Research that focuses on holograph, autograph and authorial manuscripts in Arabic handwritten script has been casual, although these manuscripts raise important and varied questions. In this volume nine contributions and case studies are gathered that address theoretical issues and convey different, disruptive perspectives. A particularly important subject of this book is the identification of an author's handwriting.

Rachel Bowlby's anthology of articles conjures up the enormous richness and variety of recent work that returns to Woolf not so much for final answers as for insights into questions about writing, literary traditions and the differences of the sexes. The collection includes pieces by such well-known writers as Gillian Beer, Mary Jacobus, Peggy Kamuf and Catharine Stimpson. With a substantial Introduction, headnotes to each piece and full supporting material, this volume provides an ideal guide to Woolf and her place in modern literary and cultural studies.

* An original volume that comprehensively addresses principles, strategies, and techniques of teaching Arabic * Brings together renowned TAFL scholars from around the world to present a range of perspectives * Presents both research findings and pedagogical techniques on teaching Arabic as a second or foreign language * Covers both Arabic grammar and SLA (second language acquisition) research and theory

Evliya Celebi's Journey from Bursa to the Dardanelles and Edirne is comprised of an edition and translation of the relevant section from Evliya's Book of Travels detailing the 29-day journey he undertook in the autumn of 1659 from Bursa to Edirne via the Dardanelles strait. Evliya travelled in the retinue of grand vizier Koeprulu Mehmed Pasha and Sultan Mehmed IV, who was travelling to inspect the two castles that were being built at the southern tip of each side of the Dardanelles. This was the only trip that Evliya made to the region between Bursa and Edirne. This edition also includes a detailed annotated index of people and places as well as the geographic coordinates of all the locations and buildings mentioned in the text.

This co-edited volume is the first book to incorporate a transdisciplinary approach that examines transnational Mexican cultural productions through a variety of analytical perspectives. The authors propose a multilayered reading of contemporary transnational cultural manifestations in which it is possible to recognize challenges and cultural strategies that transnational Mexican communities conceive in order to claim cultural, political, and social agency. The essays, interviews, and poetry included in this volume elaborate on the creation of new forms of citizenship that reshape the long history of exclusion that has marked the experience of these particular groups not only in the United States but also in what is geopolitically defined as Mexico.

This book explores the deep-rooted anxiety about foreign otherness manifest through translation in modern China in its endeavours to engage in cross-cultural exchanges. It offers to theorize and contextualize a related range of issues concerning translation practice in response to foreign otherness. The book also introduces new vistas to some of the under-explored aspects of translation practice concerning ideology and cultural politics from the late Qing dynasty to the present day. Largely as a result of translation, ethnocentric beliefs and feelings have given way to a more open and liberal way to approach and appropriate foreign otherness. However, the fear of Westernization, seen as a threat to Chinese cultural integrity and social stability, is still shown sporadically through the state's ideological control over translation. The book interprets, questions and reformulates a number of the key theoretical issues in Translation Studies and also demonstrates their ramifications in a bid to shed light on Chinese translation practice.

Some manuscripts have been produced for the personal use of their scribe only; whereas a number of them are valued as autographs, most have been ephemeral and were discarded. Personal manuscripts were not written for a patron, commissioner, or client. They are personal copies, anthologies, florilegia, personal notes, excerpts, drafts and notebooks, as well as family books, accountancy notebooks and many others; these forms often being mixed with one another. This volume introduces a number of such manuscripts in a comparative perspective, from Japan to Europe through the Middle East, with a focus on the Near and Middle East. The main concern is the possibility of identifying typical features of such manuscripts in terms of materials, visual organization and content. In attempting this, both the conditions of production and traces of the manuscripts’ use are taken into consideration, with particular attention to their material aspects.

Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done for the opera. Yet the intersection of translation and music can be a fascinating field to explore, and one which can enrich our understanding of what translation is and how it relates to other forms of expression. This special issue is an attempt to open up the field of translation and music to a wider audience within translation studies, and to an extent, within musicology and cultural studies. The volume includes contributions from a wide range of musical genres and languages: from those that investigate translation and code-switching in North African rap and rai, and the intertextual and intersemiotic translations revolving around Mahler's lieder in Chinese, to the appropriation and after-life of Kurdish folk songs in Turkish, and the emergence of rock'n roll in Russian. Other papers examine the reception of Anglo-American stage musicals and musical films in Italy and Spain, the concept of 'singability' with examples from Scandinavian languages, and the French dubbing of musical episodes of TV series. The volume also offers an annotated bibliography on opera translation and a general bibliography on translation and music.

