It is perhaps a truism to note that ancient religion and rhetoric were closely intertwined in Greek and Roman antiquity. Religion is embedded in socio-political, legal and cultural institutions and structures, while also being influenced, or even determined, by them. Rhetoric is used to address the divine, to invoke the gods, to talk about the sacred, to express piety and to articulate, refer to, recite or explain the meaning of hymns, oaths, prayers, oracles and other religious matters and processes. The 13 contributions to this volume explore themes and topics that most succinctly describe the firm interrelation between religion and rhetoric mostly in, but not exclusively focused on, Greek and Roman antiquity, offering new, interdisciplinary insights into a great variety of aspects, from identity construction and performance to legal/political practices and a broad analytical approach to transcultural ritualistic customs. The volume also offers perceptive insights into oriental (i.e. Egyptian magic) texts and Christian literature.

1000-PIECE PUZZLE featuring the women of Greek mythology as you've never seen them before. Finished puzzle measures 680 x 485mm SPOT FAMOUS FIGURES AND MYTHICAL MOMENTS, as you build the puzzle - can you find Pandora and her jar, or Medusa with snakes for hair? INCLUDES A FOLD-OUT POSTER featuring the stories of the real women of Greek myth from best-selling author and classicist Natalie Haynes STURDY & ATTRACTIVE BOX perfect for gifting and storage Think you know these women? Put the pieces together and you will start to think again. In this beautifully illustrated 1,000-piece jigsaw puzzle, rediscover the lives and stories of the women of Greek myth, portrayed by author, broadcaster and classicist Natalie Haynes with illustrator Natalie Foss. A large fold-out poster of the artwork accompanies the jigsaw and also includes an original essay from the author, expanding on the stories, relationships and context surrounding these infamous women. Featuring mortals and goddesses alike, from Medusa and Medea to Helen, Euridice, Aphrodite, Phaedra, Artemis and more, uncover the truth about the women of the classics.

Polybius' Histories is one of classical antiquity's great political narratives. Written in 40 books (of which only the first five are preserved in full), it originally set out to explain the dramatic rise of Rome in the half century from the war against Hannibal to the defeat and abolishment of the Macedonian kingdom in 167 BC. At a later stage, Polybius extended his coverage down to the Roman destruction of Carthage and Corinth in the year 146 BC. Although written in an ordinary Greek style, the work was composed with great care, clarity and skill, and provides a fascinating discourse on the politics of power. The author was himself a leading Greek politician and general who moved at ease among the most powerful men of the day and participated in many of the events that he describes. This volume provides an accessible introduction to this important work of classical literature. Beginning with an outline of its contents and organization, Brian McGing goes on to examine Polybius' theoretical approach to writing history and the careful artistry behind his work. Later chapters discuss Polybius' eventful life and how it affected his views on history and politics, and analyze the influential theorizing of book six of the Histories. In an epilogue, McGing chronicles the fate of Polybius' work after his death, from classical antiquity to the Renaissance to the American Revolution and up to the present. The volume includes detailed maps and a list of prominent persons.

In this important study, A. M. Devine and Laurence D. Stephens interpret the evidence of Greek verse texts, inscriptions, and musical settings in the framework of a theory of prosody based on cross-linguistic evidence and experimental phonetic and psycholinguistic data, and reconstruct the syllable structure, rhythm, accent, phrasing, and intonation of classical Greek speech. The authors employ sophisticated statistical analyses to support an impressive range of new findings which relate not only to phonetics and phonology, but also to pragmatics and the syntax-phonology interface. Introductory and background material is provided for the benefit of general classicists and nonspecialist readers, making the work an indispensable resource for both students and scholars in the fields of classics and linguistics. A pioneering study, The Prosody of Greek Speech offers a new paradigm for the reconstruction of the prosody of dead languages.

This fresh and comprehensive guide to Chaucer's most famous poem "The Canterbury Tales" introduces readers to Chaucer's life and times and reconsiders both the impact and the context of its inception. It carefully details Chaucer's cultural and literary world, as well as reviewing the publishing history of the Tales and examining some of the issues surrounding the nature of the material production of medieval texts. In addition, it raises matters of 'Englishness' and Chaucer's choice of the vernacular in which to write his works. A highly-readable survey of the critical reception of the Tales, from early responses to recent critical perspectives, works together with a series of exemplary, close readings of key tales and ideas to explore questions such as narrative voice, genre, language and form, gender and authority. This introduction to the text is the ideal companion to study, offering guidance on: literary and historical context; language, style and form; reading "The Canterbury Tales"; critical reception and publishing history; adaptation and interpretation; and, further reading. Continuum Reader's Guides are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

How is late medieval literature inflected by spiritual insight and desires? What weaves of literary cloth especially suit religious insight? This collection of seventeen new essays by distinguished scholars of medieval literature on subjects of mindfulness and spirituality in later medieval (especially English) literature is gathered to honor Brown University Professor Emerita Elizabeth D. Kirk.

