Interactive Media for Sustainability presents a conceptually rich, critical account of the design and use of interactive technologies to engage the public with sustainability. Treating interactive technologies as forms of mediation, the book argues that these technologies advance multiple understandings of sustainability. At stake are the ways sustainability encodes the complexity of interrelated social and natural systems, and how it conveys the malleability of the future. The book's argument is anchored in a diverse set of theoretical resources that include contemporary work in human-computer interaction (HCI), social theory, media studies, and the philosophy of technology, and is animated by a variety of examples, including interactive simulations, persuasive apps, digital games, art installations, and decision-support tools.

This book is the first full-length study of the development of Irish political print culture from the Glorious Revolution of 1688-9 to the advent of the Hanoverian succession in 1714. Based on extensive analysis of publications produced in Ireland during the period, including newspapers, sermons and pamphlet literature, this book demonstrates that print played a significant role in contributing to escalating tensions between tory and whig partisans in Ireland during this period. Indeed, by the end of Queen Anne's reign the public were, for the first time in an Irish context, called upon in printed publications to make judgements about the behaviour of politicians and political parties and express their opinion in this regard at the polls. These new developments laid the groundwork for further expansion of the Irish press over the decades that followed.

This edited volume explores different meanings of media convergence and deconvergence, and reconsiders them in critical and innovative ways. Its parts provide together a broad picture of opposing trends and tensions in media convergence, by underlining the relevance of this powerful idea and emphasizing the misconceptions that it has generated. Sergio Sparviero, Corinna Peil, Gabriele Balbi and the other authors look into practices and realities of users in convergent media environments, ambiguities in the production and distribution of content, changes to the organization of media industries, the re-configuration of media markets, and the influence of policy and regulations. Primarily addressed to scholars and students in different fields of media and communication studies, Media Convergence and Deconvergence deconstructs taken-for-granted concepts and provides alternative and fresh analyses on one of the most popular topics in contemporary media culture. Chapter 1 is available open access under a CC BY 4.0 license at link.springer.com

For almost the first time in Mr Battestin's book religion has its full innings in the reinterpretation of eighteenth-century literature ... Perhaps his greatest contribution is his recovery of a number of divines and their writings and his employment of them as an intellectual rather than a merely antiquarian resource"" - Paul Fussell,

Science writer Willy Ley inspired Americans of all ages to imagine a future of interplanetary travel long before space shuttles existed. This is the first biography of an important public figure who predicted and boosted the rise of the Space Age, yet has been overlooked in the history of science. Born in Germany, Ley became involved in amateur rocketry until the field was taken over by the Nazi regime. He fled to America, where he forged a path as a weapons expert and journalist during World War II, and as a rocket researcher after the war. As America's foremost authority on rockets and space travel, he wrote many books and articles for science fiction magazines. He was a consultant for television's Tom Corbett, Space Cadet and the Disney program Man in Space, thrilling public audiences with a romanticized view of what spaceflight would be like. Yet as astronauts took center stage and scientific intellectuals such as Wernher von Braun became influential during the space race, Ley lost his celebrity status. He was ignored by younger historians who saw his style of popular writing as old-fashioned. This book returns Willy Ley to his rightful place as the energizer of an era-a time when scientists and science popularizers shared prestige and mixed ranks to make outlandish dreams come true.

This volume documents the triple-series Austrian-American Podium Dialog held at Lafayette College in 2013, 2015, and 2018 to which twelve Austrian authors were invited and paired with scholars from American universities and colleges. After the introductory essays that explain how the symposia came about and what took place, the volume offers seventeen literary texts, in their original German as well as in English translations, that were read during the symposia followed by seven scholarly essays that introduce the Austrian writers and provide insightful interpretations of their diverse literatures. Excerpts from conversations among the writers, scholars and German undergraduate students give testimony to the enlightened and spirited dialogs about the role of literature and their personal writing and the literary production in today's Austria. Additionally, two scholars reflect on their experiences and tell how they influenced their subsequent collaboration with the writers at their respective universities. The entire volume, intended for reading and teaching Austrian literature not only in German departments but also in English and comparative literature departments, is accessible to English-speakers.

