Although editions of Nemesianus have been surprisingly numerous, very few have contributed appreciably to our understanding of this author, and most texts have been based on a very limited number of manuscripts. There has been no commentary of any length since that of Burman (1731) and there has never before been one in English covering the whole corpus. This book is an attempt to remedy those deficiencies. The text is the first to have been based on an examination of all the known manuscripts, and a detailed and accurate apparatus criticus is provided. The textual history of both poems is thoroughly discussed. The question of the authenticity of the Eclogues is examined and Nemesianus' authorship is held to be proved. The commentary is mainly concerned with textual and grammatical matters. There is also a bibliography.

Jane H. M. Taylor is one of the world's foremost scholars of rewriting or reecriture. Her focus has been on literature in medieval and Renaissance France, but rewriting, including continuation, translation, and adaptation, lies at the heart of literary traditions in all vernaculars. This book explores both the interdisciplinarity of rewriting and Taylor's remarkable contribution to its study. The rewriting and reinterpretation of narratives across chronological, social and/or linguistic boundaries represents not only a crucial feature of text transmission, but also a locus of cultural exchange. Taylor has shown that the adaptation of material to conform to the expectations, values, or literary tastes of a different audience can reveal important information regarding the acculturation and reception of medieval texts. In recent years, numerous scholars across disciplines have thus turned to this field of enquiry. This collection of studies dedicated to the rewriting of medieval French literature from the twelfth to the twenty-first centuries by Taylor's friends, colleagues, and former students offers not only a fitting tribute to Taylor's career, but also a timely consolidation of the very latest research in the field, which will be vital for all scholars of medieval rewriting. With contributions from Jessica Taylor, Keith Busby, Leah Tether, Logan E. Whalen, Mireille Seguy, Christine Ferlampin-Acher, Ad Putter, Anne Salamon, Patrick Moran, Nathalie Koble, Bart Besamusca, Frank Brandsma, Richard Trachsler, Carol J. Chase, Maria Colombo Timelli, Laura Chuhan Campbell, Joan Tasker-Grimbert, Jean-Claude Muhlethaler, Michelle Szkilnik, Thomas Hinton, Elizabeth Archibald.

Roman identity is one of the most interesting cases of social identity because in the course of time, it could mean so many different things: for instance, Greek-speaking subjects of the Byzantine empire, inhabitants of the city of Rome, autonomous civic or regional groups, Latin speakers under 'barbarian' rule in the West or, increasingly, representatives of the Church of Rome. Eventually, the Christian dimension of Roman identity gained ground. The shifting concepts of Romanness represent a methodological challenge for studies of ethnicity because, depending on its uses, Roman identity may be regarded as 'ethnic' in a broad sense, but under most criteria, it is not. Romanness is indeed a test case how an established and prestigious social identity can acquire many different shades of meaning, which we would class as civic, political, imperial, ethnic, cultural, legal, religious, regional or as status groups. This book offers comprehensive overviews of the meaning of Romanness in most (former) Roman provinces, complemented by a number of comparative and thematic studies. A similarly wide-ranging overview has not been available so far.

Claudian was one of the last great Latin poets of the classical tradition, writing at the imperial court in Milan in the late fourth to early fifth century AD. With the current upsurge of research into late antiquity, he is a figure of great interest who has been undeservedly neglected - a creative artist with an immense knowledge of classical literature and a distinctive literary style. His works have been mined for what they reveal about the history of the period, as he largely wrote political propaganda for members of the court circle; but the De Raptu Proserpinae is fascinating in that it shows him working with subject matter of more personal choice. J. B. Hall has already produced two editions of the work, which deal exhaustively with the complicated manuscript traditions; but he self-confessedly leaves aside literary questions, which are the subject of this commentary. This is therefore the first study to look at the poem as a work of literary interest in its own right. The book includes a text designed to simplify Hall's apparatus, and a facing translation to make the work more accessible to non-specialists.

Diagoras of Melos (lyric poet, 5th c. B.C.) has received special attention for some time now because he was regarded as a radical atheist and the author of a prose work on atheism in antiquity. He was notorious for revealing and ridiculing the Eleusinian Mysteries and was condemned for impiety at Athens. The present book evaluates Diagoras' biography and shows that he cannot be considered to have been an atheist in the modern sense.

