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Books > Local Author Showcase > Fiction - adults
Dit is 1905. Helmut, ’n Duitse mediese student, gaan ’n professor te lyf wat seksuele toenadering by hom soek. Dié neem wraak hom deur vir Helmut ’n druippunt toe te ken. Helmut se verontwaardigde ouers straf hom deur hom sy studie te laat beëindig en sy vader maak sy handtekening na op ’n kontrak waarin Helmut verbind word om vir twee jaar die Duitse mediese korps in die destydse DuitsSuidwes (Namibië) by te staan as mediese ordonnans. Só word hy getuie van die dokter in bevel wat hom verdiep in ’n studie van Afrikamense deur hulle lyke te onthoof, die skedels te laat skoonskraap en die breine te weeg, ’n berugte praktyk wat later wyd veroordeel is.
Sedert die dag toe die maan deur ’n asteroďde getref is, weet almal dat dit onafwendbaar is: dis die begin van die Einde. Tog gaan die lewe op Dennehoop eintlik ongesteurd voort. Maar dan verdwyn Stegman, die makelaar wat alewig versekering aan almal probeer verkwansel, spoorloos. En terwyl Kaptein Emma Rosely die saak ondersoek, kom sy agter dat die inwoners van Dennehoop ’n klomp geheime vir mekaar wegsteek.
Groentjiejoernalis Anna is twee-en-twintig en woon saam met haar twee pa's en onheilige horde honde en katte op 'n klein plekkie in KwaZulu-Natal. Sy onthou hoe haar ouers se huwelik op die rotse beland het toe haar pa uit die kas geneuk het - ten aanskoue van konserwatiewe familielede en nuuskierige agies vir bure en haar boheemse ma, 'n skrywer wat nou op goeie voet met Anna's se pa's verkeer. Dis wel nie aldag maklik om kop of stert uit te maak van wat aangaan in so 'n huishouding nie, veral nie nou dat haar een pa met ernstige gesondheidsprobleme sukkel nie. Anna se werk by die koerant is ook nie sonder uitdagings nie. Maar hoe maak jy tyd vir jou eie lewe as jy die spil raak waarom die hele spulletjie tol? In Huisies Van Papier, vier Dalena Theron die liefde en familie in al sy kleurryke gedaantes.
When Mpisi Mpisani travels to his home village for the burial of his mother and a visit to his first wife, he is anxious to hurry back to Johannesburg. His second wife, waiting in Soweto, will give birth soon. Giyani, his eight year old son, accompanies him. But when Giyani disappears, Mpisi stays to search for him. He tries to ignore the villagers who blame magic for the boy’s disappearance. Meanwhile Mpisi’s city wife, Ntombazi, bears a boy with a birthmark that seems to be a sign . . .
Journalist Alex Derksen’s new assignment in Tanzania should be easy, but he soon finds himself on the wrong side of the news. It starts when he meets Ranna, a beautiful photographer with something to hide. When an IT billionaire washes up onshore after seasonal flooding, he finds himself at the center of an investigation. Should he listen to his heart and help Ranna hide the bloody trail leading to her?
This is a story about wholeness and holes. The ones inside us and the ones that give us refuge; about the intersection of two lives from different backgrounds and circumstances, pulled together by the pain of loss. Emanuel is a young refugee from Congo, surviving alone on the streets of Durban after being separated from his mother while escaping the turmoil of conflict. Winter is a reclusive writer whose life has come to a standstill after the loss of her young son, whose disappearance has never been solved. As their fatelines cross, it is not immediately apparent what the nature of the pull between them is. Emanuel in particular is resistant to Winter's overtures. It is when she takes him with her to the Antbear Cabin, her writing refuge, that the bond between them slowly begins to form. Painful realisations surface as each recognises in the other a reflection of what they have lost. There, in the cabin of peace overlooking the steep valley of storms, the stories of Winter and Emanuel begin, finally, to reveal themselves. Each must take the difficult journey back through the heart of the wound in order to heal and learn to love - and live - again.
Nadia en haar nefie Xavie is op Groenplaas in die Overberg grootgemaak deur hul ouma, Sylvia McKinney, die “stammoeder van lieg”. Hulle twee kyk terug op hul kinderjare en probeer die dinge ontbloot waaroor daar in hul familie geswyg word. Kompoun vertel die verhaal van vriendskap tussen ’n groep nefies en niggies, gesmee deur oorlewing in ’n harde werklikheid, en hoe hulle van die ouer geslag wegbreek, maar ook vind dat die verstrengelde bande van familie ’n mens nie maklik laat los nie.
