Of the 400,000 German-speaking Jews that escaped the Third Reich as refugees, approximately 16,000 ended up in Shanghai, China, as part of one of the more remote enclaves within the Jewish diaspora. The stories of the Shanghai Jews contain extremes of the suffering and endurance that defined the refugee experience. Nobody wanted to go to China, and because Shanghai was the last choice of refugees, those who went there had nowhere else left to go. They had endured every stage of escalating Nazi persecution, including the mass arrests during Kristallnacht, the real beginning of the Holocaust. This groundbreaking oral history volume is based on 20 years of interviews with over 100 former Shanghai refugees. It offers a moving and at times astonishing collective portrait of courage, culture shock, persistence, and enduring hope in the face of unimaginable hardships.

Echoes from the Holocaust
A Memoir
Mira Ryczke Kimmelman
"During the most difficult times of World War II," Mira Kimmelman writes, "I wondered whether the world really knew what was happening to us. I lived in total isolation, not knowing what was taking place outside the ghetto gates, outside the barbed wires of concentration camps. After the war, would anyone ever believe my experiences?"
Kimmelman had no way of preserving her experiences on paper while they happened, but she trained herself to remember. And now, as a survivor of the Holocaust, she has preserved her recollections for posterity in this powerful and moving book--one woman's personal perspective on a terrible moment in human history.
The daughter of a Jewish seed exporter, the author was born Mira Ryczke in 1923 in a suburb of the Baltic seaport of Danzig (now Gdansk, Poland). Her childhood was happy, and she learned to cherish her faith and heritage. Through the 1930s, Mira's family remained in the Danzig area despite a changing political climate that was compelling many friends and neighbors to leave. With the Polish capitulation to Germany in the autumn of 1939, however, Mira and her family were forced from their home. In calm, straightforward prose--which makes her story all the more harrowing--Kimmelman recalls the horrors that befell her and those she loved. Sent to Auschwitz in 1944, she escaped the gas chambers by being selected for slave labor. Finally, as the tide of war turned against Germany, Mira was among those transported to Bergen-Belsen, where tens of thousands were dying from starvation, disease, and exposure. In April 1945, British troops liberated the camp, and Mira was eventually reunited with her father. Most of the other members of her family had perished.
In the closing chapters, Kimmelman describes her marriage, her subsequent life in the United States, and her visits to Israel and to the places in Europe where the events of her youth transpired. Even when confronted with the worst in humankind, she observes, she never lost hope or succumbed to despair. She concludes with an eloquent reminder: "If future generations fail to protect the truth, it vanishes. . . . Only by remembering the bitter lesson of Hitler's legacy can we hope it will never be repeated. Teach it, tell it, read it."
The Author: Mira Ryczke Kimmelman is a resident of Oak Ridge, Tennessee, and lectures widely in schools about her experiences during the Holocaust.

After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes thirteen contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere.

In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.

Elie Wiesel's harrowing first-hand account of the atrocities committed during the Holocaust, Night is translated by Marion Wiesel with a preface by Elie Wiesel in Penguin Modern Classics. Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of hope, it remains one of the most important works of the twentieth century. Elie Wiesel (b. 1928) was fifteen years old when he and his family were deported by the Nazis to Auschwitz. After the war, Wiesel studied in Paris and later became a journalist. During an interview with the distinguished French writer, Francois Mauriac, he was persuaded to write about his experiences in the death camps. The result was his internationally acclaimed memoir, La Nuit or Night, which has since been translated into more than thirty languages. If you enjoyed Night, you might also like Primo Levi's The Periodic Table, also available in Penguin Modern Classics. 'A slim volume of terrifying power' The New York Times 'To the best of my knowledge no one has left behind him so moving a record' Alfred Kazin 'Wiesel has taken his own anguish and imaginatively metamorphosed it into art' Curt Leviant, Saturday Review

Since the end of World War II, the ongoing efforts aimed at criminal prosecution, restitution, and other forms of justice in the wake of the Holocaust have constituted one of the most significant episodes in the history of human rights and international law. As such, they have attracted sustained attention from historians and legal scholars. This edited collection substantially enlarges the topical and disciplinary scope of this burgeoning field, exploring such varied subjects as literary analysis of Hannah Arendt's work, the restitution case for Gustav Klimt's Beethoven Frieze, and the ritualistic aspects of criminal trials.

