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Books > Humanities > History > World history > From 1900
Reframing Irish Youth in the Sixties focuses on the position of
youth in the Republic of Ireland at a time when the meaning of
youth was changing internationally. It argues that the
reformulation of youth as a social category was a key element of
social change. While emigration was the key youth issue of the
1950s, in this period young people became a pivotal point around
which a new national project of economic growth hinged.
Transnational ideas and international models increasingly framed
Irish attitudes to young people's education, welfare and
employment. At the same time, Irish youths were participants in a
transnational youth culture that appeared to challenge the status
quo. This book examines the attitudes of those in government, the
media, in civil society organisations and religious bodies to youth
and young people, addressing new manifestations of youth culture
and new developments in youth welfare work. In using youth as a
lens, this book takes an innovative approach that enables a
multi-faceted examination of the sixties, providing fresh
perspectives on key social changes and cultural continuities.
Contributors to this issue approach the October 1917 Russian
Revolution and the experiments of the revolutionary period as
events that opened new possibilities for politics that remain vital
one hundred years later. The essays highlight how those events not
only affected Russia and Europe but led to the emergence of a new
political image of the world and a profound rethinking of Marxist
traditions. This issue globalizes the 1917 revolution, emphasizing
its echoes throughout the world and the parallel development of
political possibilities beyond Russia. Topics include the Soviets
from the revolution to the present, the impact of the revolution in
Latin America, the work of the legal theorist Evgeny Pashukanis
analyzed through the lens of the revolution, anarchist imaginaries,
and the historicizing of communism. Contributors. Giso Amendola,
Martin Bergel, Kathy Ferguson, Michael Hardt, Wang Hui, Artemy
Magun, John MacKay, Sandro Mezzadra, Antonio Negri, Enzo Traverso
This book explores the impact of violence on the religious beliefs
of front soldiers and civilians in Germany during the First World
War. The central argument is that religion was the main prism
through which men and women in the Great War articulated and
processed trauma. Inspired by trauma studies, the history of
emotions, and the social and cultural history of religion, this
book moves away from the history of clerical authorities and
institutions at war and instead focuses on the history of religion
and war 'from below.' Jason Crouthamel provides a fascinating
exploration into the language and belief systems used by ordinary
people to explain the inexplicable. From Judeo-Christian traditions
to popular beliefs and 'superstitions,' German soldiers and
civilians depended on a malleable psychological toolbox that
included a hybrid of ideas stitched together using prewar concepts
mixed with images or experiences derived from the surreal
environment of modern combat. Perhaps most interestingly, studying
the front experience exposes not only lived religion, but also how
religious beliefs are invented. Front soldiers in particular
constructed new, subjective spiritual and religious concepts based
on encounters with industrialized weapons, the sacred experience of
comradeship, and immersion in mass death, which profoundly altered
their sense of self and the supernatural. More than just a coping
mechanism, religious language and beliefs enabled victims, and
perpetrators, of violence to narrate concepts of psychological
renewal and rebirth. In the wake of defeat and revolution,
religious concepts shaped by the war experience also became a
cornerstone of visions for radical political movements, including
the National Socialists, to transform a shattered and embittered
German nation. Making use of letters between soldiers and
civilians, diaries, memoirs and front newspapers, Trauma, Religion
and Spirituality in Germany during the First World War offers a
unique glimpse into the belief systems of men and women at a
turning point in European history.
In the wake of the Second World War, Samuel Beckett wrote some of
the most significant literary works of the 20th century. This is
the first full-length historical study to examine the far-reaching
impact of the war on Beckett's creative and intellectual
sensibilities. Drawing on a substantial body of archival material,
including letters, manuscripts, diaries and interviews, as well as
a wealth of historical sources, this book explores Beckett's
writing in a range of political contexts, from the racist dogma of
Nazism and aggressive traditionalism of the Vichy regime to Irish
neutrality censorship and the politics of recovery in the French
Fourth Republic. Along the way, Samuel Beckett and the Second World
War casts new light on Beckett's political commitments and his
concepts of history as they were formed during Europe's darkest
hour.
When Hitler s armies occupied Italy in 1943, they also seized
control of mankind s greatest cultural treasures. As they had done
throughout Europe, the Nazis could now plunder the masterpieces of
the Renaissance, the treasures of the Vatican, and the antiquities
of the Roman Empire.
On the eve of the Allied invasion, General Dwight Eisenhower
empowered a new kind of soldier to protect these historic riches.
In May 1944 two unlikely American heroes artist Deane Keller and
scholar Fred Hartt embarked from Naples on the treasure hunt of a
lifetime, tracking billions of dollars of missing art, including
works by Michelangelo, Donatello, Titian, Caravaggio, and
Botticelli. With the German army retreating up the Italian
peninsula, orders came from the highest levels of the Nazi
government to transport truckloads of art north across the border
into the Reich. Standing in the way was General Karl Wolff, a
top-level Nazi officer. As German forces blew up the magnificent
bridges of Florence, General Wolff commandeered the great
collections of the Uffizi Gallery and Pitti Palace, later risking
his life to negotiate a secret Nazi surrender with American
spymaster Allen Dulles.
Brilliantly researched and vividly written, the New York Times
bestselling Saving Italy brings readers from Milan and the near
destruction of The Last Supper to the inner sanctum of the Vatican
and behind closed doors with the preeminent Allied and Axis
leaders: Roosevelt, Eisenhower, and Churchill; Hitler, Goring, and
Himmler.
An unforgettable story of epic thievery and political intrigue,
Saving Italy is a testament to heroism on behalf of art, culture,
and history."
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