In this book, Sarah Tarlow provides an innovative archaeology of bereavement, mortality and memory in the early modern and modern period. She draws on literary and historical sources as well as on material evidence to examine the evolution of attitudes towards death and commemoration over four centuries.

The book argues that changes in commemorative practices over time relate to a changing relationship between the living and the dead and are inextricably linked to the conceptions of identity and personal relationships which characterize later Western history. The author's approach is different from most previous work in this area not only because of its focus on material culture but also because of its incorporation of experiential and emotional factors into discussions of human relations and understandings in the past.

As well as introducing readers to the study of death and rememberance in the past, this book contributes to wider archaeological debates about the interpretation of meaning and the place of emotion and experience in archaeological study. It will be of interest to all scholars and students interested in critical and theoretically informed approaches to the study of people in the past.

The Native American Contest Powwow introduces Cultural Tethering Theory to understand the importance of the contest powwow and what it means to participants, carrying on the beauty of Native American culture. The book addresses the concepts of culture, cultural change, acculturation, assimilation, and how this competitive dancing ritual aligns with and differs from traditional sports. Authors Steven Aicinena and Sebahattin Ziyanak go on to explain why modern Native American cultures are experiencing an erosion of traditional values, a rapid loss of traditional languages, changes in social organization, limited opportunity to learn culturally-valued knowledge, reduced opportunity to observe culturally appropriate behavior, and the influence of technology. The book also examines Native American identity and who can legitimately claim to be a Native American under current laws and customs. Additional topics addressed include blood quantum, cultural knowledge, participation, being Indian, and playing Indian. Finally, the authors describe the difference between being Native American and playing Indian in powwow and pseudo-cultural powwow environments.

Rock Criticism from the Beginning is a wide-ranging exploration of the rise and development of rock criticism in Britain and the United States from the 1960s to the present. It chronicles the evolution of a new form of journalism, and the course by which writing on rock was transformed into a respected field of cultural production. The authors explore the establishment of magazines from Crawdaddy! and Rolling Stone to The Source, and from Melody Maker and New Musical Express to The Wire, while investigating the careers of well-known music critics like Robert Christgau, Greil Marcus, and Lester Bangs in the U.S., and Nik Cohn, Paul Morley, and Jon Savage in the U.K., to name just a few. While much has been written on the history of rock, this Bourdieu-inspired book is the first to offer a look at the coming of age of rock journalism, and the critics that opened up a whole new kind of discourse on popular music.

This book studies the Afro-European and Euro-African past and present from an interdisciplinary and comparative perspective. It addresses Africa as a whole, eschewing historical divisions between North and Sub-Saharan Africa. Its content exemplifies the extent to which the histories of Europe and Africa are intertwined, and the way European sources are usually privileged in the writing of historical accounts of cross-cultural encounters. Using post/decolonial studies, the authors' point of view is based on anthropology, history, ethnomusicology, and film and literary studies. The authors argue that mutual experiences and imaginations have affected how cultural heritage and legacy are conceived and thought of, as well as memories and sociopolitical experiences. The aim is to establish and encourage a broader knowledge of Africa-Europe and Europe-Africa encounters, incorporating case studies of Euro-African and Afro-European legacies. The final goal is to favour a more relational point of view by comparing Euro-African and Afro-European realities.

This book examines the effects of alcohol on gender relations in traditional Europe, focussing on England, France, and Italy in the late medieval and early modern periods, roughly 1300 to 1700. While alcohol causes physiological changes that are scientifically verifiable, the work of anthropologists reveals that much of what passes for drinking behavior and drunken comportment varies from one society to the next. In traditional Europe, as in modern Western societies, drinking led to increased sexual activity for both men and women, and it inclined men to commit acts of violence. Despite male fears of female sexuality and despite patriarchal restraints, women still consumed alcoholic beverages, sometimes in gargantuan amounts. This widespread consumption of wine, ale, or beer illustrates the importance of alcohol in traditional Europe. Alcohol was the ubiquitous social lubricant, and alcoholic beverages formed an important part of most people's diets.

Don't just see the sights get to know the people. Italy delights and stimulates with its magnificent cities and monuments, stunningly beautiful landscapes, the glory of its art and architecture, the richness and variety of its food, the elegance of its design and fashion, and the vitality and charm of its people. Italian style and culture have been exported all over the world. At home, however, Italian society and politics are facing challenges as the country struggles to maintain its standard of living, the stability of its currency, and its ability to provide jobs. The influx of refugees across the Mediterranean is putting pressure on both its social fabric and its economy. Culture Smart! Italy is an insider s guide to their daily lives, passions, and preoccupations. It introduces you to their history and culture, and provides vital information and practical tips to help smooth your path in different social situations. Have a more meaningful and successful time abroad through a better understanding of the local culture. Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.

