Interdisciplinary overview of American Jewish life post-Holocaust. The 1950s and early 1960s have not traditionally been viewed as a particularly creative era in American Jewish life. On the contrary, these years have been painted as a period of inactivity and Americanization. As if exhausted by the traumas of World War II, the American Jewish community took a rest until suddenly reawakened by the 1967 Six-Day War and its implications for world Jewry. Recent scholarship, however, has demonstrated that previous assumptions about the early silence of American Jewry with regard to the Holocaust were exaggerated. And while historians have expanded their borders and definitions to encompass the postwar decades, scholars from other disciplines have been paying increasing attention to the unique literary, photographic, artistic, dramatic, political, and other cultural creations of this period and the ways in which they hearken back to not only the Holocaust itself but also to images of prewar Eastern Europe. Reconstructing the Old Country: American Jewry in the Post-Holocaust Decades brings together scholars of literature, art, history, ethnography, and related fields to examine how the American Jewish community in the post-Holocaust era was shaped by its encounter with literary relics, living refugees, and other cultural productions which grew out of an encounter with Eastern European Jewish life from the pre-Holocaust era.

This book reflects on the new histories emerging from the exhumation of mass graves that contain the corpses of the Republicans killed in extrajudicial executions during and after the conflict, nearly eighty years after the end of the Spanish Civil War (1936-1939). In the search for, location and unearthing of these unmarked burials, the corpse, the document and the oral testimony have become key traces through which to demand the recognition of past Francoist crimes, which were never atoned, from a lukewarm Spanish state and judiciary. These have become objects of evidence against the politics of silence entertained by national institutions since the transition to democracy. Working alongside archaeologists, historians, memory activists and families, this book explores how new versions of the history of the killings are constructed at the cross-roads between science, history and family experience. It does so considering the workings of truth-seeking in the absence of criminal justice and the effects of the process on Spanish collective memory and identity.

Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

It takes courage beyond belief to sneak out in the night to dig in the garbage for scraps to keep from starving when you know you would be killed if you were caught, or to crawl through ice and snow to freedom because the muscles in your legs atrophied from sitting in a hay mow for almost two years. To defect to the west, leaving all your family behind, not knowing when or if you'll ever see them again, or to endure the work, starvation diet, and beatings of concentration camp life also were courageous acts. However, these and other challenges were everyday living for millions such as those in this book. While those around them fell victim to WWII atrocities and did not survive, these people fought hard and won the right to live.

In this fascinating book, the planning and building of Yad Vashem, Israel's central and most important institution for commemorating the Holocaust, merits an outstanding in-depth account. Following the development of Yad Vashem since 1942, when the idea to commemorate the Holocaust in Eretz-Israel was raised for the first time, the narrative continues until the inauguration of Nathan Rapoport's Warsaw Ghetto Uprising memorial in 1976. The prolonged and complicated planning process of Yad Vashem's various monuments reveals the debates, failures and achievements involved in commemorating the Holocaust. In reading this thought-provoking description, one learns how Israel's leaders aspired both to fulfill a moral debt towards the victims of the Holocaust a well as to make Yad Vashem an exclusive center of Holocaust commemoration both in the Jewish world and beyond.

We commonly associate the term "Holocaust" with Nuremberg and Kristallnacht, the Warsaw and Vilna ghettos, Auschwitz and Treblinka. Appearing as they do in countless books and films, these symbols of hatred penetrate our consciousness, memory, and history. But, unfortunately, our memory is selective, and, in the case of Romania, our knowledge is scant. In 1939 the Jewish population of Romania exceeded 750,000: the third largest concentration of Jews in Europe. By 1944, some 400,000 had disappeared. Another 150,000 Ukrainian Jews died at the hands of Romanian soldiers. In the quest for a "final solution" Romania proved to be Hitler's most enthusiastic ally. In The Silent Holocaust, Butnaru, himself a survivor of the Romanian labor camps, provides a full account and demonstrates that anti-Semitism was a central force in Romania's history. He begins by examining the precarious status of Romanian Jewry in the years prior to World War I. He then reviews the period to the establishment in September, 1940, of the National Legionary State, a period when anti-Semitism became the unifying force in politics. The remainder of the book covers the Holocaust years, and reveals that Romania's premeditated mass murder of Jews was well underway before the Reich's gas chambers became operational. The Silent Holocaust has been called a "work of epic and historical worth" and it is invaluable for students of World War II, the Holocaust, and Jewish and Eastern European studies.

