Although conceived and birthed well before the ANC’s December 2017 elective conference and the changes of the political and governance guards that ensued, The List imagines a ‘New Dawn’ for South Africa in the closing years of the second decade of the 21st Century.

Rumours have abounded since the early days of South African democracy of a list or lists given to Nelson Mandela and the TRC by old apartheid securocrats of their agents infiltrated into the upper echelons of the ANC during the struggle years. These rumours gained new currency with the death of Winnie Madikizela-Mandela in April 2018 and the revelations of the machinations of apartheid’s Stratcom securocrats.

The List tells the story of a group of veterans of MK, of ANC intelligence and of the post-apartheid intelligence service, who are formed into a highly secret task team by the newly elected president to investigate the possibility of such remnants of apartheid security threatening to obstruct the radical changes the new president and his team are planning.

The List follows these veterans and their nemeses through the struggle years, exile, the MK camps and into the years of democracy and hope, disillusion and hope again. It observes while the struggle veterans painstakingly attempt to pick through the detritus of the old regime in the new, but just as the moment of optimism begins to blossom, the task team uncovers a ghastly betrayal. Is it too late to save the president and the country?

The novel is narrated from the future by one of the veterans of the task team from his second exile in a bedsit in London.

In A Coat of Many Colours, award-winning author Fred Khumalo presents a patchwork of various vibrant stories befitting the collection’s title.

A boy plays detective, investigating the case of a goat and a coat; a woman takes revenge; an inhlabi bites off more than he can chew; teenage enmity rears its head in a prestigious school for girls; a man is cursed with an ever-growing sexual appetite; and more thoughtful stories with an entertaining zing!

From the acclaimed and award-winning author of What Will People Say?, Rehana Rossouw takes us into a world seemingly filled with promise yet bedevilled by shadows from the past. In this astonishing tour de force Rossouw illuminates the tensions inherent in these new times.

Ali Adams is a political reporter in Parliament. As Nelson Mandela begins his second year as president, she discovers that his party is veering off the path to freedom and drafting a new economic policy that makes no provision for the poor. She follows the scent of corruption wafting into the new democracy’s politics and uncovers a major scandal. She compiles stories that should be heard when the Truth Commission gets underway, reliving the recent brutal past. Her friend Lizo works in the Presidency, controls access to Madiba’s ear. Another friend, Munier, is beating at the gates of Parliament, demanding attention for the plague stalking the land.

Aaliyah Adams lives with her devout Muslim family in Bo-Kaap. Her mother is buried in religion after losing her husband. Her best friend is getting married, piling up the pressure to get settled and pregnant. There is little tolerance for alternative lifestyles in the close-knit community. The Rugby World Cup starts and tourists pour up the slopes above the city, discovering a hidden gem their dollars can afford.

Ali/Aaliya is trapped with her family and friends in a tangle of razor-wire politics and culture, can she break free?

Told with Rehana’s trademark verve and exquisite attention to language you will weep with Aaliya, triumph with Ali, and fall in love with the assemblage that makes up this ravishing new novel.

Omstrede en skatryk oud-politikus Armand Deysel is vermoor, en Kassie en Rooi het nie minder nie as ses verdagtes.

’n Britse ondersoeker is op die spoor van die waardevolle Doolhof-halssnoer, en ’n platsakman steier telkens terug van die samelewing se dwarsklappe. Kassie en Rooi pak hul ondersoek sonder forensiese rugsteun aan, en al die verdagtes hardloop kringe om hulle.

Gaan iemand dié keer vir Kassie ore aansit ̶ en met die perfekte moord wegkom?

Darlings of Durban follows the stories of four friends and how their lives intersect and influence each other.

Natasha owns a successful beauty company and is in a serious long-term relationship with the charming Sizwe. Natasha worries that his family will never truly accept her because of her mixed heritage. Does she even believe in marriage? Natasha often seeks the advice of her friend Sofia who's happily married with children. Sofia is the glue that holds the darlings together. The cousins, Farhana and Razia, both have their own complicated marriages. Farhana tries her best to support her husband in his harebrained schemes - even when it's to the detriment of her friendships. While Razia, the only darling in Johannesburg, feels stuck in her role as subservient wife to a husband whose attention is elsewhere.

All four women are navigating the complexities of love and life. But whatever life throws their way, the darlings always have each other.

Infused with rhythm and melody, Zakes Mda’s new novel invites you to travel from Lesotho’s Mountain Kingdom to the City of Gold through the history of famo.

