Mini-set C: Language & Literature re-issues a century of publishing in 8 volumes originally published between 1896 and 1989 and covers phonetics, grammar and syntax of the Japanese language as well as some of its most iconic literature and drama.

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The period between World War I and World War II was one of intense change. Everything was modernizing, including our technology for making war witness machine guns, trench warfare, biological agents, and ultimately The Final Solution. This modernization and eye toward the future was reflected in many facets of pop culture, including fashion, home-wear design, and the popular literature of the time. In sci-fi, a specific genre emerged that of the future war.

Fred Krome has collected many of these future war stories together for the first time in Fighting the Future War. Bolstered by a comprehensive introduction, and introduced with historical information about both the authors of the stories and the historical time period, these stories provide a view into the field of pulp science fiction writing, the issues that informed the time period between the world wars, and the way people envisioned the wars of tomorrow. Revealing anxieties about society, technology, race and politics, the genre of the future war story is important material for students of history and literature.

Containing essays from leading and recent scholars in Peninsular and colonial studies, this volume offers entirely new research on women's acquisition and practice of literacy, on conventual literacy, and on the cultural representations of women's literacy. Together the essays reveal the surprisingly broad range of pedagogical methods and learning experiences undergone by early modern women in Spain and the New World. Focusing on the pedagogical experiences in Spain, New Spain (present-day Mexico), and New Granada (Colombia) of such well-known writers as Saint Teresa of A vila, Sor Juana Ines de la Cruz, and MarA a de Zayas, as well as of lesser-known noble women and writers, and of nuns in the Spanish peninsula and the New World, the essays contribute significantly to the study of gendered literacy by investigating the ways in which women"religious and secular, aristocratic and plebeian"became familiarized with the written word, not only by means of the education received but through visual art, drama, and literary culture. Contributors to this collection explore the abundant writings by early modern women to disclose the extent of their participation in the culture of Spain and the New World. They investigate how women"playwrights, poets, novelists, and nuns" applied their education both to promote literature and to challenge the male-dominated hierarchy of church and state. Moreover, they shed light on how women whose writings were not considered literary also took part in the gendering of Hispanic culture through letters and autobiographies, among other means, and on how that same culture depicted women's education in the visual arts and the literature of the period.

A "great storehouse of legends and traditions" according to translator E.A. Wallis Budge, 'The Kebra Nagast' most likely dates back to the sixth century AD, and provides an alternative view of many biblical stories. According to this ancient text, the kings of Ethiopia were descended from Solomon, King of Israel, and the Queen of Sheba; the Ark of the Covenant had been brought from Jerusalem to Aksum by Meyelek, the son of Solomon and the Queen of Sheba; and the God of Israel had transferred his place of abode on earth from Jerusalem to Aksum, the ecclesiastical and political capital of Ethiopia. ." . . O]nly in the Kebra Nagast, and not in the Bible. . . the bold assertion is made. . . that the Ark had gone from Jerusalem to Ethiopia." ." . . H]ow could the most important Biblical object in the world end up in the heart of Africa. . . ? The Kebra Nagast with a great deal of weight and historical authenticity. . . offers a clear answer to this question. . . as Ethiopia's claim to be the last resting place of the lost Ark remains unchallenged. . ." ." . . T]he Kebra Nagast's audacious claim of a massive cover-up. . . and] all information about the tragic loss of the Ark during Solomon's reign had been suppressed, which is why no mention is made of it in the Scriptures." ." . . a great epic. . . a remarkable document. . . erected above a solid foundation of historical truth." --Graham Hancock "The Sign and the Seal" E.A. WALLIS BUDGE was the curator of Egyptian and Assyrian Antiquities at the British Museum and he collected a large number of manuscripts. He is perhaps best known for translating "The Egyptian Book of The Dead," but he also created books of translated hieroglyphs, Egyptian religion, mythology, and magic. He was knighted in 1920.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

