In Time and the Ancestors: Aztec and Mixtec Ritual Art, Maarten Jansen and Aurora Perez present new interpretations of enigmatic masterpieces from ancient Mexico. Combining iconographical analysis with the study of archaeological contexts, historical sources and living cultural traditions, they shed light on central symbols and values of the religious heritage of indigenous peoples, paying special attention to precolonial perceptions of time and the importance of ancestor worship. They decipher the meaning of the treasure deposited in Tomb 7 at Monte Alban (Oaxaca) and of artworks such as the Roll of the New Fire (Selden Roll), the Aztec religious sculptures and, last but not least, the mysterious chapter of temple scenes from the Book of Night and Wind (Codex Borgia).

This book examines how the shifts in the early 19th century in New York City affected children in particular. Indeed, one could argue that within this context, that "children" and "childhood" came into being. In order to explore this, the skeletal remains of the children buried at the small, local, yet politically radical Spring Street Presbyterian Church are detailed. Population level analyses are combined with individual biological profiles from sorted burials and individual stories combed from burial records and archival data. What emerges are life histories of children-of infants, toddlers, younger children, older children, and adolescents-during this time of transition in New York City. When combined with historical data, these life histories, for instance, tell us about what it was like to grow up in this changing time in New York City

Artillery in the Era of the Crusades provides a detailed examination of the use of mechanical artillery in the Levant through the twelfth and thirteenth centuries. Rather than focus on a selection of sensational anecdotes, Michael S. Fulton explores the full scope of the available literary and archaeological evidence, reinterpreting the development of trebuchet technology and the ways in which it was used during this period. Among the arguments put forward, Fulton challenges the popular perception that the invention of the counterweight trebuchet was responsible for the dramatic transformation in the design of fortifications around the start of the thirteenth century. See inside the book.

This volume asks how the current Information Technology Revolution influences archaeological interpretations of techno-social change. Does cyber-archaeology provide a way to breathe new life into grand narratives of technological revolution and culture change, or does it further challenge these high-level theoretical explanations? Do digital recording methods have the potential to create large, regional-scale databases to ease investigation of high-level theoretical issues, or have they simply exposed deeper issues of archaeological practice that prevent this? In short, this volume cuts beyond platitudes about the revolutionary potential of the Information Technology Revolution and instead critically engages both its possibilities and limitations. The contributions to this volume are drawn from long-term regional studies employing a cyber-archaeology framework, primarily in the southern Levant, a region with rich archaeological data sets spanning the Paleolithic to the present day. As such, contributors are uniquely placed to comment on the interface between digital methods and grand narratives of long-term techno-social change. Cyber-Archaeology and Grand Narratives provides a much-needed challenge to current approaches, and a first step toward integrating innovative digital methods with archaeological theory.

The sequel to the acclaimed Made in Niugini, which explored in unparalleled depth the material world of the Wola comprising moveable artefacts, Built in Niugini continues Paul Sillitoe's project in exemplary fashion, documenting the built environment, architecture and construction techniques in a tour de force of ethnography. But this is more than a book about building houses. Sillitoe also shows how material constructions can serve to further our understandings of intellectual constructions. Allowing his ethnography to take the lead, and paying close attention to the role of tacit understandings and know-how in both skilled work and everyday dwelling, his close experiential analyses inform a phenomenologically inflected discussion of profound philosophical questions - such as what can we know of being-in-the-world - from startlingly different cultural directions. The book also forms part of a long-term project to understand a radically different 'economy', which is set in an acephalous order that extends individual freedom and equality in a manner difficult to imagine from the perspective of a nation-state - an intriguing way of being-in-the-world that is entwined with tacit aspects of knowing via personal and emotional experience. This brings us back to the explanatory power of a focus on technology, which Sillitoe argues for in the context of 'materiality' approaches that feature prominently in current debates about the sociology of knowledge. Archaeology has long been to the fore in considering technology and buildings, along with vernacular architecture, and Sillitoe contributes to a much-needed dialogue between anthropology and these disciplines, assessing the potential and obstacles for a fruitful rapprochement. Built in Niugini represents the culmination of Sillitoe's luminous scholarship as an anthropologist who dialogues fluidly with the literature and ideas of numerous disciplines. The arguments throughout engage with key concepts and theories from anthropology, archaeology, architecture, material culture studies, cognitive science, neuroscience and philosophy. The result is a significant work that contributes to not only our regional knowledge of the New Guinea Highlands but also to studies of tacit knowledge and the anthropology of architecture and building practices. Trevor Marchand, Emeritus Professor of Social Anthropology, School of Oriental and African Studies

New research on the archaeology of the colonial landscapes of the Caribbean. This volume brings together new research on the archaeology of the colonial landscape of the Caribbean. It focusses on the seventeenth and eighteenth centuries and on the British Caribbean: notably Bermuda, Jamaica, Florida, Barbados, Antigua, and especially St. Kitts and Nevis. Chapters cover a wide range of landscapes - domestic, military and industrial - and interests, including the archaeology and architecture of African-Caribbean slavery and emancipation, European settlements, sugar production, burial grounds, cartography, fortifications and trade.