Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

There is hardly a more controversial issue in the study of ancient religion than Orphism. More than two centuries of debate have not closed the subject, since new evidence and divergent approaches have kept appearing regularly. This volume sheds light on the most relevant pieces of evidence for ancient Orphism, collected in the recent edition by Alberto Bernabe. It contains 65 short new studies on Orphic fragments by leading international scholars who comment one of the most controversial phenomena in Antiquity from a plurality of perspectives. Readers will acquire a global vision of the multiple dimensions of the Orphic tradition, as well as many new insights into particular Orphic fragments.

Davis challenges the dominant accounts of the Elizabethan literary system, revealing the competing commercial, intellectual, political, and personal interests that swirled around the printing of The Countesse of Pembrokes Arcadia, Astrophel and Stella, and The Defence of Poesie. He also produces lively, accessible, significant new readings of arguably the most influential secular literary work of the Elizabethan age: the 1598 folio Arcadia, comprising all these works. Finally, by applying Jerome J.McGann's revisionary textual theories, Davis generates an original narrative literary history of Sidney's works and many of the most important printing enterprises of 1590s London.

It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet "to say one thing and mean another." Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers "assumed by the poet to have a special access to the poet's process of thought." This access presupposed similarities of "education, social position, and sympathetic understanding." Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.

An examination of female same-sex desire in Chaucer and medieval romance. In both medieval and modern contexts, women who do not desire men invite awkward silences. Men's dissident sexual practices have been discussed energetically by writers of law and religion, medicine and morality; reams of medieval texts are devoted to horrified or fascinated references to men's deviant intimacies with men. Yet women - despite the best efforts of recent scholars - remain at the margins of this picture, especially in studies of literature. This book aims to re-centre female desire. Identifying a feminine or lesbian hermeneutic in late-medieval English literature, it offers new approaches to medieval texts often denigrated for their omissions and fragmentation, their violence and uneven poetic texture. The hermeneutic tradition Chaucer inherited, stretching from Jerome to Jean de Meun, represents female bodies as blank tablets awaiting masculine inscription, rather than autonomous agents. In the Legend, Chaucer considers the unspoken problem of female desires and bodies that resist, evade, and orient themselves away from such a position. Can women take on hermeneutic authority, that phallic capacity, without rendering themselves monstrous or self-defeating? This question resonates through three Middle English romances succeeding the Legend: the alliterative Morte Arthure, the Sowdone of Babylon, and Undo Your Door. With combative innovation, they repurpose the hermeneutic tradition and Chaucer's use of it to celebrate an array of audacious female desires and embodiments which cross and re-cross established categories of masculine and feminine, licit and illicit, animate and inanimate. Together, these texts make visible the desires and the embodiments of women who otherwise slip out of visibility, in both medieval and post-medieval contexts.

This book provides a collection of essays representing the state of the art in the research into argumentation in classical antiquity. It contains essays from leading and up and coming scholars on figures as diverse as Parmenides, Gorgias, Seneca, and Classical Chinese "wandering persuaders." The book includes contributions from specialists in the history of philosophy as well as specialists in contemporary argumentation theory, and stimulates the dialogue between scholars studying issues relating to argumentation theory in ancient philosophy and contemporary argumentation theorists. Furthermore, the book sets the direction for research into argumentation in antiquity by encouraging an engagement with a broader range of historical figures, and closer collaboration between contemporary concerns and the history of philosophy.

Oxford Readings in Catullus is a collection of articles that represent a sampling of the most interesting and important work on Catullus from around 1950 to 2000, together with three very short pieces from the Renaissance. The readings, selected for their intrinsic interest and importance, are intended to be thought-provoking (and in some cases provocative) and to challenge readers to look at Catullus in different ways. They demonstrate a number of approaches - stylistic, historical, literary-historical, New Critical, and theoretical (of several flavours). Such hermeneutic diversity is particularly appropriate in the case of Catullus, whose oeuvre is famously - some might say notoriously - varied in length, genre, tone, and subject matter. The collection as a whole demonstrates what has interested Catullus' readers in the last half century and suggests some of the ways in which they might approach his poetry in the future. It is accompanied by an introduction by Julia Haig Gaisser on themes in Catullan criticism from 1950 to 2000.

This book gathers together some of the most important and influential scholarly articles of the last sixty to seventy years (three of which are translated into English here for the first time) on the Roman poet Lucretius. Lucretius' philosophical epic, the De Rerum Natura or On the Nature of the Universe (c.55 BC), seeks to convince its reader of the validity of the rationalist theories of the Hellenistic thinker Epicurus. The articles collected in this volume explore Lucretius' poetic and argumentative technique from a variety of perspectives, and also consider the poem in relation to its philosophical and literary milieux, and to the values and ideology of contemporary Roman society. All quotations in Latin or Greek are translated.

The narratives of Solomon and Jeroboam, of Elijah and Ahab, have fascinated readers for millennia. They are the principal foundation of our knowledge of the history of Israel during the early years of the divided monarchy, and their reliability and verifiability as historical sources have long been the subject of intense scholarly analysis and debate. But even apart from questions of historical authenticity, they are gripping stories of richly drawn characters caught up in the complex tale of Yahweh's dealings with Israel: Solomon the wise is the builder of Yahweh's Temple, yet he becomes an idolater; Jeroboam is chosen by Yahweh as king, yet he worships the golden calves; Elijah is a prophet second only to Moses, yet he tries to renounce his calling; and Ahab is the worst of Israel's kings, yet shows traces of greatness. This study explores the narrative world created by the ancient Israelite author - the people who inhabit it, the lives they live and the deeds they do, and the face of God who is revealed in their stories.

