The Real Western Canon

Larry McMurtry, the preeminent chronicler of the American West, celebrates the best of contemporary Western short fiction, introducing a stellar collection of twenty stories that represent, in various ways, the coming-of-age of the legendary American frontier.

Featuring a veritable Who's Who of the century's most distinctive writers, this collection effectively departs from the standard superstars of the Western genre. McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination -- one that is alternately comic, gritty, individual, searing, and complex.

Contributors
Wallace Stegner * Dave Hickey * Dao Strom * Dagoberto Gilb * William Hauptman * Jack Kerouac * Ron Hansen * Diana Ossana * Robert Boswell * Tom McGuane Louise Erdrich * Max Apple * Mark Jude Poirier * Rick Bass * Jon Billman * Richard Ford * Raymond Carver * Annie Proulx * Leslie Marmon Silko * William H. Gass

In a lucid, brilliant work of nonfiction -- as close to an autobiography as his readers are likely to get -- Larry McMurtry has written a family portrait that also serves as a larger portrait of Texas itself, as it was and as it has become.

Using as a springboard an essay by the German literary critic Walter Benjamin that he first read in Archer City's Dairy Queen, McMurtry examines the small-town way of life that big oil and big ranching have nearly destroyed. He praises the virtues of everything from a lime Dr. Pepper to the lost art of oral storytelling, and describes the brutal effect of the sheer vastness and emptiness of the Texas landscape on Texans, the decline of the cowboy, and the reality and the myth of the frontier.

McMurtry writes frankly and with deep feeling about his own experiences as a writer, a parent, and a heart patient, and he deftly lays bare the raw material that helped shape his life's work: the creation of a vast, ambitious, fictional panorama of Texas in the past and the present. Throughout, McMurtry leaves his readers with constant reminders of his all-encompassing, boundless love of literature and books.

The bibliography records doctoral and selected masters' theses (over 3,300 in all) from British and Irish universities in the field of Russian, Soviet and East European studies. This is broadly interpreted to include all disciplines in the humanities and social sciences as they relate to the area of Russia, the former USSR and Eastern Europe. Taken as a whole, the work probably forms the fullest and longest record of British and Irish postgraduate research in any sector of area studies. Besides its primary function as a bibliographic tool, it makes it possible to trace the effects of academic developments, institutional policies, and the changes in direction in this highly diversified field of study over the last hundred years. Entries are arranged by subject and area, supported by full author and subject indexes to aid searching. Dr Gregory Walker is a former Head of Slavonic and East European Collections at the Bodleian Library, University of Oxford. The late John S.G. Simmons, OBE, was Senior Research Fellow and Librarian, All Souls College, Oxford.

"Collective Creativity "combines complex and ambivalent concepts. While 'creativity' is currently experiencing an inflationary boom in popularity, the term 'collective' appeared, until recently, rather controversial due to its ideological implications in twentieth-century politics. In a world defined by global cultural practice, the notion of collectivity has gained new relevance. This publication discusses a number of concepts of creativity and shows that, in opposition to the traditional ideal of the individual as creative genius, cultural theorists today emphasize the collaborative nature of creativity; they show that 'creativity makes alterity, discontinuity and difference attractive'. Not the Romantic "Originalgenie," but rather the agents of the 'creative economy' appear as the new avant-garde of aesthetic innovation: teams, groups and collectives in business and science, in art and digital media who work together in networking clusters to develop innovative products and processes. In this book, scholars in the social sciences and in cultural and media studies, in literature, theatre and visual arts present for the first time a comprehensive, inter- and transdisciplinary account of collective creativity in its multifaceted applications. They investigate the intersections of artistic, scientific and cultural practice where the individual and the collective merge, come together or confront each other.

H.G. Wells was one of the most prolific writers in the English language. He published over one hundred books, yet he is recognized by only two or three of his popular novels including "The Time Machine" and "War of the Worlds." Why has such a well known and widely read author from the nineteenth century almost disappeared from the bookshelves of the twenty-first century? "H.G. Wells at the End of His Tether" attempts to answer this question and others by examining his work from a nineteenth century perspective. Wells was a controversial figure. He was an avid socialist and a self-proclaimed prophet. He hated the Church and the Monarchy and spent much of his life promoting utopian ideals, world government and other radical concepts that are politically incorrect today. As he watched the First World War tear Europe asunder he wrote "The War to End War" and created a new label for that infamous conflict. He was a highly vocal anti-war journalist and often frustrated by how little impact he was making on the world. When the Second World War descended on Europe he became despondent as he approached the end of his political and literary tether.

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"These engaged conversations are extremely well-informed, interesting, readable, and revealing. "Critics at Work" is a beautifully composed work and both fun and rewarding to read."
--Vincent B. Leitch, editor of "The Norton Anthology of Theory and Criticism,"

Featuring interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors.

Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography.

Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.

Texts about the nocturnal journey of the Prophet Muhammad (Mi'raj) abound in the Muslim world and outside. International attention has never been afforded to any version of text in any language of the Indonesian archipelago. One old version of the text from the area, the Malay Hikayat Mir'aj Nabi Muhammad is presented here in Malay and English translation. The introductory chapters place the text in a wider context in Indonesian literatures while the manuscript of the text (Cod.Or. Leiden 1713) is described in detail. The text and translation purport to enhance interest in this important text in the Muslim world as seen from the Malay/Indonesian perspective.