In the years of Nazi occupation of Hungary, Jews referred to their Gentile rescuers as "angels"--these seemingly ordinary men and women could hardly explain their actions. "I did what I had to do almost unconsciously, " said Lutheran pastor Gabor Sztehlos. Scrawny Mr. Kanalas, a disreputable janitor, could chase away Nazi thugs without hesitation--where did such behavior come from and why? Erzesebet David was a weak and indecisive woman--where did she find the will to forge Christian birth certificates? Charles Fenyvesi and members of his family were helped by these angels. Thousands of others were helped by Raoul Wallenberg, the Swedish consul whose actions surprised many who knew him. Fenyvesi writes as a historian and beneficiary of these modest angels who, with their actions in a time of absolute terror, soared while others crawled.

Based on 70 hours of interviews with Franz Stangl, commandant of Treblinka (the largest of the extermination camps), this book bares the soul of a man who continually found ways to rationalize his role in Hitler's final soulution.

Does religion encourage altruism on behalf of those who do not belong? Are the very religious more likely to be altruistic toward outsiders than those who are less religious? In this book Pearl M. Oliner examines data on Christian rescuers and nonrescuers of Jews during the Holocaust to shed light on these important questions.

Drawing on interviews with more than five hundred Christians--Protestant and Catholic, very religious, irreligious, and moderately religious rescuers and nonrescuers living in Nazi-occupied Europe, Oliner offers a sociological perspective on the values and attitudes that distinguished each group. She presents several case studies of rescuers and nonrescuers within each group and then interprets the individual's behavior as it relates to his or her group. She finds that the value patterns of the religious groups differ significantly from one another, and she is able to highlight those factors that appear to have contributed most toward rescue within each group.

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieslowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polanski's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.

This book follows the story of suspected Nazi war criminals in the United States and analyzes their supposed crimes during World War II, their entry into the United States as war refugees in the 1940s and 1950s, and their prosecution in the 1970s and beyond by the U.S. government, specifically by the Office of Special Investigation (OSI). In particular, this book explains why and how such individuals entered the United States, why it took so long to locate and apprehend them, how the OSI was founded, and how the OSI has tried to bring them to justice. This study constitutes a thorough account of 150 suspects and examines how the search for them connects to larger developments in postwar U.S. history. In this latter regard, one major theme includes the role Holocaust memory played in the aforementioned developments. This account adds significantly to the historiographical debate about when and how the Holocaust found its way into American Jewish and also general American consciousness. In general, these suspected Nazi war criminals could come to the United States largely undetected during the early Cold War. In this atmosphere, they morphed from Nazi collaborators to ardent anti-Communists and, outside of some big fish, not even within the Jewish community was their role in the Holocaust much discussed. Only with the Eichmann trial in the early 1960s did interest in other Holocaust perpetrators increase, culminating in the founding of the OSI in the late 1970s. The manuscript makes use, among other documents, of declassified sources from the CIA and FBI, little used trial accounts, and hard to locate OSI records.

"Rhodes and the Holocaust" is the story of "La Juderia," the Jewish community that once lived and flourished on Rhodes Island, the largest of the twelve Dodecanese islands in the Mediterranean Sea near the coast of Turkey. While the focus of the accounts of the Holocaust has for the most part been on the Jewish populations of Eastern and Middle Europe, little seems to be known of the events that affected those communities in Greece and the surrounding Aegean Islands during that time.

