The Argentinian writer and poet Jorge Luis Borges (1899-1986) was many things during his life, but what has gone largely unnoticed is that he was a medievalist, and his interest in Germanic medievalism was pervasive throughout his work. This study will consider the medieval elements in Borges creative work and shed new light on his poetry.

This collection is the work of scholars on Middle English, Insular French and Medieval Latin writings of the late twelfth century in England and its possessions, when an English-speaking populace was ruled by a French-speaking aristocracy and administered by a Latin-speaking and writing clergy. The political discourses of Henry's reign are acknowledged, developed and ironised within the first real flowering of so many vernacular genres, romance and history in particular. The energetic and intrepid writers of this period are examined in relation to the development of social institutions and emergent ideas of 'nationhood', as the literature of Henry's court is shown to act as an echo-chamber within which anxieties about the proper exercise of power in a legal order founded on martial conquest could be reflected and soothed.

Jeremy Citrome employs the language of contemporary psychoanalysis to explain how surgical metaphors became an important tool of ecclesiastical power in the wake of the Fourth Lateran Council of 1215. Pastoral, theological, recreational, and medical writings are among the texts discussed in this wide-ranging study.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Medieval writers were fascinated by fortune and misfortune, yet the critical problems raised by such explorations have not been adequately theorized. Allan Mitchell invites us to consider these contingencies in relation to an "ethics of the event." His book examines how Middle English writers including Chaucer, Gower, Lydgate, and Malory treat unpredictable events such as sexual attraction, political disaster, social competition, traumatic accidents, and the textual condition itself--locating in fortune the very potentiality of ethical life. While earlier scholarship has detailed the iconography of Lady Fortune, this book alters and advances the conversation so that we see fortune less as a negative exemplum than as a positive sign of radical phenomena.

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische oder englische Praefatio erganzt. Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Vergriffene Titel werden als Print-on-Demand-Nachdrucke wieder verfugbar gemacht. Zudem werden alle Neuerscheinungen der Bibliotheca Teubneriana parallel zur gedruckten Ausgabe auch als eBook angeboten. Die alteren Bande werden sukzessive ebenfalls als eBook bereitgestellt. Falls Sie einen vergriffenen Titel bestellen moechten, der noch nicht als Print-on-Demand angeboten wird, schreiben Sie uns an: [email protected] Samtliche in der Bibliotheca Teubneriana erschienenen Editionen lateinischer Texte sind in der Datenbank BTL Online elektronisch verfugbar.

Over six hundred years before John Milton's Paradise Lost, Anglo-Saxon authors told their own version of the fall of the angels. This book brings together various cultural moments, literary genres and relevant comparanda to recover that version, from the legal and social world to the world of popular spiritual ritual and belief. The story of the fall of the angels in Anglo-Saxon England is the story of a successfully transmitted exegetical teaching turned rich literary tradition. It can be traced through a range of genres - sermons, saints' lives, royal charters, riddles, devotional and biblical poetry - each one offering a distinct window into the ancient myth's place within the Anglo-Saxon literary and cultural imagination. -- .

Reissuing works originally published between 1929 and 1996, Routledge Library Editions: Arthurian Literature offers a selection of scholarship on the genre. Classic previously out-of-print works are brought back into print here in this small set of literary criticism, translation, art and drama.The enduring myth and legend appears from Mediaeval literature through to more modern writings and offers a spectrum of poetry and prose which is studied widely, as expemplified in this set.

Res Publica and the Roman Republic tells the story of an idea - res publica - and shows us what it meant and was made to mean in the particular historical context of the late Roman Republic. Since the term was politically ubiquitous, often used emotively, and as a consequence is hard to define, the temptation to take res publica as a universally understood and relatively uncontroversial given is rarely resisted. A close look at how res publica was perceived and manipulated, however, brings into focus not just the political crises of the late Republic but also the various attempts to clean up these crises through dubiously legal (and often outright illegal) emergency measures. Although this book is at root a philological study of a political concept, it aims to make a historical point about a politically turbulent period by addressing three key questions: What did it mean for Republican politicians to appeal to the res publica? What did the increasing tendency to do so reveal about the dangerous fragmentation of political legitimacy? How did these pressures transform res publica as a concept? Through a detailed examination of res publica as it appears in the ancient historians, orators, poets, commentaries and letters, inscriptions, and historical episodes of the late Republic and early Principate, this book demonstrates how the rhetoric surrounding res publica mirrored the changes in the Roman political landscape towards the end of the Republic.

This book examines the audiences and languages of Dominican sermons in late medieval Italy. It is a thorough analysis of how Latinate theological culture interacted with popular religious devotion. In particular it assesses the role of vernacular theology. Eliana Corbari defines vernacular theology as a form of theology that is based neither on a Latin scholastic model nor a monastic one. It is a "third dimension" of theology which was accessible to the laity, and in particular women, through their attendance at sermons and the reading of vernacular devotional works (in this case, medieval Italian treatises and sermons). Through painstaking manuscript work, Corbari makes an excellent contribution to sermon studies, gender studies, medieval theology, and codicology. She demonstrates that Dominican friars preached to an active contingent of laywomen, usually members of confraternities, who not only attended these sermons but re-read them and also disseminated them through book production to the wider Florentine community.

