How does one capture the delightful irony of Edith Wharton's prose or the spare lyricism of Kate Chopin's? Kathleen Wheeler challenges the reader to experiment with a more imaginative method of literary criticism in order to comprehend more fully writers of the Modernist and late Realist period. In examining the creative works of seven women writers from the late nineteenth and early twentieth centuries, Wheeler never lets the mystery and magic of literature be overcome by dry critical analysis.

"Modernist Women Writers and Narrative Art" begins by evaluating how Edith Wharton, Kate Chopin, and Willa Cather all engaged in an ironic critique of realism. They explored the inadequacies of this form in expressing human experience and revealed its hidden, often contradictory, assumptions. Building on the foundation that Wharton, Chopin, and Cather established, Jean Rhys, Katherine Mansfield, Stevie Smith, and Jane Bowles brought literature into the era we now consider modernism. Drawing on insights from feminist theory, deconstructionism and revisions of new historicism, Kathleen Wheeler reveals a literary tradition rich in narrative strategy and stylistic sophistication.

From the author of the New York Times bestselling How to Read Literature Like a Professor comes a highly entertaining and informative new book on the twenty-five works of literature that have most shaped the American character. Foster applies his much-loved combination of wit, know-how, and analysis to explain how each work has shaped our very existence as readers, students, teachers, and Americans.

Foster illuminates how books such as The Last of the Mohicans, Moby-Dick, My Antonia, The Great Gatsby, The Maltese Falcon, Their Eyes Were Watching God, On the Road, The Crying of Lot 49, and others captured an American moment, how they influenced our perception of nationhood and citizenship, and what about them endures in the American character. Twenty-five Books That Shaped America is a fun and enriching guide to America through its literature.

"An erotic scandal chronicle so popular it became a byword... Expertly tailored for contemporary readers. It combines scurrilous attacks on the social and political celebritites of the day, disguised just enough to exercise titillating speculatuion, with luscious erotic tales."
--"Belles Lettres"

This story concerns the return of to earth of the goddess of Justice, Astrea, to gather information about private and public behavior on the island of Atalantis. Manley drew on her experience as well as on an obsessive observation of her milieu to produce this fast paced narrative of political and erotic intrigue.

German Grammar in Context presents an accessible and engaging approach to learning grammar. Each chapter opens with a real-life extract from a German newspaper, magazine, poem, book or internet source and uses this text as the starting point for explaining a particular key area of German grammar. A range of exercises follow at the end of the chapter, helping students to reinforce and test their understanding, and an answer key is also provided at the back of the book. This second edition features: Updated texts with current newspaper and magazine articles and new extracts from digital media such as chatrooms or blogs Inclusion of a wide-ranging selection of sources and topics to further students' engagement with issues relevant to contemporary Germany and Austria Clear and user-friendly coverage of grammar, aided by a list of grammatical terms A wide variety of inventive exercises designed to thoroughly build up grammatical understanding, vocabulary acquisition and effective comprehension and communication skills Helpful 'keyword boxes' translating difficult vocabulary in the texts A recommended reading section offering advice on additional grammar resources and website links German Grammar in Context will be an essential resource for intermediate to advanced students of German. It is suitable for both classroom use and independent study.

This study examines tales from The Metamorphoses by the Roman poet Ovid (43 BC-18 AD) and from The Lais by the French poet Marie de France (fl. mid-to late twelfth century) to explore a paradox: how can a vibrant, complex, and timeless vision be conveyed in convention-informed and time-bound language? Marie plays against Ovid's tales to probe the dilemma, thereby echoing Ovid who does the same to the canonical literary monuments of his day. Both poets suggest that poetry can avoid the flattening effect of monumental canonizing not only by the creative use of literary echoes, but also by shifting perspectives on the conventional, which in turn, can encourage readers to see reflections of many stories in any given tale. Ovid and Marie suggest and encourage in this manner by presenting literary love's topoi and traditional lovers from a variety of metaliterary perspectives, thereby eliciting active readerly memory as well as providing the opportunity to see the conventional afresh, activity that allows even canonical texts to become living memorials.

Some of the greatest English novels were written during the Victorian era, and many are still widely read and taught today. But many others written during that period have been neglected by scholars and modern readers alike. A number of these novels were written by women and were popular when published. Moreover, they reveal perspectives of 19th-century British culture not present in canonized works and therefore revise our understanding of Victorian life and attitudes. With the increasing interest in revising Victorian history and gender scholarship, especially through the rediscovery of lost texts written by women, this book is a timely and much needed study.