Hephaestion's Encheiridion is the most influential text in the history of metrical scholarship. It has been superseded for some genres of Greek verse but remains basic to the description of others. Its terminology continues to be applied to most of the verse written in Western literary traditions. The present volume offers a translation of th eelliptic Greek text and of a parallel account of metre included in Aristides Quintilianus On Music, with a commentary, an introduction analyzing the approach of ancient metricians in term of their own practical aims, an index of all significant words in the Greek texts, and an English index. The book is designed to be equally accessible to Greekless students of metre and to Greek scholars. It should enable them to take clear stand with regard to the ancient heritage in this field, and to define more unequivocally than has been possible any terms they choose to retain, thereby contributing towards greater coherence and consistency in discussion of poetic metre.

Oxford Readings in Catullus is a collection of articles that represent a sampling of the most interesting and important work on Catullus from around 1950 to 2000, together with three very short pieces from the Renaissance. The readings, selected for their intrinsic interest and importance, are intended to be thought-provoking (and in some cases provocative) and to challenge readers to look at Catullus in different ways. They demonstrate a number of approaches - stylistic, historical, literary-historical, New Critical, and theoretical (of several flavours). Such hermeneutic diversity is particularly appropriate in the case of Catullus, whose oeuvre is famously - some might say notoriously - varied in length, genre, tone, and subject matter. The collection as a whole demonstrates what has interested Catullus' readers in the last half century and suggests some of the ways in which they might approach his poetry in the future. It is accompanied by an introduction by Julia Haig Gaisser on themes in Catullan criticism from 1950 to 2000.

It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet "to say one thing and mean another." Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers "assumed by the poet to have a special access to the poet's process of thought." This access presupposed similarities of "education, social position, and sympathetic understanding." Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.

Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and performative. The collected essays demonstrate the dynamic and nuanced relationship between lyric poetry and tragedy within the larger frame of Athenian song- and performance-culture, and reveal a vibrant and symbiotic co-existence between tragedy and lyric. Paths of Song illustrates the effects that this dynamic engagement with lyric possibly had on tragic performances, including performances of satyr drama, as well as on processes of survival and reputation, selection and refiguration, tradition and innovation. The volume is of particular interest to scholars in the field of classics, cultural studies, and the performing arts, as well as to readers interested in poetic transmission and in cultural evolution in antiquity.

This book gathers together some of the most important and influential scholarly articles of the last sixty to seventy years (three of which are translated into English here for the first time) on the Roman poet Lucretius. Lucretius' philosophical epic, the De Rerum Natura or On the Nature of the Universe (c.55 BC), seeks to convince its reader of the validity of the rationalist theories of the Hellenistic thinker Epicurus. The articles collected in this volume explore Lucretius' poetic and argumentative technique from a variety of perspectives, and also consider the poem in relation to its philosophical and literary milieux, and to the values and ideology of contemporary Roman society. All quotations in Latin or Greek are translated.

The rhymed chronicles by Pierre de Langtoft and Robert Mannyng, written between c.1305 and 1338, form a unique pair in the history of English literature and historiography. Both were written in the North of England, both deal with the history of the kings of England from Brutus to the death of Edward I in July 1307. Yet the differences between them are significant. Langtoft wrote in Anglo-Norman with a specific purpose and a specific audience in mind. Robert Mannyng translated a large part of Langtoft's work into English for a very different kind of audience. Although he stayed close to his source-text in many places, his deviations offer insights into the way the English clergy and the public they addressed viewed themselves, their history and their future. The Matter of Kings' Lives is of interest to social and political historians, especially those interested in the reign of Edward I and Anglo-Scottish relations, and to literary historians who may find that these works have more to offer than has hitherto been realized.