This translation, first published in 1992, presents one of the most memorable medieval ballads, largely because it contains a number of surprises and falsified expectations. Jaufre, the hero, arrives at the court of King Arthur with a total and naive faith in the King and his ability to effect a total transformation in his followers by inducting them into the order of knighthood. As his quest proceeds, he learns the mistake in his idealised view of chivalry and his uncompromising view of pure justice, untempered by mercy. By charting the choices Jaufre makes in military and amorous encounters and the effectiveness of his responses to social trials and temptations, the audience discerns the route to independent adulthood, prestige and virtue, as the poet conceives of them. This fascinating reissue will be of particular value to students and academics researching the concepts typically explored within medieval ballads and romances.

A major, defining polarity in Euripidean drama, wisdom and folly, has never so far been the subject of a book-length study. The volume aims at filling this gap. Virtually all Euripidean characters, from gods to slaves, are subject to some aspect of folly and claim at least some measure of wisdom. The playwright's sophisticated handling of the tradition and the pervasive ambiguity in his work add extra layers of complexity. Wisdom and folly become inextricably intertwined, as gods pursue their agendas and mortal characters struggle to control their destiny, deal with their troubles, confront their past, and chart their future. Their amoral or immoral behavior and various limitations often affect also their families and communities. Leading international scholars discuss wisdom and folly from various thematic angles and theoretical perspectives. A final section deals with the polarity's reception in vase-painting and literature. The result is a wealth of fresh insights into moral, social and historical issues. The volume is of interest to students and scholars of classical drama and its reception, of philosophy, and of rhetoric

The Bibliotheca Teubneriana, established in 1849, has evolved into the world's most venerable and extensive series of editions of Greek and Latin literature, ranging from classical to Neo-Latin texts. Some 4-5 new editions are published every year. A team of renowned scholars in the field of Classical Philology acts as advisory board: Gian Biagio Conte (Scuola Normale Superiore di Pisa) Marcus Deufert (Universitat Leipzig) James Diggle (University of Cambridge) Donald J. Mastronarde (University of California, Berkeley) Franco Montanari (Universita di Genova) Heinz-Gunther Nesselrath (Georg-August-Universitat Goettingen) Dirk Obbink (University of Oxford) Oliver Primavesi (Ludwig-Maximilians Universitat Munchen) Michael D. Reeve (University of Cambridge) Richard J. Tarrant (Harvard University) Formerly out-of-print editions are offered as print-on-demand reprints. Furthermore, all new books in the Bibliotheca Teubneriana series are published as eBooks. The older volumes of the series are being successively digitized and made available as eBooks. If you are interested in ordering an out-of-print edition, which hasn't been yet made available as print-on-demand reprint, please contact us: [email protected] All editions of Latin texts published in the Bibliotheca Teubneriana are collected in the online database BTL Online.

Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. In `Medieval Oral Literature' in the `De Gruyter Lexikon' series, an international team of scholars has provided an in-depth discussion both of theoretical issues and various poetic traditions and genres. In addition to the core areas of the European Middle Ages, Russian, Hebrew, Arabic, Persian and Turkish traditions have also been included.

From "Beowulf" through the literature of the crusades and beyond, cannibals haunt the texts of medieval England. "Cannibal Narratives" attempts to explain their presence. It explores the relationship between the literary trope of cannibalism and the emergence of national identity in medieval England. If England suffered three centuries of invasion - beginning with the Vikings and continuing through Danish and Norman conquests of the island - it also developed a unique and uniquely literary response to these circumstances. This book reads the representations cannibalism so common in English medieval literature through cannibalism's metaphoric associations with incorporation, consumption, and violent disruption of the boundaries between self and other. The result uncovers the ways in which these representations articulate a discourse of cannibalism as a privileged mode for thinking about English cultural, and ultimately national, identity in the face of the social crisis.

To have a clear understanding of Chaucer's Canterbury Tales, the reader needs to know about the vocations of the pilgrims. For some 600 years, this information has been difficult to locate. This reference provides a detailed historical description of the occupations of Chaucer's pilgrims. An entry is devoted to each traveler, and the entries have similar formats to foster comparison. Each entry discusses the historical daily routine of the pilgrim's occupation, the portrayal of the profession in Chaucer's poem, and the relationship between the tale and Chaucer's General Prologue. Chaucer's Canterbury Tales is one of the oldest and most widely studied works of English literature. The tales provide a glimpse of medieval life, and the professions of the pilgrims figure prominently in the poetry. To have a clear understanding of Chaucer's work, the reader needs to know about the vocations of the pilgrims. For some 600 years, this information has been difficult to locate. This reference work conveniently synthesizes and discusses information about the occupation of each of Chaucer's pilgrims and provides an historical context. The volume contains individual entries for each of Chaucer's pilgrims, and the entries share a similar format to foster comparison. Each entry includes three parts. First, the pilgrim's profession is discussed in terms of the daily routine of the medieval occupation. Second, the vocation is examined in terms of its reflection in the tale told by the pilgrim. Third, the vocation and the tale are discussed, when possible, in relation to the descriptions of the characters provided in the General Prologue. Each entry includes a bibliography, and the volume concludes with a list of works for further reading.