This collection represents some of the best recent critical writing on Edmund Spenser, a major Renaissance English poet. The essays cover the whole of Spensers work, from early literary experiments such as The Shepeardes Calendar, to his unfinished crowning work,The Fairie Queene. The introduction provides an overview of critical responses to Spenser, setting his work and the debates which it has generated in their perspective contexts: new historicist, post-structural, psychoanalytic and feminist. His study also covers the critical responses of leading British, Irish and American scholars.

How might literary scholarship engage with the sustainability debate? Aimed at research scholars and advanced students in literary and environmental studies, this collection brings together twelve essays by leading and up-coming scholars on the theme of literature and sustainability. In today's sociopolitical world, sustainability has become a ubiquitous term, yet one potentially driven to near meaninglessness by the extent of its usage. While much has been written on sustainability in various domains, this volume sets out to foreground the contributions literary scholarship might make to notions of sustainability, both as an idea with a particular history and as an attempt to reconceptualise the way we live. Essays in this volume take a range of approaches, using the tools of literary analysis to interrogate sustainability's various paradoxes and to examine how literature in its various forms might envisage notions of sustainability. -- .

The Thiri Rama - or the Great Rama - was written for court performance and is the only known illustrated version of the Ramayana story in Myanmar. Based on palm-leaf manuscripts and scenes carved on over 300 sandstone plaques at a mid-nineteenth-century Buddhist pagoda west of Mandalay in Myanmar, this book presents an original translation of the Thiri Rama rendered in prose. The volume also includes essays on the history and tradition of the Ramayana in Myanmar as well as the cultural context in which the play was performed. It contains many helpful resources, incorporating a glossary and a list of characters and their corresponding personae in Valmiki's Ramayana. With over 250 fascinating visuals and core text contributions by distinguished Burmese scholars, U Thaw Kaung, Tin Maung Kyi, and U Aung Thwin, this book will greatly interest scholars and researchers of South and Southeast Asian culture, literary forms, epics, art and art history, theatre and performance studies, religion, especially those concerned with Hinduism, as well as folklorists.

Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series, edited by David P. Pierson, explores the contexts, politics, and style of AMC's original series Breaking Bad. The book's first section locates and addresses the series from several contemporary social contexts, including neo-liberalism, its discourses and policies, the cultural obsession with the economy of time and its manipulation, and the epistemological principles and assumptions of Walter White's criminal alias Heisenberg. Section two investigates how the series characterizes and intersects with current cultural politics, such as male angst and the re-emergence of hegemonic masculinity, the complex portrayal of Latinos, and the depiction of physical and mental impairment and disability. The final section takes a close look at the series' distinctive visual, aural, and narrative stylistics. Under examination are Breaking Bad's unique visual style whereby image dominates sound, the distinct role and use of beginning teaser segments to disorient and enlighten audiences, the representation of geographic space and place, the position of narrative songs to complicate viewer identification, and the integral part that emotions play as a form of dramatic action in the series.

This work is full of things better left unsaid: hackneyed phrases, idioms battered into senselessness, infuriating Gallicisms, once-familiar quotations and tags from the ancient classics. It makes a formidable list, amplified as it is with definitions, sources, and indications of the cliches, venerability in every case.

A student-friendly introduction to undertaking a TESOL/Applied Linguistics MA which features practical advice, exercises and answer keys making it ideal for postgraduate students studying in this area. The book is very practical in nature and online support material features recordings of lectures so students can practise their listening skills in real-world scenarios which is essential given the continuing focus on online teaching. Written by a teacher with over 30 years’ experience of teaching EFL students and featuring material that has been trialled with students, this book will meet and support the needs of international students on MAs in TESOL and Applied Linguistics.

"Moving Beyond Boundaries" makes a major contribution to our understanding of under-represented literatures by expanding our knowledge about the issues, experiences, and concerns of black women writing in different communities and in a wide range of geographic contexts. It is unique in the fact that it focuses, not only on African-American women's literature, but on black women's writing from around the world.
Covering writers from Africa, Latin America, the Caribbean, and Europe, and such well-known authors as Zora Neale Hurston, Nadine Gordimer, and bell hooks, Moving Beyond Boundaries contains both creative and critical writings.
Volume two considers the area of critical writing as critical conversation, allowing writer and critic to speak with each other in the creation of the critical voice.

