For anyone who has ever wanted to become fluent in the language of poetry, Invitation to Poetry will prove an essential guide. This book:
* Teaches the serious student how to 'speak poetry' through an in-depth examination of the traditional features and technical vocabulary of poetic language;
* Examines British and American materials from the sixteenth through the twentieth centuries in order to give students a sense of a range of different period styles, poetic projects, and strategies;
* Explicitly examines, questions and challenges the relationship of poetry to literary periods and canons;
* Offers the technical tools essential for close reading and interpretation across a broad chronological spectrum.

In The American Aeneas, John C. Shields exposes a significant cultural blindness within American consciousness. Noting that the biblical myth of Adam has long dominated ideas of what it means to be American, Shields argues that an equally important component of our nation's cultural identity -- a secular one deriving from the classical tradition -- has been seriously neglected.

The author finds various Early American texts, including pastorals, pastoral elegies, literary independence poems, tracts on educational theories, religious discourses, and political writings, laden with elements of classicism, particularly the myth of Aeneas as depicted by Vergil. Shields demonstrates that Aeneas, Vergil's hero of the Aeneid, was an especially apt figure for New World discourse in that he epitomized "the sailor who struck out onto dangerous, uncharted seas in order to discover a new land in which to build a new civilization".

Shields shows how both the myth of Adam and the myth of Aeneas, in crossing over to America from Europe, dynamically intermingled in the thought of the earliest American writers. This rearticulation of the myths of Adam and Aeneas became peculiarly adapted to the demands of the American adventure in freedom. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of "pastlessness" that the long-standing emphasis on the Adamic myth has generated.

The author's probing analysis sheds new light on the works of such seminal figures as Edward Taylor, Cotton Mather, Phillis Wheatley, George Washington, Nathaniel Hawthorne, and Herman Melville. But it does much more than that -- it posits a new model for Americanstudies. "This model", Shields writes, "is not composed of a single strand which can only direct the struggle to explore the dimensions of American culture in a linear fashion -- an inevitable dead end. The image of two strands coming together, intertwining and interconnecting so as to accommodate virtually infinite possibilities, more accurately captures the dynamic of Americanness".

The Catholic literary revival in America refers both to the impact of the modern resurgence in European Catholic thought and letters upon the American Church between 1920 and 1960, and to efforts by American Catholic educational and literary leaders to induce a similar flowering of Catholic life and culture in their own country. Arnold Sparr examines those areas of Catholic thought and culture that most concerned educated American Catholics, critics, and cultural leaders between 1920 and 1960: the renaissance in Catholic literary, theological, philosophical, and social thought; its application to modern economic, social, and intellectual problems; and the growth and development of the twentieth century Catholic novel. He contends that the movement had both intellectual and organizational aspects. It represented not only an awakening of American Catholics to their modern intellectual and cultural heritage, but a movement by a self-conscious American Catholic cultural community to realize its own share of modern Catholic thinkers, writers, and poets. Sparr maintains that American Catholic intellectual and cultural life between 1920 and 1960 was driven by three forces: to promote the intellectual standing of American Catholicism, to defend the Catholic faith and its adherents from detractors, and to redeem what was seen as a drifting and fragmented secular culture. He divides the book into three sections, each corresponding to separate phases of the American Catholic literary revival. "Organization and Development, 1920-1935" treats the socio-cultural antecedents of the revival and the self-conscious attempts of the revival's early Jesuit leaders to build a Catholic intellectual presencein America. Part two, "Transformation, 1935-1955," addresses the shift in Catholic revivalist thought from the confrontational literary-philosophical postures of the 1920s and early 1930s to more positive understandings of Catholic faith and practice. Finally, "Dissolution, the 1950s and After" chronicles the eclipse of the revival, resulting from a reactivation of the Catholic intellectualism issues, increasing concerns about professionalism within Catholic academia, and liberal Catholic association of the revival with so-called "ghetto culture." Parts one and two conclude with chapters on the American Catholic novel; the search for the Great American Catholic novel, an important element of the revival, provides an organization framework through which to summarize and assess major trends in the larger cultural movement. This new work will interest scholars and students of American Catholicism, the Catholic church in the 20th century, and cultural and religious historians.