This story of survival against all odds tells what befell Kurt Pick, an Austrian Jew, after he left his Vienna home and fled the Nazi persecution of his race. He was captured whilst attempting to walk across the German border into Belgium, but escaped and succeeded in being smuggled into Brussels, where he existed in constant fear, freezing cold and near starvation. In the summer of 1939 he was appointed Administrator of a camp for Jewish refugee families at Marneffe, near Brussels, becoming their official link with the outside world. When Germany invaded Belgium, the 600 residents were evacuated and joined the immense tide of refugees clogging the roads. Pick survived the air attacks and reached Avesnes, where he was mistaken for a spy, almost shot, and then nearly lynched by civilians. With the Germans now in occupation, he walked 100 miles back to Brussels. In 1942 he left to become a baker at a boarding school which he found was sheltering many Jews and was being used as a centre for the Resistance. When the Germans raided the school, he bluffed his way out and escaped to Liege. From that point Pick was permanently on the run until the Americans liberated Liege in September 1944. He survived, but was to discover that most of his family had perished.

For decades, historians have debated how and to what extent the Holocaust penetrated the German national consciousness between 1933 and 1945. How much did "ordinary" Germans know about the subjugation and mass murder of the Jews, when did they know it, and how did they respond collectively and as individuals? This compact volume brings together six historical investigations into the subject from leading scholars employing newly accessible and previously underexploited evidence. Ranging from the roots of popular anti-Semitism to the complex motivations of Germans who hid Jews, these studies illuminate some of the most difficult questions in Holocaust historiography, supplemented with an array of fascinating primary source materials.

The Holocaust is a subject of enormous historical importance. The murder of approximately 6 million Jews stands apart as a perhaps the most horrendous episode in world history; in this fresh introduction, McDonough examines the racial war-within-a-war, outlining controversies and examining how it has been popularized and institutionalized.

The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.

While the Netherlands had often been thought of as a champion of racial and ethnic tolerance before and during the Second World War, more than 75% of Dutch Jews were killed and those returning after the war were met with subtle but tough anti-Jewish sentiments as they tried to reclaim their former lives. For most survivors, the negative reactions were unexpected and shocking. Before the war, Dutch Jews had become part of the fabric of Dutch life and society, so the obstacles they faced upon their return were particularly painful and difficult to handle. The sobering picture presented in this book, based on research in archives, survivor's memoirs, and interviews with survivors, examines and chronicles the experiences of repatriated Jews in the Netherlands and sheds light on the continuing uneasiness and sensitivities between Jews and non-Jews there today. In the aftermath of the Holocaust, survivors returned to their home countries not knowing what to expect. In the Netherlands, considered a more tolerant nation, returnees wondered how they would be received by their neighbors; what had happened to their homes, their businesses, and their possessions; and whether or not they would be welcomed back to their jobs or their schools. The answers to many of these questions are now more important than ever, as claims for restitution continue to be made. Hondius shows that survivors returning to the Netherlands were met with a revival in anti-Semitism around the issue of liberation and that many were forced to create two memories of the time: one around the rejoicing and displays of triumph that took place in public and the other around the secret discrimination and cruelty, dealt subtly, inthe private arenas of everyday life. The blinding effect of a long history of generally good Jewish/non-Jewish relations turns out to be a most tragic aspect of the history of the Holocaust and the Netherlands.

View the Table of Contents. Read the Introduction.

