Ubiquitous triple consciousness frameworks address the limitations of W.E.B Du Bois' seminal double consciousness concept by emphasizing a third gendered lens, a definite consciousness that legitimizes the rich complexities of the black American female experience. In The Affirmative Discomforts of Black Female Authorship: Rethinking Triple Consciousness in Contemporary American Culture, the author rethinks this methodology by examining an interesting assemblage of contemporary black female authors (Roxane Gay, Beyonce and Issa Rae) across four disciplines (history, literature, music and television) whose contemporary multimedia works are engaging with a third lens the author conceptualizes as rupture. This rupture, a simultaneous embrace and rejection of racial and gendered experiences that are affirmative but also contradictory, unsettling and ultimately unresolved, problematizes hegemonic notions of identity and boldly moves towards a potential shift, a shift on the cusp of profound rethinking and reimagination.

Erec and Enide marks the birth of the Arthurian romance as a literary genre. Written circa 1170, this version of the Griselda legend tells the story of the marriage of Erec, a handsome and courageous Welsh prince and knight of the Round Table, and Enide, an impoverished noblewoman. When the lovers become estranged because Erec neglects his knightly obligations, they subsequently ride off together on a series of adventures that culminate in their reconciliation and the liberation of a captive knight in an enchanted orchard. An innovative poet working during a time of great literary creativity, Chretien de Troyes wrote poems that had a lively pace, skillful structure, and vivid descriptive detail. Ruth Harwood Cline re-creates for modern audiences his irony, humor, and charm, while retaining the style and substance of the original octosyllabic couplets. Her thorough introduction includes discussions of courtly love and the Arthurian legend in history and literature, as well as a new and provocative theory about the identity of Chretien de Troyes. This clearly presented translation, faithful in preserving the subtle expressive qualities of the original work, is accessible reading for any Arthurian legend aficionado and an ideal text for students of medieval literature.

This collection of essays is impressive in its breadth, ranging over English (Shakespeare, Stoppard, Churchill, Ravenhill, Penhall), Irish (MacNamara, Johnston), American (O Neill, Stein, Kushner, Lynn), and Continental (Beckett, Weiss, Jelinek) dramatists; furthermore, many of the plays given extended treatment King Lear, The Emperor Jones, Waiting for Godot, Endgame, Rosencrantz and Guildenstern are Dead, The Investigation, Top Girls, and Angels in America are frequently anthologized and/or taught. And because each of these essays was written by a different author, the range of theorists and critics drawn upon (Lyotard, Jameson, McHale, Hutcheon, Derrida, Barthes, Baudrillard, Levinas, Hassan, etc.) is so extensive as to provide a veritable overview of postmodern theory as it might usefully be applied to the theatre.

After 9/11, the world felt the "shock and awe" of the War on Terror. But that war also exploded inside novels, films, comics, and gaming. Danel Olson investigates why the paranormal, ghostly, and conspiratorial entered such media between 2002-2022, and how this Gothic presence connects to the most recent theories on PTSD. Set in New York/Gotham, Afghanistan, Iraq, and CIA black sites, the traumatic and weird works interrogated here ask how killing affects the killers. The protagonists probed are artillery, infantry, and armored-cavalry soldiers; military intelligence; the Air Force; counter-terrorism officers of the NYPD, NCIS, FBI, and CIA; and even the ultimate crime-fighting vigilante, Batman.

* An original volume that comprehensively addresses principles, strategies, and techniques of teaching Arabic * Brings together renowned TAFL scholars from around the world to present a range of perspectives * Presents both research findings and pedagogical techniques on teaching Arabic as a second or foreign language * Covers both Arabic grammar and SLA (second language acquisition) research and theory

The book examines the status of the Anglophone Caribbean economy and the options it faces as traditional preferential trade arrangements begin to disappear. Two broad options are explored: one is the transformation of primary exports into higher value-added products and the other is a shift in the economic structure toward tourism and other services. The book constructs a model of a potential Caribbean economy, described as a "travel economy." The travel economy is based on two enduring features of Caribbean life--tourism and migration.--and it is meant to provide a benchmark against which to gauge the evolution of the structure of individual economies. The main contribution of this book is a concise and methodological treatment of the issues of transition and adjustment that the Caribbean faces in an increasingly liberalized international trading system.

Though they were born a generation apart, Joseph Conrad and James Joyce shared similar life experiences and similar literary preoccupations. Both left their home countries at a relatively young age and remained lifelong expatriates. Empire and Pilgrimage in Conrad and Joyce offers a fresh look at these two modernist writers, revealing how their rejection of organized religion and the colonial presence in their native countries allowed them to destabilize traditional notions of power, colonialism, and individual freedom in their texts. Throughout, Agata Szczeszak-Brewer ably demonstrates the ways in which these authors grapple with the same issues--the grand narrative, paralysis, hegemonic practices, the individual's pilgrimage toward unencumbered self-definition--within the rigid bounds of imperial ideologies and myths. The result is an engaging and enlightening investigation of the writings of Conrad and Joyce and of the larger literary movement to which they belonged.

