Scholarship often presumes that texts written about the Shoah, either by those directly involved in it or those writing its history, must always bear witness to the affective aftermath of the event, the lingering emotional effects of suffering. Drawing on the History of Emotions and on trauma theory, this monograph offers a critical study of the ambivalent attributions and expressions of emotion and "emotionlessness" in the literature and historiography of the Shoah. It addresses three phenomena: the metaphorical discourses by which emotionality and the purported lack thereof are attributed to victims and to perpetrators; the rhetoric of affective self-control and of affective distancing in fiction, testimony and historiography; and the poetics of empathy and the status of emotionality in discourses on the Shoah. Through a close analysis of a broad corpus centred around the work of W. G. Sebald, Dieter Schlesak, Ruth Kluger and Raul Hilberg, the book critically contextualises emotionality and its attributions in the post-war era, when a scepticism of pathos coincided with demands for factual rigidity. Ultimately, it invites the reader to reflect on their own affective stances towards history and its commemoration in the twenty-first century.

This book works on the interface between literature, culture, and discourse. It is entirely devoted to the reading of some of Zafzaf's novels that came out in the early 1970s and in the late 1980s, and attempts to chart the trajectory of the aesthetic imaginary of an exceptional writing experience that marked out the literary and cultural landscape in Morocco and in the Arab world for long. Zafzaf and his writings are associated with aspects of the country's social contradictions, cultural transition, and political transformations, expressed through various aesthetic patterns that translate the crisis of the intellectual within a society weighed down by poverty, political instability, social conflict, and cultural disintegration. Given the relative scarcity of resources that are written in English about the Moroccan novel of Arabic expression, this work is an attempt to theorize and approach in an interdisciplinary manner a set of narratives that have not been previously explored in western academia. Using postcolonial discourse as approach and a metaphor of reading, it draws attention to the often-neglected texts in Moroccan literature of Arabic expression and explores their aesthetic, discursive, and cultural implications that rethink and disturb canonical formations of literary texts in Morocco. This book will be adopted in the now burgeoning fields of the Humanities, and will provide useful resources for courses about Moroccan Literature and culture.

* This volume is a standalone volume rather than companion or revision to existing Handbooks on second language teaching and learning * All contributors are leading authorities in their areas of expertise, and the volume editor is a star in the field * Covers all major, established, and emerging topics in TESOL * Serves as a student- and teacher-oriented compendium of current topic areas geared to in-service and preservice teachers, experienced and novice instructors, advanced and not-so-advanced graduate students, and faculty

* Second edition is expanded from K-5 to K-8 grade range * Second edition features new student writing examples, more grade-level teaching recommendations, sample units at the end of each chapter, and more mentor text recommendations * Updated throughout with current research and literature on SFL and writing instruction * More attention to new genres and modes of writing, including literature responses, autobiography and memoir, and historical accounts

A sweeping and groundbreaking treasury of the most essential presidential writings, featuring a mix of the beloved and the little-known, from stirring speeches and shrewd remarks to behind-the-scenes drafts and unpublished autobiographies. From the early years of our nation's history, when George Washington wrote his humble yet powerful Farewell Address, to our current age, when Barack Obama delivered his moving speech on the fiftieth anniversary of the Selma-to-Montgomery marches, America's presidents have upheld a tradition of exceptional writing. Now, for the first time, the greatest presidential writings in history are united in one monumental treasury: the very best campaign orations, early autobiographies, presidential speeches, postpresidential reflections, and much more. In these pages, we see not only the words that shaped our nation, like Abraham Lincoln's Emancipation Proclamation and Franklin D. Roosevelt's Infamy speech, but also the words of young politicians claiming their place in our history, including excerpts from Woodrow Wilson's Congressional Government and Obama's career-making convention speech, and the words of mature leaders reflecting on their legacies, including John Adams's autobiography and Harry S. Truman's Memoirs. We even see hidden sides of the presidents that the public rarely glimpses: noted outdoorsman Teddy Roosevelt's great passion for literature or sunny Ronald Reagan's piercing childhood memories of escorting home his alcoholic father. Encompassing notable favorites like Lincoln's Gettysburg Address and John F. Kennedy's Inaugural Address as well as lesser-known texts like Thomas Jefferson's Notes on the State of Virginia and James Polk's candid White House diary, The Best Presidential Writing showcases America's presidents as thinkers, citizens, and leaders. More than simply a curation of must-read presidential writings, this unique collection presents the story of America itself, told by its highest leaders. Even the most famous speeches find new meanings or fresh connections when read in this sweeping context, making The Best Presidential Writing a trove full of insight and an essential historical document.

