Football as Literature adopts semiotics as a framework to compare football (soccer) to literature. The football field is akin to the plot or stage in narrative or dramatic modes, respectively, and the players are viewed as characters whose metamorphoses, in the text of football, are occasioned from the label of their positions to the completeness of the plot by the kinetic power of the ball. In employing this commentary, a standard football match is seen as a representation of the active text. Particularly, without commentary football unfolds as an unspoken semiotic narrative. Football is seen, therefore, as existing in a continuum of signification encapsulated especially in the acknowledged genres of literature.

First published in 2013. An unabashed and accurate translation of the wonderful and enchanting tales of the Arabian Nights, complete in four volumes.

The objective of the work of W. South Coblin has been to collect various materials on Chinese and Tibeto-Burman languages into a single list and to arrange this list in a clear and convenient form, with indexes which make the information easily accessible.The author presents the view that Chinese and the Tibeto-Burman languages must have descended from a common proto-language. He reconstructs Sino-Tibetan proto-forms from which Chinese and Tibeto-Burman reflexes can be derived by regular rules. The importance of the reconstructive exercise lies not in the detail of this or any other reconstructed system but in the fact that the exercise can be successfully carried out, regardless of theoretical convictions or orientations.

A fresh, engaging introduction to a staple philosophy subject that connects existential themes and problems with key texts Existentialism is undergoing a major revival, following new translations, biographies and popular books such as At The Existentialist Cafe and our own new translation of Being & Nothingness Includes helpful chapter summaries and annotated further reading Despite the popularity of the subject there are surprisingly few reliable introductions available

"A valuable contribution to understanding and interpreting a visually and philosophical ambitious and at the same time provocatively eccentric film maker."--"German Studies Review"

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime? Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline is a guide to finding them.

The Department of Germanic Studies at Indiana University sponsored an interdisciplinary symposium in 1987 on aspects of Faust research ... The collection of essays presented here arose from the symposium discussions--P. [vii].

NEW & NOTEWORTHY THE NEW YORK TIMES With a Foreword by Susan Orlean, twenty-three of today's living literary legends, including Donna Tartt, Viet Thanh Nguyen, Andrew Sean Greer, Laila Lalami, and Michael Chabon, reveal the books that made them think, brought them joy, and changed their lives in this intimate, moving, and insightful collection from American's Librarian Nancy Pearl and noted playwright Jeff Schwager that celebrates the power of literature and reading to connect us all. Before Jennifer Egan, Louise Erdrich, Luis Alberto Urrea, and Jonathan Lethem became revered authors, they were readers. In this ebullient book, America's favorite librarian Nancy Pearl and noted-playwright Jeff Schwager interview a diverse range of America's most notable and influential writers about the books that shaped them and inspired them to leave their own literary mark. Illustrated with beautiful line drawings, The Writer's Library is a revelatory exploration of the studies, libraries, and bookstores of today's favorite authors--the creative artists whose imagination and sublime talent make America's literary scene the wonderful, dynamic world it is. A love letter to books and a celebration of wordsmiths, The Writer's Library is a treasure for anyone who has been moved by the written word. The authors in The Writer's Library are: Russell Banks TC Boyle Michael Chabon Susan Choi Jennifer Egan Dave Eggers Louise Erdrich Richard Ford Laurie Frankel Andrew Sean Greer Jane Hirshfield Siri Hustvedt Charles Johnson Laila Lalami Jonathan Lethem Donna Tartt Madeline Miller Viet Thanh Nguyen Luis Alberto Urrea Vendela Vida Ayelet Waldman Maaza Mengiste Amor Towles

