'Fascinating and richly documented . . . Few books manage to be so informative and so entertaining.' - Sunday Times Santiniketan-Sriniketan in India, Dartington Hall in England, Atarashiki Mura in Japan, the Institute for the Harmonious Development of Man in France, the Bruderhof in Germany and Trabuco College in America: six experimental communities established in the aftermath of the First World War, each aiming to change the world. Anna Neima's The Utopians is an absorbing and vivid account of these collectives and their charismatic leaders and reveals them to be full of eccentric characters, outlandish lifestyles and unchecked idealism. Dismissed and even mocked in their time, yet, a century later, their influence still resonates in progressive education, environmentalism, medical research and mindfulness training. Without such inspirational experiments in how to live, post-war society would have been a poorer place. 'Thanks to Neima's rigorous research, each chapter offers something new.' - Spectator 'Neima ranges with impressive confidence across the world'. - Literary Review

Winner of the Costa Biography Award What makes a Stalin? Was he a Tsarist agent or Lenin's bandit? Was he to blame for his wife's death? When did the killing start? Based on revelatory research, here is the thrilling story of how a charismatic cobbler's son became a student priest, romantic poet, prolific lover, gangster mastermind and murderous revolutionary. Culminating in the 1917 revolution, Simon Sebag Montefiore's bestselling biography radically alters our understanding of the gifted politician and fanatical Marxist who shaped the Soviet empire in his own brutal image. This is the story of how Stalin became Stalin.

This book: covers the essential content in the new specifications in a rigorous and engaging way, using detailed narrative, sources, timelines, key words, helpful activities and extension material helps develop conceptual understanding of areas such as evidence, interpretations, causation and change, through targeted activities provides assessment support for A level with sample answers, sources, practice questions and guidance to help you tackle the new-style exam questions. It also comes with three years' access to ActiveBook, an online, digital version of your textbook to help you personalise your learning as you go through the course - perfect for revision.

Until the 1970s, if you suffered a medical crisis, your chances of survival were minimal. A 9-1-1 call might bring police or even the local funeral home. But that all changed with Freedom House EMS in Pittsburgh, a group of Black men who became America's first paramedics and set the gold standard for emergency medicine around the world, only to have their story and their legacy erased-until now. In American Sirens, acclaimed journalist and paramedic Kevin Hazzard tells the dramatic story of how a group of young, undereducated Black men forged a new frontier of healthcare. He follows a rich cast of characters that includes John Moon, an orphan who found his calling as a paramedic; Peter Safar, the Nobel Prize-nominated physician who invented CPR and realized his vision for a trained ambulance service; and Nancy Caroline, the idealistic young doctor who turned a scrappy team into an international leader. At every turn, Freedom House battled racism-from the community, the police, and the government. Their job was gruelling, the rules made up as they went along, their mandate nearly impossible-and yet despite the long odds and fierce opposition, they succeeded spectacularly. Never-before revealed in full, this is a rich and troubling hidden history of the Black origins of America's paramedics, a special band of dedicated essential workers, who stand ready to serve day and night on the line between life and death for every one of us.

The tumultuous political events that swept Russia in the early twentieth century sent powerful ripples around the world. The Bolshevik revolutionaries and activists had sympathizers among Americans and Europeans alike, and one notable way they exercised their support was through artfully created postcards. This remarkable volume" "presents for the first time a newly unearthed collection of those cards that recount the 1917 Russian Revolution in a novel way.
The postcards originated not only from Russia, but also from Germany, the United States, Belgium, and France, and they reflect their diverse origins in the rich array of artistic styles employed to create them. Whether simply drawn, hand-painted, or mass-printed, the cards present compelling and complex images of the Bolshevik Revolution of 1917 and the people who were enmeshed in it. The cards serve as concise yet powerful artistic documents of Russian history and culture, as they display bloody and graphic street scenes, rare pictures of lesser-known revolutionary leaders, satirical sketches of Russian rulers, portraits of the royal family, illustrations of palaces and institutional buildings, and depictions of pivotal events leading up to the Revolution such as the 1905 assassination of Grand Duke Alexander. Also included in this fascinating visual narrative are cards depicting crucial events from the aftermath of the Revolution, including the great famine of 1921 and public celebrations of the newly formed Union of Soviet Socialist Republics.
An unprecedented and arresting exploration of the Russian Empire in its death throes, "Postcards from the Russian Revolution" reveals a wholly new and vibrant perspective on one ofthe most important political movements of the twentieth century.

