The vanquished Taino Indians, the Spanish conquistadors, rebellious slaves, common folk, foreign invaders, bloody dictators, gallant heroes, charismatic politicians, and committed rebels - all have left their distinct imprint on Dominican society and left behind printed records. Nevertheless, the five-hundred-year history of the people of the Dominican Republic has yet to be told through its documents. Although there has been a considerable production of documentary compilations in the Dominican Republic - particularly during the Trujillo era - few of these are known outside the country, and none has ever been translated into English. The Dominican People: A Documentary History bridges this gap by providing an annotated collection of documents related to the history of the Dominican Republic and its people. The compilation features annotated documents on some of the transcendental events that have taken place on the island since pre-Columbian times: the extermination of the Taino Indians, sugar and African slavery, the establishment of French Saint Dominique, independence from Haiti and from Spain, caudillo politics, U.S. interventionism, the Trujillo dictatorship, and contemporary politics.

Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918-1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. "Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film "Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem "Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi

'I read the book with enormous appreciation. Tessa Boase brings all these long-ago housekeepers so movingly to life and her excitement in the research is palpable.' Fay Weldon: Novelist, playwright - and housekeeper's daughter Revelatory, gripping and unexpectedly poignant, this is the story of the invisible women who ran the English country house. Working as a housekeeper was one of the most prestigious jobs a nineteenth and early twentieth century woman could want - and also one of the toughest. A far cry from the Downton Abbey fiction, the real life Mrs Hughes was up against capricious mistresses, low pay, no job security and gruelling physical labour. Until now, her story has never been told. Revealing the personal sacrifices, bitter disputes and driving ambition that shaped these women's careers, and delving into secret diaries, unpublished letters and the neglected service archives of our stately homes, Tessa Boase tells the extraordinary stories of five working women who ran some of Britain's most prominent households. From Dorothy Doar, Regency housekeeper for the obscenely wealthy 1st Duke and Duchess of Sutherland at Trentham Hall, Staffordshire, to Sarah Wells, a deaf and elderly Victorian in charge of Uppark, West Sussex. From Ellen Penketh, Edwardian cook-housekeeper at the sociable but impecunious Erddig Hall in the Welsh borders to Hannah Mackenzie who runs Wrest Park in Bedfordshire - Britain's first country-house war hospital, bankrolled by playwright J. M. Barrie. And finally Grace Higgens, cook-housekeeper to the Bloomsbury set at Charleston farmhouse in East Sussex for half a century - an era defined by the Second World War. Normal0falsefalsefalseEN-GBX-NONEX-NONE

The brand-new instalment in Fenella J. Miller's bestselling Goodwill House series.August 1940 As Autumn approaches, Lady Joanna Harcourt is preparing for new guests at Goodwill House - land girls, Sally, Daphne and Charlie. Sally, a feisty blonde from the East End, has never seen a cow before, but she's desperate to escape London and her horrible ex, Dennis. And although the hours are long and the work hard, Sal quickly becomes good friends with the other girls Daphne and Charlie and enjoys life at Goodwill House. Until Dennis reappears threatening to drag her back to London. Sal fears her life as a land girl is over, just as she finally felt worthy. But Lady Joanna has other ideas and a plan to keep Sal safe and doing the job she loves. Don't miss the next heart-breaking instalment in Fenella J. Miller's beautiful Goodwill House series. Praise for Fenella J. Miller: 'Curl up in a chair with Fenella J Miller's characters and lose yourself in another time and another place.' Lizzie Lane 'Engaging characters and setting which whisks you back to the home front of wartime Britain. A fabulous series!' Jean Fullerton

Winner of the World War One Historical Association's 2021 Norman B. Tomlinson, Jr. Prize Global War, Global Catastrophe presents a history of the First World War as an all-consuming industrial war that forcibly reshaped the international environment and, with it, impacted the futures of all the world's people. Narrated chronologically, and available open access, the authors identify key themes and moments that radicalized the war's conduct and globalized its impact, affecting neutral and belligerent societies alike. These include Germany's invasion of Belgium and Britain's declaration of war in 1914, the expansion of economic warfare in 1915, anti-imperial resistance, the Russian revolutions of 1917 and the United States' entry into the war. Each chapter explains how individuals, communities, nation-states and empires experienced, considered and behaved in relationship to the conflict as it evolved into a total global war. Above all, the book argues that only by integrating the history of neutral and subject communities can we fully understand what made the First World War such a globally transformative event. This book offers an accessible and readable overview of the major trajectories of the global history of the conflict. It offers an innovative history of the First World War and an important alternative to existing belligerent-centric studies. The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com.