Perspectives on East and Southeast Asian Folktales is a multidisciplinary examination of folktales that are unfamiliar to Western audiences. Examining folktales from countries like Vietnam, Laos, Cambodia, Burma, China, Japan, and Korea, the contributors consider various aspects, including identity issues, relationship to idioms and narrative structure, morals, collectivism, violence, scatological references, language socialization, representation of Buddhist values, and emotional competence. . Highlighting differences and similarities between East and Southeast Asian and Western folktales, this volume promotes memorable understanding of East and Southeast Asian cultures and their oral traditions.

This book addresses different forms of discourse by analysing the emergence of power dynamics in communication and their importance in shaping the production and reception of messages. The chapters focus on specific cognitive aspects, such as the verbal expression of reasoning or emotions, as well as on linguistic and discursive processes. The interaction between reasoning, feelings, and emotions is described in relation to several fields of discourse where power dynamics may emerge and includes, among others, political, media, and academic discourse. This volume aims to include representative instances of this heterogeneity and is deeply rooted, both theoretically and methodologically, in the acknowledgment that the investigation of the complex interaction between reason and emotion in discursive productions cannot be exempt from the adoption of a multi-disciplinary perspective. By providing a critical reflection of their methodological decisions, and describing the implications of their research projects, the contributors offer insights which are relevant for students, researchers, and practitioners operating in the broad field of discourse studies.

Slavs in the Making takes a fresh look at archaeological evidence from parts of Slavic-speaking Europe north of the Lower Danube, including the present-day territories of the Czech Republic, Slovakia, Poland, Belarus, Ukraine, and Russia. Nothing is known about what the inhabitants of those remote lands called themselves during the sixth century, or whether they spoke a Slavic language. The book engages critically with the archaeological evidence from these regions, and questions its association with the "Slavs" that has often been taken for granted. It also deals with the linguistic evidence-primarily names of rivers and other bodies of water-that has been used to identify the primordial homeland of the Slavs, and from which their migration towards the Lower Danube is believed to have started. It is precisely in this area that sociolinguistics can offer a serious alternative to the language tree model currently favoured in linguistic paleontology. The question of how best to explain the spread of Slavic remains a controversial issue. This book attempts to provide an answer, and not just a critique of the method of linguistic paleontology upon which the theory of the Slavic migration and homeland relies. The book proposes a model of interpretation that builds upon the idea that (Common) Slavic cannot possibly be the result of Slavic migration. It addresses the question of migration in the archaeology of early medieval Eastern Europe, and makes a strong case for a more nuanced interpretation of the archaeological evidence of mobility. It will appeal to scholars and students interested in medieval history, migration, and the history of Eastern and Central Europe.

Eco-criticism, as explored in this volume edited by Sr. Candy D'Cunha, begins with the concept of imagination, in other words, eco-aesthetics through which the power of words, stories, images, essence, and meaning are directly applied to environmental problems that afflict planet earth today. On the other hand, eco-criticism also concurs with the other branches of environmental humanities in the realm of history, ethics, anthropology, religious studies, and humanistic geography, among others. Arising from developing world perspectives, these fields harmonize environmental phenomena to comprehend the array of environmental concerns through a transnational perspective. In addition to these, the honest depiction of the harm done to the environment is to enable human to rethink and reorient themselves for radically transforming the present eco-system.

- Students will acquire a high level of proficiency, developing their skills in sentence structure, word order, and use of punctuation marks and function words. - Focuses on accuracy in the use of syntactic structures, filling a gap in Russian instruction at the advanced level * Each chapter contains mini-dialogues to illustrate language in use, while communicative exercises and self-assessments allow students to apply and check their understanding.

First published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.

Culture and the Literary is a study of how cultural codes are constructed, consumed and conveyed as represented in selected works of fiction and non-fiction. Examining cultural studies as a discipline by revisiting some of its seminal figures, the book includes a study of selected literary as well as non-fictional texts. It offers a unique combination of three major theoretical frames: memory studies, thing theory, and affect studies. Drawing on fictional representations, theoretical frames and historical events, this book aims to provide a unique perspective into how culture as a phenomenon is represented, reified and re-membered in the world we inhabit today.