Fragmented Identities of Nigeria: Sociopolitical and Economic Crises explores the historiogenesis and ontological struggles of Nigeria as a geographical expression and a political experiment. The transdisciplinary contributions in Fragmented Identities of Nigeria analyze Nigeria as a microcosm of global African identity crises to address the deep-rooted conflicts within multi-ethnic, multi-linguistic, multi-religious, and multicultural societies. By studying Nigeria as a country manufactured for the interests of colonial forces and ingrained with feudal hegemonic agendas of global powers working against emancipation of African people, Fragmented Identities of Nigeria examines the history, evolution, and consequences of Nigeria's sociopolitical and economic crises. The contributors make suggestions for pulling Nigeria from the brink of an identity implosion which was generated by years of governance by leaders without vision or understanding of what is at stake in global black history. Throughout, the collection argues that it is time for Nigeria to reassess, renegotiate, and reimagine Nigeria's future, whether it be through finding an amicable way the different ethnicities can continue to co-exist as federating or confederating units or to dissolve the country which was created for economic exploitation by the United Kingdom.

In Telling Animals, Jasmine Spencer offers a comparative yet personal approach to Dene/Athabaskan stories, both Northern and Southern. It examines the animating effects of animal stories, the transformative power of animacies in Dene stories, and the effects of narrative revitalization through animal grammar. It takes as its first premise the teachings of many Elders, who have shared that the stories are alive. Jasmine Spencer's comparative approach combines literary, linguistic, anthropological, and philosophical theories and methods using a deictic framework for closely reading the stories in both their Dene languages and in English translation. The narrative epistemologies enacted by Dene stories counterbalance many of the ethical problems inherent within Euro-Western approaches to ontology and experience. These stories revive those who listen and read, offering hope.

South Asia in Transition is an introductory book on the anthropology of South Asia, including India, Pakistan, Nepal, Sri Lanka, and Bangladesh, suitable for students at all levels and others interested in this topic. It assumes no prior knowledge of either the region or the discipline of anthropology. The book makes extensive use of existing publications to describe how anthropologists have approached the region and what they have said about it. The first group of chapters deals mostly with India and caste, class, tribes, religion, kinship and marriage, gender, the body and personhood, politics and political economy. A second group of chapters deals successively with Pakistan, Sri Lanka, and Nepal.

This volume contains the proceedings of the 10th International Symposium on Circumcision, Genital Integrity, and Human Rights. Authors are international experts in their fields, and the book contains the most up-to-date information on the issue of genital cutting of infants and children from medical, legal, bioethical, and human rights perspectives.

Systems theory emerged in the mid-20th century along with related theories such as Cybernetics and Information Theory. Recently it has included Complexity Theory, Chaos Theory and Social Systems Theory. Systems theory understands phenomena in terms of the systems of which they are part. This book is about a systems theoretical approach to thinking about art. It examines what it means to look to systems theory both for its implications for artistic practice and as a theory of art. This publication provides a sustained discussion on the application of systems theory to an account of art.

From the crowning of Charles III, thirty-nine coronations have been held in Westminster Abbey since the Norman Conquest. Only two monarchs – Edward V and Edward VIII – were uncrowned, and a further twenty or so Scottish monarchs were crowned elsewhere, usually at either Scone Abbey or Holyrood Abbey.

In The Throne, Ian Lloyd turns his inimitable, quick-witted style to these key events in British royal history, providing fascinating anecdotes and interesting facts: William the Conqueror’s Christmas Day crowning, during which jubilant shouts were mistaken by his guards as an assassination attempt; the dual coronation of William and Mary in 1689; the pared-back ‘Half Crown-ation’ of William IV; and the televised spectacle of Elizabeth II’s 1953 ceremony.

Detailing everything from the famous Coronation Chair made for Edward I and the Crown Jewels to the infamously uncomfortable Gold State Coach – this is a truly spectacular celebration of British culture and the ultimate pomp of royalty.