Against a backdrop of contemporary social and sexual concerns, and potent fears surrounding the moral and physical 'degeneration' of late nineteenth and early twentieth-century society, "'The Cruel Madness of Love'" explores a critical period in the developing relationship between syphilis and insanity. General paralysis of the insane (GPI), the most commonly diagnosed of the neurosyphilitic disorders, has been devastating both in terms of its severity and incidence. Using the rich laboratory and asylum records of lowland Scotland as a case study, Gayle Davis examines the evolution of GPI as a disease category from a variety of perspectives: social, medical, and pathological. Through exploring case notes and the impact of new diagnostic techniques and therapies, such as the Wassermann Test and Malarial Therapy, the reader gains a unique insight into both patients and practitioners. Significant insights are gained into the socio-sexual background and medical experience of patients, as well as the clinical ideas and judgmental behaviour of the practitioners confronting this disease. "'The Cruel Madness of Love'" will be of interest to anyone wishing to explore the historical relationship between sexuality, morality and disease. Gayle Davis is a Wellcome Trust University Award Holder at the University of Edinburgh. She has published on various aspects of the social history of medicine and sexuality in twentieth-century Britain, and is undertaking a Wellcome-funded research project on the history of infertility in Scotland. She is reviews editor for History of Psychiatry.

This book investigates the ways in which Charles Dickens's mature fiction, prison novels of the twentieth century, and prison films narrate the prison. To begin with, this study illustrates how fictional narratives occasionally depart from the realities of prison life, and interprets these narrations of the prison against the foil of historical analyses of the experience of imprisonment in Britain and America. Second, this book addresses the significance of prison metaphors in novels and films, and uses them as starting points for new interpretations of the narratives of its corpus. Finally, this study investigates the ideological underpinnings of prison narratives by addressing the question of whether they generate cultural understandings of the legitimacy or illegitimacy of the prison. While Dickens's mature fiction primarily represents the prison experience in terms of the unjust suffering of many sympathetic inmates, prison narratives of the twentieth century tend to focus on one newcomer who is sent to prison because he committed a trivial crime and then suffers under a brutal system. And while the fate of this unique character is represented as being terrible and unjust, the attitude towards the mass of ordinary prisoners is complicit with the common view that 'real' criminals have to be imprisoned. Such prison narratives invite us to sympathize with the quasi-innocent prisoner-hero but do not allow us to empathize with the 'deviant' rest of the prison population and thus implicitly sanction the existence of prisons. These delimitations are linked to wider cultural demarcations: the newcomer is typically a member of the white, male, and heterosexual middle class, and has to go through a process of symbolic 'feminization' in prison that threatens his masculinity (violent and sadistic guards, 'homosexual' rapes and time in the 'hole' normally play an important role). The ill-treatment of this prisoner-hero is then usually countered by means of his escape so that the manliness of our hero and, by extension, the phallic power of the white middle class are restored. Such narratives do not address the actual situation in British and American prisons. Rather, they primarily present us with stories about the unjust victimization of 'innocent' members of the white and heterosexual middle class, and they additionally code coloured and homosexual inmates as 'real' criminals who belong where they are. Furthermore, Dickens's mature fiction focuses on 'negative' metaphors of imprisonment that describe the prison as a tomb, a cage, or in terms of hell. By means of these metaphors, which highlight the inmates' agony, Dickens condemns the prison system as such. Twentieth-century narratives, on the other hand, only critique discipline-based institutions but argue in favour of rehabilitative penal styles. More specifically, they describe the former by using 'negative' metaphors and the latter through positive ones that invite us to see the prison as a womb, a matrix of spiritual rebirth, a catalyst of intense friendship or as an 'academy'. Prison narratives of the twentieth century suggest that society primarily needs such reformative prisons for coloured and homosexual inmates.

