Fifty years after Camus's untimely death, his work still has a tremendous impact on literature. From a twenty-first century vantage point, his work offer us coexisting ideas and principles by which we can read and understand the other and ourselves. Yet Camus seems to guide us without directing us strictly; his fictions do not offer clear-cut solutions or doctrines to follow. This complexity is what demands that the oeuvre be read, and reread. The wide-ranging articles in this volume shed light, concentrate on the original aspects of Camus' writings and explore how and why they are still relevant for us today.

Some authors strongly criticized attempts to rebuild a German literary culture in the aftermath of World War II, while others actively committed themselves to "dealing with the German past." There are writers in Austria and Switzerland that find other contradictions of contemporary life troubling, while some find them funny or even worth celebrating. German postwar literature has, in the minds of some observers, developed a kind of split personality. In view of the traumatic monstrosities of the previous century that development may seem logical to some. The Historical Dictionary of Postwar German Literature is devoted to modern literature produced in the German language, whether from Germany, Austria, Switzerland or writers using German in other countries. This volume covers an extensive period of time, beginning in 1945 at what was called "zero hour" for German literature and proceeds into the 21st century, concluding in 2008. This is done through a list of acronyms and abbreviations, a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on writers, such as Nobel Prize-winners Heinrich Boll, Gunter Grass, Elias Canetti, Elfriede Jelinek, and W. G. Sebald. There are also entries on individual works, genres, movements, literary styles, and forms."

Russian novelist and philospher Leo Tolstoy (1828-1910) is best known for his monumental novels War and Peace and Anna Karenina, but his reputation as a master of short fiction is richly evident in this unparalleled anthology. Here, in the largest one-volume collection available, are 36 stories of war, intrigue, treachery, murder, moral turmoil, spiritual anguish, and occasional redemption. They include early stories like the famed "Sevastopol" tales of warfare and "Lost on the Steppe;" the tour de force novellas "The Death of Ivan Ilyitch" and "The Kreutzer Sonata;" as well as folk tales, parables, realistic tales, and many lesser-known gems.

This wide-ranging collection deals with the dynamics of current developments in literature, language, and culture in Kenya and Tanzania. It testifies to a spirited exchange of ideas between writers and academics and promotes transdisciplinary dialogue among several academic fields - anglophone and Swahili studies, literary studies and linguistics, East African and German academic discourse, Kenyan and Tanzanian perspectives. The contributions create a 'contact zone' of their own that will generate productive impulses for transdisciplinary research and allow readers to gain new insights into trajectories of Swahili and anglophone writing in East Africa. Topics covered include literary language choice and translation, popular fiction and codeswitching, Swahili hip-hop texts, HIV/AIDS discourse, the advance of 'Sheng' and 'Engsh' in literary-linguistic space, contemporary women's literature in Kenya, and special studies of Abdulrazak Gurnah and David G. Maillu. CONTRIBUTORS MIKHAIL D. GROMOV * ABDULRAZAK GURNAH * SISSY HELFF * LILLIAN KAVITI * EUPHRASE KEZILAHABI * SAID A.M. KHAMIS * ALDIN K. MUTEMBEI * YVONNE ADHIAMBO OWUOR * UTA REUSTER-JAHN * ALINA N. RINKANYA * GABRIEL RUHUMBIKA * CLARISSA VIERKE * KYALLO WADI WAMITILA

In this edited collection, authors from various academic, cultural, racial, linguistic, and personal backgrounds use critical discourse analysis as a conceptual framework and method to examine social inequities, identity issues, and linguistic discrimination faced by historically oppressed groups in schools and society. Language, Race, and Power in Schools unravels the ways and degrees to which these groups have faced and resisted oppression, and draws on critical discourse analysis to examine how multiple forms of oppression intersect. This volume interrogates areas of discrimination and injustice and discusses possibilities of developing coalitions and concerted efforts across the lines of diversity.

Textual scholarship has always been closely linked to questions of canonicity, both in terms of what texts are edited and how they are edited. As attitudes towards the canon have altered over the last decade, textual scholarship too has changed, both in practice and theory. The essays in this collection examine the connections between textual scholarship and the canon, and the implications for textual scholarship of changing attitudes to the canon within the wider academic environment. As is now characteristic of "Variants," essays range widely over time and space in their focus, reflecting the breadth of the Society's membership and interests. Two essays focus on different aspects of the distinctive Lithuanian experience of the canon. Other essays trace the influence of the concept in Sweden, the problematic nature of the canon when dealing with unstable medieval texts, the debate within the German scholarly community about modes of editing, developments in the canon outside the academic world in the last decades, and an account of the problems of editing a very non-canonical text. Three essays not linked to the theme of the volume close the collection: an account of the galley proofs of Pynchon's "V.," a survey of developments in book design for scholarly editions through print and beyond, and an account of the reception of "Ossian," which fuses book history, textual scholarship and intellectual history.