The Conservative Aesthetic: Theodore Roosevelt, Popular Darwinism, and the American Literary West offers an alternative origin story for American conservatism, tracing it to a circle of writers, artists, and thinkers in the late nineteenth century who yoked popular understandings of Darwin to western literary aesthetics. That circle included writer Owen Wister, artist Frederic Remington, entertainer William "Buffalo Bill" Cody, historian Frederick Jackson Turner, and a young Theodore Roosevelt. The book explores how their lives and their writing intertwined with their conservative sensibilities. For them, going west was akin to time travel, a retrogression into an earlier and hardier age. It was through those retrogressions into the American state of nature, they imagined, that society could discover its finest and fittest citizens. Such a society would be the modern realization of Thomas Jefferson's century-old dream of a "natural aristocracy." Theirs was a new conservatism, rooted not in a history of European monarchy but rather in stories about American individualism and the frontier west, updated for the age of Darwin.

This 8-volume collection contains titles originally published between 1976 and 2004. It covers women's writing from a variety of perspectives, exploring the options open to women writers through the centuries, which allowed women's voices to be heard through their writing. From novels and poetry to autobiography and oral histories. Individual titles include the female social narrative, psychological and literary analysis, lesbian history, feminist and literary criticism, and more. This set will be a valuable resource for those interested in literature, history, feminism, and women's studies.

This open access book will examine the implications of digitalization for the understanding of humanity, conceived as a community of intelligent agency. It addresses important topics across a range of social and behavioral theories and identifies a range of novel mechanisms and their social behavioral effects. Across the book, the author highlights the expansion of intelligent processing capability brought about by digitalization and the challenges this exposes for integrating artificial and human capabilities. It includes the altered effects of bounded rationality in problem solving and decision making; related changes in the perception of rationality, plus novel myopias and biases. It also seeks to address cognitive intersubjectivity, learning from performance and agentic self-generation; and the novel methods and patterns of reasoned thought which emerge in a digitalized world; and how these mechanisms will combine in making and remaking the world of human experience and understanding. This book examines the problematics and prospects for digitally augmented humanity. In doing so, it maps the terrain for a future science of augmented agency. It will have cross-disciplinary appeal to students and scholars of applied psychology, cognitive and behavioral science, organizational psychology and management, business, finance, and digital cultures and humanities.

American Women's Regionalist Fiction: Mapping the Gothic seeks to redress the monolithic vision of American Gothic by analyzing the various sectional or regional attempts to Gothicize what is most claustrophobic or peculiar about local history. Since women writers were often relegated to inferior status, it is especially compelling to look at women from the Gothic perspective. The regionalist Gothic develops along the line of difference and not unity-thus emphasizing regional peculiarities or a sense of superiority in terms of regional history, natural landscapes, immigrant customs, folk tales, or idiosyncratic ways. The essays study the uncanny or the haunting quality of "the commonplace," as Hawthorne would have it in his introduction to The House of the Seven Gables, in regionalist Gothic fiction by a wide range of women writers between ca. 1850 and 1930. This collection seeks to examine how/if the regionalist perspective is small, limited, and stultifying and leads to Gothic moments, or whether the intersection between local and national leads to a clash that is jarring and Gothic in nature.