The expert contributors to this volume argue the value of novels by such Victorian women writers as Grace Aguilar, Catherine Crowe, Charlotte Elizabeth Tonna, Annie E. Holdsworth, Ella Hepworth Dixon, Flora Annie Steel, Anne Thackeray, Sarah Grand, Marie Corelli, and others. Most of the chapters address numerous works by a particular writer. Each focuses on different social issues as well, though most of them share an interest in gender politics. Topics discussed include a 19th-century Jewish novelist's navigation through Protestant spirituality, the relationship of noncanonical governess novels to class and gender issues, and forgotten works by women crime writers. Other chapters analyze how women writers impelled social reform and subverted patriarchally defined religious issues.

This book is a novel contribution to contemporary research on Simone de Beauvoir, and a defense of the importance of the humanities. It reveals previously unexplored dimensions of Beauvoir's work by exposing her as a significant and inspiring humanist thinker. These essays argue that her works and influence testify to the transformative potential of humanistic research.

This work, completed by Neubauer on the very eve of his death in 2015, complements both his benchmark The Emancipation of Music from Language (Yale UP, 1986) and his History of the Literary Cultures of East-Central Europe (John Benjamins, 2004-10). It thematizes Romantic interest in oral speech, its poetical usage in music and musical discourse, and its political usage in the national-communitarian cult of the vernacular community. Subtly and with great erudition, Neubauer traces in different genres and fields the many transnational cross-currents around Romantic cultural criticism and writings on music and language, offering not only fresh analytical insights but also a rich account of the interaction between Romantic aesthetics and cultural nationalism.

"A richly rewarding, insightful, and engaging study."
--"American Literary Realism"

"Glass provides a novel, nuanced, and sound critical perspectives on the productive interaction of seemingly opposite forces: modernism and the mass market."--"Choice"

"Glass offers insightful readings of such books as Stein's "Everybody's Autobiography"(1937) and Hemingway's "Death in the Afternoon" (1932)."
--"The Journal of American History"

"A fascinating exploration of the relationship among modern authorial celebrity, the rise of the mass market, and the crisis of masculinity at the turn of the twentieth century. This crisply argued book unites sophisticated theoretical arguments about the changing shape of subjectivity in American culture with attentive literary readings and careful historical scholarship."
--Janice Radway, Duke University

"Provocatively and deftly tackles the question of literary celebrity in modern America. A smart and combelling book that has broken through the silence on literary celebrity, and it will serve as the foundation for other inquiries into this complex phenomenon."
--"The Hemingway Review"

The first comprehensive and systematic study of literary celebrity in the twentieth-century United States, Authors Inc. focuses on the autobiographical work of Mark Twain, Jack London, Gertrude Stein, Ernest Hemingway, and Norman Mailer. Through these classic American authors, Loren Glass reveals the degree to which literary modernism in the United States is inseparable from the mass cultural forces it opposed.

Chronicling the emergence of literary celebrity in the late nineteenth century up through its contemporary manifestations, Glass focuseson how individual authors themselves struggled with the conditions of mass cultural renown. Furthermore, by emphasizing the complex relation between masculinity and modernist authorship in the United States, the book provides a bracing new account of the psychosexual economy of the American profession of authorship.

By combining a socio-historical approach with a rhetorical analysis of the autobiographical work in which classic American writers attempted to intervene in the formation of their public personae, Authors Inc. offers a long overdue study of one of the most important, and neglected, aspects of modern American literature.

Kadya Molodowsky, the most prolific woman writer of Yiddish, wrote an autobiographical memoir that left many questions unanswered. Why does she say of her wedding day only that she wore new shoes and fell in the snow? Did she join those who saw communism as the answer to the Jewish problem? Why did she leave Israel after having spent only three years there? It took Zelda Kahan Newman's research at three archives, the YIVO archive in New York, the Municipal Jewish Library in Montreal, and the Machon Lavon archive in Ne'ot Afeka, Israel, to discover the answers to these questions. In this biography, Kahan Newman covers the arc of Molodowsky's life, a life that saw pogroms, World War I, an escape from Europe to the United States, and an attempt to revive Yiddish culture after World War II. Finally, as Kahan Newman notes, it was an ironic twist of fate "that Kadya's death was noted in the U.S., where she felt increasingly alien, and ignored in Israel, where she felt she belonged, if only in spirit.

