The debate over US involvement in World War II was a turning point in the history of both US foreign policy and radio. In this book the author argues that the debate's historical significance cannot be fully appreciated unless these stories are understood in relation rather than in isolation. All the participants in the Great Debate took for granted the importance of radio and made it central to their efforts. While they generally worked within radio's rules, they also tried to work around or even break those rules, setting the stage for changes that ultimately altered the way media managed American political discourse. This study breaks with traditional accounts that see radio as an industry biased in favor of interventionism. Rather, radio fully aired the opposing positions in the debate. It nonetheless failed to resolve fully their differences. Despite the initial enthusiasm for radio's educational potential, participants on both sides came to doubt their conviction that radio could change minds. Radio increasingly became a tool to rally existing supporters more than to recruit new ones. Only events ended the debate over US involvement in World War II. The larger question-of what role the US should play in world affairs-remained.

In the wake of the Second World War, ideas of Europe abounded. What did Europe mean as a concept, and what did it mean to be European? Europeanising Spaces in Paris, c. 1947-1962 makes the case that Paris was both a leading and distinctive forum for the expression of these ideas in the post-war period. It examines spaces in the French capital in which ideas about Europe were formulated, articulated, exchanged, circulated, and contested during this post-war period, roughly between the escalation of the Cold War and the end of France's war of decolonisation in Algeria. Such processes of making sense of Europe are elucidated in urban, political and cultural spaces in the French capital. Specifically, the Parisian cafe, home and street are each examined in terms of how they were implicated in ideas about Europe. Then, the Paris-based Mouvement socialiste des etats unis d'Europe (The Socialist Movement for the United States of Europe) and the far-right wing Federation des etudiants nationalistes (The Federation of Nationalist Students) are examined as examples of political movements that mobilised around - very different - concepts of Europe. The final section on cultural Europeanising spaces draws attention to the specificities of the Europeanism of exiles from Franco's Spain in Paris; the work of the great scholar of the Arab world, Jacques Berque, in the context of his understanding of the Mediterranean world and his understanding of faith; and finally, the work of the legendary photographer, Henri Cartier-Bresson, by looking at the capacities and limitations of the photographic medium for the representation of Europe, and how these corresponded with Cartier-Bresson's political, social, and aesthetic commitments.

A major study of the collapse of the Soviet Union-showing how Gorbachev's misguided reforms led to its demise "A deeply informed account of how the Soviet Union fell apart."-Rodric Braithwaite, Financial Times "[A] masterly analysis."-Joshua Rubenstein, Wall Street Journal In 1945 the Soviet Union controlled half of Europe and was a founding member of the United Nations. By 1991, it had an army four million strong with five thousand nuclear-tipped missiles and was the second biggest producer of oil in the world. But soon afterward the union sank into an economic crisis and was torn apart by nationalist separatism. Its collapse was one of the seismic shifts of the twentieth century. Thirty years on, Vladislav Zubok offers a major reinterpretation of the final years of the USSR, refuting the notion that the breakup of the Soviet order was inevitable. Instead, Zubok reveals how Gorbachev's misguided reforms, intended to modernize and democratize the Soviet Union, deprived the government of resources and empowered separatism. Collapse sheds new light on Russian democratic populism, the Baltic struggle for independence, the crisis of Soviet finances-and the fragility of authoritarian state power.

John Kent has written the first full scholarly study of British and French policy in their West African colonies during the Second World War and its aftermath. His detailed analysis shows how the broader requirements of Anglo-French relations in Europe and the wider world shaped the formulation and execution of the two colonial powers' policy in Black Africa. He examines the guiding principles of the policy-makers in London and Paris and the problems experienced by the colonial administrators themselves. This is a genuinely comparative study, thoroughly grounded in both French and British archives, and it sheds new light on the development of Anglo-French co-operation in colonial matters in this period.

In this biography Rodney Atwood details the life of General Lord Rawlinson of Trent (1864-1925), a distinguished British soldier whose career culminated in decisive victories on the Western Front in 1918 and command of the Indian Army in the early 1920s. He served his soldier's apprenticeship in the Victorian colonial wars in Burma, the Sudan and South Africa. His career provides a lens through which to examine the British Army in the late-19th and early-20th century. In the South African War (1899-1902) Rawlinson's ideas aided the defence of Ladysmith, and he distinguished himself leading a mobile column in the guerrilla war. In the First World War he held an important command in most of the British Expeditionary Force's battles on the Western Front. He bears a heavy part-responsibility for the disastrous first day of the Somme, but later in the battle his successful tactics inflicted heavy losses on the enemy. His Western Front career culminated in a series of victories beginning at Amiens. He commanded the Indian Army between 1920 and 1925 at a time of military and political tension following the 3rd Afghan War and the Amritsar Massacre. He introduced necessary reforms, cut expenditure at a time of postwar retrenchment and began commissioning Indians to replace British officers. He would have taken up the post of CIGS (Chief of the Imperial General Staff), thus being the only British soldier to hold these two top posts. He died, however, four days after his sixty-first birthday. Drawing extensively on archival material including Rawlinson's own engagingly-written letters and diaries, this thorough examination of his life will be of great interest to those studying British military history, imperial history and the First World War.

What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.

Samizdat, the production and circulation of texts outside official channels, was an integral part of life in the final decades of the Soviet Union. But as Josephine von Zitzewitz explains, while much is known about the texts themselves, little is available on the complex communities and cultures that existed around them due to their necessarily secretive, and sometimes dissident, nature. By analysing the behaviours of different actors involved in Samizdat - readers, typists, librarians and the editors of periodicals in 1970s Leningrad, The Culture of Samizdat fills this lacuna in Soviet history scholarship. Crucially, as well as providing new insight into Samizdat texts, the book makes use of oral and written testimonies to examine the role of Samizdat activists and employs an interdisciplinary theoretical approach drawing on both the sociology of reading and book history. In doing so, von Zitzewitz uncovers the importance of 'middlemen' for Samizdat culture. Diligently researched and engagingly written, this book will be of great value to scholars of Soviet cultural history and Russian literary studies alike.

BRISTOL 1943 and life for the Tobacco Girls isn't getting any easier...Bridget Milligan has donned a uniform and joined the nursing services where she becomes intrigued with the miracles of modern medicine. She's also torn between family loyalty, her new career and Lyndon O'Neill, the love of her life. Is it too impossible to hope that everything will come out right in the end? Phyllis Harvey is still serving in Malta where she sees the casualties of war first hand. Finally it seems like Phyllis is blessed with true in love, but fate can sometimes be a rocky road and nothing is that certain. Maisie Miles is left holding the home front at the tobacco factory but with the sudden death of her grandmother finds herself once more alone in the world. However, thanks to a substantial inheritance, she is able to extend a helping hand to a friend in desperate need. There are tears and laughter, goodbyes and new arrivals along with the hope that new beginnings are not far over the horizon. Praise for Lizzie Lane: 'A gripping saga and a storyline that will keep you hooked' Rosie Goodwin 'The Tobacco Girls is another heartwarming tale of love and friendship and a must-read for all saga fans.' Jean Fullerton 'Lizzie Lane opens the door to a past of factory girls, redolent with life-affirming friendship, drama, and choices that are as relevant today as they were then.' Catrin Collier 'If you want an exciting, authentic historical saga then look no further than Lizzie Lane.' Fenella J Miller