Based on a solid grammatical framework that is well structured, well explained, and clearly presented. Realistic, entertaining and contemporary dialogues covering a broad variety of scenarios exemplify how the language is used in everyday contexts. Complete course containing everything you need to learn the language, including a grammar summary, two-way glossaries and free audio online.

Digital Humanities is rapidly evolving as a significant approach to/method of teaching, learning and research across the humanities. This is a first-stop book for people interested in getting to grips with digital humanities whether as a student or a professor. The book offers a practical guide to the area as well as offering reflection on the main objectives and processes, including: Accessible introductions of the basics of Digital Humanities through to more complex ideas A wide range of topics from feminist Digital Humanities, digital journal publishing, gaming, text encoding, project management and pedagogy Contextualised case studies Resources for starting Digital Humanities such as links, training materials and exercises Doing Digital Humanities looks at the practicalities of how digital research and creation can enhance both learning and research and offers an approachable way into this complex, yet essential topic.

'Natural Language Processing in the Real World' is a practical guide for applying data science and machine learning to build Natural Language Processing (NLP) solutions. Where traditional, academic-taught NLP is often accompanied by a data source or dataset to aid solution building, this book is situated in the real-world where there may not be an existing rich dataset. This book covers the basic concepts behind NLP and text processing and discusses the applications across 15 industry verticals. From data sources and extraction to transformation and modelling, and classic Machine Learning to Deep Learning and Transformers, several popular applications of NLP are discussed and implemented. This book provides a hands-on and holistic guide for anyone looking to build NLP solutions, from students of Computer Science to those involved in large-scale industrial projects. .

A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. * Contains insightful and provocative new scholarship and sketches out new directions for future research * Approaches Woolf s writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law * Explores the multiple trajectories Woolf s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America * Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies

Over the last thirty years, feminist, postcolonial and queer theorists have interrogated the ways in which sexuality is conceptualized and constructed, specifically with the intention of deconstructing essentialist notions of sexuality and identity formation. Yet, while recent theoretical interventions have re-situated sexuality as a historical and social category--allowing us to see how ideas about sexuality are linked to forms of power and other hegemonic categories of identity and subjectivity like class, race, gender and nationality--sexuality remains a contentious subject. In critically examining the plural representations of sexuality in contemporary literature, this book has a distinctly global emphasis, containing essays that interrogate sexuality in the work of not only a number of mainstream American and British writers but also less well-known writers from New Zealand and Canada. All of the chapters owe primary intellectual and theoretical debts to three broad and overlapping domains of critical scholarship and practice: feminism, queer theory, and postcolonial studies. As the first critical collection of essays to consider the representation of sexuality across such a wide variety of contemporary writing, Sexuality and Contemporary Literature analytically foregrounds insights into the historical and current arrangements of sexuality that contemporary literature provides, while also inviting the reader to imagine other possibilities for the future that literary texts open up. Sexuality and Contemporary Literature is an important book for literary and cultural studies collections.

This collection of essays addresses the question of lucidity as a thematic in literature and film but also as a quality of both expression and insight in literary criticism and critical thought more generally. The essays offer treatments of lucidity in itself and in relation to its opposites, forms of obscurity and darkness. They offer attention to problems of philosophical thought and reason, to questions of literary and poetic form, and of photographic and filmic contemplation. Ranging from engagements with early modern writing through to more recent material the contributions focus in particular on nineteenth- and twentieth-century French prose and poetry, the field which has been the predominant focus of Alison Finch's critical writing. They are written as tributes to the distinctively lucid insights of her work and to the breadth and clarity of its intellectual engagement.

Born to a tobacco farmer in rural North Carolina, Kaye Gibbons found her literary voice by speaking through the strong southern women who inhabit her novels. While concentrating on the places and people she knows well, Gibbons has managed to speak for people who struggle to find their own place, wherever they are, and her books have reached a worldwide audience. Whether for students assigned to read "Ellen Foster" or for lovers of literature, this companion--the first and only book-length study of its kind--provides insights and interpretations that will help readers enjoy and better appreciate the novels of Kaye Gibbons.

Beginning with a biographical chapter, this companion shows how Gibbons's own life came to shape her fiction. Her place in and contributions to the genre of the southern novel are considered, and readers are taken through each of her six novels, starting with the highly acclaimed "Ellen Foster" (1987) and concluding with "On the Occasion of My Last Afternoon" (1998). For each work, lucid analyses of plot, character development, theme, and style are provided, along with an alternate critical perspective. The select bibliography includes reviews and further information on biographical and critical sources.