Famo music was born in the drinking dens of migrant mineworkers in Lesotho, where the men would sing to unwind after work, accompanied by the accordion, a drum and sometimes a bass. Meet the boy-child Kheleke, a wandering musician, and his surprising sister Moliehi. Then sigh with pleasure at being reunited with Toloki, the professional mourner from Ways of Dying, and his beloved Noria.

Passionate and ambitious, Kheleke is a weaver of songs, and his own story is intertwined with the incredible yet true social history of the music: the Time of the Concertina and the Accordion, the wars of the famo gangs, and the battle for control of illegal mines.

The end is always a journey – and what a journey this is!

‘Those in the know claim Michael K disembarked from a diesel-smoke-spewing truck one overcast morning, looked around, and without missing a beat, chose a spot where he set down a small bucket (red, burnt and disfigured) that contained an assortment of seedlings, some fisherman’s twine and a rudimentary gardening tool – probably self-made.’

How is it that a character from literary fiction can so alter the landscapes he touches, even as he – in his self-imposed isolation – seeks to avoid them? How is it that Michael K, bewildered and bewildering, can remain so fragile yet so present, so imposing without attempting to be so? In this response to JM Coetzee’s classic masterpiece, Life & Times of Michael K, Nthikeng Mohlele dabbles in the artistic and speculative in a unique attempt to unpack the dazed and disconnected world of the title character, his solitary ways, his inventiveness, but also to show how astutely Michael K holds up a mirror to those whose paths he inadvertently crosses. Michael K explores the weight of history and of conscience, thus wrestling the character from the confines of literary creation to the frontiers of artistic timelessness.

Kort nadat haar verloofde haar met haar vrouebaas verkul het, ontmoet Marike haar droomman. Brett is aantreklik, skatryk, en ‘n beroemde draaiboekskrywer. Daar is net een probleem: Sy is met ‘n kontrak aan hom verbind, een wat dit duidelik stel dat sy nie op hom verlief mag raak nie, maar dat sy mildelik vergoed sal word om sy minnares en muse te word.

Hoe moeilik kan dit tog wees? Veral noudat sy besluit het om mans vir altyd af te sweer, en wild en wragtig in die oomblik te leef. Maar die hart sluit sy eie kontrakte, ongeag wat die verstand vir haar voorsê.

Soos wat Marike meer tyd saam met die enigmatiese Brett deurbring, vat vonke tussen hulle vlam. Totdat hulle terugkeer van ‘n stomende vakansie in Mauritius en hulself in ‘n uiters netelige posisie bevind – en in ‘n kontrak van ‘n heel ander aard.

In Rudie se eerste Kassie Kasselman-roman, Slagyster, ontmoet ons vir Carl Bester, gevalle oudspeurder. In Vloek is Carl terug. Hy kan na SA kom – sy bannelingstatus uitgewis, teen ’n prys. “Ons vergeet jou sondes in ruil vir ’n teenprestasie,” sê sy nuwe werkgewer. Hy moet ’n lykbesaaide saak van internasionale belang help ontrafel. Nou sal hy weer soos ’n volbloedspeurder moet redeneer om dié saak saam met ’n spul rookies op te los.

Dié boek kry dit reg om peripheral characters en vertellers oppie voorgrond te plaas.

Die tailor-dokter met sy briefcase vol sample-lappe, maatband en pen. Die pyn vanne vrou wat haar pasgebore tweeling moet begrawe. Ennie stryd vannie pligsgetroue, prim en proper Mareldia. En dan is daar oek Ghoemeira wat tradisionele waardes mettie modern moet versoen.

Hier hoor jy die klanke vannie gemeenskap, musky en soet soes ryke uit die Jannat.

Willem Prins bewandel die strate van Parys. Eens was hy op koers om ’n gerekende skrywer in Suid-Afrika te word, maar na jare se probeer wink die koue water van die Seine – miskien sal sy verdrinking sy boekverkope bietjie opstoot, dink ’n swartgallige Willem.

Tot sy skaamte is dit die erotika wat hy onder ’n skuilnaam skryf wat hom na Frankryk gebring het. Terug na die stad waar een van sy drie eksvroue saam met sy oudste seun woon, ’n jong man wat sy pa skaars ken.

Vir Willem is Parys nie juis die stad van liefde nie, maar dit is hier waar hy vir Jackie ontmoet, ’n jong Suid-Afrikaner wat as au pair werk. Dit is ook sy wat saam met hom is dié Vrydagaand die dertiende toe terreur in Parys losbars.

Misverstand is die dertiende roman van een van Suid-Afrika se gewildste skrywers. ’n Roman oor die ontnugtering van die middeljare, die lewe se onweerswolke wat dikwels dreig, en oor bande tussen mense wat beskut.