The use of suspense in ancient literature attracts increasing attention in modern scholarship, but hitherto there has been no comprehensive work analysing the techniques of suspense through the various genres of the Classical literary canon. This volume aspires to fill such a gap, exploring the phenomenon of suspense in the earliest narrative writings of the western world, the literature of the ancient Greeks. The individual chapters focus on a wide range of poetic and prose genres (epic, drama, historiography, oratory, novel, and works of literary criticism) and examine the means by which ancient authors elicited emotions of tense expectation and fearful anticipation for the outcome of the story, the development of the plot, or the characters' fate. A variety of theoretical tools, from narratology and performance studies to psychological and cognitive approaches, are exploited to study the operation of suspense in the works under discussion. Suspenseful effects are analysed in a double perspective, both in terms of the artifices employed by authors and with regard to the responses and experiences of the audience. The volume will be useful to classical scholars, narratologists, and literary historians and theorists.

This book is a literary study of the Cyropaedia, Xenophon's fictional account of Cyrus the Great and the founding of his empire. The Cyropaedia is a complex blend of various literary forms, and this book examines several of its literary genres. General discussions of the works of Xenophon's predecessors and contemporaries, in particular Herodotus, Plato, and Ctesias, are combined with a detailed commentary on select passages. Socrates-his life, ideas, and techniques of argument, is an indirect presence in the work, and the Socratic tenor of several of the dialogues in it is the subject of one chapter. The lovely Panthea, the fairest woman in Asia, is Xenophon's most colourful heroine and her story, along with the dramatic tales of the eunuch Gadatas, bereaved Gobyras, and defeated Croesus, are the focus of another section; special attention is paid to the question of Xenophon's originality in fashioning these tales. The symposia of the Cyropaedia, an intricate blend of Greek and Persian elements, are also investigated at length. The book concludes with an examination of Xenophon's ambivalent attitude towards his hero, Cyrus the Great: the author argues that both Xenophon and his hero are more complex than they might seem.

In the book titled Vergil's political commentary in Eclogues, Georgics and Aeneid, the author examines Vergil's political views by analyzing the whole of the poet's work. He introduces the notion of the functional model suggesting that the poet often used this instrument when making a political statement. New interpretations of a number of the Eclogues and passages of the Georgics and the Aeneid are suggested and the author concludes that Vergil's political engagement is visible in much of his work. During his whole career the poet was consistent in his views on several major political themes. These varied from, the distress caused by the violation of the countryside during and after the expropriations in the 40s B.C., to the horrors of the civil war and the violence of war in general, and the necessity of strong leadership. Vergil hoped and expected that Octavian would establish peace and order, and he supported a form of hereditary kingship for which he considered Octavian a suitable candidate. He held Cleopatra in high regard, and he appreciated a more meaningful role for women in society. Vergil wrote poetry that supported Augustus, but he had also the courage to criticize Octavian and his policies. He was a commentator with an independent mind and was not a member of Augustus' putative propaganda machine.

The Companion to Central and Eastern European Humanism: The Czech Lands is the first reference work on humanists and their literary activities in this region to appear in English. It provides biographical and bibliographical data about humanist literary life between c. 1480 and 1630, in two volumes, organised alphabetically by authors' names. This first volume includes three introductory chapters together with more than 130 biographical entries covering the letters A-L and a complete overview of the most recent research on humanism in Central Europe. The interdisciplinary research team behind this Companion paid particular attention to local approaches to the classical tradition, to humanistic multilingualism and to Bohemian authors' participation in European scholarly networks. The Companion is a highly relevant resource for all academics who are interested in humanism and the history of early modern literature in Central Europe.

This ground-breaking book applies trauma studies to the drama and literature of the ancient Greeks. Diverse essays explore how the Greeks responded to war and if what we now term "combat trauma," "post-traumatic stress," or "combat stress injury" can be discerned in ancient Greek culture.