America's Arab Nationalists focuses in on the relationship between Arab nationalists and Americans in the struggle for independence in an era when idealistic Americans could see the Arab nationalist struggle as an expression of their own values. In the first three decades of the twentieth century (from the 1908 Ottoman revolution to the rise of Hitler), important and influential Americans, including members of the small Arab-American community, intellectually, politically and financially participated in the construction of Arab nationalism. This book tells the story of a diverse group of people whose contributions are largely unknown to the American public. The role Americans played in the development of Arab nationalism has been largely unexplored by historians, making this an important and original contribution to scholarship. This volume is of great interest to students and academics in the field, though the narrative style is accessible to anoyone interested in Arab nationalism, the conflict between Zionists and Palestinians, and the United States' relationship with the Arab world.

An acclaimed expert on violence and seasoned peacebuilder explains the five reasons why conflict (rarely) blooms into war, and how to interrupt that deadly process. It's easy to overlook the underlying strategic forces of war, to see it solely as a series of errors, accidents, and emotions gone awry. It's also easy to forget that war shouldn't happen-and most of the time it doesn't. Around the world there are millions of hostile rivalries, yet only a tiny fraction erupt into violence. Too many accounts of conflict forget this. With a counterintuitive approach, Blattman reminds us that most rivals loathe one another in peace. That's because war is too costly to fight. Enemies almost always find it better to split the pie than spoil it or struggle over thin slices. So, in those rare instances when fighting ensues, we should ask: what kept rivals from compromise? Why We Fight draws on decades of economics, political science, psychology, and real-world interventions to lay out the root causes and remedies for war, showing that violence is not the norm; that there are only five reasons why conflict wins over compromise; and how peacemakers turn the tides through tinkering, not transformation. From warring states to street gangs, ethnic groups and religious sects to political factions, there are common dynamics to heed and lessons to learn. Along the way, we meet vainglorious European monarchs, African dictators, Indian mobs, Nazi pilots, British football hooligans, ancient Greeks, and fanatical Americans. What of remedies that shift incentives away from violence and get parties back to deal-making? Societies are surprisingly good at interrupting and ending violence when they want to-even the gangs of Medellin, Columbia do it. Realistic and optimistic, this is book that lends new meaning to the old adage, "Give peace a chance."

Released in 1969, the film _Battle of Britain_ went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Boles?aw Drobi?ski and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film's release in 1969 - plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.

The postcards in It'll All Be Over By Christmas paint a picture of the First World War as experienced by those at home, at the front, in training, in hospital and in convalescence. These personal messages were sent from fathers to their wives and children, sons to family, friends and loved ones - sharing their thoughts, hopes and worries as well as the lighter side of life. There are cards from those at sea, in prisoner-of-war camps and those of the Central Powers. Featuring over 150 illustrations, including some rare examples, the book also demonstrates how the postcard was ulitised to enlist volunteers and boost morale through humour, sentimentality and propaganda. Postcards encouraged support of the war effort through fundraising, sending 'comforts' to those on the front line and promoting practical roles for women. This fascinating book offers a profound insight into the experiences of war through postcards, as well the part that they played in promoting it.

