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In November 1989, six members of the Jesuit community of the University of Central America in San Salvador, including the rector, Ignacio Ellacuria, were massacred by government troops. Twenty-five years later, this book provides the definitive account of the path led to that fateful day, focusing on the Jesuits' prophetic option for the poor, their role in the renewal of Salvadoran church and society, and the critical steps that caused them, as Archbishop Romero would put it, to "share the same fate as the poor." Drawing on newly available archival materials and extensive interviews, Robert Lassalle-Klein gives special attention to the theological contributions of Ellacuria and Jon Sobrino, who survived the massacre, and the emergence among the Jesuit community of a spirituality that recognized the risen Christ in what Ellacuria called "the crucified people of El Salvador." This insight led, in turn, to the development of the most important advance in the idea of a Christian university since the time of Cardinal Newman. Blood and Ink tells a vital story of a religious and university community's conversion and renewal that speaks to the ongoing challenge of discipleship today.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

'Invasion Rabaul' is a gut-wrenching account of courage and sacrifice, folly and disaster, as seen through the eyes of the Allied defenders who survived the Japanese assault on Britain during the opening days of World War II.

Near the end of World War II and after, a small-town Nebraska youth, Jimmy Kugler, drew more than a hundred double-sided sheets of comic strip stories. Over half of these six-panel tales retold the Pacific War as fought by "Frogs" and "Toads," humanoid creatures brutally committed to a kill-or-be-killed struggle. The history of American youth depends primarily on adult reminiscences of their own childhoods, adult testimony to the lives of youth around them, or surmises based on at best a few creative artifacts. The survival then of such a large collection of adolescent comic strips from America's small-town Midwest is remarkable. Michael Kugler reproduces the never-before-published comics of his father's adolescent imagination as a microhistory of American youth in that formative era. Also included in Into the Jungle! A Boy's Comic Strip History of World War II are the likely comic book models for these stories and inspiration from news coverage in newspapers, radio, movies, and newsreels. Kugler emphasizes how US propaganda intended to inspire patriotic support for the war gave this young artist a license for his imagined violence. In a context of progressive American educational reform, these violent comic stories, often in settings modeled on the artist's small Nebraska town, suggests a form of adolescent rebellion against moral conventions consistent with comic art's reputation for "outsider" or countercultural expressions. Kugler also argues that these comics provide evidence for the transition in American taste from war stories to the horror comics of the late 1940s and early 1950s. Kugler's thorough analysis of his father's adolescent art explains how a small-town boy from the plains distilled the popular culture of his day for an imagined war he could fight on his audacious, even shocking terms.

Fountain-Pens - The Super-Pen for Our Super-Men Ladies! Learn To Drive! Your Country Needs Women Drivers! Do you drink German water? When Britain declared war on Germany in 1914, companies wasted no time in seizing the commercial opportunities presented by the conflict. There was no radio or television. The only way in which the British public could get war news was through newspapers and magazines, many of which recorded rising readerships. Advertising became a new science of sales, growing increasingly sophisticated both in visual terms and in its psychological approach. This collection of pictorial advertisements from the Great War reveals how advertisers were given the opportunity to create new markets for their products and how advertising reflected social change during the course of the conflict. It covers a wide range of products, including trench coats, motor-cycles, gramophones, cigarettes and invalid carriages, all bringing an insight into the preoccupations, aspirations and necessities of life between 1914 and 1918. Many advertisements were aimed at women, be it for guard-dogs to protect them while their husbands were away, or soap and skin cream for 'beauty on duty'. At the same time, men's tailoring evolved to suit new conditions. Aquascutum advertised 'Officers' Waterproof Trench Coats' and one officer, writing in the Times in December 1914, advised others to leave their swords behind but to take their Burberry coat. Sandwiched between the formality of the Victorian era and the hedonism of the 1920s, these charged images provide unexpected sources of historical information, affording an intimate glimpse into the emotional life of the nation during the First World War.

'A brilliant account of Africa’s most extraordinary dictator . . . This book will become a classic.' Economist

A sparkling account of the rise and fall of Mobutu Sese Seko, the charismatic dictator who plundered his country’s wealth and indulged a passion for pink champagne, gold jewellery and chartered Concordes. Absurdity, anarchy and corruption run riot in Michela Wrong’s fascinating dissection of the Congo; a story of grim comedy amidst the apocalypse and a celebration of the sheer indestructibility of the human spirit.

A noted World War I scholar examines the critical decisions and events that led to Germany's defeat, arguing that the German loss was caused by collapse at home as well as on the front. Much has been written about the causes for the outbreak of World War I and the ways in which the war was fought, but few historians have tackled the reasons why the Germans, who appeared on the surface to be winning for most of the war, ultimately lost. This book, in contrast, presents an in-depth examination of the complex interplay of factors-social, cultural, military, economic, and diplomatic-that led to Germany's defeat. The highly readable work begins with an examination of the strengths and weaknesses of the two coalitions and points out how the balance of forces was clearly on the side of the Entente in a long and drawn-out war. The work then probes the German plan to win the war quickly and the resulting campaigns of August and September 1914 that culminated in the devastating defeat in the First Battle of the Marne. Subsequent chapters discuss the critical factors and decisions that led to Germany's loss, including the British naval blockade, the role of economic factors in maintaining a consensus for war, and the social impact of material deprivation. Starts a new and fuller discussion of Germany's defeat that goes beyond the battlefields of the Western Front Argues that Germany's defeat was caused by a complex interplay of domestic, social, and economic forces as well as by military and diplomatic factors Integrates the internal problems the German people experienced with Germany's defeats at sea and on land Highlights the critical role played by Britain and the United States in bringing about Germany's defeat Discusses the failures of German military planning and the failure of the nation's political leaders and military leaders to understand that war is the continuation of diplomacy by other means