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Books > Language & Literature > Literature: history & criticism > Literary studies > Classical, early & medieval
Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him. Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur. His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English. Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis. NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chretien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.
Rachel Bromwich's magisterial edition of Trioedd Ynys Prydein has long won its place as a classic of Celtic studies. This revised edition shows the author's continued mastery of the subject, including a new preface by Morfydd Owen, and will be essential reading for Celticists and for those interested in early British history and literature and in Arthurian studies. Early Welsh literature shows a predilection for classifying names, facts and precepts into triple groups, or triads. The Triads of the Isle of Britain form a series of texts which commemorate the names of traditional heroes and heroines, and which would have served as a catalogue of the names of these heroic figures. The names are grouped under various imprecise but complimentary epithets, which are often paralleled in the esoteric language of the medieval bards, who would have used the triads as an index of past history and legend. This edition is based on a full collation of the most important manuscripts, the earliest of which go back to the thirteenth century. The Welsh text is accompanied by English translations of each triad and extensive notes, and the volume includes four appendices, which are also an important source of personal names. The Introduction to the volume discusses the significance of Trioedd Ynys Prydein in the history of Welsh literature, and examines the traditional basis of the triads.
Explains the allegorical significance attached to Roman and Greek myths by Medieval and Renaissance authors. Included in the text are several hundred alphabetically-arranged entries for the gods, goddesses, heroes, heroines and places of classical myth and legend. Each entry includes an account of the myth, with reference to the Greek and Latin sources. The entry discusses how Medieval and Renaissance commentators interpreted the myth, and how poets, dramatists, and artists employed it in their art.
This work undertakes a re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides dramatic and cultural critique of the whole of Seneca's corpus, analyzing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture. The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind.
This book is an entertaining, informative and enchanting introduction to its subject - just as those medieval banes of the farmyard, the Fox and the Vixen, were enchanting in escapades from fables and funny tales, from beastly epic poems and bestiaries, and from medieval material culture (in Danish wall-paintings and Dutch manuscript illustrations and statues, stained-glass and Italian mosaics). There exist books on medieval fox stories and on the animal's iconography, which are important themes in this study, but this book is the first holistic approach to all types of manifestations of foxes in medieval culture - from medical recipes and fur trade, to Bible commentaries and hunting manuals.
Between c.250 and c.650, the way the past was seen, recorded and interpreted for a contemporary audience changed fundamentally. Only since the 1970s have the key elements of this historiographical revolution become clear, with the recasting of the period, across both east and west, as 'late antiquity'. Historiography, however, has struggled to find its place in this new scholarly world. No longer is decline and fall the natural explanatory model for cultural and literary developments, but continuity and transformation. In addition, the emergence of 'late antiquity' coincided with a methodological challenge arising from the 'linguistic turn' which impacted on history writing in all eras. This book is focussed on the development of modern understanding of how the ways of seeing and recording the past changed in the course of adjusting to emerging social, religious and cultural developments over the period from c.250 to c.650. Its overriding theme is how modern historiography has adapted over the past half century to engaging with the past between c.250 and c.650. Now, as explained in this book, the newly dominant historiographical genres (chronicles, epitomes, church histories) are seen as the preferred modes of telling the story of the past, rather than being considered rudimentary and naive.
Linked by their common setting in Thebes, Antigone,Oedipus the King, and Oedipus at Colonus stand at the fountainhead of world drama. This volume presents a new, and accurate yet poetic and playable translation by playwright Don Taylor, who has also directed plays for a BBC-TV production.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
This series gathers together a body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
This volume in the series gathers together a body of critical sources on the literary figure of Thomas Malory. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.