This volume offers a comprehensive and original analysis and reconceptualisation of the compendium of struggles that wracked the collapsing Tsarist empire and the emergent USSR, profoundly affecting the history of the twentieth century. Indeed, the reverberations of those decade-long wars echo to the present day -- not despite, but because of the collapse of the Soviet Union, which re-opened many old wounds, from the Baltic to the Caucasus. Contemporary memorialising and 'de-memorialising' of these wars, therefore form part of the book's focus, but at its heart lie the struggles between various Russian political and military forces which sought to inherit and preserve, or even expand, the territory of the tsars, overlain with examinations of the attempts of many non- Russian national and religious groups to divide the former empire. The reasons why some of the latter were successful (Poland and Finland, for example), while others (Ukraine, Georgia and the Muslim Basmachi) were not, are as much the author's concern as are explanations as to why the chief victors of the 'Russian' Civil Wars were the Bolsheviks.Tellingly, the work begins and ends with battles in Central Asia - a theatre of the 'Russian' Civil Wars that was closer to Mumbai than it was to Moscow.

The unforgettable true story of two married journalists on an island-hopping run for their lives across the Pacific after the Fall of Manila during World War II-a saga of love, adventure, and danger. On New Year's Eve, 1941, just three weeks after the attack on Pearl Harbor, the Japanese were bombing the Philippine capital of Manila, where journalists Mel and Annalee Jacoby had married just a month earlier. The couple had worked in China as members of a tight community of foreign correspondents with close ties to Chinese leaders; if captured by invading Japanese troops, they were certain to be executed. Racing to the docks just before midnight, they barely escaped on a freighter-the beginning of a tumultuous journey that would take them from one island outpost to another. While keeping ahead of the approaching Japanese, Mel and Annalee covered the harrowing war in the Pacific Theater-two of only a handful of valiant and dedicated journalists reporting from the region. Supported by deep historical research, extensive interviews, and the Jacobys' personal letters, Bill Lascher recreates the Jacobys' thrilling odyssey and their love affair with the Far East and one another. Bringing to light their compelling personal stories and their professional life together, Eve of a Hundred Midnights is a tale of an unquenchable thirst for adventure, of daring reportage at great personal risk, and of an enduring romance that blossomed in the shadow of war.

In the spring of 1944, Ernest Hemingway travelled to London and then to France to cover the Second World War for Colliers Magazine. He had resisted this kind of journalism for the early period of the war but now threw himself into the thick of events. He flew missions with the RAF, went on a landing craft on Omaha Beach on D-Day, involved himself in the French Resistance forces and famously rode into the still dangerous streets of liberated Paris. He was at the Siegfried Line in the Huertgen Forest when the 22nd Regiment lost nearly every man sent into the fight. This invigorating narrative is, in parallel, an investigation into Hemingway's subsequent work-much of it stemming from his wartime experience-which shaped the latter stages of his career.

**THE INTERNATIONAL BESTSELLER** The book that inspired Steven Spielberg's acclaimed TV series, produced by Tom Hanks and starring Damian Lewis. In Band of Brothers, Stephen E. Ambrose pays tribute to the men of Easy Company, a crack rifle company in the US Army. From their rigorous training in Georgia in 1942 to the dangerous parachute landings on D-Day and their triumphant capture of Hitler's 'Eagle's Nest' in Berchtesgaden. Ambrose tells the story of this remarkable company. Repeatedly send on the toughest missions, these brave men fought, went hungry, froze and died in the service of their country. A tale of heroic adventures and soul-shattering confrontations, Band of Brothers brings back to life, as only Stephen E. Ambrose can, the profound ties of brotherhood forged in the barracks and on the battlefields. 'History boldly told and elegantly written . . . Gripping' Wall Street Journal 'Ambrose proves once again he is a masterful historian . . . spellbinding' People

THE SUNDAY TIMES TOP THREE BESTSELLER; Winner of the Los Angeles Times Book Prize for History 2018; One of the Daily Telegraph's Best Books of 2017; A Guardian 'Readers' Choice' Best Book of 2017; Without the benefit of hindsight, how do you interpret what's right in front of your eyes?; The events that took place in Germany between 1919 and 1945 were dramatic and terrible but there were also moments of confusion, of doubt - of hope. How easy was it to know what was actually going on, to grasp the essence of National Socialism, to remain untouched by the propaganda or predict the Holocaust?; Travellers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including students, politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, journalists, fascists, artists, tourists, even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler - one so palpable that the reader will feel, hear, even breathe the atmosphere.; These are the accidental eyewitnesses to history. Disturbing, absurd, moving, and ranging from the deeply trivial to the deeply tragic, their tales give a fresh insight into the complexities of the Third Reich, its paradoxes and its ultimate destruction.