Reading Darwin in Imperial Russia: Literature and Ideas expands upon the cataloging efforts of earlier scholarship on Darwin's reception in Russia to analyze the rich cultural context and vital historical background of writings inspired by the arrival of Darwin's ideas in Russia. Starting with the first Russian translation of The Origin of Species in 1864, educated Russians eagerly read Darwin's works and reacted in a variety of ways. From enthusiasm to skepticism to hostility, these reactions manifested in a variety of published works, starting with the translations themselves, as well as critical reviews, opinion journalism, literary fiction, and polemical prose. The reception of Darwin spanned reverent, didactic, ironic, and sarcastic modes of interpretation. This book examines some of the best-known authors of the second half of the nineteenth century (Dostoevsky, Chernyshevsky, Chekhov) and others less well-known or nearly forgotten (Danilevsky, Timiriazev, Markevich, Strakhov) to explore the multi-faceted impact of Darwin's ideas on Russian educated society. While elements of Darwin's Russian reception were comparable to other countries, each author reveals distinctly Russian concerns tied to the meaning and consequences of the challenge posed by Darwinism. The scholars in this volume demonstrate not only what the authors wrote, but why they took their unique perspectives.

Using Documents presents an interdisciplinary discussion of human communication by means of documents, e.g., letters. Cultural scientists, together with researchers from media science and media engineering, analyze questions of document modeling, including a document's contexts of use, on the basis of cultural theory. The research also concerns the debate on the material turn in the fields of cultural studies and media studies. Looking back on existing work, texts on written communication by the philosopher and sociologist Georg Simmel and by an interdisciplinary French group of authors under the pseudonym Roger T. Pedauque are taken as a starting point and presented afresh. A look ahead to the future is also attempted. Whereas the modeling (including technical modeling) of documents has to date largely been limited to the description of output forms and specific content, the foundations are laid here for including documents' contexts of use in models that are grounded in cultural theory.

The book examines the wide panorama of Russian theological reflection found in a variety of sources-ecclesiastical books, sermons, literature, poetry, theater, historical treatises, scholarly works, and free translations of theology books. It presents not only the reflections of authors who remained in the framework of the official Orthodox theology, but also dissenters, primarily Old Believers and masons, who often sought to infuse Orthodox Christianity with a more personal approach.

This open access book includes forty-one chapters about foreign observers’ discourses on Japan. These include a wide range of perspectives from the travelogues of curious visitors to academic theses by scholars, which offer us a broad spectrum of contents, reflecting a variety of attitudes toward Japan. The works were written during the period from the 1850s to the 1980s, a timespan during which Japan became, in stages, more open to the outside world after a long isolation under the Tokugawa shogunate. From the perspective of “Japanology,� one can discern three distinct periods of rising interest in the country from abroad. The first tide of such interest came shortly after the opening of Japan, when various foreign travelers, including those who could not be included in this book, came over and wrote down their impressions of the country—which was, for them, a land of mystery and mystique, which had just opened its doors to them. The second wave arose at the beginning of the twentieth century, just after the Russo-Japanese War, when Japan again generated a remarkable surge of interest as a “miracle� in Asia that had pulled off the wondrous feat of defeating a white superpower. The third wave was more recent, which took place from the late 1960s to the 1980s, a period of high economic growth when the “miracle� of Japan’s remarkable economic recovery from the defeat of World War II attracted enthusiastic and curious attention from the outside world once again. It is not the intention of this book to directly highlight such historical transitions, but these forty-two brilliant mirrors (forty-one chapters, including forty-two discourses), even when looked in casually, provide us with unexpected insights and various perspectives.   Sh�ichi Saeki (1922–2016) was Professor Emeritus, the University of Tokyo. T�ru Haga (1931–2020) was Professor Emeritus, International Research Center for Japanese Studies. 