This book showcases recent work about reading and books in sociology and the humanities across the globe. From different standpoints and within the broad perspectives within the cultural sociology of reading, the eighteen chapters examine a range of reading practices, genres, types of texts, and reading spaces. They cover the Anglophone area of the United States, the United Kingdom and Australia; the transnational, multilingual space constituted by the readership of the Colombian novel One Hundred Years of Solitude; nineteenth-century Chile; twentieth-century Czech Republic; twentieth century Swahili readings in East Africa; contemporary Iran; and China during the cultural revolution and the post-Mao period. The chapters contribute to current debates about the valuation of literature and the role of cultural intermediaries; the iconic properties of textual objects and of the practice of reading itself; how reading supports personal, social and political reflection; bookstores as spaces for sociability and the interplay of high and commercial cultures; the political uses of reading for nation-building and propaganda, and the dangers and gratifications of reading under repression. In line with the cultural sociology of reading's focus on meaning, materiality and emotion, this book explores the existential, ethical and political consequences of reading in specific locations and historical moments.

In the summer of 1996 the first international conference was held on the medieval chronicle, a genre which until then had received but scant attention from historians or specialists in literary history or art history. There are several reasons why the chronicle is particularly suited as the topic of an international conference. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. It is the aim of the present volume to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds.

This book is a collection of my various writings over the past sixty years (1950 - 2010). The book features a number of essays ranging in topics from various pleas for action/outrage concerning inaction, to the philosophical, to the humorous. The second section of the book is a collection of my poems. Section three consists of two short stories. Section four is a collection of "Eight Word Wisdoms." These are bits of wisdom expressed in eight word sayings, which I have found to be thought-provoking or profound in their implications. The book is designed to be of interest especially to the scientific-minded skeptic/atheist, or freethinker, as well as those seeking to lead a more active or purposeful, and thereby more meaningful life.

This two-volume set presents a comprehensive syntactical picture of Singapore Mandarin and discusses the distinguishing characteristics of the Chinese language and especially Singapore Mandarin. As a variety of Mandarin Chinese, Singapore Mandarin is characterised by syntactic rules taking precedence over morphological rules. The first volume provides an overview of the grammar of Singapore Mandarin and argues that word order and functional words are specifically important in the study of Singapore Mandarin. It also explains the properties and functions of the nine grammatical components, including phrase types, word classes, sentences, subjects and predicates, predicates and objects, predicates and complements, attributes and adverbials, complex predicate phrases and prepositions and prepositional phrases. The second volume describes expressions of number, quantity, time and place and composite sentences, covering seven types of compound sentences, eight types of complex sentences and connective words with a focus on conjunctions. The concluding part of the study explores the characteristics of Singapore Mandarin grammar compared with Chinese Mandarin (Putonghua) and issues of language standardisation. With rich and authentic language examples, the book will serve as a must read for learners and teachers of Mandarin Chinese and linguistics scholars interested in global Chinese and especially Singapore Mandarin.

Originally published over 100 years ago, Roughing It was Mark Twain's second major work after the success of his 1869 travel book, Innocents Abroad. This time Twain travels through the wild west of America. With relentless good humor, Twain tells of his misfortunes during the quest to strike it rich by prospecting in the silver mines. Wonderfully entertaining, Twain successfully finds humor in spite of his mishaps while also giving the reader insight into that time and place of American history. Marvelously illustrated with numerous pictures.

The author accounts for South Africa's transition from apartheid to democracy from a rhetorical perspective. Based on an exhaustive analysis of hundreds of public statements made by South Africa's leaders from 1985 to the present, Moriarty shows how key constructions of the political scene paved the way for negotiations, elections, and national reconciliation. These rhetorical changes moved South Africa out of the realm of violent conflict and into one of rhetorical conflict, a democratic space in which the country could resolve its problems at the negotiating table and in the ballot box.