Offers a positive approach to literary criticism At a moment when the "hermeneutics of suspicion" is under fire in literary studies, The Practices of Hope encourages an alternative approach that, rather than abandoning critique altogether, relinquishes its commitment to disenchantment. As an alternative, Castiglia offers hopeful reading, a combination of idealism and imagination that retains its analytic edge yet moves beyond nay-saying to articulate the values that shape our scholarship and creates the possible worlds that animate genuine social critique. Drawing on a variety of critics from the Great Depression to the Vietnam War, from Granville Hicks and Constance Rourke to Lewis Mumford, C.L.R. James, Charles Feidelson, and Richard Poirier, Castiglia demonstrates that their criticism simultaneously denounced the social conditions of the Cold War United States and proposed ideal worlds as more democratic alternatives. Organized around a series of terms that have become anathema to critics-nation, liberalism, humanism, symbolism-The Practices of Hope shows how they were employed in criticism's "usable past" to generate an alternative critique, a practice of hope.

Co-authored by two esteemed writers, "Writing Well," is a beautifully-written and thoroughly readable guide to the craft of writing prose. Donald Hall, National Book Critics Circle Award winner and Pulitzer Prize nominee, and Sven Birkerts, recipient of awards from the National Book Critics Circle and PEN, bring their talents to this concise, lively text that covers all aspects of writing but is best known for its signature chapters on words, sentences, and paragraphs. Writing Essays, Words, Sentences, Paragraphs, Grammar General Interest; Improving Writing

From the Longman Cultural Editions series, this second edition of Frankenstein presents Mary Shelley's remarkable novel in several provocative and illuminating contexts: cultural, critical, and literary. Series Editor Susan J. Wolfson presents the 1818 version of Mary Shelley's famous novel in its cultural and historical contexts. Like all great works of fiction, Frankenstein gains depth and dimension from its conversation with contemporary texts, especially those by Shelley's own parents, husband, and friends. In addition to the 1818 text, this cultural edition features the introduction to and a sample revision of the 1831 version. A lively introduction to the edition is complemented by a chronology coordinating Shelley's life with key historical events and a speculative calendar of the novel's events in the late eighteenth century. of the complete text of an important literary work, reliably edited, headed by an inviting introduction, supplemented by helpful annotations, accompanied by a table of significant dates and a guide for further study, then followed by contextual materials that reveal the conversations and controversies of its historical moment. One Longman Cultural Edition can be packaged at no additional cost with any volume of The Longman Anthology of British Literature by Damrosch et al, or at a discount with any other Longman textbook.

Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. Modernity in Spanish America has been viewed by a 'postmodern' cultural studies as a condition of the first half of the twentieth century whose major political, philosophical and cultural assumptions the region would do well to leave behind. This book explores a corpus of Spanish-American literary texts from that 'modern' period which dramatize the constitutive dynamics of modernity, in particular the legacy of the French Revolution, the logic of nationalism, the founding of the modern city, and the awkward relationship to both Western and indigenous traditions. Its argument is that one cannot so easily take leave of modernity.

"Imperium in Imperio" (1899) was the first black novel to countenance openly the possibility of organized black violence against Jim Crow segregation. Its author, a Baptist minister and newspaper editor from Texas, Sutton E. Griggs (1872-1933), would go on to publish four more novels; establish his own publishing company, one of the first secular publishing houses owned and operated by an African American in the United States; and help to found the American Baptist Theological Seminary in Tennessee. Alongside W. E. B. Du Bois and Booker T. Washington, Griggs was a key political and literary voice for black education and political rights and against Jim Crow.
"Jim Crow, Literature, and the Legacy of Sutton E. Griggs" examines the wide scope of Griggs's influence on African American literature and politics at the turn of the twentieth century. Contributors engage Griggs's five novels and his numerous works of nonfiction, as well as his publishing and religious careers. By taking up Griggs's work, these essays open up a new historical perspective on African American literature and the terms that continue to shape American political thought and culture.

This volume offers a description of early modern habits of writing and reading, of publication and stage performance, and of political and religious writing.
An introduction to early modern English literature for students and general readers.
Considers the ways in which early modern writers construct the past, recover and adapt classical genres, write about people and places, and tackle religious and secular controversies.
Illustrated with a profusion of excerpts from early modern texts.
Writers represented include More, Erasmus, Spenser, Marlowe, Shakespeare, Donne, and Milton, as well as less well known authors.

This concise yet comprehensive study explores innovative practice in the novel and, from the perspective of creative writing, the astonishing resilience of the novel form. It offers a practical guide to the many possibilities available to the writer of the novel, with each chapter offering exercises to encourage innovation and to expand the creative writer's narrative skills. Beginning with early iterations of the novel in the 17th century, this book follows the evocation of innovation in the novel through Realism, Modernism, Postmodernism and into today's dizzying array of digital and interactive possibilities. While guiding the reader through the possibilities available (in both genre and literary fiction), this book encourages both aspiring and established writers to produce novels with imagination, playfulness and gravitas. Dynamic and interactive, this text is distinctive in offering a grounding in the literary history of the novel, while also equipping readers to write in the form themselves. It is an essential resource for any student of creative writing, or anyone with an interest in writing their own novel.