Throughout his works, Thomas Pynchon uses various animal characters to narrate fables that are vital to postmodernism and ecocriticism. Thomas Pynchon's Animal Tales: Fables for Ecocriticism examines case studies of animal representation in Pynchon's texts, such as alligators in the sewer in V.; the alligator purse in Bleeding Edge; dolphins in the Miami Seaquarium in The Crying of Lot 49; dodoes, pigs, and octopuses in Gravity's Rainbow; Bigfoot and Godzilla in Vineland and Inherent Vice; and preternatural dogs and mythical worms in Mason & Dixon and Against the Day. Through this exploration, Keita Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings that live somewhere between the civilized and uncivilized, the tamed and untamed, and the preternatural and supernatural. Furthermore, by conducting a comparative study of Pynchon's narratives and his contemporary documentarians and thinkers, Thomas Pynchon's Animal Tales leads readers to draw great lessons from the fables that Pynchon offers to stimulate our ecocritical thought for tomorrow.

This is a volume of selected passages from the extensive diary of General Gordon: the soldier of fortune, whose memoirs are now introduced to the SPALDING CLUB, had been but a short while dead when public attention was turned to the eight or ten thick quartos, in which, for forty years, he had recorded, day by day. the incidents of his eventful life. So early as 1724, a translation of the Journal from its original English into Russian. In printing these selections, an attempt has been made so far to connect them together, by an outline of Gordon's life in the interval, with occasional quotations from some of the more memorable pages of his Journal, such as those in which he notes the beginnings of his intimacy with Peter the Great or chronicles the prompt and vigorous acts by which he quelled the revolt of the Strelitzes.

• there is currently a gap in the market as people who want to know more about adults in the criminal justice system with communication needs • because this is a fairly new field for SLTs, the book is a must buy because it offers knowledge and confidence building in a situation where often the SLT is lone working with minimal supervision • this resource would be practical and offers ready-made templates to busy clinicians who might not have time to create their own • SLT placement in CJS is increasing and this would be a must have support for any student placement. • There is always a political drive to reduce reoffending and prevent offending, this book will speak to that wider political agenda and offer insight

This new collection of critical essays on science fiction and fantasy literature and media features the following pieces: "Slaves of the Death Spiders: Colin Wilson and Existential Science Fiction," "Is There No Balm in Gilead? The Woeful Prophecies of Margaret Atwood's The Handmaid's Tale," "A Few More Crocodile Tears?" "The Adventures of Lord Horror Across the Media Landscape," "Filling in the Middle: Robert Silverberg's The Queen of Springtime," "Rice's Relapse: Memnoch the Devil," "Field of Broken Dreams: Michael Bishop's Brittle Innings," "The Magic of the Movies," "H. G. Wells and the Discovery of the Future," "The Many Returns of Dracula," "Tarzan's Divided Self," "Sympathy for the Devil: Jacques Cazotte's The Devil in Love," "The Two Thousand Year Odyssey: George Viereck's Erotic Odyssey," and "The Profession of Science Fiction" (an autobiography).

Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England.

ISBN 0-8095-0910-5 (cloth) ISBN 0-8095-1910-0 (paper)

In Russia, gothic fiction is often seen as an aside - a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature's engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre's function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.

It is remarkable that some theoretical developments in narratology have bypassed poetic narratives, concentrating almost exclusively on prose fiction. Clare Kinney's original study aims to redress the balance by exploring the distinctive narrative strategies of fictions which unfold in the artificial and self-conscious schemes of language bound by poetic form. Kinney's close readings of three sophisticated poetic narratives, Chaucer's Troilus and Criseyde, Book VI of Spenser's The Faerie Queene, and Milton's Paradise Lost, suggest that these diverse works are united by a common tendency to exploit the alternative patterns of lyric in order to defer undesirable conclusions and offer subversive counterplots. Finally, an exploration of Eliot's The Waste Land as poetic 'anti-narrative' leads into a consideration of the ways in which poetic fictions employ their various, inherently double designs - in particular their ability to invoke the resources of lyric - to pre-empt unhappy endings by telling at least two stories at the same time.

