Jou diepste vrees is sy grootste begeerte...

Geen lang naels nie. Geen skoenveters nie. Dit is maar enkele van die reëls in die Molenberg-Psigiatriese hospitaal. Selfmoord is ʼn inwoner hier, en die pasiënte word as psigopate bestempel.

Dominique du Randt word in Molenberg opgeneem ná haar ma se wrede moord. Niemand glo dat sy nie verantwoordelik is vir haar ma se dood nie. Niemand glo dat sy deur ʼn man agtervolg is wat homself die Bewonderaar noem nie. Haar sielkundige, Martin, het wel sy bedenkinge. Daarom dat hy sy eie speurwerk doen.

Wat Martin ontdek, is die Ophelia-klub. ’n Plek van grusame geheime, fantasieë en donker vergrype. Wanneer een van die vroulike pasiënte in Molenberg-Psigiatriese hospitaal verdwyn, is Dominique oortuig die Bewonderaar weet presies waar sy is. Hy is, soos voorheen, weer in beheer van dié skrikwekkende spel.

Maar hoe beskerm jy jouself in ’n plek soos Molenberg? Hier waar niemand jou glo en jy geen vryheid of beheer het nie?

Benny Griessel and Vaughn Cupido are languishing in Stellenbosch. Run-of-the-mill police work in the leafy university town is a far cry from their previous life in the elite HAWKS. But when a student is found dead on a mountain trail, the two detectives find themselves trying to unpick a stubbornly difficult mystery.

In the north of the country, meanwhile, a beautiful wildlife guide is recruited by a group of special forces soldiers to act as a honeytrap, part a dangerous multi-million-dollar heist that goes tragically wrong. Then back in Stellenbosch, a local businessman is found murdered in what looks like a professional hit - suffocated by fast-action filler foam sprayed down his throat. A message to keep silent - but about what?

You need a cool head to unravel it all, because sadly, the thieves and criminals are as likely to be in government - or even the police - as on the streets. You need to stay calm, focused - and sober. Benny may be sober these days, but he's not feeling calm. Solving this puzzle is turning into a deadly race against time and there's another date that's coming towards him like an express train. Alexa has fixed the date for their wedding. Big trouble, on every front.

A poignant tale of self-discovery, love, and community set against the backdrop of post-apartheid South Africa.

The story follows Unathi’s journey as she searches for her mother, Mavis, while navigating her identity. Raised by her grandmother, Gogo, in the village of Moya, where mothers are eerily absent, Unathi must confront the complexities of her sexuality, cultural heritage, and sense of belonging.

As she explores lesbian love, interracial relationships, and the quest for her mother’s truth, Unathi must also contend with the harsh realities of identity politics and the masks she must wear to survive.

Samuel has lived alone for a long time; one morning he finds the sea has brought someone to offer companionship and to threaten his solitude …

A young refugee washes up unconscious on the beach of a small island inhabited by no one but Samuel, an old lighthouse keeper. Unsettled, Samuel is soon swept up in memories of his former life on the mainland: a life that saw his country suffer under colonisers, then fight for independence, only to fall under the rule of a cruel dictator; and he recalls his own part in its history. In this new man’s presence he begins to consider, as he did in his youth, what is meant by land and to whom it should belong. To what lengths will a person go in order to ensure that what is theirs will not be taken from them?

A novel about guilt and fear, friendship and rejection; about the meaning of home.

Liefdeskortverhale deur 27 bekende Afrikaanse skrywers om jou naweek op ’n romantiese noot mee te begin.

Laat die week en sy gewoel agter met dié stories uit die pen van Juanita Aggenbach, Bernette Bergenthuin, Henk Breytenbach, Malene Breytenbach, Alma Carstens, Alta Cloete, Leona Conradie, Trisa Hugo, Madelie Human, Jaco Jacobs, Anzil Kulsen, Kristel Loots, Cliffordene Norton, Susan Olivier, Didi Potgieter, Gerrit Rautenbach, Felicia Snyman, Cecilia Steyn, Dibi Symington, Louise van der Merwer, Santie van der Merwe, Nanette van Rooyen, Frenette van Wyk, Antoinette Venter, Louise Viljoen, Magdaleen Walters en Elsa Winckler.