The Cape Peninsula carries secrets known only to the wind, the fynbos, and the creatures that live there. One day, six teenage boys are found raped, murdered, and dumped down the side of its mountains.

It is two years since the discovery of the first body and Detective Junaid Japtha is no closer to cracking the case. With pressure mounting, and without any tangible evidence, he can only rely on his experience and instinct to track down the killer.

Fifteen-year-old Tyrone May from Macassar spends his days in limbo. He has no one to talk to. No one listens. He is curious and confused about his feelings. Like most boys, he has yet to develop a sense of his own mortality. It allows for a daring that will dissipate as he grows older, but, for now, Tyrone will accept the friend request a handsome stranger sends him.

Elton Baatjies is the newly appointed teacher at a local high school. These are his people, and he is soon embraced by the close-knit community. But he is tied to the six dead boys in ways no one could have predicted, and the secrets among them threaten to tear the sleepy mountain town apart.

Speurder-sersant Luna Joubert van die Stellenbosch polisiediens word gestuur om die eienaardige dubbele moord op die eienaar van ’n kwekery en sy vrou te ondersoek. Die De Winters is beide met ’n skerp voorwerp aangeval, maar daar was geen teken van ‘n struweling of enige getuies om sin te maak van die voorval nie.

Terwyl Luna sukkel om ’n moord sonder verdagtes of leidrade op te los, maak Mike Grant weer sy onverwagte verskyning. Hierdie keer is hy op ’n geheime sending onder die geledere van ’n plaaslike dwelmsindikaat. Ten spyte van sy nuwe voorkoms vind Luna dit onmoontlik om nie die deur oop te maak wanneer hy klop nie.

Soos Mike homself in die onderwêreld ingrawe, begin Luna op tone trap om haar eie raaisel op te los. Was die De Winters wie almal dink hulle was? Weet die kinders dalk meer as wat hulle voorgee? Wat gaan aan by die studentehuis oorkant die straat? En wie is die man in die sportmotor wat so op die buitewyke van haar ondersoek beweeg?

Om antwoorde te kry sal Luna die donkerte en als wat daarin skuil moet trotseer. Bloedbande is die vierdie boek in Jeanette Stals se Luna Joubert-reeks.

The lives of South Africans have always been interwoven in complex ways. There is a long history of division; but also of profound (and often surprising) instances of mutual recognition. Recognition is an exciting anthology of short stories in which twenty-two South African writers render these intricate connections.

The writers whose stories have been selected use the transformative power of the imagination and the unique appeal of the short story to illuminate aspects of our past and present. Cumulatively their stories tell of a history tainted by misrecognition but not, finally, bound by it. Amongst the twenty-two contributors are some of our best-known short story writers: Pauline Smith, Herman Charles Bosman, H.I. E. Dhlomo, Can Themba, Nadine Gordimer, Alex La Guma, Dan Jacobson, Miriam Tlali, Ahmed Essop, Njabulo Ndebele, Mandla Langa, Chris van Wyk, Damon Galgut, Achmat Dangor and Zoe Wicomb. And there is also a selection of vibrant newer voices: Makhosazana Xaba, Nadia Davids, Mary Watson, Lindiwe Nkutha, Wamuwi Mbao and Kobus Moolman.

Chronologically the collection ranges from the 1920s to the twenty first century. It builds on its predecessor, Encounters, but devotes significant attention to the transitional and post-apartheid years: almost half the stories were published after 1994. The anthology includes a generous and detailed introduction, written by David Medalie. It traces the motif of recognition, discusses the general characteristics of short stories and the narrative devices used by writers, and includes a brief analysis of each short story.

Recognition will appeal to teachers and students of literature. It will be enjoyed by all those who love short stories and appreciate the craftsmanship involved in telling a memorable tale.

Three girls went into the woods. Only two came back, covered in blood and with no memory of what happened. Or did they?

Being fifteen is tough – tougher when you live in a boring-ass small town in 1996.

Donna, Rae and Kat keep each other sane with the fervour of teen friendships, zine-making and some amateur sleuthing into the town's most enduring mysteries: a lost gold mine, and why little Ronnie Gaskins burned his parents alive a decade ago. Their hunt will lead them to a hidden cave from which only two of them return alive.

As the police investigate, Rae and Donna will have to return to the cave where they discover a secret so shattering that no-one who encounters it will ever be the same.

If You Keep Digging is a moving collection of short stories, which will resonate with a South African audience. The selection of stories highlights marginalised identities and looks at the daily lives of people who may otherwise be forgotten or dismissed.

