Ná ’n jagongeluk is niks op die familieplaas Soetkloof ooit weer dieselfde nie. Die 15-jarige De Viljee is dood en sy broer en suster, die 18-jarige tweeling Cornél en Ragel, se lewe is verwoes. Cornél slaan op die vlug, want hy kan nie sy gebroke ouers in die oë kyk nie. Die koeël het immers uit sy jaggeweer gekom.

In die nasleep van die tragedie moet Ragel meisie-alleen red wat te redde is op Soetkloof. Dan kom daar ’n groot droogte en die Opkomsrivier, hul laaste oorblywende reddingsboei, verdor. Boonop is hul grond in die gedrang, want ’n yslike bewaringsgroep wil al die plase in die distrik op koop.

Gaan Ragel aanhou om vir haar erfgrond te baklei of gaan die noodlot die oorhand kry? Kan die luiperdman die jong, taai vrou weer ’n proesel van lewensvreugde gee? En gaan Cornél ooit lewend na Soetkloof terugkeer?

Solank as die aarde, Lucia Prinsloo se derde roman, is uiteindelik ’n verhaal van oorwinning en hoop. Want solank as die aarde bly staan, sal saaityd en oestyd nie ophou nie, sal koue weer warm word, winter weer somer en nag weer dag.

From the best-selling author of How We Buried Puso, Three Egg Dilemma is set at a homestead overlooking a valley and around a bar in the Kingdom of Lesotho. The story follows the life of EG (short for ‘Example’) and a group of ill-assorted friends and neighbours as they attempt to survive a breakdown of civil certainty.

A visionary novel, Morojele has built worlds and characters with his dazzling prose. It is set to become a classic of Southern African literature.

Four strangers, two cities, one chance online meeting.

Jess is a yummy mummy of two whose life is slowly unravelling and who has recently separated from her husband. Ginger is a happily widowed granny with a salty tongue and a wicked sense of humour. The gorgeous and sensitive Matt is an almost-qualified psychologist, who still lives with his parents. And Queenie, a librarian from Cape Town, has an absent boyfriend and a secret writing habit.

What could these four strangers possibly have in common?

They are all die-hard Marian Keyes fans. And when they hear that Marian is due to visit South Africa to attend a literary festival, they are all desperate to meet her. Together they come up with a mad-cap plan.

Will they succeed – or will life intervene?

Ella Olivia is ’n kranige lysiemaker wat haar hele lewe fyn probeer beplan, want sy glo alle slegte dinge gebeur op Vrydae.

Na ’n belaglike insident waarin sy ’n meme geword het (natuurlik op ’n Vrydag), is haar laaste minuut aanvaarding by Kovsies om medies te studeer ’n nuwe begin vir haar. Maar na nóg ’n belaglike verwarring, bevind sy haarself in die laaste situasie waarin sy wil wees: die kollig. Sy moet Con Trubleau, gewilde kitaarspeler en hoofsanger van die boyband Vuurvreter, se fake meisie wees.

Hierdie is só nie deel van haar plan nie.

Monique and Ben Klein have been married for twenty years. They both know that they didn’t get married for all the right reasons, but they’re happy with the decision they made. They have a good life in a beautiful house, with three children who they adore.

It all worked out in the end.

Or did it?

Monique has become obsessed with being the perfect wife and mother. Her sense of self is attached to the compliments she receives from friends and relatives. From her appearance to her home to her children, nobody is allowed to see the cracks. They might be normal for other people, but not for Monique. Ben knows that he gave up on a part of himself and his dreams when he married Monique. He’s an actuary, working for a corporate, and not the artist that he longed to be. He ignores as best he can the difference in their thinking. If anyone asks, he is happy.

Their daughter Rosie is struggling with her friendships and the daunting world of teenage parties. But with a strict mother like Monique, she knows that even if she gets frustrated, Monique’s rules will keep her safe.

Until Ben meets Daisy. And Rosie meets Margie. And everything starts to fall apart.

Journalist and public relations maven Lucy Khambule is flying high in her life and career. Her book on convicted serial killer Napoleon Dingiswayo is a bestseller, Lucy is in demand for talks and interviews, and her company is involved in early stage organising for the 2010 FIFA World Cup. Then comes the terrifying news that Dingiswayo has escaped from C-Max – or has he, as shortly thereafter Detective Morapedi confirms to Lucy that the charred remains found in a prison pipe shaft, along with a suicide note, are those of Dingiswayo. An official statement from Correctional Services further confirms this.