'That nickname . . .' '"Little bird." It wasn't mine. I found out later he gave it to every little girl that came in to be injected. "Little Bird" didn't mean anything. It was a trick. There were thousands of "little birds", just like me, all thinking they were the only one.' As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz. In the few last months of the Second World War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz. Her experiences there cast a shadow over the rest of her life. Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. Along the way, Jacques learns long-hidden secrets about his mother's family. He gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

The Utopians is the remarkable story of six experimental communities – Santiniketan-Sriniketan in India, Dartington Hall in England, Atarashiki-mura in Japan, the Institute for the Harmonious Development of Man in France, the Bruderhof in Germany and Trabuco College in America – that sprang up in the aftermath of the First World War.

Each was led by charismatic figures who dreamed of a new way of living. Rabindranath Tagore, Dorothy and Leonard Elmhirst, Mushanokoji Saneatsu, G. I. Gurdjieff, Eberhard and Emmy Arnold and Gerald Heard all struggled to turn ambitious ideals into reality. They – and their fellow communards – left their jobs, their homes and their social circles. They faced mockery and persecution, penury, hunger and discomfort, and their own doubts about whether their efforts to change society would ever make a difference.

Anna Neima’s absorbing and vivid account of these collectives, from creation to collapse, reveals them to be full of eccentric characters, outlandish lifestyles and unchecked idealism. They were dramatic, fractious places where high ideals collided with the need to feed the chickens, clean the toilets, bring up squabbling children and grow the grain for the daily bread.

These communities were small in scale and dismissed in their time. Yet, a century later, their influence still resonates in realms as disparate as progressive education, environmentalism, medical research and mindfulness training. They provided, and continue to provide, a rich store of inspiration for those who aspire to improve the world. Without them, the post-war world would have been a poorer place.

WINNER OF THE 2020 CONNECTICUT BOOK AWARD FOR NONFICTION AND NAMED ONE OF THE BEST BOOKS FOR BOOK CLUBS IN 2021 BY BOOKBROWSE "Perkins' richly detailed narrative is a reminder that gender equity has never come easily, but instead if borne from the exertions of those who precede us."-Nathalia Holt, New York Times bestselling author of Rise of the Rocket Girls If Yale was going to keep its standing as one of the top two or three colleges in the nation, the availability of women was an amenity it could no longer do without. In the winter of 1969, from big cities to small towns, young women across the country sent in applications to Yale University for the first time. The Ivy League institution dedicated to graduating "one thousand male leaders" each year had finally decided to open its doors to the nation's top female students. The landmark decision was a huge step forward for women's equality in education. Or was it? The experience the first undergraduate women found when they stepped onto Yale's imposing campus was not the same one their male peers enjoyed. Isolated from one another, singled out as oddities and sexual objects, and barred from many of the privileges an elite education was supposed to offer, many of the first girls found themselves immersed in an overwhelmingly male culture they were unprepared to face. Yale Needs Women is the story of how these young women fought against the backward-leaning traditions of a centuries-old institution and created the opportunities that would carry them into the future. Anne Gardiner Perkins's unflinching account of a group of young women striving for change is an inspiring story of strength, resilience, and courage that continues to resonate today. "Yes, Yale needed women, but it didn't really want them... Anne Gardiner Perkins tells how these young women met the challenge with courage and tenacity and forever changed Yale and its chauvinistic motto of graduating 1,000 male leaders every year."-Lynn Povich, author of The Good Girls Revolt