Monkeys is a skillful commentary on domestic violence, toxic masculinity, patriarchy (and how it is racialised), power dynamics between white and black men and how children come to “know” that they are white or black. Skinned, whose protagonist is a woman with albinism, is a powerful story about learning to accept that you deserve love when the world constantly tells you otherwise. In Fourteen the author deftly demonstrates the ability to play with concepts of time and reality. It is a compelling story about potential and how one can feel unfulfilled despite having hopes and ambitions.

The collection is also deeply concerned with covering the early post democracy years in South Africa. Each of the characters deals with questions around the “new” country. The book implores one to think about diverse topics and perspectives, difficult family relationships, abandonment, social and class issues, power dynamics at school and at work, mental illness, witchcraft, sexuality, domestic abuse and the ancestral realm, among other things.

Max Lurie’s navel-gazing podcast about his life has become an unexpected success. But its embellishments and inventions are starting to leak into his everyday life.

As Max tries to navigate the grey areas between fact and fiction, things begin to spin out of control. He juggles real and imagined girlfriends, an illegally procured firearm, an unpredictable friendship with a homeless schizophrenic, his acerbic immigrant producer, his dying father, his famous childhood sweetheart, an unlikely romantic entanglement and his critical and growing audience. Can he keep all of these balls in the air and finally bring them safely to rest?

This story takes a deep and satiric dive into the worlds we imagine for ourselves and the lives we actually live, particularly in a time when our real and digital personas intersect and merge in chaotic ways. Free Association casts a steely and comic eye on the great and small concerns of being human: the chances we take and miss, the pain of not fitting in, the fragility of the psyche, the unpredictability of love, the dull certainty of death, the importance of listening to others and the careening craziness of it all.

A thrilling array of African writers, including Fred Khumalo, Sibongile Fisher, Lucas Ledwaba, Vonani Bila, Lynn Joffe and Christopher Mlalazi, tell surprising and unnerving tales in this collection of commissioned stories from the master of narrative writing, Niq Mhlongo.

These stories give answers to the question: what does being haunted and hauntings mean in our southern African world, in the past, the present and the future?

Speuradjudant Storm van der Merwe is terug vir die grootste uitdaging van haar loopbaan. Al is sy steeds besig om haar pa se dood twee jaar tevore te verwerk.

Intussen hou Hermanus ’n eerste skrywersfees. Deel van Storm se afgesaagde verpligtinge is om by die gemeenskapsaal kywie te hou voor die laaste Covid-regulasies uiteindelik opgehef word. Maar toe daag Isa du Bois, die sterskrywer van die dorp, nie op vir haar sessie nie. Haar liggaam word dieselfde oggend nog in Kwaaiwater se Mosselrivier gevind. Vier en twintig uur later kom ’n visterman af op nóg ’n lyk – weer ’n vrou, dié keer jonk en swart. En dan is daar ’n derde slagoffer, ’n belangrike kulturele rolspeler op die dorp. Drie dae, drie vroue. Hoekom drie, hoekom hierdie drie?

Storm is so toegegooi onder werk, sy is skoon bly oor oudkollega Andreas Moerdyk se knaende aanbod om haar te help. En al sukkel sy om dit aan haarself te erken, is dit nogals lekker om ’n slag weer spanmaats te wees . . .

Adam Askew, a young man in a hurry, always wanted to be financially independent. Armed with guts, determination and a cocky self-assurance, he sets up a shipping company with a view to take on the world, one ton of cargo at a time.

Fed up with the cliquey set-up in Durban, he takes a gutsy gamble – the biggest risk of his life – one that will ultimately make or break him. He heads for the big city lights of swanky 80s Joburg and is soon wining and dining at the top of the Carlton, sipping the best champagne in London and making some enemies along the way.

Set in the closing decades of the 20th century in sanction-wracked South Africa, Pleasures of the Harbour navigates a world of dodgy business partners, dubious deals and a few failed attempts at love before Adam can finally, and honestly, say he’s made it.

Part adventure, part action, and lots of wheeling and dealing means readers are in for a rollicking ride in this highly entertaining novel that traverses the high seas and low roads of Southern Africa, while opening boardroom and a few bedroom doors along the way.

Jess Faber is groot vriende met haar vriendin Sabella se swaer, die bekende sjef Erasmus Steyn. Sy is nie onbewus van hoe aantreklik hy is nie, maar sy is nie van plan om ooit te trou nie. Om vriende te wees is net baie minder gekompliseerd. Maar toe kry sy nie die bevordering waarop sy gehoop het nie en besluit om al haar lysies en boksies weg te gooi.

