The Israeli-West-German Reparations Agreement from September 10, 1952, is considered an event of paramount importance in the history of the State of Israel due to its dramatic and far-reaching implications in multiple spheres. Moreover, this agreement marked a breakthrough in international law. It recognized the right of one country to claim compensation from another, in the name of a people scattered around the globe, and following events that took place at a time when neither polity existed. Post-Holocaust Reckonings studies this historical chapter based on an enormous variety of sources, some of which are revealed here for the first time, and it is the first comprehensive research work available on the subject. Researchers, lecturers, teachers, students, journalists, politicians and laymen who are curious about history and political science might take a great interest in this book. The subject of indemnification for damages resulting from war or war crimes would also be of interest to societies and communities worldwide who have experienced or are currently experiencing human and material tragedies due to national, ethnic or religious conflicts.

Born into poverty in Russian Poland in 1911, Zosa Szajkowski (Shy-KOV-ski) was a self-made man who managed to make a life for himself as an intellectual, first as a journalist in 1930s Paris, and then, after a harrowing escape to New York in 1941, as a scholar. Although he never taught at a university or even earned a PhD, Szajkowski became one of the world's foremost experts on the history of the Jews in modern France, publishing in Yiddish, English, and Hebrew. His work opened up new ways of thinking about Jewish emancipation, economic and social modernization, and the rise of modern anti-Semitism. But beneath Szajkowski's scholarly success lay a shameful secret. In the aftermath of the Holocaust, the scholar stole tens of thousands of archival documents related to French Jewish history from public archives and private synagogue collections in France and moved them, illicitly, to New York. There, he used them as the basis for his pathbreaking articles. Eventually, he sold them, piecemeal, to American and Israeli research libraries, where they still remain today. Why did this respectable historian become an archive thief? And why did librarians in the United States and Israel buy these materials from him, turning a blind eye to the signs of ownership they bore? These are the questions that motivate this gripping tale. Throughout, it is clear that all involved-perpetrator, victims, and buyers-saw what Szajkowski was doing through the prism of the Holocaust. The buyers shared a desire to save these precious remnants of the European Jewish past, left behind on a continent where six million Jews had just been killed by the Nazis and their collaborators. The scholars who read Szajkowski's studies, based largely on the documents he had stolen, saw the treasures as offering an unparalleled window into the history that led to that catastrophe. And the Jewish caretakers of many of the institutions Szajkowski robbed in France saw the losses as a sign of their difficulties reconstructing their community after the Holocaust, when the balance of power in the Jewish world was shifting away from Europe to new centers in America and Israel. Based on painstaking research, Lisa Leff reconstructs Szajkowski's story in all its ambiguity by taking us backstage at the archives, revealing the powerful ideological, economic and scientific forces that made Holocaust-era Jewish scholars care more deeply than ever before about preserving the remnants of their past.

One of the youngest survivors of the Warsaw ghetto, author Sahbra Anna Markus lived a life only those who have survived Hitler's hell can imagine. In Only a Bad Dream? she narrates the drama of her early years through her most vivid memories. Sahbra courageously recounts those childhood experiences in her compelling voice, now freed from the repeated warnings: "Don't tell anyone you're a Jew." "Don't forget you're a Jew." "It was only a dream." "Hang on tight, or you'll get lost and die."

She tells of traipsing through forests at night, fleeing certain death, of her parents hiding her in a church, desperate to save her life. A frantic search for surviving family found the Markuses traveling throughout Europe on foot, by rowboat, military train, farm wagon, trucks, and finally the ship Caserta that delivered them to the land of hope, freedom, and new beginnings-the only Jewish homeland, Israel.

Only a Bad Dream shares how, in the midst of hunger and deprivation, Sahbra still found joy in simple things like cats, the moon, wolves, and fireflies. A story of the triumph of the human spirit, this memoir provides strong insight into the courage, strength, and dignity possessed by those who endured the Holocaust.

"Holocaust Remembrance Between the National and the Transnational" provides a key study of the remembrance of the Jewish Catastrophe and the Nazi-era past in the world arena. It uses a range of primary documentation from the restitution conferences, speeches and presentations made at the Stockholm International Forum of 2000 (SIF 2000), a global event and an attempt to mark a defining moment in the inter-cultural construction of the political and institutional memory of the Holocaust in the USA, Europe and Israel. Containing oral history interviews with British delegates to the conference and contemporary press reports, this book explores the inter-relationships between global and national Holocaust remembrances.The causes, consequences and 'cosmopolitan' intellectual context for understanding the SIF 2000 are discussed in great detail. Larissa Allwork examines this seminal moment in efforts to globally promote the important, if ever controversial, topics of Holocaust remembrance, worldwide Genocide prevention and the commemoration of the Nazi past. Providing a balanced assessment of the Stockholm Project, this book is an important study for those interested in the remembrance of the Holocaust and the Third Reich, as well as the recent global direction in memory studies.""

Scholarship often presumes that texts written about the Shoah, either by those directly involved in it or those writing its history, must always bear witness to the affective aftermath of the event, the lingering emotional effects of suffering. Drawing on the History of Emotions and on trauma theory, this monograph offers a critical study of the ambivalent attributions and expressions of emotion and "emotionlessness" in the literature and historiography of the Shoah. It addresses three phenomena: the metaphorical discourses by which emotionality and the purported lack thereof are attributed to victims and to perpetrators; the rhetoric of affective self-control and of affective distancing in fiction, testimony and historiography; and the poetics of empathy and the status of emotionality in discourses on the Shoah. Through a close analysis of a broad corpus centred around the work of W. G. Sebald, Dieter Schlesak, Ruth Kluger and Raul Hilberg, the book critically contextualises emotionality and its attributions in the post-war era, when a scepticism of pathos coincided with demands for factual rigidity. Ultimately, it invites the reader to reflect on their own affective stances towards history and its commemoration in the twenty-first century.