Questions about the respective roles of private and state property have been at the center of European political life for the past century. Much less attention has been given to the ways in which rights to property have been transmitted over time and how different inheritance traditions have affected European societies. The chapters in this volume draw on historical and anthropological research to show how inheritance practices connect the intimate organization of domestic life with questions of economic development, political structure, and religious belief. The book traces the history of inheritance from the coming of Christianity, through the imposition and dissolution of different forms of feudalism, to the development of the modern economy. Several chapters address the impact of communism and its collapse, and demonstrate how ideas about the inheritance of property and status are continuing to shape, and be shaped by, economic and social changes in a continent that is moving beyond the ideological dichotomies of the Cold War.
Hannes Grandits teaches European history at University of Graz, Austria. Patrick Heady teaches anthropology at Max Planck Institute for Social Anthropology, Halle/Saale, Germany.

This one-volume encyclopedia examines jobs and occupations from around the world that are unique and out of the ordinary, from bike fishermen in the Netherlands and professional wedding guests in South Korea to elephant dressers in India. It's not surprising that the first question we are asked by strangers often has to do with what we do for a living. It's another way of asking, "Who are you, and what are you about?" But what happens when the answer to that question is "I am a gondolier" or "I am an Instagram influencer?" This book tries to answer that question, focusing on approximately 100 unusual occupations around the world. Arranged alphabetically, entries define the jobs and detail their historical, social, and cultural significance. Entries also examine where the job is located, how it came to be, how people get into the position, and what the economic and future outlook is for that job. While the entries focus on contemporary jobs, the encyclopedia also includes sidebars that highlight unique jobs from history to give the reader a sense of how unusual (and often terrible!) some jobs once were. Students will find this book useful in looking at cultures around the world. Helps readers to better understand cultural values of other countries and make cross-cultural comparisons Helps readers to identify similar and related jobs across cultures with listings of jobs by category Illuminates the text through sidebars highlighting interesting facts and anecdotal observations Illustrates hard-to-imagine jobs through photos Is written in an engaging, accessible tone for high school students, but is also useful for undergraduates and general readers

The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure's early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career - beginning officially in 1937 - as the symbol of West Virginia University. Alternately a rabble-rouser and a romantic embodiment of the state's history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway's account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the University) to tame or contain it.

This book sustains a critical glance at the ways in which we attend to the corpse, tracing a trajectory from encounter toward considering options for disposal: veneered mortuary internment, green burial and its attendant rot, cremation and alkaline hydrolysis, donation and display, and ecological burial. Through tracing the possible futures of the dead that haunt the living, through both the stories that we tell and physical manifestations following the end of life, we expose the workings of aesthetics that shape corpses, as well as the ways in which corpses spill over, resisting aestheticization. This book creates a space for ritualized practices surrounding death: corpse disposal; corpse aesthetics that shape both practices attendant upon and representations of the corpse; and literary, figural, and cultural representations that deploy these practices to tell a story about dead bodies-about their separation from the living, about their disposability, and ultimately about the living who survive the dead, if only for a while. There is an aesthetics of erasure persistently at work on the dead body. It must be quickly hidden from sight to shield us from the certain trauma of our own demise, or so the unspoken argument goes. Experts-scientists, forensic specialists, death-care professionals, and law enforcement-are the only ones qualified to view the dead for any extended period of time. The rest of us, with only brief doses, inoculate ourselves from the materiality of death in complex and highly ritualized ceremonies. Beyond participating in the project of restoring our sense of finitude, we try to make sense of the untouchable, unviewable, haunting, and taboo presence of the corpse itself.

Franz Steiner's study of Taboo is internationally recognized as a classic in its field. In a newly researched introductory chapter, based on a thorough study of Steiner's unpublished papers, this edition for the first time places the book in its context and offers a new reading of the text. More than just a critique of existing taboo theories, as it has often been seen, this study offers a profound analysis of danger behavior and pollution in "non-civilized" societies. This provided an important starting-point for Mary Douglas' Purity and Danger. A key aspect of Steiner's achievement lies in his attempt to reconcile detailed, faithful ethnographic analysis with anthropological comparison. His analysis of taboo thus provides a case study with wide-ranging ramifications.

This new edition makes a classic text available once again to students and general readers. A major new introduction based on archival research offers, for the first time, a biography and critical study of Franz Steiner; it not only places him in the context of British and European thought but also shows his importance for contemporary debates, among them deconstruction and Orientalism.

Jeremy Adler is Professor of German at King's College London and specializes ininterdisciplinary subjects such as literature and science, poetry and painting, literature and anthropology. He is currently preparing a collected edition of Franz Steiner's poetry for the German Academy of Language and Literature, Darmstadt.