This invigorating study places medieval romance narrative in dialogue with theories and practices of gift and exchange, opening new approaches to questions of storytelling, agency, gender and materiality in some of the most engaging literature from the Middle Ages. It argues that the dynamics of the gift are powerfully at work in romances: through exchanges of objects and people; repeated patterns of love, loyalty and revenge; promises made or broken; and the complex effects that time works on such objects, exchanges and promises. Ranging from the twelfth century to the fifteenth, and including close discussions of poetry by Chaucer, the Gawain-Poet and romances in the Auchinleck Manuscript, this book will prompt new ideas and debate amongst students and scholars of medieval literature, as well as anyone curious about the pleasures that romance narratives bring. -- .

This volume suggests that reading and writing about literature are ways to gain an ethical understanding of how we live in the world. Postmodern narrative is an important way to reveal and discuss who are society's victims, inviting the reader to become one with them. A close reading of fiction by Toni Morrison, Patrick Suskind, D.M. Thomas, Ian McEwan and J.M. Coetzee reveals a violence imposed on gender, race and the body-politic. Such violence is not new to the postmodern world, but reflects Western culture's religious traditions, as this book demonstrates through a reading of stories from the Hebrew Bible and the Christian New Testament.

Reissuing works originally published between 1958 and 1993, this five-volume set offers a selection of scholarship on the greatest classical poet, whose two monumental epics, the Iliad and the Odyssey, remain foundational to the Western cultural tradition. Routledge Library Editions: Homer helps to situate this immense artistic achievement in its historical and cultural context, considering issues such as the relationship between the Homeric epics and the Mycenaean civilisation which preceded them, the importance of Homer for the flowering of Greek tragedy, and the reception of Homer during and after the Enlightenment.

J. Angelo Corlett's new book, Interpreting Plato Socratically continues the critical discussion of the Platonic Question where Corlett's book, Interpreting Plato's Dialogues concluded. New arguments in favor of the Mouthpiece Interpretation of Plato's works are considered and shown to be fallacious, as are new objections to some competing approaches to Plato's works. The Platonic Question is the problem of how to approach and interpret Plato's writings most of which are dialogues. How, if at all, can Plato's beliefs, doctrines, theories and such be extracted from dialogues where there is no direct indication from Plato that his own views are even to be found therein? Most philosophers of Plato attempt to decipher from Plato's texts seemingly all manner of ideas expressed by Socrates which they then attribute to Plato. They seek to ascribe to Plato particular views about justice, art, love, virtue, knowledge, and the like because, they believe, Socrates is Plato's mouthpiece through the dialogues. But is such an approach justified? What are the arguments in favor of such an approach? Is there a viable alternative approach to Plato's dialogues? In this rigorous account of the dominant approach to Plato's dialogues, there is no room left for reasonable doubt about the problematic reasons given for the notion that Plato's dialogues reveal either Plato's or Socrates' beliefs, doctrines or theories about substantive philosophical matters. Corlett's approach to Plato's dialogues is applied to a variety of passages throughout Plato's works on a wide range of topics concerning justice. In-depth discussions of themes such as legal obligation, punishment and compensatory justice are clarified and with some surprising results. Plato's works serve as a rich source of philosophical thinking about such matters. A central question in today's Platonic studies is whether Socrates, or any other protagonist in the dialogues, presents views that the author wanted to assert or defend. Professor Corlett offers a detailed defense of his view that the role of Socrates is to raise questions rather than to provide the author's answers to them. This defense is timely as intellectual historians consider the part played by Academic scholars centuries after Plato in systematizing Platonism. J. J. Mulhern, University of Pennsylvania

The articles in this volume, by scholars all pursuing careers in the United States, concern the theoretical approaches and methods of early medieval studies. Most of the issues examined span the period from roughly 400 to 1000 CE and regions stretching from westernmost Eurasia to the Black Sea and the Baltic. This is the first volume of essays explicitly to reassess the heuristic structures and methodologies of research on "early medieval Europe." Because of its geographic, chronological, thematic, and methodological diversity and scope, the collection also showcases the breadth of early medieval studies currently practiced in the United States.

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods THorr (Thor) with his hammer, the wily and duplicitous Odinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how THorr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.

Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the "different" god in an unprecedented way.

The tales of the virgin martyrs typically emphasize the torture and mutilation of beautiful young women. To the modern reader, these medieval texts seem like exercises in sadism, but they also provided Medieval women such as Hildegard of Bingen and Joan of Arc with role models who helped them to shape their own extraordinary destinies. This book explores the ability of the virgin body to generate contradictory meanings, both repressive and liberating, depending on who told the tale and how it was told.