A survey of the motif of the revenant, showing how medieval themes and motifs persist today. The proliferation of books and films about the "undead", those literally returning from the grave, in modern popular culture has been commented on as a recent phenomenon, but it is in fact a storytelling tradition going back more than a millennium. It drew on and was influenced by Christian eschatology, gathered momentum in medieval ecclesiastical chronicles, such as those written by Caesarius of Heisterbach, and then migrated into imaginative literature - famously in John Lydgate's Dance of Death - and art. But why did revenant stories and imagery take such a hold in the Middle Ages? And why has that fascination held on into today's world? This book offers a history of these revenant narratives, demonstrating how modern horror is haunted by past literature and exploring the motif of the risen dead as a focus of cultural anxiety and literary effort. The author examines the long arc of revenant tales from antiquity and the Middle Ages through the Reformation and into modernity, tracing their uncanny similarities and laying bare the rich traditions of narrative, theme, motif, supernatural belief and eschatological fears and preoccupations.

This book is a general introduction to the structures of the different medieval Romance vernaculars most commonly known as Old or Medieval Spanish, as preserved in texts from Spain from the eleventh to the fifteenth centuries. After discussing general methodological questions concerning the description and analysis of an earlier historical stage of a modern language, the individual chapters in the first part of the book describe the orthography, phonetics and phonology, morphology, syntax, and vocabulary of medieval Hispano-Romance. Steven N. Dworkin offers the first systematic description of the language in English, and compares its structures with those found in the modern variety. In the second part of the book, the features of medieval Hispano-Romance are exemplified in an anthology of selected texts, one from each of the thirteenth, fourteenth, and fifteenth centuries, accompanied by linguistic commentary. The volume will be of interest to scholars and students of Romance linguistics, Spanish historical linguistics, and Spanish medieval literary and cultural studies.

This Companion is the first of its kind on the Roman historian Cassius Dio. It introduces the reader to the life and work of one of the most fundamental but previously neglected historians in the Roman historical cannon. Together the eighteen chapters focus on Cassius Dio’s background as a Graeco-Roman intellectual from Bithynia who worked his way up the political hierarchy in Rome and analyzes his Roman History as the product of a politically engaged historian who carefully ties Rome’s constitutional situation together with the city’s history.

Sextus Empiricus is one of the most important ancient philosophical writers after Plato and Aristotle. His writings are our main source for the doctrines and methods of Scepticism. He probably lived in the second century AD. Eleven books of his writings have survived, covering logic, physics, ethics, and many other fields. Against the Grammarians is the first book of Sextus' Adversus Mathematicos, his broad-ranging polemic against the various liberal studies of classical learning. It is prefaced by a short general attack on the arts (included in this volume); then Sextus focuses on the grammatical writers of the classical era, categorizing, analysing, and criticizing their doctrines. The result is not only an invaluable source for ancient ideas about grammar, language, and literary technique, but an excellent example of sustained Sceptical reasoning. David Blank presents a new translation into clear modern English of this important treatise, together with the first ever commentary on the work. In an extended introduction he discusses Against the Grammarians in the broad context of Sextus' work as a whole, Scepticism in general, and the history of ancient writings in this field.

Medievalists are increasingly grappling with spatial studies. This timely book argues that geography is a crucial element in Sir Thomas Malory's M orte Darthur and contributors shine a light on questions of politics and genre to help readers better understand Malory's world.

Eusebius of Caesarea (d. 339) is our major historical witness to the triumph of Christianity in the early fourth century. His commentary on the Book of Isaiah has only been available to modern scholars since 1975. The present book, the first comprehensive study, examines how Eusebius interpreted Isaiah in the context of Constantine's conversion.

Ancient epistolary fiction is a still largely under-explored field of research, at the intersection of studies on epistolography and on pseudepigraphy. The present volume sketches out a broad panorama of ancient fiction in letters. It covers a large period of time up to late Antiquity, with a main focus on letters from the imperial era. Epistolary fiction is examined as a mainly Greek phenomenon (there are few Latin equivalents) that was characteristic of both pagan and Christian literature. The material investigated falls within two categories: fictional letter collections from well-known authors of the Second Sophistic and their successors (Lucian, Alciphron, Philostratus, Aristaenetus); letters attributed to famous historical or legendary characters (pseudonymous letters). Focusing on the specific features of epistolary fiction, the book aims to analyse its forms, its functions as well as its effects. It gathers a series of 11 state-of-the art essays, all tackling the same important issues: the manuscript and printed tradition, the form of epistolary fictions and the universe they build, the arrangement of the letters and their overall structure, the relation between the author and his external readers.