But who is the person stalking her on Facebook? What should Lucy and Detective Morapedi make of the violent and disturbing ‘copycat’ killings happening in eSwatini and the hushed rumours that are swirling around the annual Reed Dance? As Lucy and her events management team work on the historical FIFA World Cup Preliminary Draw at the Durban International Convention Centre, events unfold at breakneck speed.

Is this the work of an exconvict on a deadly mission or are there other dangers lurking on Lucy’s path?

Who can she trust and how can she stay safe?

Sedert die dag toe die maan deur ’n asteroïde getref is, weet almal dat dit onafwendbaar is: dis die begin van die Einde.

Tog gaan die lewe op Dennehoop eintlik ongesteurd voort. Maar dan verdwyn Stegman, die makelaar wat alewig versekering aan almal probeer verkwansel, spoorloos.

En terwyl Kaptein Emma Rosely die saak ondersoek, kom sy agter dat die inwoners van Dennehoop ’n klomp geheime vir mekaar wegsteek.

Journalist Alex Derksen’s new assignment in Tanzania should be easy, but he soon finds himself on the wrong side of the news.

It starts when he meets Ranna, a beautiful photographer with something to hide. When an IT billionaire washes up onshore after seasonal flooding, he finds himself at the center of an investigation.

Should he listen to his heart and help Ranna hide the bloody trail leading to her?

Groentjiejoernalis Anna is twee-en-twintig en woon saam met haar twee pa's en onheilige horde honde en katte op 'n klein plekkie in KwaZulu-Natal. Sy onthou hoe haar ouers se huwelik op die rotse beland het toe haar pa uit die kas geneuk het - ten aanskoue van konserwatiewe familielede en nuuskierige agies vir bure en haar boheemse ma, 'n skrywer wat nou op goeie voet met Anna's se pa's verkeer.

Dis wel nie aldag maklik om kop of stert uit te maak van wat aangaan in so 'n huishouding nie, veral nie nou dat haar een pa met ernstige gesondheidsprobleme sukkel nie. Anna se werk by die koerant is ook nie sonder uitdagings nie. Maar hoe maak jy tyd vir jou eie lewe as jy die spil raak waarom die hele spulletjie tol?

In Huisies Van Papier, vier Dalena Theron die liefde en familie in al sy kleurryke gedaantes.

The mind-bending new masterpiece from the award-winning and internationally best-selling South African author of The Shining Girls, Zoo City and Afterland, among other works.

Bridge's maverick scientist mother Jo is dead. Now she's examining everything Jo left behind. Which is when she finds her big secret. Is it a drug? A gateway to other worlds? Jo believed so.

Bridge is desperate to see her mother again. Will do anything, risk anything. Including search for her in those other realities. What she doesn't know is that others are after Jo's secret. And some believe anyone it touches must be destroyed.

Bridge? She just wants to find her mom ...

Page-turning and ambitious, BRIDGE is a dazzlingly inventive speculative thriller with an unforgettable cast of characters, and the work of a novelist at the height of her powers.

Ver in die wêreld is 23 stories oor die lewe in die buiteland. Sommige van die vertellings is suiwer fiksie en ander is intiem persoonlike ervarings. Dis verhale oor die verlies aan die bekende, die verlange huis toe, maar ook oor die aanpassing in die verre vreemde wat dikwels met ’n goeie skoot humor gepaard gaan.

Skop jou skoene uit, sit agteroor en laat jou wegvoer na Engeland, Nieu-Seeland, Australië, Kanada, of na een van die ander plekke waar Suid-Afrikaners nesgeskrop het.

Dit is 1905. Helmut, ’n Duitse mediese student, gaan ’n professor te lyf wat seksuele toenadering by hom soek. Dié neem wraak hom deur vir Helmut ’n druippunt toe te ken.

Helmut se verontwaardigde ouers straf hom deur hom sy studie te laat beëindig en sy vader maak sy handtekening na op ’n kontrak waarin Helmut verbind word om vir twee jaar die Duitse mediese korps in die destydse DuitsSuidwes (Namibië) by te staan as mediese ordonnans.

Só word hy getuie van die dokter in bevel wat hom verdiep in ’n studie van Afrikamense deur hulle lyke te onthoof, die skedels te laat skoonskraap en die breine te weeg, ’n berugte praktyk wat later wyd veroordeel is.

Nadia en haar nefie Xavie is op Groenplaas in die Overberg grootgemaak deur hul ouma, Sylvia McKinney, die “stammoeder van lieg”. Hulle twee kyk terug op hul kinderjare en probeer die dinge ontbloot waaroor daar in hul familie geswyg word.