"Holocaust Restitution compiles a group of essays from leading authorities and participants in the Holocaust restitution movement. This book gathers different voices from across the Holocaust restitution movement and does an ex post facto review of the litigation. Holocaust Restitution presents an up-to-date analysis of the Holocaust restitution movement and presents the drama of Holocaust restitution from the perspective of almost all the major players, including plaintiff counsel, defense counsel, judges, diplomats, administrators, corporate defendants, and Jewish representatives. It also includes outside viewpoints from respected commentators, including historians, academics, and Holocaust survivors. It is remarkably comprehensive, does not shy away from controversy, and thoughtfully reflects on the Holocaust and its implications for future international human rights adjudication."
--"Stanford Journal of International Law"

aHolocaust Restitution compiles a group of essays from leading authorities and participants in the Holocaust restitution movement. This book gathers different voices from across the Holocaust restitution movement and does an ex post facto review of the litigation. Holocaust Restitution presents an up-to-date analysis of the Holocaust restitution movement and presents the drama of Holocaust restitution from the perspective of almost all the major players, including plaintiff counsel, defense counsel, judges, diplomats, administrators, corporate defendants, and Jewish representatives. It also includes outside viewpoints from respected commentators, including historians, academics, and Holocaust survivors.It is remarkably comprehensive, does not shy away from controversy, and thoughtfully reflects on the Holocaust and its implications for future international human rights adjudication.a
--"Stanford Journal of International Law"

"Bazyler and Alford have produced an essential tool for understanding the righteous struggle to win restitution for Holocaust victims and their heirs."
--Richard Z. Chesnoff, author of "Pack of Thieves: How Hitler & Europe Plundered the Jews & Committed The Greatest Theft In History"

"This excellent volume makes a significant contribution both to legal studies and to the history of the Holocaust. The editors deserve special praise for including chapters by Holocaust survivors, assuring that their often-forgotten voices are not lost within the great debate about Holocaust restitution."
--Marilyn J. Harran, Stern Chair in Holocaust History, Chapman University

"An invaluable text for students and scholars as well as a fascinating read for all those concerned with Holocaust and genocide issues in all disciplines and on behalf of all victims."
--Israel W. Charny, President, International Association of Genocide Scholars

"This unique collection is important in bringing together the perspectives of legal practitioners, activists, archivists and historians, negotiators, and survivors. It is remarkably comprehensive. . . . The editors have not shied away from controversy."
--David Cesarani, Research Professor in History, Royal Holloway, University of London

"If there is a 'final frontier' in understanding the Holocaust, it is the assessment of international litigation, compensation, and reparations claims. This extraordinary group ofcontributions thoughtfully reflects on the Holocaust, past and present, as well as what many would call 'imperfect justice.'"
--Stephen Feinstein, Professor of History and Director, Center for Holocaust and Genocide Studies, University of Minnesota

"This collection of essays on Holocaust restitution litigation provides a wonderful overview of the subject. Bazyler and Alford have assembled the 'A list' and the result is a most authoritative and complete treatment."
--Professor William A. Schabas, Director, Irish Centre for Human Rights

Holocaust Restitution is the first volume to present the Holocaust restitution movement directly from the viewpoints of the various parties involved in the campaigns and settlements. Now that the Holocaust restitution claims are closed, this work enjoys the benefits of hindsight to provide a definitive assessment of the movement.

From lawyers and state department officials to survivors and heads of key institutes involved in the negotiations, the volume brings together the central players in the Holocaust restitution movement, both pro and con. The volume examines the claims against European banks and against Germany and Austria relating to forced labor, insurance claims, and looted art claims. It considers their significance, their legacy, and the moral issues involved in seeking and receiving restitution.

Contributors: Roland Bank, Michael Berenbaum, Lee Boyd, Thomas Buergenthal, Monica S. Dugot, Stuart E. Eizenstat, Eric Freedman and Richard Weisberg, Si Frumkin, Peter Hayes, Kai Henning, Roman Kent, Lawrence Kill and Linda Gerstel, Edward R. Korman, Otto Graf Lambsdorff, David A. Lash and Mitchell A. Kamin, Hannah Lessing and FiorentinaAzizi, Burt Neuborne, Owen C. Pell, Morris Ratner and Caryn Becker, Shimon Samuels, E. Randol Schoenberg, William Z. Slany, Howard N. Spiegler, Deborah Sturman, Robert A. Swift, Gideon Taylor, Lothar Ulsamer, Melvyn I. Weiss, Roger M. Witten, Sidney Zabludoff, and Arie Zuckerman.