Homer's poetry is widely recognized as the beginning of the literary tradition of the West and among its most influential canonical texts. Outlining a series of key themes, ideas, and values associated with Homer and Homeric poetry, Homer: A Guide for the Perplexed explores the question of the formation of the Iliad and the Odyssey - the so-called 'Homeric Problem'. Among the main Homeric themes which the book considers are origin and form, orality and composition, heroic values, social structure, and social bias, gender roles and gendered interpretation, ethnicity, representations of religion, mortality, and the divine, memory, poetry, and poetics, and canonicity and tradition, and the history of Homeric receptions. Drawing upon his extensive knowledge of scholarship on Homer and early epic, Ahuvia Kahane explores contemporary critical and philosophical questions relating to Homer and the Homeric tradition, and examines his wider cultural impact, contexts and significance. This is the ideal companion to study of this most influential poet, providing readers with some basic suggestions for further pursuing their interests in Homer.

The epic poem Bellum Civile by the Roman poet M. Annaeus Lucanus, a contemporary of the emperor Nero (1st century A.D.), deals with the great civil war between Julius Caesar and Pompey in 49-47 B.C. Their conflict is elaborated in powerful verses full of paradoxes, pointed sententiae and vehement pathos. The present commentary is devoted to Book 3, which is dominated by a fascinating catalogue of Pompey's troups, and a highly original account of a naval battle delivered near Massilia.

A leading cultural historian of premodern Japan draws a rich portrait of the emerging samurai culture as it is portrayed in gunki-mono, or war tales, examining eight major works spanning the mid-tenth to late fourteenth centuries. Although many of the major war tales have been translated into English, Warriors of Japan is the first book-length study of the tales and their place in Japanese history. The war tales are one of the most important sources of knowledge about Japan's premodern warriors, revealing much about the medieval psyche and the evolving perceptions of warriors, warfare, and warrior customs.

This volume is a collection of fifteen papers written by a team of international experts in the field of Hellenistic literature. In an attempt to reassess methods such as the detection of intertextual allusions or the general notion of neoteric poetics, the authors combine current critical trends (narratology, genre-theory, aesthetics, cultural studies) with a close reading of Hellenistic texts. Contributions address a wealth of topics in a variety of texts which include not only poems by the major Alexandrians but also prose works, epigrams, epigraphic material and scholia. Perspectives range from linguistic analysis to interdisciplinary studies, whereas post-classical literature is also seen against the background of the cultural and ideological contexts of the era. Besides reviewing preconceptions of Hellenistic scholarship, this volume aims at providing fresh insights into Hellenistic literature and aesthetics.

Continuum's "Introductions to British Literature and Culture" series provide practical guides to key literary periods. Guides in the series help to orientate students as they begin a new module or area of study, providing concise information on the historical, cultural, literary and critical context and acting as an initial map of the knowledge needed to study the literature and culture of a specific period. Each guide includes an overview of the historical period, intellectual contexts, major genres, critical approaches and a guide to original research and resource materials in the area, enabling students to progress confidently to further study. "The Guide to Medieval Literature and Culture" provides students with the ideal introduction to literature and its context from the 7th to 15th centuries, including: the historical, cultural and intellectual background including religion and philosophy, society and politics, art and culture; major works and genres including religious literature, history writing, drama, Chaucer, and Langland; concise explanations of key terms needed to understand the literature and criticism; key critical approaches to medieval literature from the Renaissance to the present; and a chronology mapping historical events and literary works and further reading including websites and electronic resources.

The elements of music, musical values, the relationship of music to the other ancient arts--all of these subjects are explored as Polin discusses the musical heritage of the ancient Near East.

The term 'cityscaping' is here introduced to characterise the creative process through which the image of the city is created and represented in various media - text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients' spatial imagination; another is to inquire into the semantics and functions that are ascribed to the image of a city as constructed in various media. The examples of ancient texts and works of art, and modern literature and films, are used to elucidate the artistic potential of images of the city and the techniques by which they are semanticised. With its interdisciplinary approach, the volume for the first time makes clear how strongly mental images of urban space, both ancient and modern, have been shaped by the techniques of their representation in media.