Sy oorweeg selfs 'n one-night stand met 'n vreemdeling. Toe Erasmus ewe hulpvaardig aanbied om haar one-night stand te wees, verander hulle vriendskap binne minute in iets heeltemal anders. Jess is huiwerig om haar hart oop te maak vir liefde en bly skuil agter haar ongelukkige kinderjare. Kan 'n kersfeeswonderwerk twee harte een maak?

Hierdie verhaal bevat al die kenmerke van Elsa se boeke: humor, tydigheid en passie. Dit ondersoek die idee van toeval, maar ook tweede kanse, in moderne verhoudings.

Jou diepste vrees is sy grootste begeerte...

Geen lang naels nie. Geen skoenveters nie. Dit is maar enkele van die reëls in die Molenberg-Psigiatriese hospitaal. Selfmoord is ʼn inwoner hier, en die pasiënte word as psigopate bestempel.

Dominique du Randt word in Molenberg opgeneem ná haar ma se wrede moord. Niemand glo dat sy nie verantwoordelik is vir haar ma se dood nie. Niemand glo dat sy deur ʼn man agtervolg is wat homself die Bewonderaar noem nie. Haar sielkundige, Martin, het wel sy bedenkinge. Daarom dat hy sy eie speurwerk doen.

Wat Martin ontdek, is die Ophelia-klub. ’n Plek van grusame geheime, fantasieë en donker vergrype. Wanneer een van die vroulike pasiënte in Molenberg-Psigiatriese hospitaal verdwyn, is Dominique oortuig die Bewonderaar weet presies waar sy is. Hy is, soos voorheen, weer in beheer van dié skrikwekkende spel.

Maar hoe beskerm jy jouself in ’n plek soos Molenberg? Hier waar niemand jou glo en jy geen vryheid of beheer het nie?

This genre-bending Afrofuturist horror novel blends The Handmaid’s Tale with Get Out in an adrenaline-packed, cyberpunk, body-hopping ghost story exploring motherhood, memory, and a woman’s right to her own body.

Nelah seems to have it all: fame, wealth, and a long-awaited daughter. But, trapped in a loveless marriage to a policeman who uses a microchip to monitor her every move, Nelah’s perfect life is precarious. When a tryst ends in an accidental death, Nelah’s life spirals out of control as she goes to desperate lengths to hide the killing and save the life of her yet-to-be-born daughter who is growing in one of the government Wombcubators, daring to hope that she can keep one last secret.

Set in a future Botswana, a cruel futuristic surveillance state where bodies are a government-issued resource, this harrowing story is a twisty, nail-biting commentary on power, and bodily autonomy.

In this devastatingly timely debut novel, acclaimed novelist Tlotlo Tsamaase asks, just how far must a woman go to bring the whole system crashing down?

Liefdeskortverhale deur 27 bekende Afrikaanse skrywers om jou naweek op ’n romantiese noot mee te begin.

Laat die week en sy gewoel agter met dié stories uit die pen van Juanita Aggenbach, Bernette Bergenthuin, Henk Breytenbach, Malene Breytenbach, Alma Carstens, Alta Cloete, Leona Conradie, Trisa Hugo, Madelie Human, Jaco Jacobs, Anzil Kulsen, Kristel Loots, Cliffordene Norton, Susan Olivier, Didi Potgieter, Gerrit Rautenbach, Felicia Snyman, Cecilia Steyn, Dibi Symington, Louise van der Merwer, Santie van der Merwe, Nanette van Rooyen, Frenette van Wyk, Antoinette Venter, Louise Viljoen, Magdaleen Walters en Elsa Winckler.

Na ’n huwelik van twaalf jaar wat sy aan Gerhardus se magsbeheptheid en seksuele sadisme onderwerp was, het Maria genoeg gehad. Op 10 April 2022 verlaat sy die Baai met net haar handsak, ’n koff er en haar viool in die kar. Sy wil die deur fi naal toetrek op ’n lewe van aftakeling, perversie en die dreigemente waarmee Gerhardus haar sedert hul egskeiding aanhou teister.

Nie eens haar ma, Selina, weet waarheen Maria op pad is om ’n nuwe begin te maak nie. Die enigste mens wat van haar planne bewus is, is Lukas Delport, eienaar van Matoli Meadow, ’n gastehuis op ’n plaas in die Maclear-distrik waar Maria haar voete as bestuurder gaan vind.

Maar binne minute nadat sy op die plaas aankom, tref die godsverskrikkende wete haar dat al die jare saam met Gerhardus net ’n leerskool was om haar voor te berei op hierdie dag van ontgogeling. Hier, in ’n donker kelder, gekatvis deur ’n gewetenlose bedrieër, is elke oorlewingsminuut suiwer grasie.