This book aims to redefine the relationship between film and revolution. Starting with Hannah Arendt's thoughts on the American and French Revolution, it argues that, from a theoretical perspective, revolutions can be understood as describing a relationship between time and movement and that ultimately the spectators and not the actors in a revolution decide its outcome. Focusing on the concepts of 'time,' 'movement,' and 'spectators,' this study develops an understanding of film not as a medium of agitation but as a way of thinking that relates to the idea of historicity that opened up with the American and French Revolution, a way of thinking that can expand our very notion of revolution. The book explores this expansion through an analysis of three audiovisual stagings of revolution: Abel Gance's epic on the French Revolution Napoleon, Warren Beatty's essay on the Russian Revolution Reds, and the miniseries John Adams about the American Revolution. The author thereby offers a fresh take on the questions of revolution and historicity from the perspective of film studies.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

First Published in 1973. Routledge is an imprint of Taylor & Francis, an informa company.

The volume offers multiple perspectives on the way in which people encounter and think about the future. Drawing on the perspectives of history, literature, philosophy and communication studies, an international ensemble of experts offer a kaleidoscope of topics to provoke and enlighten the reader. The authors seek to understand the daily lived experience of ordinary people as they encounter new technology as well as the way people reflect on the significance and meaning of those technologies. The approach of the volume stresses the quotidian quality of reality and ordinary understandings of reality as understood by people from all walks of life. Providing expert analysis and sophisticated understanding, the focus of attention gravitates toward how people make meaning out of change, particularly when the change occurs at the level of social technologies- the devices that modify and amplify our modes of communication with others. The volume is organised into three main sections: The phenomena of new communication technology in people's lives from a contemporary viewpoint; the meaning of robots and AI as they play an increasing role in people's experience and; broader issues concerning the operational, sociological and philosophical implications of people as they address a technology driven future.

Football as Literature adopts semiotics as a framework to compare football (soccer) to literature. The football field is akin to the plot or stage in narrative or dramatic modes, respectively, and the players are viewed as characters whose metamorphoses, in the text of football, are occasioned from the label of their positions to the completeness of the plot by the kinetic power of the ball. In employing this commentary, a standard football match is seen as a representation of the active text. Particularly, without commentary football unfolds as an unspoken semiotic narrative. Football is seen, therefore, as existing in a continuum of signification encapsulated especially in the acknowledged genres of literature.

This new collection of critical essays on science fiction and fantasy literature features the following pieces: "Setting Ideas in Space, Time, and Infinity," "The Necessity of Science Fiction," "The British and American Traditions of Speculative Fiction," "The Biology and Sociology of Alien Worlds," "Cosmic Perspectives in Nineteenth-Century Literature," "An Introduction to Alternate Worlds," "Adolf Hilter: His Part in Our Struggle: (A Brief Economic History of British SF Magazines)," "The Battle of Dorking and Its Aftermath," "The Science in Science Fiction," "The Siren Song of Sexuality: The Mythology of Femmes Fatales," "What We Know About Vampires," "A Brief History of Vampires," and "A Brief History of Werewolves." Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England.