Hy sug. “Weet jy wat dink ek? Ek dink jy moenie so hard dink en worrie
oor wat Christa sę nie, en ek dink nie jy moet verliefraak van jou
lysie afhaal nie.”
The mind-bending new masterpiece from the award-winning and internationally best-selling South African author of The Shining Girls, Zoo City and Afterland, among other works. Bridge's maverick scientist mother Jo is dead. Now she's examining everything Jo left behind. Which is when she finds her big secret. Is it a drug? A gateway to other worlds? Jo believed so. Bridge is desperate to see her mother again. Will do anything, risk anything. Including search for her in those other realities. What she doesn't know is that others are after Jo's secret. And some believe anyone it touches must be destroyed. Bridge? She just wants to find her mom ... Page-turning and ambitious, BRIDGE is a dazzlingly inventive speculative thriller with an unforgettable cast of characters, and the work of a novelist at the height of her powers.
The modern classic from double Booker Prize winner J.M. Coetzee - soon to be a major film starring Mark Rylance, Robert Pattinson and Johnny Depp For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire, whose servant he is. But when the interrogation experts arrive, he is jolted into sympathy with the victims and into a quixotic act of rebellion which lands him in prison, branded as an enemy of the state. Waiting for the Barbarians is an allegory of oppressor and oppressed. Not just a man living through a crisis of conscience in an obscure place in remote times, the Magistrate is an analogue of all men living in complicity with regimes that ignore justice and decency.
Rocco de Witt se argitekspraktyk in Kaapstad doen goed, hy is verloof aan 'n pragtige vrou en hy woon in 'n droomhuis. Maar nou staan oudmakker Gert Malan voor sy deur . . . en die geweld van destyds kom opnuut Rocco se lewe binne. Sy bestaan ontaard in 'n nagmerrie - tot die onvermydelike konfrontasie wat op hom wag, daar op die plasie Nadraai.
Helene de Kock Keur 8 sluit in ’n Oos-Vrystaatse familiesage en een van haar wynlandromans. In Abel se dogters smag Abel Buitendag se dogters na meer warmte en kontak. Sedert hul ma se dood, toe hulle nog klein was, klou hul pa verbete vas aan dit wat verby is. Maar soos hulle een vir een uit die huis verlaat en deel word van die groter węreld, gryp die lewe hul met woede en vreugde vas. Hulle ervaar die mooi, en ook die bitterheid, wat liefde bring. Adelien bevind haar skielik op ’n plek waar sy dringend haar eie hart moet leer ken. Bernadette loop ’n pad wat geen vrou ooit self sal kies nie. En Christelle kan eenvoudig nie haar jeugliefde vergeet nie. Soetwyn vir ’n Sondagkind is die verhaal van ’n jong meisie wat vir die eerste keer voor die kompleksiteite van die lewe te staan kom en in die proses ryp word. Kleintyd al het Nicola besluit dat sy eendag soetwyn gaan maak op haar steifpa se wynplaas. Maar wanneer sy terugkom van haar studie in die buiteland, het dinge verander.
Dirk Aruseb was sewentien toe Abraham Morris hom uit die Pella-weeshuis
kom haal het om by die Bondelswarts aan te sluit. By Schansvlakte begin
die eerste van Dirk se lewenslesse: wees nederig, geduldig, en genadig.
Vind jou eland, tem jou janfiskaal.
Ella Neser en Lou Pepler werk weer saam as private ondersoekers. Maar
die dag voor Ella op pad is Brugge toe, daag ’n familielid van Lou se
eks op en smeek hulle om hulp. Liesbet se broer en sy neef is wynboere
wat in Hongarye op ’n wynlandgoed naby Boedapest werk. Maar nou het
hulle verdwyn. Lou moet tog dringend die twee jong boere in een stuk
terugbring.
One evening in early autumn, ten people drive into a tunnel through the Cape mountains – and find themselves trapped. As their limited supplies dwindle, what do they do? Where can they go? What will they find? Tunnel burrows deep into the psychologies and coping strategies that connect and disconnect these protagonists in a dark, tense and compelling human drama. An urgent new novel, told through many eyes; a journey – terrific and mystical – through despair, memory, and love.