Lists and catalogues have been en vogue in philosophy, cultural, media and literary studies for more than a decade. These explorations of enumerative modes, however, have not yet had the impact on classical scholarship that they deserve. While they routinely take (a limited set of) ancient models as their starting point, there is no comparably comprehensive study that focuses on antiquity; conversely, studies on lists and catalogues in Classics remain largely limited to individual texts, and - with some notable exceptions - offer little in terms of explicit theorising. The present volume is an attempt to close this gap and foster the dialogue between the recent theoretical re-appraisal of enumerative modes and scholarship on ancient cultures. The 16 contributions to the volume juxtapose literary forms of enumeration with an abundance of ancient non-, sub- or para-literary practices of listing and cataloguing. In their different approaches to this vast and heterogenous corpus, they offer a sense of the hermeneutic, epistemic and methodological challenges with which the study of enumeration is faced, and elucidate how pragmatics, materiality, performativity and aesthetics are mediated in lists and catalogues.

The studies in this volume examine the intersection of the Dead Sea Scrolls with early rabbinic literature. This is a particularly rich area for comparative study, which has not heretofore received sufficient scholarly attention. While some of the contributions in this volume focus on specific comparative case studies, others address far-reaching issues of historical and comparative methodology. Particular attention is paid to questions of the nature of sectarian and rabbinic law, and how each may elucidate the other. These studies model the directions that need to be pursued in future scholarship on the lines of continuity and discontinuity that connect and differentiate these two literary corpora and their respective religious cultures and social structures.

This volume centers on the study of the relations between literature and the environment and poses important questions to an evolving field: why has ecocriticism focused on narrow, more recent historical periods? What has prevented or discouraged critics from extending environmentally-conscious readings further into the past, and what is lost as a consequence? "Early Modern Ecostudies" engages directly with such issues and advances a new practice that borrows from the methodologies of current ecocriticism, interrogates its problematic assumptions, and extends its reach and significance. Dealing with a range of subjects, these essays apply ecocritical methods to traditional authors such as Shakespeare, Sidney, More, and Milton; canonical texts such Edward Taylor's poetry and the Florentine Codex; and documents from the literature of discovery, medicine, and natural history.

The narratives of Solomon and Jeroboam, of Elijah and Ahab, have fascinated readers for millennia. They are the principal foundation of our knowledge of the history of Israel during the early years of the divided monarchy, and their reliability and verifiability as historical sources have long been the subject of intense scholarly analysis and debate. But even apart from questions of historical authenticity, they are gripping stories of richly drawn characters caught up in the complex tale of Yahweh's dealings with Israel: Solomon the wise is the builder of Yahweh's Temple, yet he becomes an idolater; Jeroboam is chosen by Yahweh as king, yet he worships the golden calves; Elijah is a prophet second only to Moses, yet he tries to renounce his calling; and Ahab is the worst of Israel's kings, yet shows traces of greatness. This study explores the narrative world created by the ancient Israelite author - the people who inhabit it, the lives they live and the deeds they do, and the face of God who is revealed in their stories.

Oxford Studies in Ancient Philosophy is an annual publication which includes original articles, which may be of substantial length, on a wide range of topics in ancient philosophy, and review articles of major books. Contributors to this volume; Jonathan Barnes, Roger Crisp, T.H. Irwin, Christopher Janaway, Richard J. Ketchum, Voula Tsouna McKirahan, Martha Nussbaum, Dirk Obbink, and Allan Silverman.

This is the first volume in a set of two. Volume 1 introduces and collects together the scattered quotations of the Greek writers of the sixth to the fourth centuries BC who first recorded in prose the tales of Greek mythology (the 'mythographers'), whilst Volume 2 will be a scholarly commentary.

The Alexander Romance by Ps.-Callisthenes of Krzysztof Nawotka is a guide to a third century AD fictional biography of Alexander the Great, the anonymous Historia Alexandri Magni. It is a historical commentary which identifies all names and places in this piece of Greek literature approached as a source for the history of Alexander the Great, from kings, like Nectanebo II of Egypt and Darius III of Persia, to fictional characters. It discusses real and imaginary geography of the Alexander Romance. While dealing with all aspects of Ps.-Callisthenes relevant to Greek history and to Macedonia, its pays particular attention to aspects of ancient history and culture of Babylonia and Egypt and to the multi-layered foundation story of Alexandria.

Davis challenges the dominant accounts of the Elizabethan literary system, revealing the competing commercial, intellectual, political, and personal interests that swirled around the printing of The Countesse of Pembrokes Arcadia, Astrophel and Stella, and The Defence of Poesie. He also produces lively, accessible, significant new readings of arguably the most influential secular literary work of the Elizabethan age: the 1598 folio Arcadia, comprising all these works. Finally, by applying Jerome J.McGann's revisionary textual theories, Davis generates an original narrative literary history of Sidney's works and many of the most important printing enterprises of 1590s London.