Kompoun vertel die verhaal van vriendskap tussen ’n groep nefies en niggies, gesmee deur oorlewing in ’n harde werklikheid, en hoe hulle van die ouer geslag wegbreek, maar ook vind dat die verstrengelde bande van familie ’n mens nie maklik laat los nie.

When Mpisi Mpisani travels to his home village for the burial of his mother and a visit to his first wife, he is anxious to hurry back to Johannesburg. His second wife, waiting in Soweto, will give birth soon. Giyani, his eight year old son, accompanies him.

But when Giyani disappears, Mpisi stays to search for him. He tries to ignore the villagers who blame magic for the boy’s disappearance. Meanwhile Mpisi’s city wife, Ntombazi, bears a boy with a birthmark that seems to be a sign . . .

The modern classic from double Booker Prize winner J.M. Coetzee - soon to be a major film starring Mark Rylance, Robert Pattinson and Johnny Depp For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire, whose servant he is. But when the interrogation experts arrive, he is jolted into sympathy with the victims and into a quixotic act of rebellion which lands him in prison, branded as an enemy of the state. Waiting for the Barbarians is an allegory of oppressor and oppressed. Not just a man living through a crisis of conscience in an obscure place in remote times, the Magistrate is an analogue of all men living in complicity with regimes that ignore justice and decency.

Hy sug. “Weet jy wat dink ek? Ek dink jy moenie so hard dink en worrie oor wat Christa sê nie, en ek dink nie jy moet verliefraak van jou lysie afhaal nie.”

Sy wikkel haar net daar uit sy omhelsing los. “Wie sê dis op my lysie!”

“O, ek wéét dis op jou lysie.” Hy glimlag en dan trek hy haar weer terug in sy arms, sy arm om haar middellyf; sy bene onmiddellik weer die ene seekat oor hare. “Toe, hou nou op worrie oor nonsens. Slaap. Jy gaan jou energie moreoggend nodig kry as jy wakkerword.” Met dié druk hy sy lyf teenaan hare. Gits. Sekere dele van sy lyf is nie heeltemal so aan die slaap as wat hy dalk dink nie.

“Hmmm” grom hy in haar nek as hy ook sy lyf se reaksie voel. “Jy gaan dalk jou energie in die middel van die nag al benodig as ek sake so uitkyk!”

Vir ‘n ruk lank lê hulle so – rustig en salig – totdat Meiring die stilte onderbreek. “Mag ek vra waar jy aan jou inspirasie gekom het?”

“Met die ys en als?” vra sy.

“Ja … veral met die als.”

“O, ek het dit op YouTube gesien.”

Daar is ’n oomblik se stilte. “Jy is nie ernstig nie.”

Moet sy hom vertel van die seksghoeroe wat sy ontdek het wat videolesse aanbied oor hoe om ’n man te verlei? Nee, wat.

“Ek grap net. Jou ysidee het my geïnspireer,” sê sy.

Hy soen haar in die nek. “Dan sal ek met meer idees vorendag moet kom.”

Toe Karen se man haar vir ’n jonger weergawe los, besluit sy: Dis tyd om te waag.

’n Vriendin vertel haar van die eienaar van ’n toermaatskappy wat glo ’n bobaasverleier en uitstekende minnaar is …

Hy stem in om Karen uit haar penarie te red en gou beleef sy avonture waarvan sy voorheen net kon droom. Avonture het egter ’n manier om jou onverhoeds te betrap en jou op afdraaipaaie te neem wat jy nooit sien kom het nie.

A collection of ten witty, tightly written, upbeat short stories about people making new beginnings after significant losses (the death of their partners, home invasions, etc) set in the upmarket northern suburbs of Johannesburg, like Parkview.

It is filled with memorable characters and incidents.

Helene de Kock Keur 8 sluit in ’n Oos-Vrystaatse familiesage en een van haar wynlandromans.

In Abel se dogters smag Abel Buitendag se dogters na meer warmte en kontak. Sedert hul ma se dood, toe hulle nog klein was, klou hul pa verbete vas aan dit wat verby is. Maar soos hulle een vir een uit die huis verlaat en deel word van die groter wêreld, gryp die lewe hul met woede en vreugde vas. Hulle ervaar die mooi, en ook die bitterheid, wat liefde bring. Adelien bevind haar skielik op ’n plek waar sy dringend haar eie hart moet leer ken. Bernadette loop ’n pad wat geen vrou ooit self sal kies nie. En Christelle kan eenvoudig nie haar jeugliefde vergeet nie.