In trying to detect and analyze this female gaze on the male empire, this volume delves into memsahibs' literature. After all, besides their service to the empire, women's literature in/about the Empire, though often neglected, is considerably large. In India's case, women writers like Flora Annie Steel, Maud Diver, and Bithia Mary Croker narrate fictional tales colored by their firsthand experience of Indian life and life in India. They use their creative imagination to present India as they see and also as they want to see India. The female gaze has thus for a long time contributed to and shaped imperial discourse and knowledge of the East. Through their letters, diaries, memoirs, stories, novels, poems, paintings, and travel writings, women have often provided invaluable information about the empire and added to the fascination of the West with the specters and picturesqueness of the East. Their writings recurrently serve as the tool of their propaganda, the vehicle of their message, the inscription of their gaze and the blueprint of their politics of representation. This book argues that although the memsahib's female gaze has been spoken of, it has not been adequately emphasized and examined. In comparison, white female sexuality, the figure of Raj Woman, and the idea of "recasting women" or portrayal of the memsahib have received far more attention. Particularly, memsahibs' writings have been widely anthologized but these have not critically evaluated to a sufficient extent. Aiming at filling that gap by uncovering the world of British India as seen and shown by white women in colonial as well as postcolonial literatures, this compilation brings together scholarly essays on memsahibs' literature and Raj writings, including men's writings about memsahibs, spanning from before India's independence (like works of Alice Perrin and Rudyard Kipling) to the post-independence period (like works of Ruth Prawer Jhabvala and Ruskin Bond). This volume looks at the significant multidimensional defiant "female gaze"--be it of the authors or of the characters in their works, regardless of whether their writings were critical or supportive of the empire. Subverting the structure of male looking/female to be looked at, this collection of essays explores the "female gaze" on the Empire (i.e., female looking/ male to be looked at). This book reiterates that the "female" element in the process cannot and should not be disregarded. Therefore, taking into consideration (real or fictional) memsahibs, this volume reminds us of the presence and role of white women in British India and the consequent intricate matrix of gender, class, race, and sexuality issues. In addition to offering critical analysis and in-depth study of memsahibs' writings, this book digresses from the well-trodden track of how memsahibs are portrayed to the near-virgin arena of how they are shown to see the Raj world. This volume asserts that the female gaze that looks upon the male empire is not merely a space constructed for the female but one fashioned by women themselves. This is an important book for South Asian literary studies, women's studies, as well as colonial and postcolonial studies on British India.

Essays in the Art of Writing Robert Louis Stevenson examines the techniques of writing, and gives insights into the writing of ""Treasure Island"" and ""The Master of Ballantrae."" CONTENTS On Some Technical Elements of Style in Literature, The Morality of the Profession of Letters, Books Which Have Influenced Me, A Note On Realism, My First Book: ""Treasure Island,"" The Genesis of ""The Master of Ballantrae"" Robert Louis Stevenson Stevenson's life was almost as adventurous as the stories he created. He spent much of it as a traveler, writing about his exploits in such exemplary travel books as TRAVELS WITH A DONKEY IN THE CEVENNES. He studied law but never practiced he always wanted to write, and gave himself what amounted to a writing course, studying and copying the style and techniques of his favorite writers. His attempts paid off: his first published novel, TREASURE ISLAND, brought him money and fame. At 29 he fell in love with a married woman--alienating his family--and pursued her to California, where she divorced her husband, after which the couple married and traveled extensively in the U.S., visiting various spas and health resorts in search of a cure for the tuberculosis from which Stevenson suffered all his life. After extensive travel in the South Seas, he finally settled in Samoa, where he became involved in the lives and politics of the islanders. During all his wanderings, he continued to write, producing a total of 12 novels, many short tales, three plays, poetry (including the classic A CHILD'S GARDEN OF VERSES), and dozens of books of essays and travel pieces. He died in Samoa at 44--suddenly, of apoplexy, as he was making a salad for dinner--leaving his last book, THE WEIR OF HERMISTON, unfinished. Keywords: Style, Literary -- Literature, Arts etc British Writers, English LiteratureKeywords: Robert Louis Stevenson Master Of Ballantrae Treasure Island Travels With A Donkey Travels With A Donkey In The Cevennes Money And Fame Art Of Writing Technical Elements Married Woman Elements Of Style Realism Exemplary Travel Books Exploits Morality Genesis Profession

This volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions-Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.