The population of this group was almost annihilated, reduced from a thriving community of over 80,000, to less than a 1,000 survivors, who were left to tell their stories. Among the victims of Rhodes Island were the grandmother and aunt of the author, who were killed by falling bombs, and his grandfather, who was taken to the Auschwitz concentration camp. This history tells of the deceit and inhuman treatment the entire Jewish community of Rhodes experienced during their deportation and eventual "liberation" by the Russian Army.

The heart-wrenching story of the Rhodes Jewish community is told through the experiences of a thirteen-year-old boy, taken by the Nazis to Auschwitz along with his father and his eleven-year-old sister.; Most of all, Rhodes and the Holocaust makes known the story of that community's existence and struggle for survival.

Because the Holocaust, at its core, was an extreme expression of a devastating racism, the author contends it has special significance for African Americans. Locke, a university professor, clergyman, and African American, reflects on the common experiences of African American and Jewish people as minorities and on the great tragedy that each community has experienced in its history--slavery and the Holocaust. Without attempting to equate the experiences of African Americans to the experiences of European Jews during the Holocaust, the author does show how aspects of the Holocaust, its impact on the Jewish community worldwide, and the long-lasting consequences relate to slavery, the civil rights movement, and the current status of African Americans.

Written from a Christian perspective, this book argues that the implications of the Holocaust touch all people, and that it is a major mistake to view the Holocaust as an exclusively Jewish event. Instead, the author asks whether it is possible for both African Americans and Jewish Americans to learn from the experience of the other regarding the common threat that minority people confront in Western societies. Locke focuses on the themes of parochialism and patriotism and reexamines the role of the Christian churches during the Holocaust in an effort to challenge some of the prevailing views in Holocaust studies.

As violence and turmoil continue to define the former Yugoslavia, basic questions remain unanswered: What are the forces behind the Serbian expansionist drive that has brought death and destruction to Croatia, Bosnia and Herzegovina, and Kosovo? How did the Serbs rationalize, and rally support for, this genocidal activity?

Heavenly Serbia traces Serbia's nationalist and expansionist impulses to the legendary battle of Kosovo in 1389. Anzulovic shows how the myth of "Heavenly Serbia" developed to help the Serbs endure foreign domination, explaining their military defeat and the loss of their medieval state by emphasizing their own moral superiority over military victory. Heavenly Serbia shows how this myth resulted in an aggressive nationalist ideology which has triumphed in the late twentieth century and marginalized those Serbs who strive for the establishment of a civil society.

"Modern Serbian nationalism...and its contradictory connections...have been sources of considerable scholarly interest...Branimir Anzulovic's compendium is a good example of the genre, made all the more useful by Anzulovic's excellent command of the literature."
--Ivo Banac, "History of Religions"

Author interview with CNN: http: //www.cnn.com/chat/transcripts/branimir_chat.html

This memoir is about a Jewish baby born in the Krakow ghetto in November 1942, three years after Hitler conquered Poland, and, remarkably, escaping death-one of a mere one half of one percent of Jewish children in Poland who survived during the Nazi era. Her life was saved because her parents hid her with a Catholic family. Just as remarkably, her mother, still alive after suffering terribly through four of Hitler's camps, traveled for weeks back to Poland and found her again. The book also depicts the author's postwar challenges in Germany and America.

This book considers how women's experiences have been treated in films dealing with Nazi persecution. Focusing on fiction films made in Europe between 1945 and the present, this study explores dominant discourses on and cinematic representation of women as perpetrators, victims and resisters. Ingrid Lewis contends that European Holocaust Cinema underwent a rich and complex trajectory of change with regard to the representation of women. This change both reflects and responds to key socio-cultural developments in the intervening decades as well as to new directions in cinema, historical research and politics of remembrance. The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women's Studies.