In this book, Tuuli Lahdesmaki, Katja Makinen, Viktorija L. A. Ceginskas, and Sigrid Kaasik-Krogerus scrutinize how people who participate in cultural initiatives funded and governed by the European Union understand the idea of Europe. The book focuses on three cultural initiatives: the European Capital of Culture, the European Heritage Label, and a European Citizen Campus project funded through the Creative Europe programme. These initiatives are examined through field studies conducted in 12 countries between 2010 and 2018. The authors describe their approach as 'ethnography of Europeanization' and conceptualize the attempts at Europeanization in the European Union's cultural policy as politics of belonging.

France, 1940. The once glittering boulevards of Paris teem with spies, collaborators, and the Gestapo now that France has fallen to Hitler's Wermacht. For Andre Breton, Max Ernst, Marc Chagall, Consuelo de Saint-Exupery, and scores of other cultural elite who have been denounced as enemies of the Third Reich the fear of imminent arrest, deportation, and death defines their daily life. Their only salvation is the Villa Air-Bel, a chateau outside Marseille where a group of young people will go to extraordinary lengths to keep them alive.

A powerfully told, meticulously researched true story filled with suspense, drama, and intrigue, "Villa Air-Bel" delves into a fascinating albeit hidden saga in our recent history. It is a remarkable account of how a diverse intelligentsia--intense, brilliant, and utterly terrified--was able to survive one of the darkest chapters of the twentieth century.

In 1944 the British War Office distributed a handbook to British soldiers informing them what to expect and how to behave in a newly-liberated France. Containing candid descriptions of this war-ravaged society (widespread malnourishment, rampant tuberculosis) as well as useful phrases and a pronunciation guide (Bonjewer, commont-allay-voo), it was an indispensable guide to everyday life. This small, unassuming publication had a deeper purpose: to bring together two allies who did not enjoy ideal relations in 1944. The book attempts to reconcile differences by stressing a shared history and the common aim - defeating Hitler. It also tried to dispel misapprehensions: 'There is a fairly widespread belief among people in Britain that the French are a particularly gay, frivolous people with no morals and few convictions.' Often unintentionally hilarious in its expression of these false impressions, the book is also a guide for avoiding social embarrassment: 'If you should happen to imagine that the first pretty French girl who smiles at you intends to dance the can-can or take you to bed, you will risk stirring up a lot of trouble for yourself - and for our relations with the French.' Many of its observations still ring true today. For example, 'The French are more polite than most of us. Remember to call them "Monsieur, Madame, Mademoiselle," not just "Oy!"' Others remind us of how we recently we have adopted French customs: 'Don't drink yourself silly. If you get the chance to drink wine, learn to "'take it".' Anyone with an interest in Britain, France or World War II will find this an irresistible insight into British attitudes towards the French and an interesting, timeless commentary on Anglo-French relations.

For years, the history of the anti-Nazi resistance in Germany was hidden and distorted by Cold War politics. Providing a much-needed corrective, Red Orchestra presents the dramatic story of a circle of German citizens who opposed Hitler from the start, choosing to stay in Germany to resist Nazism and help its victims. The book shines a light on this critical movement which was made up of academics, theatre people, and factory workers; Protestants, Catholics and Jews; around 150 Germans all told and from all walks of life. Drawing on archives, memoirs, and interviews with survivors, award-winning scholar and journalist Anne Nelson presents a compelling portrait of the men and women involved, and the terrifying day-to-day decisions in their lives, from the Nazi takeover in 1933 to their Gestapo arrest in 1942. Nelson traces the story of the Red Orchestra (Rote Kapelle) resistance movement within the context of German history, showing the stages of the Nazi movement and regime from the 1920s to the end of the Second World War. She also constructs the narrative around the life of Greta Kuckhoff and other female figures whose role in the anti-Nazi resistance fight is too-often unrecognised or under appreciated. This revised edition includes: * A new introduction which explores elements of the Red Orchestra’s experience that resonate with our times, including: the impact of new media technologies; the dangers of political polarization; and the way the judiciary can be shaped to further the ends of autocracy. The introduction will also address the long-standing misconception that the German Resistance only took action when it was clear that Germany was losing the war. * Historiographic updates throughout the book which take account of recent literature and additional archival sources

In 2016, Britain stunned itself and the world by voting to pull out of the European Union, leaving financial markets reeling and global politicians and citizens in shock. But was Brexit really a surprise, or are there clues in Britain's history that pointed to this moment? In A History of Britain: 1945 to the Brexit, award-winning historian Jeremy Black reexamines modern British history, considering the social changes, economic strains, and cultural and political upheavals that brought Britain to Brexit. This sweeping and engaging book traces Britain's path through the destruction left behind by World War II, Thatcherism, the threats of the IRA, the Scottish referendum, and on to the impact of waves of immigration from the European Union. Black overturns many conventional interpretations of significant historical events, provides context for current developments, and encourages the reader to question why we think the way we do about Britain's past.

For over 40 years NATO and Warsaw Pact aircraft faced each other across the Iron Curtain, or fought in proxy wars around the world. Illustrated with detailed artworks of combat aircraft and their markings, Aircraft of the Cold War 1945-1991: Identification Guide is a comprehensive study of the planes in service with NATO and the Warsaw Pact and their respective units from the end of World War II until the reunification of Germany. Arranged chronologically by theatre, the book gives a complete organizational breakdown of the units of both sides, including the units and aircraft used in the proxy wars fought in Korea, Vietnam, the Middle East and elsewhere as well as the 'frontline' in Germany. Packed with 250 colour profiles of every major type of combat aircraft from the era, Aircraft of the Cold War 1945-1991 is an essential reference guide for modellers, military historians and aircraft enthusiasts.

Accounts of brutality fill the history of warfare. The behavior of any human being is, of course, a very complex phenomenon, whether in war or in peace. Historians in large part have described in detail the actions of military groups that have committed brutalities, but have not dealt with the factors that contributed to those actions. After examining the collective behavior of six military groups, representing different combat actions in different periods, some unexpected similarities became clear. While these groups were in very different situations and operated during different periods in history, there are similar factors that allowed the members of these groups to kill men, women and children in cold blood, and to commit acts of unspeakable brutality. After a close analysis of these military groups, five principle factors that had the greatest influence, either directly or indirectly, on these soldiers have been identified. Together, the factors supported each other and crystallized into a modus operandi that resulted in atrocities and bestial acts on civilians. This is the first book to identify the factors that lead to some of the most horrific cruelty in history, and to predict the actions of future groups given similar circumstances.

Algeria: Nation, Culture and Transnationalism 1988-2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie 'Algeria' to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988-2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters - written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art - offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country's past and its transnational present.