This genre-bending Afrofuturist horror novel blends The Handmaid’s Tale with Get Out in an adrenaline-packed, cyberpunk, body-hopping ghost story exploring motherhood, memory, and a woman’s right to her own body. Nelah seems to have it all: fame, wealth, and a long-awaited daughter. But, trapped in a loveless marriage to a policeman who uses a microchip to monitor her every move, Nelah’s perfect life is precarious. When a tryst ends in an accidental death, Nelah’s life spirals out of control as she goes to desperate lengths to hide the killing and save the life of her yet-to-be-born daughter who is growing in one of the government Wombcubators, daring to hope that she can keep one last secret. Set in a future Botswana, a cruel futuristic surveillance state where bodies are a government-issued resource, this harrowing story is a twisty, nail-biting commentary on power, and bodily autonomy. In this devastatingly timely debut novel, acclaimed novelist Tlotlo Tsamaase asks, just how far must a woman go to bring the whole system crashing down?
The stories in Once Removed traverse the theatres, artist studios and archives that characterise the world of contemporary art and performance. But they also zero in on the homes, private lives, daily journeys and emotional interiorities of the various characters that inhabit them. While the stories in Once Removed draw from the undercurrents of the South African art world, their concerns and evocations are not limited to it. “Once Removed is for readers who are familiar with the worlds of art and performance, and those for whom it is completely foreign. A reader doesn’t need to be immersed in the world of artists, critics, exhibitors, gallerists or academics to access the collection, and to enjoy the imbalances, precarity, hilarity, and possibilities represented in it,” explains Mann. Part ironic realism, part experimental surrealism, these stories will matter differently, but equally significantly, to those inside and outside the world they evoke and inhabit.
Four thirty-something girlfriends navigate the complexities of love and
life in upmarket Johannesburg.
’n Onskuldige man word in sy motorhuis met ’n jaggeweer doodgeskiet. ’n
Jong vrou se lyk hang aan ’n boomtak diep in die Magaliesberg.
A collection of ten witty, tightly written, upbeat short stories about people making new beginnings after significant losses (the death of their partners, home invasions, etc) set in the upmarket northern suburbs of Johannesburg, like Parkview. It is filled with memorable characters and incidents.
Accomplished American artist Stella Wright’s beachside home in Cape Town is perched on the edge of land and sea, safety and vulnerability, the domestic and the wild. When Stella takes an afternoon swim, she is unprepared for the drama that unfolds. She and a nearby surfer are tracked by a giant great white shark that swims close enough so she can look it in the eye, leaving the two of them deeply traumatised. The surfer – Ben – is a waterman who paints trawlers for a living. There is an almost instant attraction between them, but Stella is married to wealthy American financier Jack Barlow, and she and her husband are preparing to leave the country. Stella and Ben begin a passionate affair. The two of them must face their fear of the water; Stella because beaches and oceans form the basis of her art, Ben because surfing is his passion. Into this situation Jack returns from overseas to tie up their affairs and bring Stella back to New York. Stella must make a choice between the man who has reawakened her original passion for art, and the man who can give her everything else the world has to offer. My Side of the Ocean is a novel of great empathy and insight, exploring essential questions about what it means to live, and love, when the secure foundations of a life have been ripped away.
Bekende sakeman Peet Hoffman word laatnag in sy studeerkamer
doodgeskiet.
Daniel is a journalist, moving between London and Cape Town, until his elderly father passes away. There is an unusual clause in the old man’s will: Daniel will only inherit his half of the estate once he has paid his estranged cousin a visit on the family farm in the Free State. It is a visit that will result in Daniel, his cousin and a sick young boy making a hopeful trip to Tokyo – a journey that will change all of their lives. An exquisite, tender novel by the award-winning writer SJ Naudé.
When a patient describes an experience of mental torture and sexual mutilation by a gynecologist at the hospital where she works, psychologist Megan Wright decides to investigate.Determined to find out the truth and stop the abuse, but bound to silence by the ethics of confidentiality, Megan must enter the dark mind of a dangerously disturbed man. She uncovers horrifying details of abuse and damage, but can tell no one because of the ethics of confidentiality. Her investigation will lead her client and herself into the mind and hands of a dangerously disturbed man.
Eugene ken van skollies, gangsters en crooks. Hy is streetwise, al lyk hy nou soos iemand uit die upper-middle class. Hy kom immers uit die ghetto se killing fields van die 60’s, 70’s en 80’s. Maar nou is dit baie jare later. En die ou alliances met sy kindervriende Alan, Huey en Jenny ná alles destyds in Hillbrow tussen hulle skeefgeloop het, bestaan nie meer nie, en Eugene word aangekla van moord. 'n Aangrypende roman oor vriendskap en verraad. |
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