My Kill Adore Him is a collection of poems from Andres Montoya Poetry Prize-winner Paul Martinez Pompa. With a unique, independent voice, Martinez Pompa interrogates masculinity, race, language, consumerism, and cultural identity in poems that honor los olvidados, the forgotten ones, who range from the usual suspects brutalized by police to factory workers poisoned by their environment, from the victim of a homophobic beating in the boys' bathroom to the body of Juan Doe at the Cook County Coroner's Office. Some of the poems rely on somber, at times brutal, imagery to articulate a political stance while others use sarcasm and irony to deconstruct political stances themselves.

Geographies of Affect in Contemporary Literature and Visual Culture opens a dialogue between the literary and filmic works produced in Central Europe and in the Anglophone world. It relies on the concept of translocality to explore this corpus, offering new readings of contemporary Hungarian films as well as urban fiction and poetry in English. Calling attention to the role of affect in imagining city space, the volume investigates Gyoergy Palfi's Taxidermia, Bela Tarr's Family Nest, Teju Cole's Open City, Toni Morrison's Jazz, China Mieville's Un Lun Dun, Chimamanda Adichie's Americanah, and Patrick Neate's City of Tiny Lights, among many other urban narratives. Contributors examine both widely explored emotions and under-researched affects, such as shame, fascination, and the role of withdrawal in contemporary literature and culture. Contributors: Tamas Benyei, Imola Bulgoezdi, Fanni Feldmann, Zsolt Gyori, Agnes Gyoerke, Brigitta Hudacsko, Gyoergy Kalmar, Anna Kerchy, Marta Koroesi, Jennifer Leetsch, Katalin Palinkas, Miklos Takacs, Pieter Vermeulen.

A COMPANION TO AMERICAN POETRY A Companion to American Poetry brings together original essays by both established scholars and emerging critical voices to explore the latest topics and debates in American poetry and its study. Highlighting the diverse nature of poetic practice and scholarship, this comprehensive volume addresses a broad range of individual poets, movements, genres, and concepts from the seventeenth century to the present day. Organized thematically, the Companion's thirty-seven chapters address a variety of emerging trends in American poetry, providing historical context and new perspectives on topics such as poetics and identity, poetry and the arts, early and late experimentalisms, poetry and the transcendent, transnational poetics, poetry of engagement, poetry in cinema and popular music, Queer and Trans poetics, poetry and politics in the 21st century, and African American, Asian American, Latinx, and Indigenous poetries. Both a nuanced survey of American poetry and a catalyst for future scholarship, A Companion to American Poetry is essential reading for advanced undergraduate and graduate students, academic researchers and scholars, and general readers with interest in current trends in American poetry.

Refresh the Book</> contains reflections on the multimodal nature of the book, focusing on its changing perception, functions, forms, and potential in the digital age. Offering an overview of key concepts and approaches, such as liberature, technotexts, and bookishness, this volume of essays addresses specificity of the printed book as a complex cultural phenomenon. It discusses diverse forms of representation and expression, both in literary and non-literary texts, as well as in artist's books. Of special interest are these aspects of the book which resist remediation into the digital form. Finally, the volume contains an extensive section devoted to artistic practice as research, discussing the book as a kind of total work, and site for performative aesthetic activity. Christin Barbarino, Katarzyna Bazarnik, Christoph Blasi, Sarah Bodman, Helene Campaignolle(?), Zenon Fajfer, Annette Gilbert, Susanne Gramatzki, Mareike Herbstreit, Viola Hildebrand-Schat, Thomas Hvid Kromann, Monika Jager, Eva Linhart, Bettina Lockemann, Patrizia Meinert, Bernhard Metz, Sebastian Schmideler, Monika Schmitz-Emans, Christoph Benjamin Schulz, usus (Uta Schneider & Ulrike Stoltz), Anne Thurmann-Jajes, Sakine Weikert, Gabriele Wix

In Women's Performative Writing and Identity Construction in the Japanese Empire, the author examines how writers captured various experiences of living under imperialism in their fiction and nonfiction works. Through an examination of texts by writers producing in different parts of the empire (including the Japanese metropole and the colonies and territories of Taiwan, Korea, and Manchukuo), the book explores how women negotiated the social and personal changes brought about by modernization of the social institutions of education, marriage, family, and labor. Looking at works by writers including young students in Manchukuo, Japanese writer Hani Motoko, Korean writer Chang Tok-cho, and Taiwanese writer Yang Ch'ien-Ho, the book sheds light upon how the act and product of writing became a site for women to articulate their hopes and desires while also processing sociopolitical expectations. The author argues that women used their practice of writing to construct their sense of self. The book ultimately shows us how the words we write make us who we are.