Since the beginning of his poetic career in the 1990s, derek beaulieu has created works that have challenged readers to understand in new ways the possibilities of poetry. With nine books currently to his credit, and many works appearing in chapbooks, broadsides, and magazines, beaulieu continues to push experimental poetry, both in Canada and internationally, in new directions. "Please, No More Poetry" is the first selected works of derek beaulieu.

As the publisher of first housepress and, more recently, No Press, beaulieu has continually highlighted the possibilities for experimental work in a variety of writing communities. His own work can be classified as visual poetry, as concrete poetry, as conceptual work, and beyond. His work is not to be read in any traditional sense, as it challenges the very idea of reading; rather, it may be understood as a practice that forces readers to reconsider what they think they know. As beaulieu continues to push himself in new directions, readers will appreciate the work that he has created to date, much of which has become unavailable in Canada.

With an introduction by Kit Dobson and an interview with derek beaulieu by Lori Emerson as an afterword, "Please, No More Poetry" offers readers an opportunity to gain access to a complex experimental poetic practice through thirty-five selected representative works.

First Published in 1971. Routledge is an imprint of Taylor & Francis, an informa company.

Influential author of highly unconventional crime fiction, screenwriter, and occasional film director, Sebastien Japrisot was one of those rare contemporary writers in France able to establish an international reputation for himself. Although Japrisot's novels in particular continue to be read and studied across the world, this volume is the first ever academic study of Japrisot's work in the fields of both literature and cinema. Through a combination of thematic and text-specific studies, this volume takes in, and examines the legacy of, Japrisot's work from his youthful writings under his real name, Jean-Baptiste Rossi, to his crime fiction and screen writings of the 1960s and 1970s, concluding with his final novel Un long dimanche de fiancailles (A Very Long Engagement). It is both an essential introduction to Japrisot and a valuable academic assessment of his work's importance in the field of contemporary French literature and film.

Are C. S. Lewis's major arguments in defense of Christian belief sound? In C. S. Lewis's Christian Apologetics: Pro and Con, defenders and critics of Lewis's apologetics square off and debate the merits of Lewis's arguments from desire, from reason, from morality, the "trilemma" argument for the divinity of Christ, as well as Lewis's response to the problem of evil. By means of these lively, in-depth debates, readers will emerge with a deeper understanding and appreciation of today's most influential Christian apologist.

What do narratives by British suffragettes of being forcibly fed have in common with the representation of indigenous women in Canadian police archives? How are literary representations of domestic violence related to the use of silence as a strategy of resistance in African American women's writing? How are modernist fictions of gay male desire connected with ambiguous sexual performances in rock music or with images of Vietnam veterans in American horror movies? What does a narrative of women's participation in Bengali national resistance movements share with an ethnographic study of prostitution in Papua New Guinea?

These are the some of the specific questions raised by the essays in this volume, which examines a wide variety of historical and cultural locations where differently sexed, gendered, and racialized bodies have been constructed. More generally, this volume addresses theoretical debates over whether embodiment is best understood through representations or performances. Are bodies written or enacted? The different answers to these questions have important consequences for how we understand the inscription of bodies with systems of power and the possibilities that exist for resisting those systems.

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A unique anthology of short stories and poetry by feminist contemporaries of Virginia Woolf, who were writing about work, discrimination, war, relationships and love in the early part of the 20th Century. Includes works by English and American writers Zelda Fitzgerald, Charlotte Perkins Gillman, Radclyffe Hall, Katherine Mansfield, Alice Dunbar Nelson, Edith Wharton, and Virginia Woolf, alongside their recently rediscovered 'sisters' from around the world. This book offers a diverse and international array of over 20 literary gems from women writers living in Bulgaria, Chile, China, Egypt, France, Italy, Palestine, Romania, Russia, Spain and Ukraine.

In "Romanticism and the Anglo-Hispanic Imaginary," the authors assess British Romanticism's creative and polemical engagements with the Peninsular War, the bid of Spanish American colonies to establish independence with British support, and the impact of travel narratives about Spain and the Americas. The essays analyze questions of language and translation in Anglo-Hispanic literary genealogies, the representation of war and nationalism in poetry, drama, and prose, and the confluence of empire, gender, and authorship in travel narratives. Scholars and students of Romanticism will find in-depth explorations of the relationship between Britain, Spain, and Latin America during the Napoleonic era and its afterlife in cultural memory.