The testimonies of individuals who survived the Holocaust as children pose distinct emotional and intellectual challenges for researchers: as now-adult interviewees recall profound childhood experiences of suffering and persecution, they also invoke their own historical awareness and memories of their postwar lives, requiring readers to follow simultaneous, disparate narratives. This interdisciplinary volume brings together historians, psychologists, and other scholars to explore child survivors' accounts. With a central focus on the Kestenberg Holocaust Child Survivor Archive's over 1,500 testimonies, it not only enlarges our understanding of the Holocaust empirically but illuminates the methodological, theoretical, and institutional dimensions of this unique form of historical record.

Annette Libeskind Berkovits thought her attempt to have her father record his life's story failed. But in 2004, three years after her father's death, she was going through his things and found a box of tapesaseveral years' worthawith his spectacular life, triumphs, and tragedies told one last time in his baritone voice. Nachman Libeskind's remarkable story is an odyssey through crucial events of the twentieth century. With an unshakable will and a few drops of luck, he survives a pre-war Polish prison; witnesses the 1939 Nazi invasion of Lodz and narrowly escapes; is imprisoned in a brutal Soviet gulag where he helps his fellow inmates survive, and upon regaining his freedom treks to the foothills of the Himalayas, where he finds and nearly loses the love of his life. Later, the crushing communist regime and a lingering postwar anti-Semitism in Poland drive Nachman and his young family to Israel, where he faces a new form of discrimination. Then, defiantly, Nachman turns a pocketful of change into a new life in New York City, where a heartbreaking promise leads to his unlikely success as a modernist painter that inspires others to pursue their dreams. With just a box of tapes, Annette Libeskind Berkovits tells more than her father's story: she builds an uncommon family saga and reimagines a turbulent past. In the process she uncovers a stubborn optimism that flourished in the unlikeliest of places.

Exploring five key texts from the emerging canon of second generation writing, this exciting new study" "brings together theories of autobiography, trauma, and fantasy to understand the how traumatic family histories are represented. In doing so, it demonstrates the continuing impact of familial and community Holocaust trauma, and the need for a precise, clearly developed theoretical framework in which to situate these works. This book will appeal to final year undergraduates and postgraduate students, as well as scholars in literary and Holocaust-related fields, and an audience with personal and professional interests in the 'second generation'.

"Accident of Fate" is a first-hand account of persecution, rescue, and resistance in the Axis-occupied former Yugoslavia. At the age of thirteen, Imre Rochlitz fled to Yugoslavia from his childhood home in Vienna following the Nazi "Anschluss," leaving his family behind. In January 1942 the "Ustashe" (Croatian Fascists) arrested and interned him in the Jasenovac death camp, where he dug mass graves. On the verge of death, Rochlitz was released due to the extraordinary intervention of a Nazi general. He escaped to the Adriatic coast, where he and several thousand other Jewish refugees were protected by the army of Fascist Italy. After Italy's surrender, he joined Tito's Partisans, becoming an officer and army veterinarian, and rescued dozens of downed Allied airmen. In 1945, he fled Yugoslavia's Communist regime and reached liberated southern Italy. In 1947, at the age of twenty-two, he emigrated to the United States.

With unique personal photographs and documents supporting the text, this eyewitness narrative covers little-known topics and provides a revealing historical account of the period. The book helps clarify and render accessible the complexities and contradictions of conflict and genocide in wartime Yugoslavia.

The rich history of the German rabbinate came to an abrupt halt with the November Pogrom of 1938. The need to leave Germany became clear and many rabbis made use of the visas they had been offered. Their resettlement in Britain was hampered by additional obstacles such as internment, deportation, enlistment in the Pioneer Corps. But rabbis still attempted to support their fellow refugees with spiritual and pastoral care. The refugee rabbis replanted the seed of the once proud German Judaism into British soil. New synagogues were founded and institutions of Jewish learning sprung up, like rabbinic training and the continuation of "Wissenschaft des Judentums." The arrival of Leo Baeck professionalized these efforts and resulted in the foundation of the Leo Baeck College in London. Refugee rabbis now settled and obtained pulpits in the many newly founded synagogues. Their arrival in Britain was the catalyst for much change in British Judaism, an influence that can still be felt today.