Drug Lords, Cowboys, and Desperadoes examines how historical archetypes in violent narratives on the Mexican American frontier have resulted in political discourse that feeds back into real violence. The drug battles, outlaw culture, and violence that permeate the U.S.-Mexican frontier serve as scenery and motivation for a wide swath of North American culture. In this innovative study, Rafael Acosta Morales ties the pride that many communities felt for heroic tales of banditry and rebels to the darker repercussions of the violence inflicted by the representatives of the law or the state. Narratives on bandits, cowboys, and desperadoes promise redistribution, regeneration, and community, but they often bring about the very opposite of those goals. This paradox is at the heart of Acosta Morales's book. Drug Lords, Cowboys, and Desperadoes examines the relationship between affect, narrative, and violence surrounding three historical archetypes-social bandits (often associated with the drug trade), cowboys, and desperadoes-and how these narratives create affective loops that recreate violent structures in the Mexican American frontier. Acosta Morales analyzes narrative in literary, cinematic, and musical form, examining works by Americo Paredes, Luis G. Inclan, Clint Eastwood, Rolando Hinojosa, Yuri Herrera, and Cormac McCarthy. The book focuses on how narratives of Mexican social banditry become incorporated into the social order that bandits rose against and how representations of violence in the U.S. weaponize narratives of trauma in order to justify and expand the violence that cowboys commit. Finally, it explains the usage of universality under the law as a means of criminalizing minorities by reading the stories of Mexican American men who were turned into desperadoes by the criminal law system. Drug Lords, Cowboys, and Desperadoes demonstrates how these stories led to recreated violence and criminalization of minorities, a conversation especially important during this time of recognizing social inequality and social injustices. The book is part of a growing body of scholarship that applies theoretical approaches to borderlands studies, and it will be of interest to students and scholars in American and Mexican history and literature, border studies, literary criticism, cultural criticism, and related fields.

For many years, the historical-critical quest for a reconstruction of the origin(s) and development of the Pentateuch or Hexateuch has been dominated by the documentary hypothesis, the heuristic power of which has produced a consensus so strong that an interpreter who did not operate within its framework was hardly regarded as a scholar. However, the relentless march of research on this topic has continued to yield new and refined analyses, data, methodological tools, and criticism. In this spirit, the contributions to this volume investigate new ideas about the composition of the Pentateuch arising from careful analysis of the biblical text against its ancient Near Eastern background. Covering a wide spectrum of topics and diverging perspectives, the chapters in this book are grouped into two parts. The first is primarily concerned with the history of scholarship and alternative approaches to the development of the Pentateuch. The second focuses on the exegesis of particular texts relevant to the composition of the Torah. The aim of the project is to foster investigation and collegial dialogue in a spirit of humility and frankness, without imposing uniformity. In addition to the editors, the contributors include Tiago Arrais, Richard E. Averbeck, John S. Bergsma, Joshua A. Berman, Daniel I. Block, Richard Davidson, Roy E. Gane, Duane A. Garrett, Richard S. Hess, Benjamin Kilchoer, Michael LeFebvre, Jiri Moskala, and Christian Vogel.

K. al-Anwar al-bahiyya fi ta'rif maqamat fusaha' al-bariyya is a work of adab attributed to the renowned litterateur and historian of literature Abu Mansur al-Tha'alibi. The work consists of an introduction and four chapters. The first three chapters are concerned with knowledge ('ilm): Chapter One discusses the merit and application of knowledge, Chapter Two the definition of knowledge and its true meaning, and Chapter Three the conditions of knowledge. The fourth chapter, which constitutes the bulk of the book, is concerned with occasions on which scholars and sages made speeches in the presence of rulers. It is divided into two parts: Part One presents pre-Islamic (jahiliyya) speeches, incorporating Arab, Greek, Byzantine, Persian, and Indian traditions, and Part Two presents Islamic speeches. The work is introduced by an analytical study discussing the attribution of the work, its relation to the Maqamat genre, and the manuscripts used.