Today there is a reawakening interest in how language affects our lives. It comes with every threat to our safety and every promise of better times. It is a burning issue among minorities and a running debate between the attackers and defenders of our schools. Our deepest problems all are entangled with it: What shall be the official speech of emerging nations like Zambia and the Philippines, or even in certain areas of established ones like Belgium and Canada? What kind of English should be taught, or should there be no standard at all? How is government to make its regulations understandable? What are the verbal persuasions of television doing to our children? Which way does information flow, what are its biases, when does it inform and when conceal, and who benefits? Are the people who consider themselves experts in these matters as expert as they pretend to be? We feel adrift in a sea of words, and would welcome and a chart and a compass. Language aEURO" The Loaded Weapon offers a glimpse of what the recent study of language is beginning to tell us about these things. It explains in simple terms the essentials of linguistic form and meaning, and applies them to illuminate questions of correctness, truth, class and dialect, manipulation through advertising and propaganda, sexual and other discrimination, official obfuscation and the maintenance of power, and aEURO" most pervasive of all aEURO" language as the vital agent with which we build our worlds. Explaining language has been Dwight BolingeraEURO (TM)s life work, and as his invigorating new book amply shows he believes that what is true and important can also be made clear and pleasurable.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The 1780s and 1790s were a critical era for communities of color in the new United States of America. Even Thomas Jefferson observed that in the aftermath of the American Revolution, "the spirit of the master is abating, that of the slave rising from the dust." This book explores the means by which the very first Black and Indian authors rose up to transform their communities and the course of American literary history. It argues that the origins of modern African-American and American Indian literatures emerged at the revolutionary crossroads of religion and racial formation as early Black and Indian authors reinvented American evangelicalism and created new postslavery communities, new categories of racial identification, and new literary traditions.

While shedding fresh light on the pioneering figures of African-American and Native American cultural history--including Samson Occom, Prince Hall, Richard Allen, Absalom Jones, and John Marrant--this work also explores a powerful set of little-known Black and Indian sermons, narratives, journals, and hymns. Chronicling the early American communities of color from the separatist Christian Indian settlement in upstate New York to the first African Lodge of Freemasons in Boston, it shows how eighteenth-century Black and Indian writers forever shaped the American experience of race and religion.

American Lazarus offers a bold new vision of a foundational moment in American literature. It reveals the depth of early Black and Indian intellectual history and reassesses the political, literary, and cultural powers of religion in America.

In this book, renowned Korean studies scholar Peter H. Lee casts light on important works previously undervalued or suppressed in Korean literary history. He illuminates oral-derived texts as Koryo love songs, p'ansori, and shamanist narrative songs which were composed in the mind, retained in the memory, sung to audiences, and heard but not read, as well as other texts which were written in literary Chinese, the language of the learned ruling class, a challenge even to the reader who has been raised on the Confucian and literary canons of China and Korea. To understand fully the nature of these works, one needs to understand the distinction between what were considered the primary and secondary genres in the traditional canon, the relations between literature written in literary Chinese and that penned in the vernacular, and the generic hierarchy in the official and unofficial canons. The major texts the Koreans studied after the formation of the Korean states were those of the Confucian canon (first five, then eleven, and finally thirteen texts). These texts formed the basic curriculum of education for almost nine hundred years. * The literati who constituted the dominant social class in Korea wrote almost entirely in literary Chinese, the father language, which dominated the world of letters. This class, which controlled the canon of traditional Korean literature and critical discourse, adopted as official the genres of Chinese poetry and prose. Among the works in literary Chinese examined, this book explores the foundation myths of Koguryo and Choson, which center on the hero's deeds retold and sung to music composed for the purpose. Works in the vernacular discussed in this book include Kory? love songs, which reveal oral traditional features but have survived only in written form. Lyrics were often censored by officials as dealing with "love between the sexes." They intensely affect today's listener and reader, who try to reimagine the role of a general audience assumed to have the same background and concomitant expectations as the composers. The book also illuminates the works of the shaman, who occupied the lowest social strata. Shamans had to endure suffering imposed by authority, but their faith and rites brought solace to many, powerful and powerless, rich and poor. Some extant written texts are riddled with learned diction-Sino-Korean words and technical vocabulary from Buddhist, Daoist, and Confucian traditions. This study explores how the unlettered shamans of the past managed to understand these texts and commit them to memory, especially given the fact that shamans depended more on aural intake and oral output than on the eye. The Story of Traditional Korean Literature opens the window to the fusion--as opposed to the conflict--of horizons, a dialogue between past and present, which will enable readers to understand and appreciate the text's unity of meaning. The aim of crosscultural comparison and contrast is to discover differences at points of maximum resemblance. Lee's comparative style is metacritical, transnational, and intertextual, involving also social and cultural issues, and also paying careful attention to be non-Eurocentric, nonpatriarchal, and nonelitist. This book will provide critical insights into both the works and the challenges of the topics discussed. It will be an important resource for those in Asian studies and literary criticism.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.