* Arabic code-switching and translanguaging in written Arabic has recently emerged as a powerful form of communication online and the connection between these forms of communication and the socio-political impact they have within the ongoing tumultuous transformations in the Arab world makes this study very appealing to students and researchers * addresses the colloquial/standard variation of written Arabic for students of Arabic sociolinguistics * many scholars/teachers in the filed of Arabic are re-thinking the ways in which the Arabic language can be taught in a more efficient way that would address the challenges posed by Arabic diglossia * a useful practical and theoretical tool that scholars could use in their explorations and teaching. This book would appeal to: sociolinguistic researchers mixed Arabic writing and the concepts of code-switching, code-mixing and translanguaging teachers and students of Arabic wishing to understand better the mixed forms of writing we find in modern Arabic literature and on social media. Early literacy advocates, researchers and teachers, who wish to better understand the issues young learners face and possible solutions to overcoming the barriers to achieving higher literacy and attainment policy makers and educators interested in Arabic phonics, a new yet popular concept in Arabic language teaching and learning

The traditional dialect spoken in the Shetland Isles, the northernmost part of Scotland and Britain, is highly distinct. It displays distinct, characteristic features on all linguistic levels and particularly in its sound system, or its phonology. The dialect is one of the lesser- known varieties of English within the Inner Circle. Increasing interest in the lesser- known varieties of English in recent years has brought a realization that there are still blanks on the map, even within the very core of the Inner Circle. Sundkvist's comprehensive treatise draws upon results from a three- year research project funded by the Bank of Sweden Tercentenary Foundation, for which a phonological survey of the Shetland dialect was carried out between 2010 and 2012. This book is a useful resource for those working on historical linguistics and is intended to serve as a comprehensive description and accessible reference source on one of the most distinct lesser- known varieties of English within Britain. It documents and offers a systematic account of the rich regional variation as well as being a reference source for those studying the historical formation and emergence of the Shetland dialect and language variation and change in Shetland, as well as those within the broader field of Germanic linguistics.

This book deconstructs the controversy of globally located Chinese women authors, including Maxine Hong Kingston (America), Wei Hui (Mainland China), Li Ang (Taiwan), and Li Bihua (Hong Kong). It vividly shows how these authors are trapped in a dilemma between feminism, nationalism, and neocolonialism complicated by the powerful influences of global popular culture. This book not only engages in the much debated major issues such as gender, nation, narration and globalization, but more profoundly, it also points out the cultural and political significance of literary and cultural criticism, a much neglected area of research. The author's detailed examination of Chinese nationalism from the perspectives of gender and globalization shows her sharp awareness of the changing geopolitical mapping of Chineseness. Critics of Chinese literature and culture will benefit from this work in this era of social and political changes. "The book is an ambitious, original, and provocative study of modern and contemporary Chinese literature and culture . this book brings a fresh approach to the developing field of Chinese feminist studies and to the field of Chinese literary criticism." - Professor Jianmei Liu, University of Maryland, College Park

Conventional scholarship on written communication positions the Western alphabet as a precondition for literacy. Thus, pictographic, non-verbal writing practices of Mesoamerica remain obscured by representations of lettered speech. This book examines how contemporary Mestiz@ scripts challenge alphabetic dominance, thereby undermining the colonized territories of "writing." Strategic weavings of Aztec and European inscription systems not only promote historically-grounded accounts of how recorded information is expressed across cultures, but also speak to emerging studies on "visual/multimodal" education. Baca-Espinosa argues that Mestiz@ literacies advance "new" ways of reading and writing, applicable to diverse classrooms of the twenty-first century.

In this provocative work, Alicia E. Ellis provides readings of Franz Grillparzer's dramas as proto-feminist formulations of female figures who refuse the gendered constraints of the ancient world. The revisionist perspectives of the tragedies recover a latent feminist impulse in the stories of Sappho, Medea, and Hero as identities marked by linguistic refusals. Activating new ideas of narrative experience, Ellis transports the figure of the female to the seat of language, testimony, and presence. Inflected by a taut impasse with a culture not produced to include female speech, Ellis shows how Grillparzer's adaptations of classical materials offer a working theory about the ways in which new forms of language highlight female energy around autonomy and agency providing a corrective to previous cultural practices. A failure to comply with social and political norms demonstrates how the three assessed and then resolved exclusionary acts through rebellious discursive performances that frame how contested identities can be thought and reformulated. Readings in this study draw from the work of Sara Ahmed and Judith Butler on cultural framing and cultural translation in contemporary feminist critique. Ahmed and Butler direct attention to the language of the texts, what they mean, and how they produce that meaning.