Richard Fardon is Professor in West African Anthropology at the School of Oriental and African Studies, London and has intensively researched among Chamba-speaking people in Cameroon and Nigeria. He is currently completing an intellectual biography of Mary Douglas.

Presenting sixty theoretical ideas, David Zeitlyn asks 'How to write about anthropological theory without making a specific theoretical argument.' "David Zeitlyn has written a wryly engaging, short book on, essentially, why we should not become theoretical partisans-that, indeed, being a serious theorist means accepting precisely that principle."-Michael Herzfeld, Harvard University To answer, he offers a series of mini essays about an eclectic collection of theoretical concepts that he has found helpful over the years. The book celebrates the muddled inconsistencies in the ways that humans live their messy lives. There are, however, still patterns discernible: the actors can understand what is going on, they see an event unfolding in ways that are familiar, as belonging to a certain type and therefore, Zeitlyn suggests, so can researchers. From the introduction: This book promotes an eclectic, multi-faceted anthropology in which multiple approaches are applied in pursuit of the limited insights which each can afford.... I do not endorse any one of these idea as supplying an exclusive path to enlightenment: I absolutely do not advocate any single position. As a devout nonconformist, I hope that the following sections provide material, ammunition and succour to those undertaking nuanced anthropological analysis (and their kin in related disciplines).... Mixing up or combining different ideas and approaches can produce results that, in their breadth and richness, are productive for anthropology and other social sciences, reflecting the endless complexities of real life. ...This is my response to the death of grand theory. I see our task as learning how to deal with that bereavement and how to resist the siren lures of those promising synoptic overviews. This book is relevant to anthropology, communication studies, cultural studies and sociology.

Global trends suggest that the number of people involuntarily displaced will increase exponentially in the coming decades. The authors argue that when the agency, time-tested adaptations, innovative capacities, dignity, and human rights of displaced people are respected as full participants in the rebuilding of their communities, livelihoods and standards of living, resettlement outcomes are more positive. The goal of resettlement must be the sustainable social, economic and human development of affected communities, requiring a praxis of ethical commitment to effective, actionable recommendations based on empirical observation. The authors draw on case examples from Asia, Africa and the Americas. It will be of interest to resettlement specialists, planners, administrators, nongovernmental and civil society organizations, and scholars and students of anthropology, sociology, development studies, and social policy.

Explore Americas best-loved no work days through 380 beautiful and fun postcard images from the early 20th century. They portray specific animals, children, flowers, and symbols that have come to identify each holiday, and some pretty weird events as well. Fascinating histories of each holiday are included, and what diverse backgrounds they have! For an appreciation of the weirdness of holiday recognitions, think of the images of a kid in a diaper kicking out an old bearded man, turkeys dancing, chickens nodding to rabbits, and strange men dropping down chimneys to make children happy. The weird is integral to American holidays. All who celebrate them as well as artists, decorators, and postcard collectors will enjoy this book for the graphic styles it contains. Historians will marvel at the reasons these holidays are celebrated today.

Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City. Carnival in Alabama looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of "marked bodies" outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile's Carnival "tradition" beyond the official pageantry by including street maskers and laborers and neighborhood cookouts. Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book seeks to understand power dynamics through culture and ritual. By looking at Carnival as an "invented tradition" and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon.

Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City. Carnival in Alabama looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of "marked bodies" outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile's Carnival "tradition" beyond the official pageantry by including street maskers and laborers and neighborhood cookouts. Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book seeks to understand power dynamics through culture and ritual. By looking at Carnival as an "invented tradition" and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon.

?The stories within these books have the poignancy of new discoveries as well as the unworn imagination of the ancestors. The commentary has the sharp edge of modern thought and the intricacy which results from the intellect being woven through the ritual complexities of tribal life. The purpose of constructing thresholds that bring this world together is to find the powers that can heal the rends in tribal as well as modern communities.? --Michael Meade, from the Introduction Versed in the languages of psychology, comparative literature, as well as ancient mythology, healing, and divination, Malidoma Patrice Some bridges paths between the ancient tribal world of the West African Dagara culture and modern Western society. Ritual is written with wild imagination, careful critical reflection, and intuitive insights that will force the reader to encounter the world anew.

Investigating the relationship between ethnic pride and prejudice in the divided community of Cyprus, this book focuses on the ethnic stereotypes that Greek and Turkish Cypriot secondary school students develop of each other and other ethnic groups in Cyprus.