How does scale affect our understanding of the Holocaust? In the vastness of its implementation and the sheer amount of death and suffering it produced, the genocide of Europe's Jews presents special challenges for historians, who have responded with work ranging in scope from the world-historical to the intimate. In particular, recent scholarship has demonstrated a willingness to study the Holocaust at scales as focused as a single neighborhood, family, or perpetrator. This volume brings together an international cast of scholars to reflect on the ongoing microhistorical turn in Holocaust studies, assessing its historiographical pitfalls as well as the distinctive opportunities it affords researchers.

Faced with infectious diseases, starvation, lack of medicines, lack of clean water, and safe sewage, Jewish physicians practiced medicine under severe conditions in the ghettos and concentration camps of the Holocaust. Despite the odds against them, physicians managed to supply public health education, enforce hygiene protocols, inspect buildings and latrines, enact quarantine, and perform triage. Many gave their lives to help fellow prisoners. Based on archival materials and featuring memoirs of Holocaust survivors, this volume offers a rich array of both tragic and inspiring studies of the sanctification of life as practiced by Jewish medical professionals. More than simply a medical story, these histories represent the finest exemplification of a humanist moral imperative during a dark hour of recent history.

In Hitler's Shadow War, World War II scholar Donald McKale contends that Hitler's persecution and murder of the Jews, Slavs, and other groups was his primary effort during the war, not the conquest of Europe. According to McKale, Hitler and the Nazi leadership used the military campaigns of the war as a cover for a genocidal program that centered around the Final Solution. Hitler continued to commit extensive manpower and materials to this 'shadow war' even when Germany was losing the battles of the war's closing years. McKale explores the origins of the anti-Semitism that spread like wildfire through Germany before and during the Nazis' rise to power, and the failure of the Allies to perceive and stop the Holocaust even as they were defeating the Germans in combat.

Features a special section on the Hungarian German Jewish writer and theater director George Tabori and a Forum section on the 2016 film A German Life. Nexus is the official publication of the biennial German Jewish Studies Workshop, which was inaugurated at Duke University in 2009 and is now held at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing forum in North America for German Jewish studies. Nexus publishes innovative research in German Jewish Studies, introducing new directions, analyzing the development and definition of the field, and considering its place vis-a-vis both German Studies and Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. Nexus 4 features a special section on the Hungarian German Jewish writer and theater director George Tabori; edited by Martin Kagel, this section includes both new documentary material and a number of trenchant scholarly articles. Additionally, the volume includes a Forum section (edited by Brad Prager) on the 2016 documentary film A German Life, an exploration of Kafka and childhood (Ritchie Robertson), and a provocative reassessment of Schindler's List (Eva Revesz). Contributors: Tobias Boes, Antje Diedrich, Norbert Otto Eke, Martin Kagel, Jennifer M. Kapczynski, Brad Prager, Eva Revesz, Ritchie Robertson, Robert Skloot, Kerstin Steitz, Donna Stonecipher, Lena Tabori, StanleyWalden, Valerie Weinstein. William Collins Donahue is the John J. Cavanaugh Professor of the Humanities at the University of Notre Dame, where he chairs the Department of German and Russian. Martha B. Helfer is Professor of German and an affiliate member of the Department of Jewish Studies at Rutgers, The State University of New Jersey. Special section editor Martin Kagel is A. G. Steer Professor of German at the University of Georgia.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance. Using research carried out at the Museum of Jewish Heritage, the US National Archives and the film collection at the National Center for Jewish Film at Brandeis University, this book explores the rationale for filming the atrocities and their use in the subsequent trials of Nazi officials in greater detail than anything previously published. Including an extensive bibliography and filmography, Filming the End of the Holocaust is an important text for scholars and students of the Holocaust and its aftermath.