This volume brings together research on the forms, genres, media and histories of refugee migration. Chapters come from a range of disciplines and interdisciplinary approaches, including literature, film studies, performance studies and postcolonial studies. The goal is to bring together chapters that use the perspectives of the arts and humanities to study representations of refugee migration. The chapters of the anthology are organized around specific forms and genres: life-writing and memoir, the graphic novel, theater and music, film and documentary, coming-of-age stories, street literature, and the literary novel.

There should no longer be any doubt: drones are here to stay. In civil society, they are used for rescue, surveillance, transport and leisure. And on the battlefield, their promises of remote protection and surgical precision have radically changed the way wars are fought. But what impact are drones having on our identity, and how are they affecting the communities around us? This book addresses these questions by investigating the representation of civilian and military drones in visual arts, literature, and architecture. What emerges, the contributors argue, is a compelling new aesthetic: 'drone imaginary', a prism of cultural and critical knowledge, through which the complex interplay between drone technology and human communities is explored, and from which its historical, cultural and political dimensions can be assessed. The contributors offer diverse approaches to this interdisciplinary field of aesthetic drone imaginaries. With essays on the aesthetic configurations of drone swarming, historical perspectives on early unmanned aviation, as well as current debates on how drone technology alters the human body and creates new political imaginaries, this book provides new insights to the rapidly evolving field of drone studies. Working across art history, literature, photography, feminism, postcolonialism and cultural studies, Drone imaginaries offers a unique insight into how drones are changing our societies. -- .

This casebook begins by establishing the dramatic and literary concerns of the play, such as structure, themes, poetic language, and original sources and classical inspiration. Four historical context chapters consider attitudes toward gender relations, social distinctions, popular culture, and imagination in Shakespeare's time, revealing contemporary social and political issues and debates reflected in the comedy.

One of Shakespeare's most delightful plays, A Midsummer Night's Dream enchants audiences and readers with its celebration of magic, dreams, and love. This casebook begins by establishing the dramatic and literary concerns of the play. Four historical context chapters consider attitudes toward gender relations, social distinctions, popular culture, and imagination in Shakespeare's time, revealing contemporary issues and debates reflected in the comedy.

Each unit is supported by primary historical documents, including pamphlets and proclamations. A discussion of performance and interpretation focuses on how the play's popularity and perspectives have evolved over the centuries, and thematic connections to modern influences like sitcoms and Freudian dream analysis show how the play is pertinent to young readers. Numerous ideas for written assignments and oral discussions are offered, along with further suggested readings.

Throughout his works, Thomas Pynchon uses various animal characters to narrate fables that are vital to postmodernism and ecocriticism. Thomas Pynchon's Animal Tales: Fables for Ecocriticism examines case studies of animal representation in Pynchon's texts, such as alligators in the sewer in V.; the alligator purse in Bleeding Edge; dolphins in the Miami Seaquarium in The Crying of Lot 49; dodoes, pigs, and octopuses in Gravity's Rainbow; Bigfoot and Godzilla in Vineland and Inherent Vice; and preternatural dogs and mythical worms in Mason & Dixon and Against the Day. Through this exploration, Keita Hatooka illuminates how radically and imaginatively the legendary novelist depicts his empathy for nonhuman beings that live somewhere between the civilized and uncivilized, the tamed and untamed, and the preternatural and supernatural. Furthermore, by conducting a comparative study of Pynchon's narratives and his contemporary documentarians and thinkers, Thomas Pynchon's Animal Tales leads readers to draw great lessons from the fables that Pynchon offers to stimulate our ecocritical thought for tomorrow.

