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Books > Language & Literature > Literature: history & criticism > Literary studies > Classical, early & medieval
Published in 2000, The Classical Poetry of the Japanese is a valuable contribution to the field of Asian Studies.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
This is Volume V of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol II, includes the Kaianian Dynasty, Kai Kaus and the war with Mazandaran, the seven courses of Rustam, Kai Kaus in the land of Barbistan, the fight of the seven warriors, Suhrab, and the story of Siyawush.
First Published in 2000. This is Volume VI of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol III, includes the Kaianian Dynasty, The Story of Farud, of Kamus of Kashan, of Rustam, and finally Bizhan and Manizha.
This is Volume VII of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol IV, includes the Kaianian Dynasty, Kai Kaus, the battle of the twelve Rukhs, the great war of Kai Khusrau with Afrasiyab, and Luhrasp.
First Published in 2000. This is Volume VIII of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol V, includes Kaianian Dynasty, the coming of Zarduhst, the story of the Seven Stages, of Asfandiyar and Rustam, Bahman and finally Humai.
First Published in 2000. This is Volume X of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol VII, includes the Sasanian Dynasty, Bhram Gur, Yazdagird, Hurmuz, Piruz, Balash,Kubad son of Piruz, Nushirwan, the story of Buzurjmihr, of Mahbud, and the introduction of the game of chess into Iran.
This is Volume XI of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol VIII, includes the Sasanian dynasty, and the Shah's last years, Hurmuzd son of Nushirwan, Khusrau Parwiz, including the story of Shirin.
First Published in 2000. This is Volume XII of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol IX, includes the Sasanian Dynasty, Kubad, Ardshir, Guraz, Purandukht, Azarmdukht, Farrukhzad, and Yazdagird.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
This is Volume IX of thirteen the Oriental series looking at Persia. The Shahnama of Firdausi Vol VI, includes the genealogical table of the Sasanians, the conclusion of the Kaianian dynasty, the Eaianian dynasty, the Ashkanian dynasty and the Sasanian dynasty, concluding iwth Yazdagird, son of Shapur.
The third edition of The Beast Within has been updated throughout to include current scholarship, new discussion of definitions, and fresh perspectives on critical animal theory that places animals, rather than humans, at the center of the discourse. Organized thematically, Salisbury incorporates many new sections and subsections to reveal the multifaceted history of the relationship between humans and animals: domestication, animal diseases and pandemics, dogfights, cockfights, Islamic dietary restrictions, menageries and zoos, and animals as entertainers. To show how modern concerns have been informed by medieval precedents, sections have been expanded to uncover medieval understandings of animal sexuality, animals before the law, and vegetarianism and modern 'fake meat'. The logical narrative concludes with chapters on 'Animals as Humans' and 'Humans as Animals', demonstrating that the lines between humans and animals have become increasingly blurred from the fourth to the twenty-first century. With an interdisciplinary approach that discusses humans and animals in relation to domestication, symbolism, science, law, religion, food and diet, sexuality, and entertainment, The Beast Within is an essential resource for all students of animal history, literature, and art in the Middle Ages.
Bertrand du Guesclin was one of the main architects of the recovery of France. From humble beginnings he rose to become one of the great heroic figures of French history. This is the first English translation of Cuvelier's epic poem about him. Bertrand du Guesclin is one of the great French heroes of the Hundred Years War, his story every bit as remarkable as Joan of Arc's. The son of a minor Breton noble, he rose in the 1360s and '70s to become the Constable of France- a supreme military position, outranking even the princes of the blood royal. Through campaigns ranging from Brittany to Castile he achieved not only fame as a pre-eminent leader of Charles V's armies, but a dukedom in Spain, burial among the kings of France in the royal basilica at Saint-Denis, and recognition as nothing less than the "Tenth Worthy", being ranked alongside the nine paragons of chivalry who included Alexander the Great, Julius Caesar, Charlemagne and King Arthur. His is a truly spectacular story. And the image of Bertrand, and many of the key events in his extraordinary life, are essentially derived from The Song of Bertrand du Guesclin, this epic poem by Cuvelier. Written in the verse-form and manner of a chanson de geste, it is the very last of the Old French epics and an outstanding example of the roman chevaleresque. It is a fascinating and major primary source forhistorians of chivalry and of a critical period in the Hundred Years War. This is its first translation into English. Cuvelier is a fine storyteller: his depictions of battle and siege are vivid and thrilling, offering invaluable insights into medieval warfare. And he is a compelling propagandist, seeking through his story of Bertrand to restore the prestige of French chivalry after the disastrous defeat at Poitiers and the chaos that followed, andseeking, too, to inspire devotion to the kingdom of France and to the fleur-de-lis. NIGEL BRYANT is well known for his lively and accurate versions of medieval French authors. His translations of Chretien de Troyes' Perceval and all its continuations and of the extraordinary late Arthurian romance Perceforest have been major achievements; he has also translated Jean le Bel's history of the early stages of the Hundred Years War, and the biography of William Marshal.
