean criticism over the last forty years in a form convenient for students. Two of the essays are translated here for the first time, and many others have been revised by their authors. All Greek has been translated.

The Indo-Europeans, speakers of the prehistoric parent language from which most European and some Asiatic languages are descended, most probably lived on the Eurasian steppes some five or six thousand years ago. Martin West investigates their traditional mythologies, religions, and poetries, and points to elements of common heritage. In The East Face of Helicon (1997), West showed the extent to which Homeric and other early Greek poetry was influenced by Near Eastern traditions, mainly non-Indo-European. His new book presents a foil to that work by identifying elements of more ancient, Indo-European heritage in the Greek material. Topics covered include the status of poets and poetry in Indo-European societies; metre, style, and diction; gods and other supernatural beings, from Father Sky and Mother Earth to the Sun-god and his beautiful daughter, the Thunder-god and other elemental deities, and earthly orders such as Nymphs and Elves; the forms of hymns, prayers, and incantations; conceptions about the world, its origin, mankind, death, and fate; the ideology of fame and of immortalization through poetry; the typology of the king and the hero; the hero as warrior, and the conventions of battle narrative.

Who is afraid of case literature? In an influential article ("Thinking in Cases", 1996), John Forrester made a case for studying case literature more seriously, exemplifying his points, mostly, with casuistic traditions of law. Unlike in modern literatures, case collections make up a significant portion of ancient literary traditions, such as Mesopotamian, Greek, and Chinese, mostly in medical and forensic contexts. The genre of cases, however, has usually not been studied in its own right by modern scholars. Due to its pervasiveness, case literature lends itself to comparative studies to which this volume intends to make a contribution. While cases often present truly fascinating epistemic puzzles, in addition they offer aesthetically pleasing reading experiences, due to their narrative character. Therefore, the case, understood as a knowledge-transmitting narrative about particulars, allows for both epistemic and aesthetic approaches. This volume presents seven substantial studies of cases and case literature: Topics touched upon are ancient Greek medical, forensic, philosophical and mathematical cases, medical cases from imperial China, and 20th-century American medical case writing. The collection hopes to offer a pilot of what to do with and how to think about cases.

Studies in the Age of Chaucer is the annual yearbook of the New Chaucer Society, publishing articles on the writing of Chaucer and his contemporaries, their antecedents and successors, and their intellectual and social contexts. More generally, articles explore the culture and writing of later medieval Britain (1200-1500). Each SAC volume also includes an annotated bibliography and reviews of Chaucer-related publications.

Lucretius' philosophical epic De Rerum Natura (On the Nature of Things) is a lengthy didactic and narrative celebration of the universe and, in particular, the world of nature and creation in which humanity finds its abode. This earliest surviving full scale epic poem from ancient Rome was of immense influence and significance to the development of the Latin epic tradition, and continues to challenge and haunt its readers to the present day. A Reading of Lucretius' De Rerum Natura offers a comprehensive commentary on this great work of Roman poetry and philosophy. Lee Fratantuono reveals Lucretius to be a poet with deep and abiding interest in the nature of the Roman identity as the children of both Venus (through Aeneas) and Mars (through Romulus); the consequences (both positive and negative) of descent from the immortal powers of love and war are explored in vivid epic narrative, as the poet progresses from his invocation to the mother of the children of Aeneas through to the burning funeral pyres of the plague at Athens. Lucretius' epic offers the possibility of serenity and peaceful reflection on the mysteries of the nature of the world, even as it shatters any hope of immortality through its bleak vision of post mortem oblivion. And in the process of defining what it means both to be human and Roman, Lucretius offers a horrifying vision of the perils of excessive devotion both to the gods and our fellow men, a commentary on the nature of pietas that would serve as a warning for Virgil in his later depiction of the Trojan Aeneas.

Quintus of Smyrna's Posthomerica (3rd century C.E.) is of great literary value to the field of Greek epic. It is a stylistic imitation of Homer and recounts what Iliad and Odyssey have left untold of the Trojan War. Tine Scheijnen offers the first linear study of this still little-known poem. Progressing from book 1 to 14, she focusses on key issues such as Homeric similes and characterization of heroes (especially Achilles and his son Neoptolemus). Ideologically, Quintus engages in a critical way with Homer, but possibly also Vergil, Triphiodorus and tragedy. Scheijnen's work can be read as a thorough introduction to Quintus' Posthomerica, while also offering new insights into Homer reception, the conception of heroes and heroism in Greek epic.

In the light of recent scholarly work on tragic patterns and allusions in Flavian epic, the publication of a volume exclusively dedicated to the relationship between Flavian epic and tragedy is timely. The volume, concentrating on the poetic works of Silius Italicus, Statius and Valerius Flaccus, consists of eight original contributions, two by the editors themselves and a further six by experts on Flavian epic. The volume is preceded by an introduction by the editors and it concludes with an 'Afterword' by Carole E. Newlands. Among key themes analysed are narrative patterns, strategies or type-scenes that appear to derive from tragedy, the Aristotelian notions of hamartia and anagnorisis, human and divine causation, the 'transfer' of individual characters from tragedy to epic, as well as instances of tragic language and imagery. The volume at hand showcases an array of methodological approaches to the question of the presence of tragic elements in epic. Hence, it will be of interest to scholars and students in the area of Classics or Literary Studies focusing on such intergeneric and intertextual connections; it will be also of interest to scholars working on Flavian epic or on the ancient reception of Greek and Roman tragedy.