If you love Lewis Carroll, or if you remember the hippie days -- the flower power generation -- of the 1960s, you'll love Alice in Acidland. Was Alice's Adventures in Wonderland really a drug trip? Men who cleaned top hats in the days of Charles Dodgson's England used solutions of mercury, which caused brain damage: thus "mad as a hatter." Could the caterpillar really have been smoking something hallucinogenic in his waterpipe? Charles Dodgson may have passed Thomas DeQuincey on the streets of London -- after all -- this was generally the same era that DeQuincey wrote Confessions of an English Opium Eater. Originally published in 1970, Alice in Acidland suggests that Alice's experiences - -and the curiouser and curiouser animals that she encounters -- echo the LSD trips of the hippie 1960s - -and could easily have been visualized by Thomas DeQuincey and the mad hatters of Lewis Carroll's time . . . . The author suggests this all with tongue-firmly-in-cheek. We think.

enables readers to better appreciate the ways in which language functions simultaneously as an instrument to encode and communicate meaning, build and sustain interpersonal relationships, and to express identity. Provides readers with well-grounded tools that they can use to inform their daily work as well as to reflect upon their own communicative practices and – where necessary – to improve them. Features ‘discussion points’ in the form of questions, suggestions for reflection, and small analysis tasks throughout.

The Nihongi is the standard native history of Ancient Japan. This volume, originally published in 1896 and now of classic status makes accessible to European scholars the extensive store of material for the study of mythology, folk-lore, early civilization and manners and customs which it contains.

The northwestern edge of North America is a final edge to settle on a finite planet. Where does mankind go from here? Where else have we not settled, altered, and consumed ? Author Susan Zwinger suspects that we have saved this wild edge for last because its geography is punched, exploded, ground, and drenched. Its forest of enormous trees once created a boundary difficult to penetrate, let alone farm. Yet, today this wildness is under threat, as civilization bores its way into even this remote edge.

Politics, Lies and Conspiracy Theories: A Cognitive Linguistic Perspective shows how language influences mechanisms of cognition, perception and belief, and by extension its power to manipulate thoughts and beliefs. This exciting and original work is the first to apply cognitive linguistics to the analysis of political lies and conspiracy theories, both of which have flourished in the internet age and which many argue are threatening democracy. It unravels the verbal mechanisms that make these "different truths" so effective and proliferative, dissecting the verbal structures (metaphor, irony, connotative implications etc) of the words of a variety of real-life cases in the form of politicians, conspiracy theorists and influencers. Marcel Danesi goes on to demonstrate how these linguistic structures "switch on" or "switch off" alternative mind worlds. This book is essential reading for students of cognitive linguistics and will enrich the studies of any student or researcher in language and linguistics more broadly, as well as discourse analysis, rhetoric or political science.

Art, Emotion and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is under certain conditions an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.

Judged in terms of the power, range, novelty and influence of his thought, Noam Chomsky is arguably the most important intellectual alive... reading Chomsky on linguistics one repeatedly has the imporession of attending to one of the most powerful thinkers that ever lived.
--Professor Paul Robinson
New York Times Book Review

Although the odyssey has long been recognized as a crucial characteristic of the epic, scant attention has been paid to it as a telling device within other forms of the fantastic. "Fantastic Odysseys" supports the long-held awareness of the odyssey metaphor as an integral function within literary discourse, one that demonstrates a continuum of essential change in human cultural experience. By shifting the focus of that awareness from the epic narrative to a range of other fantastic narratives, this collection challenges critical and literary boundaries while it expands the meaning and value of the odyssey metaphor through the examination of a variety of works.

Divided into four sections, the essays cover the odyssey as a journey toward knowledge, identity, transformation, and destiny. Beginning and ending with a critical nod toward "2001: A Space Odyssey," these sections map the narrative trails left by odysseys imagined across time and space, mode and genre: from early French theatre to postmodern film, from Jewish short-story fantasies to Latin American narrative, from quest novels to futuristic crime thrillers, from German Romanticism to Spanish satire. Among the authors studied are Borges, Milas, Kafka, Malamud, Hoffmann, Ende, Straub, King, McKillip, Tiptree, Robinson, and Clark; among the films are "Them ," "The Rapture," "American Psycho," and "Fight Club." This unique collection increases our understanding of the odyssey as it is represented in various forms and genres.