These volumes gather together a body of critical sources on the major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
Examining the origins of the Arthurian legend and major trends in
the portrayal of Arthur from the Middle Ages to the present, this
collection focuses on discussion of literature written in English,
French, Latin, and German. Its 16 essays, four published here for
the first time, deal with such matters as the search for the
historical Arthur; the depiction of Arthur in the romances "Erec"
and "Iwein" of Hartmann von Aue; the way Arthur is depicted in
19th-century art and the Victorian view of manhood; and conceptions
of King Arthur in 20th-century literature. Six of the essays,
originally published in French and German, are translated into
English especially for this book. Two essays have been
substantially revised. An introduction offers a general discussion
of the development of the legends in the countries of Europe.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Socrates (469-399 BC) is one of history's most enigmatic figures. Our knowledge of him comes to us second-hand, primarily from the philosopher Plato, who was Socrates' most gifted student, and from the historian and sometime-philosopher Xenophon, who counted himself as a member of Socrates' inner circle of friends. We also hear of Socrates in one comic play produced during his lifetime (Aristophanes' Clouds) and in passing from the philosopher Aristotle, a student of Plato. Socrates is a figure of enduring interest. He is often considered the father of Western Philosophy, yet the four most famous accounts we have of him present a contradictory, confusing picture. Just who was Socrates? A brilliant philosopher, at times confounding and infuriating, morally serious and yet ironic; the ever-worldly man, sometime mystic, and uncommon martyr depicted by Plato? Or did Plato conflate Socrates' views with his own startling genius, as Aristotle suggests? Was So rates instead the less impressive, more mundane man whose commonsense impressed the laconic Xenophon? Or was Socrates the charlatan, the long-winded phony of Aristophanes' play? The Socratic works of Diogenes Laertius (3rd century AD), Libanius (AD 314 -- c. 393), Maximus of 'Tyre (2nd century AD), and Apuleius (born c. AD 125) add important dimensions to the portrait of Socrates: Diogenes Laertius' Life of Socrates emphasizes Socrates' deep ethical nature and his extraordinary personality; Libanius' Apology of Socrates is based on sources now lost to us; Maximus of Tyre's Whether Socrates Did the Right Thing When He Did Not Defend Himself makes the star ling claim (against testimony of Plato and Xenophon) that Socrates never spoke athis own trial; from Apuleius' On the God of Socrates we hear at length of Socrates' infamous daimonion: the "divine sign" only mentioned elsewhere, the sign that warned Socrates against certain courses of action. In short, from these four texts we are reintroduced to Socrates, and new wrinkles are added to an already intriguing historical figure.
1000-PIECE PUZZLE featuring the women of Greek mythology as you've never seen them before. Finished puzzle measures 680 x 485mm SPOT FAMOUS FIGURES AND MYTHICAL MOMENTS, as you build the puzzle - can you find Pandora and her jar, or Medusa with snakes for hair? INCLUDES A FOLD-OUT POSTER featuring the stories of the real women of Greek myth from best-selling author and classicist Natalie Haynes STURDY & ATTRACTIVE BOX perfect for gifting and storage Think you know these women? Put the pieces together and you will start to think again. In this beautifully illustrated 1,000-piece jigsaw puzzle, rediscover the lives and stories of the women of Greek myth, portrayed by author, broadcaster and classicist Natalie Haynes with illustrator Natalie Foss. A large fold-out poster of the artwork accompanies the jigsaw and also includes an original essay from the author, expanding on the stories, relationships and context surrounding these infamous women. Featuring mortals and goddesses alike, from Medusa and Medea to Helen, Euridice, Aphrodite, Phaedra, Artemis and more, uncover the truth about the women of the classics.
Ancient prophecy was not confined to Israel, yet the phenomenon of prophetic poetry as it developed there was unique. The impact of this poetry on civilization is incalculable, though its origins and motives largely remain mysterious. This book shows that this poetry is inseparable from the empires which determined the history of the ancient Near East and the fate of Israel and Judah from the late-8th century to the end of the 6th century BC - first Assyria, then Babylonia, and finally Persia. Each empire had its own characters and motives, and stimulated a distinct wave of prophecy, led in turn by Isaiah Ben Amos, Jeremiah and Ezekiel, and the second Isaiah. The book is an historical interpretation and an anthology of prophetic poetry which uses recent research on imperialism and creativity to produce a radically new interpretation of the biblical prophets. More than three dozen outstanding poems and fragments in new translation from the Hebrew Bible are arranged in a running narrative, from the late-8th century BC until the late-6th century BC.
The Council of Constantinople of 869-70 was highly dramatic, with its trial and condemnation of Patriarch Photius, a towering figure in the Byzantium of his day, and the tussle of wills at the council between the papal legates, the imperial representatives and the bishops. It was church politics and personalities rather than issues of doctrine, such as icon veneration, that dominated the debates. Out of all the acts of the great early councils, the acts of this council, of which this edition is the first modern translation, are the nearest to an accurate and complete record. Its protest against secular interference in ecclesiastical elections was taken up later in the West and led to this council's being accorded full ecumenical status, although it had been repudiated in Byzantium soon after it was held. No early council expresses so vividly the tension between Rome's claim to supreme authority and the Byzantine reduction of this to a primacy of honour.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MEDITERRANEE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son's transformative journey in reading - and reliving - Homer's epic masterpiece. When eighty-one-year-old retired scientist Jay unexpectedly enrols in his estranged classicist son Daniel's course on the Odyssey, the journey of a lifetime commences. Professor and student glean life lessons from the page over a semester and, that summer, son and father take to the sea to follow Odysseus's epic trail. Reading Homer becomes their chance to understand each other before it's too late. Theirs is a moving and erudite story of filial love and the importance of the classics. Rich with literary and emotional insight and weaving themes of deception and recognition, marriage and children, the pleasures of travel and the meaning of home, this is memoir writing at its finest. |
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