Petunia Moraleng, voormalige stasiebevelvoerder op Parys, is haar rang kwyt en oorgeplaas Mooibaai toe. Die bedompige klimaat voel soos ’n tronksel en sy mis die ooptes van die Vrystaat en, daarmee saam, bekostigbare blyplek. Speursersant JP Hendriks, aan wie sy deesdae rapporteer, toon boonop nie ’n greintjie simpatie nie.

Een Vrydagoggend in Desember vang ’n vakansieganger met sy hommeltuig se kamera ’n afgryslike toneel vas. Tussen die voetstukke van ’n geroeste windpomp in ’n afgeleë stuk veld wat grens aan ’n staproete, lê ’n bebloede bondeltjie mens. Minder as 24 uur later word ’n foto van nóg ’n slagoffer iewers in ’n stegie van die onderdorp soos ’n veldbrand op sosiale media versprei.

Wat het Die Clowns, ’n Russiese skeepskaptein en die matriarg van die vooraanstaande Heemstra-familie se testament gemeen? En waar kom die albaster wat in die eerste slagoffer se hand vasgeknyp is, vandaan?

Petunia en JP bevind hulself oornag as die hoofondersoekers in ’n duistere moordsaak.

Na ’n huwelik van twaalf jaar wat sy aan Gerhardus se magsbeheptheid en seksuele sadisme onderwerp was, het Maria genoeg gehad. Op 10 April 2022 verlaat sy die Baai met net haar handsak, ’n koff er en haar viool in die kar. Sy wil die deur fi naal toetrek op ’n lewe van aftakeling, perversie en die dreigemente waarmee Gerhardus haar sedert hul egskeiding aanhou teister.

Nie eens haar ma, Selina, weet waarheen Maria op pad is om ’n nuwe begin te maak nie. Die enigste mens wat van haar planne bewus is, is Lukas Delport, eienaar van Matoli Meadow, ’n gastehuis op ’n plaas in die Maclear-distrik waar Maria haar voete as bestuurder gaan vind.

Maar binne minute nadat sy op die plaas aankom, tref die godsverskrikkende wete haar dat al die jare saam met Gerhardus net ’n leerskool was om haar voor te berei op hierdie dag van ontgogeling. Hier, in ’n donker kelder, gekatvis deur ’n gewetenlose bedrieër, is elke oorlewingsminuut suiwer grasie.

Following on from his bestselling novels A Year in the Wild and Back to the Bush, James Hendry returns to the setting of Sasekile Private Game Reserve for another tale that takes the reader behind the scenes with the MacNaughton brothers, Angus and Hugh.

It is three and a half years since Angus’s last year in the wild when he was newly appointed to the position of head ranger at Sasekile. Much has happened in the interim.

In Return to the Wild there is high drama, much hilarity and many close encounters with wildlife, fire and human incompetence as Angus unexpectedly returns to Sasekile to take on the training of a motley group of would-be game rangers with his usual stark but eloquent honesty. Alongside him, Hugh manages the lodge and its colourful staff with a varying degree of competence as events lurch from mishap to potential catastrophe.

Whether you are a fan of the MacNaughtons’ previous misadventures or a reader new to their story, Return to the Wild is a highly amusing, engaging and heartfelt read.

Op ’n winterdag in 1945 ontferm ’n kinderlose wit egpaar, Sara en Erik de Graaff, hulle oor ’n driejarige halwe weeskind – Mina Afrika. Hulle wil haar graag ’n kans in die lewe gee. Terwyl Mina nog vol ambisie haar toekoms beplan dryf die verraderlike daad van ’n ryk jong wit man haar weg uit die Vallei, laat haar beland in ’n eindelose spiraal van bedrog. ’n Lewe van vernedering in Groenpunt en tussen die bendes van Distrik Ses.

Paris, 1958. A skirmish in a world-famous restaurant leaves two men dead and the restaurant staff baffled. Why did the head waiter, a man who’s been living in France for many years, lunge at his patrons with a knife?