Rachel Bromwich's magisterial edition of Trioedd Ynys Prydein has long won its place as a classic of Celtic studies. This revised edition shows the author's continued mastery of the subject, including a new preface by Morfydd Owen, and will be essential reading for Celticists and for those interested in early British history and literature and in Arthurian studies. Early Welsh literature shows a predilection for classifying names, facts and precepts into triple groups, or triads. The Triads of the Isle of Britain form a series of texts which commemorate the names of traditional heroes and heroines, and which would have served as a catalogue of the names of these heroic figures. The names are grouped under various imprecise but complimentary epithets, which are often paralleled in the esoteric language of the medieval bards, who would have used the triads as an index of past history and legend. This edition is based on a full collation of the most important manuscripts, the earliest of which go back to the thirteenth century. The Welsh text is accompanied by English translations of each triad and extensive notes, and the volume includes four appendices, which are also an important source of personal names. The Introduction to the volume discusses the significance of Trioedd Ynys Prydein in the history of Welsh literature, and examines the traditional basis of the triads.
This book is an entertaining, informative and enchanting introduction to its subject - just as those medieval banes of the farmyard, the Fox and the Vixen, were enchanting in escapades from fables and funny tales, from beastly epic poems and bestiaries, and from medieval material culture (in Danish wall-paintings and Dutch manuscript illustrations and statues, stained-glass and Italian mosaics). There exist books on medieval fox stories and on the animal's iconography, which are important themes in this study, but this book is the first holistic approach to all types of manifestations of foxes in medieval culture - from medical recipes and fur trade, to Bible commentaries and hunting manuals.
Explains the allegorical significance attached to Roman and Greek myths by Medieval and Renaissance authors. Included in the text are several hundred alphabetically-arranged entries for the gods, goddesses, heroes, heroines and places of classical myth and legend. Each entry includes an account of the myth, with reference to the Greek and Latin sources. The entry discusses how Medieval and Renaissance commentators interpreted the myth, and how poets, dramatists, and artists employed it in their art.
This work undertakes a re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides dramatic and cultural critique of the whole of Seneca's corpus, analyzing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture. The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind.
Between c.250 and c.650, the way the past was seen, recorded and interpreted for a contemporary audience changed fundamentally. Only since the 1970s have the key elements of this historiographical revolution become clear, with the recasting of the period, across both east and west, as 'late antiquity'. Historiography, however, has struggled to find its place in this new scholarly world. No longer is decline and fall the natural explanatory model for cultural and literary developments, but continuity and transformation. In addition, the emergence of 'late antiquity' coincided with a methodological challenge arising from the 'linguistic turn' which impacted on history writing in all eras. This book is focussed on the development of modern understanding of how the ways of seeing and recording the past changed in the course of adjusting to emerging social, religious and cultural developments over the period from c.250 to c.650. Its overriding theme is how modern historiography has adapted over the past half century to engaging with the past between c.250 and c.650. Now, as explained in this book, the newly dominant historiographical genres (chronicles, epitomes, church histories) are seen as the preferred modes of telling the story of the past, rather than being considered rudimentary and naive. |
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