Mono no Aware and Gender as Affect in Japanese Aesthetics and American Pragmatism places the naturalistic pragmatism of John Dewey in conversation with Motoori Norinaga's mono no aware, a Japanese aesthetic theory of experience, to examine gender as a felt experience of an aware, or an affective quality of persons. By treating gender as an affect, Johnathan Charles Flowers argues that the experience of gendering and being gendered is a result of the affective perception of the organization of the body in line with cultural aesthetics embodied in Deweyan habit or Japanese kata broadly understood as culturally mediated transactions with the world. On this view, how the felt sense of identity aligns with the affective organization of society determines the nature of the possible social transactions between individuals. As such, this book intervenes in questions of personhood broadly-and identity specifically-by treating personhood itself as an affective sense. In doing so, this book demonstrates how questions of personhood and identity are themselves affective judgments. By treating gender and other identities as aware, this book advocates an expanded recognition of the how to be in the world through cultivating new ways of perceiving the affective organization of persons.

Language Diversity in the Sinophone World offers interdisciplinary insights into social, cultural, and linguistic aspects of multilingualism in the Sinophone world, highlighting language diversity and opening up the burgeoning field of Sinophone studies to new perspectives from sociolinguistics. The book begins by charting historical trajectories in Sinophone multilingualism, beginning with late imperial China through to the emergence of English in the mid-19th century. The volume uses this foundation as a jumping off point from which to provide an in-depth comparison of modern language planning and policies throughout the Sinophone world, with the final section examining multilingual practices not readily captured by planning frameworks and the ideologies, identities, repertoires, and competences intertwined within these different multilingual configurations. Taken together, the collection makes a unique sociolinguistic-focused intervention into emerging research in Sinophone studies and will be of interest to students and scholars within the discipline.

Culture and the Literary is a study of how cultural codes are constructed, consumed and conveyed as represented in selected works of fiction and non-fiction. Examining cultural studies as a discipline by revisiting some of its seminal figures, the book includes a study of selected literary as well as non-fictional texts. It offers a unique combination of three major theoretical frames: memory studies, thing theory, and affect studies. Drawing on fictional representations, theoretical frames and historical events, this book aims to provide a unique perspective into how culture as a phenomenon is represented, reified and re-membered in the world we inhabit today.

By way of a case study of one of the oldest French book agencies, Agence Hoffman, this book analyzes the role played by French literary agents in the importation of US fiction and literature into France in the years following World War II. It sheds light on the material conditions of the circulation of texts across the Atlantic between 1944 and 1955, exploring the fine mechanisms of agents' negotiations which allowed texts, and ideas, to cross borders. While providing comparative insights into the history of publishing in France and in the United States in the immediate aftermath of the war, this book aims at foregrounding the role of the book agent, an all-too often neglected intermediary in the field of book history. Grounded in archival work conducted both in France and the United States, this study is based on previously unexamined correspondence. Considering the concept of mediation as central in the field of print culture, this book addresses the dearth of scholarship on literary agents on both sides of the Atlantic, and intersects with the current scholarship on transatlantic, internationalm and transnational cultural and trade networks, as evidenced by the recently emerged field of sociology of translation in Europe.

Drawing on his experience living in Asia and Arizona, as well as his reading of classical literature, both East and West, Frederick Glaysher invokes a global vision beyond the prevailing conceptions entrenched in postmodernism and postmodernity. In Letters from the American Desert, Glaysher reflects on the cultural, political, and religious history of Western and non-Western civilizations, pondering the dilemmas of postmodernity, in a compelling struggle for spiritual knowledge and truth. Fully cognizant of the relativism and nihilism of modern life, Glaysher finds a deeper meaning and purpose for the individual and the world community in the writings and global vision of Baha'u'llah, as expressed in the Reform Bahai Faith. Confronting the antinomies of the soul, grounded in the dialectic, Glaysher charts a path beyond the postmodern desert. Alluding to Martin Luther and W. B. Yeats at All Souls Chapel, Glaysher invites readers to consider the implications of the universal, moderate form of the Bahai Teachings as interpreted by Abdu'l-Baha, Baha'u'llah's son, who had spoken throughout the West in Europe, England, and the United States from 1911 to 1913. Abdu'l-Baha's message of the oneness of God, all religions, and humankind holds out a new hope and vision for a world in spiritual and global crisis. Far from a theocracy, the Reform Bahai Faith envisions a separation of church and state as the will of God, in harmony and balance with universal peace, in a global age of permanent pluralism, in a world of multiplicity, where religion is a reflection of individual distinctiveness, not of communal identity.