As the man awaits trial, a journalist hounds his long-time friend, hoping to expose the true story behind this unprecedented act of violence.

Gradually, the extraordinary story of Pitso Motaung, a young South African who volunteered to serve with the Allies in the First World War, emerges. Through a tragic twist of fate, Pitso found himself on board the ss Mendi, a ship that sank off the Isle of Wight in February 1917. More than six hundred of his countrymen, mostly black soldiers, lost their lives in a catastrophe that official history largely forgot. One particularly cruel moment from that day will remain etched in Pitso’s mind, resurfacing decades later to devastating effect.

Dancing The Death Drill recounts the life of Pitso Motaung. It is a personal and political tale that spans continents and generations, moving from the battlefields of the Boer War to the front lines in France and beyond. With a captivating blend of pathos and humour, Fred Khumalo brings to life a historical event, honouring both those who perished in the disaster and those who survived.

Met haar besige beroep as ‘n paalfiksheidsinstrukteur, stel Shaylyn nie in ‘n verhouding belang nie. Sy en Cameron, die uiters aantreklike eienaar van die vegklub oorkant haar studio, stamp nie net koppe nie, maar beland ook saam in die vegkryt.

Shaylyn dra swaar aan die laste van die verlede. Sy is die voog van haar gestremde suster en het die verantwoordelikheid om haar teen hulle wrede verlede te beskerm. Sy leer egter vinnig in die oë en arms van Cameron dat nie alle mans dieselfde is nie.

Die spoke van die verlede stap ook saam met Cameron. Hy besef gou dat Shaylyn sy hart met een hou verower het en sal enige iets in sy vermoë doen om haar te beskerm. Maar ‘n misverstand ruk hulle uitmekaar en moet Shaylyn kies tussen haar eie geluk en haar suster se veiligheid. Gaan sy toelaat dat die verlede en dreigende vrees ‘n toekoms saam met Cameron verwoes? Of gaan die liefde hierdie keer ‘n uitklophou slaan?

When the taxi Mandy is riding in runs out of petrol, she and her companion are stranded alongside a country road with their fellow passengers, all of whom are Zulu.

While they wait for help, friendships develop as they share problems and stories and Mandy finds herself drawn to 8-year-old Jabulani, an AIDS orphan. She determines to help the boy, but what she proposes to do is not an easy road to follow; she faces legal and logistical problems, and much opposition.

There is one person who supports her though, a lawyer whom she meets in Durban. Meeting him adds to her dilemma and she is torn by conflicting loyalties.

Joburg Noir is a collection of writings about memories, legends, loss, jokes, stories, myths and experiences by twenty-two gifted and versatile authors in South Africa. It makes the reader experience present-day Johannesburg as if one were in the past. The stories seek to understand, reconstruct, reinvent and recover this city space of loss, joy, deprivation, resistance and possibility by revealing its complex dynamics. They are funny, shocking, violent, absurd, strangely tender and memorable.

Their lasting resonance lies in the fact that they invoke the joys and traumas of the past and present, making the two to co-exist and interlock. After reading this uncompromising and gritty anthology, the reader is bound to feel like a time-traveller who has voyaged into a magical alternate city and a reality that was either misnamed or not named at all. The intention is to help the readers to delve into their own memories in search of pictures of their sweet childhood and fractured identities.

Contributors: Sam Mathe; Fred Khumalo; Lidudumalingani; Keletso Mopai; Sibongile Fisher; Kgomotso Masemola; Styles Lucas Ledwaba; Mapule Mohulatsi; Khanyi Magubane; Sifiso Mzobe; Gloria Bosman; Nedine Moonsamy; Yewande Omotso; Mabel Mnesa; Nthikeng Mohlele; Eusebius McKaiser; Siphiwo Mahala; Nkateko Masinga; Mzuvukile Maqetuka; Sydney Mojoko; Michelle van Heerden.

A woman in post-apartheid South Africa confronts her family’s troubling past in this taut and daring novel about national trauma and collective guilt—from the Booker Prize–longlisted author of An Island.