Not a few of the more prominent and persistent controversies among classical scholars about approaches and methods arise from a failure to appreciate the fundamental role of time in structuring the interpretation of Greek culture. Diachrony showcases the corresponding importance of diachronic models for the study of ancient Greek literature and culture. Diachronic models of culture reach beyond mere historical change to the systemically evolving dynamics of cultural institutions, practices, and artifacts. The papers collected here illustrate the construction and proper use of such models. They emphasize the complementarity of synchronic and diachronic perspectives and highlight the need to assess how well diachronic models fit history. The contributors to this volume strive to be methodologically explicit as they tackle a wide range of subjects with a variety of diachronic approaches. Their work shows both the difficulty and the promise of diachronic analysis. Our incomplete knowledge of Greek antiquity throughout time and the Greeks' own preoccupation with the past in the construction of their present make diachronic analysis not just invaluable but indispensable for the study of ancient Greek literature and culture.

This book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a 'movement' which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets' early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets' engagements with European and other foreign literatures.

The book studies the past of the characters in Aeschylus and Sophocles, a neglected but crucial topic. The characters' beliefs, values, and emotions bear on their view of the past. This view reinforces their beliefs and their conception of themselves and others as agents of free will and members of a family and/or community. The study reveals that, although the characters' idea of the past is fixed, the impact of the past is not. The characters consider, review, and construct narratives of it, as they seek to mould a future they perceive as morally just for themselves and others.

Aristotle's neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past - arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their "emplotments" (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.

The Florida, an anthology of 23 orations that Apuleius of Madauros delivered primarily in Carthage during the 160's A.D., offers a rich store of evidence about epideictic rhetoric, Middle Platonism, and the civic and intellectual life of the North African provincial metropolis. In addition to locating the work in its historical and cultural context, this commentary investigates Apuleius' remarkable language and style. Full attention is given to the rich and complex intertextual relationship of the Florida to earlier Greek and Roman literature, as well as to the work's extensive links to Middle Platonism, the Second Sophistic, and the rest of the Apuleian corpus, particularly his philosophical works.

This is the first volume in a set of two. Volume 1 introduces and collects together the scattered quotations of the Greek writers of the sixth to the fourth centuries BC who first recorded in prose the tales of Greek mythology (the 'mythographers'), whilst Volume 2 will be a scholarly commentary.

A concise guide to Classical Mythology by a well respected expert in the field which allows students to contextualize primary sources with information about the culture and society in which they were conceived. A new chapter focuses on the use of myth in the modern world, allowing student to examine critically the persuasive power of well-known images from antiquity and how these images can be exploited. Provides an authoritative guide to students in a field which has become distorted by pet theories and reinterpretations, allowing students to engage with with key academic theories without losing sight of the myths themselves. Guides students through Classical Mythology from the earliest myths to modern retellings in computer games, films, art and music allowing the students to see a continuum between work and identify key trends in the reception of mythic stories.

'Rewriting' is one of the most crucial but at the same time one of the most elusive concepts of literary scholarship. In order to contribute to a further reassessment of such a notion, this volume investigates a wide range of medieval and early modern literary transformations, especially focusing on texts (and contexts) of Italian and French Renaissance literature. The first section of the book, "Rewriting", gathers essays which examine medieval and early modern rewritings while also pointing out the theoretical implications raised by such texts. The second part, "Rewritings in Early Modern Literature", collects contributions which account for different practices of rewriting in the Italian and French Renaissance, for instance by analysing dynamics of repetition and duplication, verbatim reproduction and free reworking, textual production and authorial self-fashioning, alterity and identity, replication and multiplication. The volume strives at shedding light on the complexity of the relationship between early modern and ancient literature, perfectly summed up in the motto written by Pietro Aretino in a letter to his friend the painter Giulio Romano in 1542: "Essere modernamente antichi e anticamente moderni".

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

This volume examines for the first time the most important methodological issues concerning Christian poetry - i.e. biblical and theological poetry in classical meters - from a diachronic perspective. Thus, it is possible to evaluate the doctrinal significance of these compositions and the role that they play in the development of Christian theological ideas and biblical exegesis.

This landmark book of essays examines the development of women's letter writing from the late 15th to the early 18th century. It is the first book to deal comprehensively with women's letter writing during the Late Medieval and Early Modern period and shows that this was a larger and more socially diversified area of female activity than has generally been assumed. The essays, contributed by many of the leading researchers active in the field, illustrate women's engagement in various activities, both literary and political, social and religious.

Eros and Poetry examines the erotics of literary desire at the Stewart court in Scotland during the reigns of Mary, Queen of Scots and James VI. Encompassing the period from the early 1560s to the late 1590s, this is the first study to link together Scottish Marian and Jacobean court literatures, presenting a relatively unknown body of writing, newly theorized and contextualized. It argues that in this period erotic poetry can only be considered in relation to the figure of the monarch, and that the formation of elite lyric culture takes place under the shaping influence of desire for, and against, the sovereign, and her or his 'passional' and symbolic powers.