Georgian: A Comprehensive Grammar constitutes a complete reference work addressing all major elements of Modern Georgian grammar and usage. It provides a systematic and accessible description of the language's phonology, orthography, morphology, and syntax. The focus is on contemporary spoken and written usage, with attention devoted throughout to differences of register and genre. Points are illustrated with examples drawn from a range of authentic written and recorded sources such as press, radio, and television. The grammar is designed for a wide readership including students of Georgian, particularly at the intermediate and advanced levels, as well as scholars of Georgian and theoretical linguistics.

'Natural Language Processing in the Real World' is a practical guide for applying data science and machine learning to build Natural Language Processing (NLP) solutions. Where traditional, academic-taught NLP is often accompanied by a data source or dataset to aid solution building, this book is situated in the real-world where there may not be an existing rich dataset. This book covers the basic concepts behind NLP and text processing and discusses the applications across 15 industry verticals. From data sources and extraction to transformation and modelling, and classic Machine Learning to Deep Learning and Transformers, several popular applications of NLP are discussed and implemented. This book provides a hands-on and holistic guide for anyone looking to build NLP solutions, from students of Computer Science to those involved in large-scale industrial projects. .

These chapters deal with the life of London from the early 1830's to the mid-1860?s. The book mainly focuses on the social life of the day, but also deals with the blacker side of London and travel and country life.

El papel de las ropas en la construccion de la identidad en neuve autobiografias ficticias e historicas del Siglo de Oro. Este libro examina el significativo papel de las ropas y de los adornos corporales en la construccion de la identidad en nueve autobiografias ficticias e historicas del Siglo de Oro: Lazarillo de Tormes, Guzman de Alfarache, Guiton Onofre, El Buscon, La picara Justina , Vida del soldado espanol Miguel de Castro , Discurso de mi vida de Alonso Contreras, Vida i sucesos de la Monja Alferez de Catalina de Erauso y Comentarios del desenganado de Duque de Estrada. En estas obras las vestiduras proyectan una compleja vision externa de la personalidad que sustituye la falta de introspeccion y de descripcion del cuerpo caracteristicas de estas narraciones. Este estudio considera la representacion verbal de la ropa como un sitio donde confluyen dialecticamente el sujeto escindido en busca de unidad ficticia y de distincion personal y el individuo enfrentado a las estructuras y discursos que lo configuran. El analisis tiene en cuenta el significado filologico, economico, politico, moral y artistico del vestido en el periodo pero sigue diferentes metodologias,las teorias de Bakhtin, Mulvey, Freud, Lacan y Kristeva, para explicar la subjetividad particular de cada Vida. ENCARNACION JUAREZ ALMENDROS es profesora de espanol en la Universidad de Notre Dame.

In Decolonizing Cultures in the Pacific, Susan Y. Najita proposes that the traumatic history of contact and colonization has become a crucial means by which indigenous peoples of Oceania are reclaiming their cultures, languages, ways of knowing, and political independence. In particular, she examines how contemporary writers from Hawai'i, Samoa, and Aotearoa/New Zealand remember, re-tell, and deploy this violent history in their work. As Pacific peoples negotiate their paths towards sovereignty and chart their postcolonial futures, these writers play an invaluable role in invoking and commenting upon the various uses of the histories of colonial resistance, allowing themselves and their readers to imagine new futures by exorcising the past. Decolonizing Cultures in the Pacific is a valuable addition to the fields of Pacific and Postcolonial Studies and also contributes to struggles for cultural decolonization in Oceania: contemporary writers' critical engagement with colonialism and indigenous culture, Najita argues, provides a powerful tool for navigating a decolonized future.