Cape Town, 2028. The land cracks from a years-long drought, the nearby mountains threaten to burn, and the queue for the water trucks grows ever longer.

In her crumbling corner of a public housing complex, Deidre van Deventer receives a call from the South African police. Her family home, recently reclaimed by the government, has become the scene of a criminal investigation. The remains of several bodies have just been unearthed from her land, after decades underground. Detectives pepper Deidre with questions: Was your brother a member of a pro-apartheid group in the 1990s? Is it true that he was building bombs as part of a terrorist plot?

Deidre doesn’t know the answers to the detectives’ questions. All she knows is that she was denied—repeatedly—the life she felt she deserved. Overshadowed by her brother, then left behind by her daughter after she emigrated, Deidre must watch over her aging mother and make do with government help and the fading generosity of her neighbors while the landscape around her grows more and more combustible. As alarming evidence from the investigation continues to surface, and detectives pressure her to share what she knows of her family’s disturbing past, Deidre must finally face her own shattered memories so that something better might emerge for her and her country.

In exquisitely spare prose, Karen Jennings weaves a singularly powerful novel about post-apartheid South Africa. It is an unforgettable, propulsive story of fractured families, collective guilt, the ways we become trapped in prisons of our own making, and how we can begin to break free.

It’s 1899 and Philippa’s fiancé Nduku has just broken off their engagement. She is heartbroken – after all, she has followed him from Kimberley, where they first met, to the goldfields of Johannesburg. In this bustling new city, tensions are mounting between the South African Republic and the gold-hungry British Empire. When war is declared, the mines are shut down and migrant workers ordered to leave town.

But how do you get home and out of harm’s way when there are no running trains and home is hundreds of kilometres away? You walk. Over perilous terrain Nduku and Philippa and seven thousand others walk to Natal. Disguised as a mineworker’s wife, for Philippa is white, she and Nduku talk about their true histories, about their fears and hopes, and with every footfall the possibility of lasting happiness seems within reach – if only they can survive, and if only they can weather the storm of an unexpected third player in their troubled romance.

Set during an incredible event in South African history, The Longest March is a tale of heady determination, and a tribute to the perseverance and courage of ordinary men and women when faced with extraordinary circumstances.

Die laaste voerings van oudpolisiespeurder Carl Bester se lewe torring los, en hy sluit aan by die Kaapse tak van Mercurius, ’n CIA-steunpilaar. Intussen word ’n Saoediese joernalis in ’n konsulaat in Istanbul vermoor, met ’n SA joernalis as onwillige ooggetuie.

Gevolge van dié joernalis se besluite kring uit na Kaapstad, waar Carl opdrag kry om die saak te hanteer.

Saoediese agente en ’n siellose mesmoordenaar is maar twee van die monster se vele tentakels wat Carl een-een moet afkap.

Liora word groot op ’n volstruisplaas in Algerië, naby die Sahara. Sy is omring deur mense wat lief is vir haar, Maman en haar tante, oom Moshe, en haar pa, wanneer hy in die rondte is. Van kleins af bring sy tyd deur in haar tante se pluimery, ’n magiese omgewing waar volstruisvere omskep word in kostuums vir die filmbedryf en die verhoë van Parys.

Maar Liora loop haar telkens in grense vas wat sy moet oor. En in Algerië broei onrus. Eers verhuis sy na die oorloggeteisterde Algiers waar sy leer om dokter te word, maar dan word sy gedwing om inderhaas landuit te vlug, Parys toe.

Jare later kom Liora, steeds verwonderd oor die skoonheid van volstruisvere, in die Klein-Karoo aan om oom Moshe te besoek. Hier ontmoet sy Candice, ook behep met volstruisvere, ’n priester, ’n kunstenares en ander Kannalanders. Haar lewe word opnuut omgedop, en weer eens lê daar ’n grens voor haar – en sy moet besluit of sy dit sal oorsteek.