The pervading theme of this book is the construction and allocation of identity, especially through images and imagery. The essays analyse how the dominant social discourses and imageries construct identity or assign subject positions in relation to the categories of race, nation, region, gender and language. The volume is designed to inform the study of those categories in cultural studies, sociology, anthropology, gender studies, literary studies, philosophy and history. Its coverage is geographically global, multidisciplinary, and theoretically eclectic, but also accessible. The authors include both established and rising scholars from historical, literary, media, gender and cultural studies. This innovative collection will appeal to all those who are interested in the mechanisms of constructing and evolving personal and group identities, in past and present.

"Greek Tragedy" sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences.
An engaging introduction to Greek tragedy, its history, and its reception in the contemporary world with suggested readings for further study
Examines tragedy's relationship to democracy, religion, and myth
Explores contemporary approaches to scholarship, including structuralist, psychoanalytic, and feminist theory
Provides a thorough examination of contemporary performance practices
Includes detailed readings of selected plays

Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great literature in itself, as well as a rich topic for literary study. This two-volume set is the masterpiece of Professor Lin Geng, one of China's most respected literary historians, and reflects decades of active research into Tang poetry, covering the "Golden Age" of Chinese poetry (618-907 CE). In the first volume, the author provides a general understanding of poetry in the "High Tang" era from a range of perspectives. Starting with an indepth discussion of the Romantic tradition and historical context, the author focuses on poetic language patterns, Youth Spirit, maturity symbols, and prototypes of poetry. The author demonstrates that the most valuable part of Tang poetry is how it can provide people with a new perspective on every aspect of life. The second volume focuses on the prominent Tang poets and poems. Beginning with an introduction to the "four greatest poets"-Li Bai, Du Fu, Wang Wei, and Bai Juyi-the author discusses their subjects, language, influence, and key works. The volume also includes essays on a dozen masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirationsand seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes us invigorate our mental wellbeing, leaving it powerful and full of vitality. This book will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.

Essays by a founder of the Borderland Foundation in East-Central Europe explore the meanings of community in a fractured world. How do we build civil society? How does a society repair itself after violence? How do we live in a world with others different from ourselves? These questions lie at the heart of Krzysztof Czyzewski's writing and his work with Fundacja Pogranicze, the Borderland Foundation, at the border of Lithuania, Poland, and Belarus. Writing from the heartland of Europe's violence and creativity, Czyzewski seeks to explain how we can relate better to each other and to our diverse communities. Building on examples of places and people in East-Central Europe, Czyzewski's essays offer readers concepts such as the invisible bridge, the nejmar (the bridge-builder), and the xenopolis (the city of others), which create community throughout the world. The three sections of the book-concepts, places, and practices-show how this cultural work bridges the divide between concepts and practices and offers a new map of Europe. Ultimately, Czyzewski hopes we can all move toward xenopolis, toward the understanding that others are, in fact, ourselves. This book offers an introduction to Czyzewski's work, with framing essays by specialists in Central and East European history.

Many of the authors in this collection have never been assembled together before. They represent both black and white voices, of different cultural backgrounds, from the beginnings of American history through the Dawn of the Harlem Renaissance.

Until the late 1960s, the traditional American literary canon was segregated. Moreover, writings of widely anthologized authors rarely touched on race. Not until the 1980s did studies begin to reflect the multicultural diversity of the United States. Ironically, while mainstream anthologies became more inclusive and integrated, Afro-American literature collections concentrated on black authors excluded from the traditional Anglo-American canon.

From Bondage to Liberation attempts a literary and cultural bridge across the racial divide. This book represents new and important views, through the lens of Faith Berry's narratives, of such well-known figures as Abraham Lincoln, Harriet Beecher Stowe, Mark Twain, Frederick Douglass, and many others. It presents an unflinching, multifaceted examination of the literary history of race relations in the United States, and thereby gives us a better understanding of where we have come from spiritually, socially, and economically -- and where we may be going.