James Salter (1925-2015) has been known throughout his career as a ""writer's writer,"" acclaimed by such literary greats as Susan Sontag, Richard Ford, John Banville, and Peter Matthiessen for his lyrical prose, his insightful and daring explorations of sex, and his examinations of the inner lives of women and men. Conversations with James Salter collects interviews published from 1972 to 2014 with the award-winning author of The Hunters, A Sport and a Pastime, Light Years, and All That Is. Gathered here are his earliest interviews following acclaimed but moderately selling novels, conversations covering his work as a screenwriter and award-winning director, and interviews charting his explosive popularity after publishing All That Is, his first novel after a gap of thirty-four years. These conversations chart Salter's progression as a writer, his love affair with France, his military past as a fighter pilot, and his lyrical explorations of gender relations. The collection contains interviews from Sweden, France, and Argentina appearing for the first time in English. Included as well are published conversations from the United States, Canada, and Australia, some of which are significantly extended versions, giving this collection an international scope of Salter's wide-ranging career and his place in world literature.

Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective contributes to the continuing debate on the encounter of the classical anarchisms (1860s 1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits. Case studies on Dadaism, decadence, fauvism, neo-impressionism, symbolism, and various anarchisms explore the influence anarchism had on the avant-gardes and reflect on avant-garde tendencies within anarchism. This volume also explores the divergence of anarchism and the avant-gardes. It offers a rich examination of politics and arts, and it complements an ongoing discourse with theoretical tools to better assess the aesthetic, social, and political cross-pollination that took place between the avant-gardes and the anarchists in Europe.

Fred Beiser, renowned as one of the world's leading historians of German philosophy, presents a brilliant new study of Friedrich von Schiller (1759-1805), rehabilitating him as a philosopher worthy of serious attention. Beiser shows, in particular, that Schiller's engagement with Kant is far more subtle and rewarding than is often portrayed. Promising to be a landmark in the study of German thought, Schiller as Philosopher will be compulsory reading for any philosopher, historian, or literary scholar engaged with the key developments of this fertile period.

"In a language there are only differences without positive terms. Whether we take the signified or the signifier, the language contains neither ideas nor sounds that pre-exist the linguistic system, but only conceptual differences and phonic differences issuing from this system." (From the posthumous Course in General Linguistics, 1916.)
No one becomes as famous as Saussure without both admirers and detractors reducing them to a paragraph's worth of ideas that can be readily quoted, debated, memorized, and examined. One can argue the ideas expressed above - that language is composed of a system of acoustic oppositions (the signifier) matched by social convention to a system of conceptual oppositions (the signified) - have in some sense become "Saussure," while the human being, in all his complexity, has disappeared. In the first comprehensive biography of Ferdinand de Saussure, John Joseph restores the full character and history of a man who is considered the founder of modern linguistics and whose ideas have influenced literary theory, philosophy, cultural studies, and virtually every other branch of humanities and the social sciences.
Through a far-reaching account of Saussure's life and the time in which he lived, we learn about the history of Geneva, of Genevese educational institutions, of linguistics, about Saussure's ancestry, about his childhood, his education, the fortunes of his relatives, and his personal life in Paris. John Joseph intersperses all these discussions with accounts of Saussure's research and the courses he taught highlighting the ways in which knowing about his friendships and family history can help us understand not only his thoughts and ideas but also his utter failure to publish any major work after the age of twenty-one.

"Adventures in Realism" offers an accessible introduction to realism as it has evolved since the 19th century. Though focused on literature and literary theory, the significance of technology and the visual arts is also addressed.
Comprises 16 newly-commissioned essays written by a distinguished group of contributors, including Slavoj Zizek and Frederic Jameson
Provides the historical, cultural, intellectual, and literary contexts necessary to understand developments in realism
Addresses the artistic mediums and technologies such as painting and film that have helped shape the way we perceive reality
Explores literary and pictorial sub-genres, such as naturalism and socialist realism
Includes a brief bibliography and suggestions for further reading at the end of each section

Jewish American literature covers a broad range of genres and literary works. Some of the United States' most compelling literature centers on the American Jewish experience; some of the most acclaimed authors write from the heart of their experience as Jewish Americans. This ground-breaking work is intended to guide readers and those who advise readers in selecting fiction and nonfiction books that match specific reading interests. It is the first readers' advisory guide to Jewish American literature. Like other titles in the Genreflecting Advisory Series, the book organizes titles by genre--mysteries, thrillers, historical fiction, science fiction and fantasy, stories of romance, and literary fiction. In addition, there are chapters on holocaust literature and on biography/autobiography. More than 700 titles are categorized and described. Each chapter is further organized by subgenre and theme. Award-winning titles are noted, as are books that appeal to young adult readers and titles appropriate for book clubs and reading discussions. In addition, the author presents guidelines for building and maintaining a collection of Jewish literature, tips for advising readers, and lists of further resources for exploring the genre; making this a thorough and practical resource. Young adult and adult - Grades 9 and up.