In Junie 2070 skenk die 27-jarige Jenesis Baron geboorte aan ’n tweeling in haar woonstel in Xin Xianggang, voorheen bekend as Bloemfontein. Maar swangerskap sonder ’n genetiese toestemmingspermit van die owerhede is taboe, en die pasgeborenes word deur generaal Ben Wagner uitgesnuffel en aan die MediBot oorhandig, ’n robot wat ontwerp is om ongewenste lewens te beëindig. Genadedood noem hulle dit. Want, sê die regering, daar is nie genoeg kos, water en blyplek vir almal nie.

Jenesis is hartgebroke. Met haar hele hart smag sy daarna om vir Adam te vertel van die twee seuntjies wat nes hý lyk. Maar Adam is weg. Haar halsstarrige siening oor die huidige bewind en haar onvermoë om in te sien dat slegs die elite in die slimstede floreer, het hom verdryf. Vir haar bestaan gewone burgers nie, diegene wat na die buitewyke van die oorloggeteisterde ou stede uitgewerp word om van honger te sterf.

Moederland bied ’n fassinerende blik op die toekoms. ’n Puik nagevorsde, aksiebelaaide riller.

Liela Oloffson se ouers is in ’n huisbrand oorlede toe sy tien jaar oud was, maar vandag het sy alles wat meeste mense begeer. Skoonheid, roem, en ’n blink loopbaan as aktrise. Maar dan verdwyn sy een Vrydagnag spoorloos en kaptein Kgomotso vra gesoute misdaadjoernalis Ami Prinsloo se hulp.

Soos ’n bloedhond volg Ami Liela se spoor van waar sy laas by ’n Engen-garage in Johannesburg gesien is. Maar waarom lyk dit op die CCTV-kamera of Liela alleen van die garage wegry? Kruip Liela weg of is sy gekaap? Of dalk ontvoer? En waaroor het sy en haar verloofde so hewig baklei net voor sy verdwyn het?

Die Verkeerde Vrou is die tweede boek in Irma Venter se nuwe reeks met misdaadjoernalis Ami Prinsloo as hoofkarakter. Die Verkeerde Vrou volg op Minder As Niks, maar kan ook alleen gelees word.

When Jack Pringle, the spoilt and out-of-control son of one of Cape Town’s wealthiest families is forced by his father to join Maria Alexopoulos on a road trip, he has no idea what he’s in for. Jack’s recent antics have landed him in serious trouble, and he must comply with his father’s rules or he will end up penniless, something he is not used to.

Maria, the head Project Manager for an NGO called Wells for All is about to start her final journey across South Africa to close out her projects and tie up some loose ends. Maria’s recent personal loss and grief make her less than tolerant of Jack, a man twenty years her junior. Unfortunately, she must take Jack with her to appease his father, the NGO’s main donor.

The journey, told with music, across the barren and beautiful countryside will test their resolve, ability to heal and connect. When they are stripped of all they believe they should be, can Maria and Jack find their truth under the African stars.

Dirk Aruseb was seventeen years old when Abraham Morris fetched him from the Pella orphanage to join the Bondelswarts. Dirk couldn’t wait to conquer the accursed Schutztruppe alongside legendary Kaptein Jakob Marengo, successor to Hendrik Witbooi and Jonker Afrikaner. But when he arrived at Schansvlakte deep in Namaland, Dirk was warned that he first had to master many life skills before he could join the war: be humble, be patient, be merciful. Find your eland, tame your butcherbird.

But for Dirk war was an adventure – as long as he could kill the German enemy, he was content. It didn’t matter what commander Nana Kruiper, or Klara Morris, her second in command, tried to teach him: that the liberation struggle of the Bondelswarts meant more than protecting Namaland – their promised land – at all costs.

Crimson Sands is set in Namaland – from German-South-West Africa to the Cape Colony – from 1904 to 1922, when thousands of Bondelswarts were shot down by Jan Smuts’s fighter planes. It is an epic, panoramic war novel, traversing southern Africa from Tsumeb to Upington, from internment camps in Windhuk to the dry riverbeds of the Fish River Canyon. Jeremy Vearey conjures a mesmerising tale across an arid landscape of sand, shrub and dune, evoking voices and stories long gone.