Biculturalism and Spanish in Contact: Sociolinguistic Case Studies provides an original and modern analysis of the development of Spanish and its contact with other languages using a sociolinguistic framework from both synchronic and diachronic angles. Split into three sections , (i) Border speech communities , (ii) Outcomes and perceptions in situations of language and dialect contact and (iii) Contact and alternation: social boundaries of language switching, this collection offers new perspectives in the field of language contact and change. Each chapter presents an original study detailing the social factors that have shaped contact varieties of Spanish, providing principal arguments and theories about language use, contact, and change, as well as guided topics for discussion. With its wide scope, this book is a landmark in language interaction processes and studies, and will be a valuable reference for educators, scholars, language professionals and students with an interest in the vitality of the Spanish language in contact with other languages.

Four years after the publication of the Corpus of Soqotri Oral Literature, volume I (Brill, 2014), this volume present the second installment of the Corpus. Inspired by D.H. Muller's pioneering studies of the 1900s, the authors publish a large body of folklore and ethnographic texts in Soqotri. The language is spoken by more than 100,000 people inhabiting the island Soqotra (Gulf of Aden, Yemen). Soqotri is among the most archaic Semitic languages spoken today, whereas the oral literature of the islanders is a mine of original motifs and plots. Texts appear in transcription, English and Arabic translations, and the Arabic-based native script. Philological annotations deal with grammatical, lexical and literary features, as well as realia. The Glossary accumulates all words attested in the volume. The Plates provide a glimpse into the fascinating landscapes of the island and the traditional lifestyle of its inhabitants.

Customers based in the United States and Canada, please order from here: https://bit.ly/2GAV2YR The abolition of slavery was the catalyst for the arrival of the first Indian indentured labourers into the sugar colonies of Mauritius (1834), Guyana (1838) and Trinidad (1845), followed some years later by the inception of the system in South Africa (1860) and Fiji (1879). By the time indenture was abolished in the British Empire (1917-20), over one million Indians had been contracted, the overwhelming majority of whom never returned to India. Today, an Indian indentured labour diaspora is to be found in Commonwealth countries including Belize, Kenya, Malaysia, Sri Lanka and the Seychelles. Indenture, whereby individuals entered, or were coerced, into an agreement to work in a colony in return for a fixed period of labour, was open to abuse from recruitment to plantation. Hidden within this little-known system of nineteenth- and early twentieth-century Indian migration under the British Empire are hitherto neglected stories of workers who were both exploited and unfree. These include indentured histories from Madeira to the Caribbean, from West Africa to the Caribbean, and from China to the Caribbean, Mauritius and South Africa. To mark the centenary of the abolition of the system in the British Empire (2017-20) this volume brings together, for the first time, new writing from across the Commonwealth. It is a unique attempt to explore, through the medium of poetry and prose, the indentured heritage of the twenty-first century.

This book situates Joyce's critical writings within the context of an emerging discourse on the psychology of rhythm, suggesting that A Portrait of the Artist dramatizes the experience of rhythm as the subject matter of the modernist novel. Including comparative analyses of the lyrical prose of Virginia Woolf and the 'cadences' of the Imagists, Martin outlines a new concept of the 'modern period' that describes the interaction between poetry and prose in the literature of the early twentieth century.

Even with growing popularity in the United States, there existed no English-language scholarly introduction to Marguerite Porete or her sole-surviving work Mirror of Simple Souls until now. The study of Marguerite and her work touches on so many disciplines - from religious and secular histories to theological and literary readings of her book - that the scholarship had often been lost in the divides between the disciplines. Our contributors are chosen from both sides of the Atlantic and from an array of disciplines in order to bridge this geographical and linguistic divide. The interdisciplinary nature of the interest in Marguerite and the Mirror and the implications her book has on medieval scholarship make a collection such as this companion ideal. Contributors are Marleen Cre, Imke De Gier, David Falvay, Sean Field, Genevieve Hasenohr (with Zan Kocher), Jonathan Juilfs, Zan Kocher, Joanne Robinson, Elizabeth Scarborough, Robert Stauffer, Wendy R. Terry, and Justine Trombley.

Rachel Bowlby's anthology of articles conjures up the enormous richness and variety of recent work that returns to Woolf not so much for final answers as for insights into questions about writing, literary traditions and the differences of the sexes. The collection includes pieces by such well-known writers as Gillian Beer, Mary Jacobus, Peggy Kamuf and Catharine Stimpson. With a substantial Introduction, headnotes to each piece and full supporting material, this volume provides an ideal guide to Woolf and her place in modern literary and cultural studies.