This book brings together interdisciplinary scholars from history, theology, folklore, ethnology and meteorology to examine how David Cranz's Historie von Groenland (1765) resonated in various disciplines, periods and countries. Collectively the contributors demonstrate the reach of the book beyond its initial purpose as a record of missionary work, and into secular and political fields beyond Greenland and Germany. The chapters also reveal how the book contributed to broader discussions and conceptualizations of Greenland as part of the Atlantic world. The interdisciplinary scope of the volume allows for a layered reading of Cranz's book that demonstrates how different meanings could be drawn from the book in different contexts and how the book resonated throughout time and space. It also makes the broader argument that the construction of the Artic in the eighteenth century broadened our understanding of the Atlantic.

This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel.

Discrimination, stigmatization, xenophobia, heightened securitization - fear and blaming of "aliens within" - characterize the world infected by COVID-19. Such fears have a long cultural history, however, particularly in connecting pathology with race, poverty, and migration. This volume explores theory and narratives of disease, danger, and displacement through the lenses of cultural, literary, and film studies, historical representation, ethnics studies, sociology and cultural geography, classics, music, and linguistics. Investigations range from, for example, illness discourse in the ancient classics to images of perilous intruders in the Age of Trump, from the Haitian Revolution and subsequent zombie stereotypes to current, problematic refugee resettlement in the US South and Greek islands, from the urban underworld in nineteenth-century sensation novels to ethnic women "on the stroll" in coronavirus times. The collection is organized into three thematically intertwined parts: Stigmatizing the Racialized Underclass; Pathologizing the Other; Constructing and Countering Collapse. It examines changing or recurrent aporias in tropes of belonging and exclusion, as well as the birthing of new forms of identity, agency, and countercultural expression.

Perspectives on East and Southeast Asian Folktales is a multidisciplinary examination of folktales that are unfamiliar to Western audiences. Examining folktales from countries like Vietnam, Laos, Cambodia, Burma, China, Japan, and Korea, the contributors consider various aspects, including identity issues, relationship to idioms and narrative structure, morals, collectivism, violence, scatological references, language socialization, representation of Buddhist values, and emotional competence. . Highlighting differences and similarities between East and Southeast Asian and Western folktales, this volume promotes memorable understanding of East and Southeast Asian cultures and their oral traditions.

This book addresses different forms of discourse by analysing the emergence of power dynamics in communication and their importance in shaping the production and reception of messages. The chapters focus on specific cognitive aspects, such as the verbal expression of reasoning or emotions, as well as on linguistic and discursive processes. The interaction between reasoning, feelings, and emotions is described in relation to several fields of discourse where power dynamics may emerge and includes, among others, political, media, and academic discourse. This volume aims to include representative instances of this heterogeneity and is deeply rooted, both theoretically and methodologically, in the acknowledgment that the investigation of the complex interaction between reason and emotion in discursive productions cannot be exempt from the adoption of a multi-disciplinary perspective. By providing a critical reflection of their methodological decisions, and describing the implications of their research projects, the contributors offer insights which are relevant for students, researchers, and practitioners operating in the broad field of discourse studies.

This new collection of critical essays on science fiction and fantasy literature and media features the following pieces: "Slaves of the Death Spiders: Colin Wilson and Existential Science Fiction," "Is There No Balm in Gilead? The Woeful Prophecies of Margaret Atwood's The Handmaid's Tale," "A Few More Crocodile Tears?" "The Adventures of Lord Horror Across the Media Landscape," "Filling in the Middle: Robert Silverberg's The Queen of Springtime," "Rice's Relapse: Memnoch the Devil," "Field of Broken Dreams: Michael Bishop's Brittle Innings," "The Magic of the Movies," "H. G. Wells and the Discovery of the Future," "The Many Returns of Dracula," "Tarzan's Divided Self," "Sympathy for the Devil: Jacques Cazotte's The Devil in Love," "The Two Thousand Year Odyssey: George Viereck's Erotic Odyssey," and "The Profession of Science Fiction" (an autobiography).

Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England.

ISBN 0-8095-0910-5 (cloth) ISBN 0-8095-1910-0 (paper)