Reine Duvenage, ’n tweedejaar kunsstudent en finalis in die universiteit se debutantekompetisie, trek die aandag van ’n sluipjagter wat jong vrouens teiken. Sy oorleef ’n wreedaardige aanranding, maar hou emosionele en fisieke letsels oor. Pieter Taljaard, die speurder wat die saak moet oplos, se ondersoek lei hom na verskeie mans met wie sy in kontak was.

Gedurende haar herstelproses kwalifiseer Reine deur afstandonderrig as onderwyser. Sy aanvaar as Renette Mouton ʼn pos by ’n plattelandse hoërskool in die laeveld omdat die jagter steeds bedrywig is ná twee jaar.

Haar poging om anoniem te bly en nie weer ’n slagoffer te word nie, word bemoeilik toe mans uit haar verlede onverwags in die dorp opdaag en die sluipjagter haar opnuut begin treiter. Onseker oor die identiteit van die sluipjagter wantrou sy almal, ook Charl de Jongh, die finale jaar kliniese assistent wat haar behandel het, Jacques Ritsen, die verteenwoordiger van Frey Skoonheidshuis wat haar geborg het, Francois Booyens en Carlo von Brandis van Erasmus Foto-ateljee wat haar foto’s geneem het, en die ontwerper, Giorgio van Jolie Mam’selle Boetiek wat haar rok ontwerp het vir die debutantebal. Selfs Stefan Treurnicht, die blinde klavierstemmer lyk vir haar verdag.

Ondanks die teenwoordigheid van haar troue waghond beland sy weer in die sluipjagter se strik. Kan Pieter Taljaard die leidrade betyds ontrafel om ’n moord te voorkom?

Vimbai, a final-year law student at the University of Zimbabwe, is determined not to join the long line of unemployed graduates. She'd would rather trade sexual favours to get a job than go back to living with her aunt-turned-stepmother. Unlike her roommate, Nosihle, she prides herself on being pragmatic. Nosihle is the good girl who mistakenly falls in love with the wrong man and then there’s Ruby, the spoilt socialite who is leading a double life.

Through their messy choices, their lives become intertwined. Vimbai is looking for someone who can offer her the opulence and grandeur of the Sunshine City. Even if it means sleeping with Cheropa, the former first son and Ruby’s boyfriend. It’s a dog-eat-dog world after all. But Vimbai soon learns that every action has a consequence and some of our wishes come to haunt us when we are at our happiest.

Her carefully orchestrated life takes a nosedive when her secrets are held against her by a mysterious well-connected man.

‘Why can you not be friends anymore?’

It was the story of his country, he supposed. Perhaps they could have been friends. Perhaps they were once. The reasons were complex, full of feeling, disappointment, resentment. And, of course, betrayal. This was the Middle East after all.

Avi Dahan, a retired detective mourning his beloved wife in Tel Aviv, and Khalid Mansour, a Palestinian doctor confronting the precarious reality of living in Gaza City, are still reeling from the political fallout that jeopardised their delicate friendship. When a mysterious corpse scarred by history and forbidden love shows up in Khalid’s emergency room, he reaches out to Avi for help. Though the detective is the only one who might be able to assist, he is the last person on earth to agree …

The stage is set for Andrew Brown’s unforgettable new novel, The Bitterness of Olives.

Did it really matter? In the face of chaos, was it important how she had died? That was the guidance he needed from Avi now. He needed to understand that question: did it matter anymore? Was it of any significance, how you died in a war?

Een aand in 1914 word Koos de la Rey op pad na ’n rebellie noodlottig gewond. Die teiken was die bendelid William Foster. Dat De la Rey in die spervuur beland het, was pure toeval. Of was dit?

Die roman is 'n verweefde tapisserie waarin die verhale van vele vertel word: die storie van o.a. Billy Foster se dogter, Helena; die trawalle van die hensopper Segrys Heyns en sy agterryer Tappies Mahlangu; die speurtog van poliesman Isak Heyns.

’n Merkwaardige, hoogs leesbare geskiedkundige roman.