In Reflecting Mirrors, East and West Enrico Boccaccini sheds new light on Mirrors for Princes, the pre-modern genre of advice literature for rulers. A popular genre in the societies that emerged from the Late Antique oecumene, Mirrors for Princes are considered here, for the first time, as a transcultural phenomenon that challenges the dichotomy of the Orient and the Occident. Traditionally, the historiographic tradition has viewed 'European' and 'Middle Eastern' Mirrors as distinct and incommensurable. Analyzing the contents and discourses in four Mirrors, ostensibly separated by space, time and language, Enrico Boccaccini convincingly draws out the surprising continuities between these texts, while also showing how they are embedded in their own historical, literary and political context.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

How did humans respond to the eighteenth-century discovery of countless new species of animals? This book explores the gamut of intense human-animal interactions: from love to cultural identifications, moral reflections, philosophical debates, classification systems, mechanical copies, insults and literary creativity. Dogs, cats and horses, of course, play central roles. But this volume also features human reflections upon parrots, songbirds, monkeys, a rhino, an elephant, pigs, and geese - all the way through to the admired silkworms and the not-so-admired bookworms. An exceptionally wide array of source materials are used in this volume's ten separate contributions, plus the editorial introduction, to demonstrate this diversity. As eighteenth-century humans came to realise that they too are animals, they had to recast their relationships with their fellow living-beings on Planet Earth. And these considerations remain very much live ones to this day.

Refiguring Revolutions presents an original and interdisciplinary reassessment of the cultural and political history of England from 1649 to 1789. Bypassing conventional chronologies and traditional notions of disciplinary divides, editors Kevin Sharpe and Steven Zwicker frame a set of new agendas for, and suggest new approaches to, the study of seventeenth- and eighteenth-century England. Customary periodization by dynasty and century obscures the aesthetic and cultural histories that were enacted between and even by the English Civil Wars and the French Revolution. The authors of the essays in this volume set about returning aesthetics to the center of the master narrative of politics. They focus on topics and moments that illuminate the connection between aesthetic issues of a private or public nature and political culture. Politics between the Puritan Revolution and the Romantic Revolution, these authors argue, was a set of social and aesthetic practices, a narrative of presentations, exchanges, and performances as much as it was a story of monarchies and ministries. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

This book focuses on a relatively neglected aspect of African literature. Tijan M. Sallah is a Gambian, and arguably the best known of the second generation of writers from that country. To date, he has published ten books: five collections of poetry, a volume of short stories, two edited anthology of poetry (the second one with Tanure Ojaide, the Nigerian poet), a literary biography of Chinua Achebe, the Nigerian novelist (coauthored with Ngozi Okonjo Iweala, currently Nigeria's Minister of Finance), and an ethnographic book on Wolof, the dominant ethnic group of the Senegambian people. Tijan M. Sallah won the Francis Hutchins award for literature in Berea College. Lenrie Peters, arguably the best-known Gambian author, and mentor to most members of the country's second-generation of writers including Sallah himself, Ebou Dibba, Nana Grey-Johnson, Sheriff Sarr and Gabriel Roberts, described Sallah as the most prolific, the most consistent, and the most original Gambian writer of his generation. This opinion is widely shared; for example, in reviewing Sallah's When Africa was a Young Woman for World Literature Today, Charles Larson, the American scholar of African literature, opined that "there is little question about Sallah's talents." Sallah writes using simple, accessible language but also demonstrates his adventurous side in his works (e.g., "Harrow Poems" in which he experiments with rhymes and quatrains). Gambian literature has suffered some neglect in African literary criticism. The reason for this lies in the erroneous belief that the country has produced little that is worthy of serious scholarly attention. To be sure, there already exists a fairly substantial body of critical works on the writings of Tijan Sallah; and many of them, again, are by well-known names in the field of literary criticism. Some of these scholars are Charles Larson, Tanure Ojaide, Emmanuel Obiechina, Ezenwa Ohaeto, Gareth Griffiths, Samuel Garren, Victoria Arana, Stewart Brown, Odun Balogun, Peter Nazareth, Ali Malhani, and Siga Fatima Jagne. As insightful as these writings are however, it is not often easy to access them, scattered as they are in disparate journals, edited books, and compendiums of essays. This book fills the gap by as the first book-length critical study both on Tijan M. Sallah and Gambian literature. The first part of the book delves into the background of the literature with a discussion of works by leading Gambian authors, including Lenrie Peters, Ebou Dibba and then Tijan Sallah. The core of the book then turns the focus on the works of Tijan Sallah. These chapters explore his growth and development as a writer and provide critical analyses into his major works. While some of the chapters take the works together in general thematic and stylistic discussion, others focus on specifically selected works, analyzing and studying them closely. At least two of the chapters adopt a specifically linguistic approach; another two locate the works within the trend of ecopoetry, an emerging genre of nature poetry; one explores Sallah's poems of convalescence, pointing out the therapeutic nature of the writings; and yet another employs the theory of phenomenology in carrying out an investigation of Sallah's poetry in comparison with the works of other major African poets. The final chapter is a detailed interview conducted with Sallah. It sheds light on his life, his Gambian background, and how this affects and influences his writings. Contemporary Literature of Africa: Tijan M. Sallah and Literary Works of The Gambia is important for all those interested in Gambian and African literatures, postcolonial writings and world literatures in general.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1946.