Soetwyn vir ’n Sondagkind is die verhaal van ’n jong meisie wat vir die eerste keer voor die kompleksiteite van die lewe te staan kom en in die proses ryp word. Kleintyd al het Nicola besluit dat sy eendag soetwyn gaan maak op haar steifpa se wynplaas. Maar wanneer sy terugkom van haar studie in die buiteland, het dinge verander.

Rocco de Witt se argitekspraktyk in Kaapstad doen goed, hy is verloof aan 'n pragtige vrou en hy woon in 'n droomhuis. Maar nou staan oudmakker Gert Malan voor sy deur . . . en die geweld van destyds kom opnuut Rocco se lewe binne. Sy bestaan ontaard in 'n nagmerrie - tot die onvermydelike konfrontasie wat op hom wag, daar op die plasie Nadraai.

The stories in Once Removed traverse the theatres, artist studios and archives that characterise the world of contemporary art and performance. But they also zero in on the homes, private lives, daily journeys and emotional interiorities of the various characters that inhabit them. While the stories in Once Removed draw from the undercurrents of the South African art world, their concerns and evocations are not limited to it.

“Once Removed is for readers who are familiar with the worlds of art and performance, and those for whom it is completely foreign. A reader doesn’t need to be immersed in the world of artists, critics, exhibitors, gallerists or academics to access the collection, and to enjoy the imbalances, precarity, hilarity, and possibilities represented in it,” explains Mann.

Part ironic realism, part experimental surrealism, these stories will matter differently, but equally significantly, to those inside and outside the world they evoke and inhabit.

Following the poignant death of a man they barely knew, four friends decide to make the most of what's left of their lives.

Abandoning the humdrum routine of life at their retirement estate, they embark on a thousand-mile road trip that will take them from the furthest corner of the Kruger Park to the blazing stars of Sutherland for the biggest adventure of their lives and one last hurrah together.

Along the way, they rediscover things about themselves that they thought had long since been lost. Above all, they discover that it's never too late to start living.

One evening in early autumn, ten people drive into a tunnel through the Cape mountains – and find themselves trapped.

As their limited supplies dwindle, what do they do? Where can they go? What will they find?

Tunnel burrows deep into the psychologies and coping strategies that connect and disconnect these protagonists in a dark, tense and compelling human drama.

An urgent new novel, told through many eyes; a journey – terrific and mystical – through despair, memory, and love.

Dirk Aruseb was sewentien toe Abraham Morris hom uit die Pella-weeshuis kom haal het om by die Bondelswarts aan te sluit. By Schansvlakte begin die eerste van Dirk se lewenslesse: wees nederig, geduldig, en genadig. Vind jou eland, tem jou janfiskaal.

Rooisand speel af in Namaland – van Duits-Suidwes-Afrika tot die Kaapkolonie – vanaf 1904 tot 1922. Dit is ’n epiese oorlogsroman wat strek van Tsumeb tot Upington, van Windhuk se interneringskampe tot die droë rivierlope van die Visrivier.

Ella Neser en Lou Pepler werk weer saam as private ondersoekers. Maar die dag voor Ella op pad is Brugge toe, daag ’n familielid van Lou se eks op en smeek hulle om hulp. Liesbet se broer en sy neef is wynboere wat in Hongarye op ’n wynlandgoed naby Boedapest werk. Maar nou het hulle verdwyn. Lou moet tog dringend die twee jong boere in een stuk terugbring.

So vertrek Ella na België, en Lou na Boedapest. Maar iewers duskant die Donau regeer daar ’n mafioso met die mag van ’n keiser.

This genre-bending Afrofuturist horror novel blends The Handmaid’s Tale with Get Out in an adrenaline-packed, cyberpunk, body-hopping ghost story exploring motherhood, memory, and a woman’s right to her own body.

Nelah seems to have it all: fame, wealth, and a long-awaited daughter. But, trapped in a loveless marriage to a policeman who uses a microchip to monitor her every move, Nelah’s perfect life is precarious. When a tryst ends in an accidental death, Nelah’s life spirals out of control as she goes to desperate lengths to hide the killing and save the life of her yet-to-be-born daughter who is growing in one of the government Wombcubators, daring to hope that she can keep one last secret.

Set in a future Botswana, a cruel futuristic surveillance state where bodies are a government-issued resource, this harrowing story is a twisty, nail-biting commentary on power, and bodily autonomy.

In this devastatingly timely debut novel, acclaimed novelist Tlotlo Tsamaase asks, just how far must a woman go to bring the whole system crashing down?