In various ways, Chinese diasporic communities seek to connect and re-connect with their "homelands" in literature, film, and visual culture. The essays in Affective Geographies and Narratives of Chinese Diaspora examine how diasporic bodies and emotions interact with space and place, as well as how theories of affect change our thinking of diaspora. Questions of borders and border-crossing, not to mention the public and private spheres, in diaspora literature and film raise further questions about mapping and spatial representation and the affective and geographical significance of the push-and-pull movement in diasporic communities. The unique experience is represented differently by different authors across texts and media. In an age of globalization, in "the Chinese Century," the spatial representation and cultural experiences of mobility, displacement, settlement, and hybridity become all the more urgent. The essays in this volume respond to this urgency, and they help to frame the study of Chinese diaspora and culture today.

The Classic of Changes (Yi jing) is one of the most ancient texts known to human civilization, always given pride of place in the Chinese classical tradition. And yet the powerful fascination exerted by the Classic of Changes has preserved the archaic text, widely attracting readers with a continuing interest in trying to understand it as a source of reflection and guide to ordinary circumstances of human life. Its monumental influence over Chinese thought makes the text an indispensable element in any informed approach to Chinese culture.Accordingly, the book focuses on the archaic core of the Classic of Changes and proposes a structural anthropological analysis for two main reasons. First, unlike many treatments of the Yi jing, there is a concern to place the text carefully in the context of the ancient culture

This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel.

Reading John Through Johannine Lenses demonstrates that the model an interpreter chooses for examining the Gospel of John significantly impacts the resulting interpretation. The Fourth Evangelist uses key words in the prologue in order to guide the reader toward key moments in the gospel. Stan Harstine shows how four words- life, word, receive, and believe- converge at transition points in John 5, 12, and 17. Their close relationship is not random; rather, it guides the reader to recall what the Gospel has presented in the preceding section, providing a road map for understanding the narrative. By using interpretive models from both diachronic and synchronic methodologies, Harstine's comparison of traditional historical methods with more recent narrative and rhetorical methods demonstrates the wide disparity of results from prior approaches, thus accentuating the importance of reading the Fourth Gospel through the lenses it provides its readers.

Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, communicate, and understand human motivations, desires, and needs. In this book the editors put forward two core propositions: creative artistic behavior is one of the key challenges of artificial intelligence research, and computer-assisted creativity and human-centered artificial intelligence systems are the driving forces for research in this area. The invited chapters examine computational creativity and more specifically systems that exhibit artistic behavior or can improve humans' creative and artistic abilities. The authors synthesize and reflect on current trends, identify core challenges and opportunities, and present novel contributions and applications in domains such as the visual arts, music, 3D environments, and games. The book will be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts.

Treating Philip Roth as a war writer-as well as a sportswriter, crime reporter, political commentator, and Newark chronicler-Roth's Wars: A Career in Conflict offers a thoroughly researched account of the novelist's preoccupation with wars around the world and wars at home. This wide-ranging social and cultural history of Roth's career examines intersections between Roth's preoccupations as a writer and the work of contemporaries, such as J.D. Salinger, Joan Didion, George Plimpton, Hannah Arendt, E.L. Doctorow, Flannery O'Connor, Michael Herr, and Don DeLillo. The legends and icons who figure in this account of Roth's career include Dwight Eisenhower, Meyer Lansky, Ernie Pyle, Bob Dylan, Johnny Appleseed, Anne Frank, JFK, Mickey Mantle, the Marx Brothers, Thomas Paine, Sandy Koufax, and Franz Kafka.

* highlights important language elements by utilising original and recent Chinese texts regarding social issues * Designed to progress learners' language competency to an advanced level through a natural connection between Chinese language learning and Chinese Social Studies. * Facilitates language learning and provides important insight for the formation of cross-cultural relationships. * Prepares readers for the transition from academic study to employment. * Written by a team of native and non-native speakers.