An accessible and engaging textbook which has been tailored to the author's own Language, Society and Power module so each edition is refined by student feedback. Virtually all English Langauge and Linguistics degrees around the world have a Language and Society/Sociolinguistics module and most are core courses. This is the ideal textbook for both undergraduate students of linguistics as well as those not studying linguistics full-time but who are interested in the study of language and society. Packed with pedagogical features such as activity boxes, chapter summaries, and further reading. Also accompanied by a companion website with updated features such as a 'who's who' of Twitter, links to blogs, and further discussion questions. This makes it the complete package for students of language and society Includes an 'applied' chapter on projects which has been designed to help students understand what sociolinguists do and how they conduct research, intended to help students conduct their own research in turn.

Long before books were mass-produced, scrolls hand copied on reeds pulled from the Nile were the treasures of the ancient world. Emperors and Pharaohs were so determined to possess them that they dispatched emissaries to the edges of the earth to bring them back.

In Papyrus, celebrated classicist Irene Vallejo traces the dramatic history of the book and the fight for its survival. This is the story of the book's journey from oral tradition to scrolls to codices, and how that transition laid the very foundation of Western culture. And it is a story full of heroic adventures, bloodshed and megalomania - from the battlefields of Alexander the Great and the palaces of Cleopatra to the libraries of war-torn Sarajevo and Oxford.

An international bestseller, Papyrus brings the ancient world to life and celebrates the enduring power of the written word.

While Kamau Brathwaite is renown for his achievements as a world literary, historical, and cultural critic, his Anglophone Caribbean poetry is the cornerstone of his legacy. His critically acclaimed trilogy, The Arrivants, which is composed of the individual volumes, Rights of Passage, Masks, and Islands is analyzed along with many other poetic works. Also discussed within are his innovative and highly original literary techniques which have evolved during over forty years as a poet. This book is a collection of selected critical responses to volumes of Brathwaite's poetry written from the 1960s to 2000s. Organized by decades, it includes book reviews, articles, essays, and personal reflections. Also included is a recent interview with Brathwaite conducted by Williams in 2002. In this interview, Brathwaite has the opportunity to address his critics as he responds to his work holistically as well as specific volumes of his poetry and stylistic innovations. Anyone interested in Brathwaite's poetry will truly enjoy this work.

This is the first volume in English to examine in detail one of the most remarkable collaborations between a writer and filmmaker in European cinema. Focusing on the four films Wim Wenders and Peter Handke made between 1969 and 1987 ("3 American LPs," "The Goalkeeper's Fear of the Penalty," "Wrong Move," and "Wings of Desire"), it explores the productive tension between adaptation and collaboration and demonstrates the different ways in which text- and image-makers can recompose film's constituent media (literature, still and moving images, music, drama). The study reveals that this partnership had significant aesthetic and conceptual repercussions for both artists, resulting in a series of single-authored works which manifest the same kinds of intertextuality and disjunctive intermediality that are the hallmark of the collaborations themselves. These include Wenders's "Alice in the Cities," Handke's films "The Chronicle of On-Going Events "and "The Left-Handed Woman ," and his novels "Short Letter, Long Farewell "and "A Moment of True Feeling." While the Wenders-Handke partnership is unique, it contributes to a broader understanding of cinematic adaptation and different models of intermedial collaboration. This volume will be of interest to those working in the fields of Adaptation, Film, and German Studies.

Scholars of the middlebrow have demonstrated that the preferences and choices of both women writers and women readers have suffered considerably from the dismissive attitude of earlier critics. George Eliot's famous attack on 'Silly Novels by Lady Novelists' set the tone for the long tradition of gendered disputes over the literary merit of works of fiction - a controversy which eventually coalesced with a class-based hegemony of taste in the so-called Battle of the Brows. The new research presented in this volume demonstrates that this gendered inflection of the critical debate is not only one-sided but tends to obfuscate the significance the middlebrow literary spectrum had for the wider dissemination of new concepts of gender. By exploring the scope of middlebrow media culture between 1890 and 1945, from household magazines to popular novels, the essays in this volume give evidence of the relative proximity that existed between middlebrow writers and the avant-garde in their concern for gender issues. Contributors: Nicola Bishop, Elke D'hoker, Petra Dierkes-Thrun, Stephanie Eggermont, Christoph Ehland, Wendy Gan, Emma Grundy Haigh, Kate Macdonald, Louise McDonald, Tara MacDonald, Isobel Maddison, Ann Rea, Cornelia Wachter, Alice Wood

The first book length study on the aesthetic and artistic power of William Butler Yeats, this book demonstrates the centrality in his work of the concept that art might shape life, from his earliest assay to the great poems and plays of his last years.