This work is a collection of the best research reports and essays gathered globally by the editors over a three-year period. World-renowned experts from the Arab region as well as the West have authored most of the chapters. Seven sections divide the text, and each investigates compelling, timely questions for today's communication professionals. Because of its focus on communications and new media, this volume may be used at colleges and universities worldwide. It will impact numerous academic disciplines and the professional world as well. A wide range of curricula may adopt the text as supplementary reading for courses in political science, speech and rhetoric, public relations, sociology, communications, journalism, diplomacy and government.

This volume advances our understanding of how word structure in terms of affix ordering is organized in the languages of the world. A central issue in linguistic theory, affix ordering receives much attention amongst the research community, though most studies deal with only one language. By contrast, the majority of the chapters in this volume consider more than one language and provide data from typologically diverse languages, some of which are examined for the first time. Many chapters focus on cases of affix ordering that challenge linguistic theory with such phenomena as affix repetition and variable ordering, both of which are shown to be neither rare nor typical only of lesser-studied languages with unstable grammatical organization, as previously assumed. The book also offers an explicit discussion on the non-existence of phonological affix ordering, with a focus on mobile affixation, and one on the emergence of affix ordering in child language, the first of its kind in the literature. Repetitive operations, undesirable in many theories, are frequent in early child language and seem to serve as trainings for morphological decomposition and affix stacking. Thus, the volume also raises important questions regarding the general architecture of grammar and the nature and side effects of our theoretical assumptions.

Theodore Parker, a great orator of the mid-19th century, was a Unitarian clergyman who directed much of his oratory towards ecclesiastical and social reform. Parker challenged slavery and other social ills. As a volume in the Great American Orators series, the focus is on Parker's oratory and its effect on theology and the social structures of the mid-19th century. Biographical information pertains to those aspects of Parker's life that influenced and shaped his elocution and ideas. Parker's rhetoric and rhetorical techniques are examined. Three of Parker's important speeches are included, each with an introduction that places it in its proper context.

This study will appeal to students of rhetoric, theology, and mid-nineteenth-century American religious history. The book is divided into two sections. The first concentrates on Parker's life, his role as an abolitionist, social reformer, and public order. Part Two scrutinizes three of Parker's most famous discourses. The author establishes Parker's place among mid-19th-century preachers.

The book is devoted to the analysis of promotional material of tourist activities on tourism websites, including walking, dining, and visiting natural and cultural heritage sights, as instances of multimodal texts through a case study of Croatian and Scottish tourism websites.

This volume explores the constitutive role of rhetoric in socio-cultural relations, where discursive persuasion is so important, and contains both theoretical chapters as well as fascinating examples of the ambiguities and effects of rhetoric used (un)consciously in social praxis. The elements of power, competition and political persuasion figure prominently. It is an accessible collection of studies, speaking to common issues and problems in social life, and shows the heuristic and often explanatory value of the rhetorical perspective.

"Susan Crossman has created one of the most comprehensive books on writing ever written. Whether you're writing a business report, an essay or a full-length novel, Crossman offers invaluable advice on making the process move more smoothly and efficiently. She also provides insightful tips on avoiding writer's block. If you want to be a truly effective and successful writer, this is the book you need."
- Michael B. Davie, author "Winning Ways "
Solid, expert advice from a professional writer and author of several critically acclaimed books. From tips on overcoming writer's block and engaging your audience to focusing on specific markets, Susan Crossman, also author of " Shades of Teale " and "Passages to Epiphany," delivers insightful commentary that will help anyone become a more efficient, effective and successful writer. Of tremendous benefit to business writers - and to anyone crafting works of fiction and non-fiction - a must-read
- Manor House Publishing Inc.
Susan Crossman on "The Write Way": "We all recognize that writing is a creative process but we also tend to think of the physical process of writing as a mechanical skill that takes good grammar and a decent vocabulary and somehow blends them all together to create clear communication. That's not a bad start but decades of experience have taught me that writing with impact is much more complex. This book provides tips on: - How to structure your written work - How to write with style and - How to engage an audience - Avoiding and overcoming writer's block - Writing for key markets and marketing your writing in a highly effective manner I hope The Write Way will help you write with more clarity and conviction and I also hope that it will make the task of writing that much more enjoyable."

The interface between syntax and meaning, both semantic and pragmatic, has emerged as perhaps the richest and most fascinating area of current linguistics theory. This study applies some of these ideas to hyperbaton, offering an original new theory with broad applications for our understanding of Greek syntax. Students of epic will find a fresh perspective on orality in Homer while the general classicist will discover a more precise and explicit framework for the analysis of textual meaning in literary research.

The purpose of this cutting-edge collection of essays is threefold: first, it presents the principles of data collection and interpretation or the methodological distinctions of a particular method appropriate to technical communication research. Second, it discusses the foundational principles of the methodologies given the primary discipline in which they were created and applied. Finally, it reflects upon the process of importing and employing these methodologies into the research field of technical communication, and on how technical communication research has contributed to the development and application of these methodologies.

Written by many noted scholars in the field and presenting a wide range of research methods, "Research in Technical Communication" combines theory and practice. Both technical communicators and industry researchers who want to learn more about workplace research and methodologies will find it invaluable, as will beginning and advanced scholars, who will find much that is useful in its variety of subjects.

The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Authorship; English literature; English language; English philology; Language Arts

In this book, Miriam Urgelles-Col examines the syntax and semantics of discourse markers. A discourse marker can loosely be defined as an item such as well or now, coming at the beginning of an utterance and marking a boundary between one part of spoken discourse and the next, signalling the start of a new section of the discourse. They perform important functions in conversation --but defining discourse markers is problematic in itself. The syntactic approach employed in this book to describe discourse markers is Head-Driven Phrase Structure Grammar (HPSG) which is relevant in a theory of discourse because it provides a framework in which all levels of grammar can be integrated. Since discourse markers operate at discourse level, a well developed discourse theory is required - in this case, Segmented Discourse Representation Theory (SDRT) is employed. During the course of the book, Minimal Recourse Semantics is explained as it provides an integration of HPSG and SDRT. The approach described is exemplified with an analysis of 'anyway'. This book offers a detailed overview of research on discourse markers covering different areas of linguistics: from a discourse analysis point of view, to a Relevance Theory perspective going through a computational linguistics approach. Moreover, the book contains a precise summary of HPSG and the recently developed SDRT. It will be of great interest to researchers in semantics, pragmatics, grammar and discourse analysis.

Based on approaches from discourse analysis and sociolinguistics, this study proposes an analytical model focusing on the linguistic and discursive means narrators use to construct a variety of identities in everyday stories. This model is further exploited in language teaching to cultivate students' cultural sensitivity and critical literacy.

This book provides a basic approach to the linguistic analysis of conversation, building toward a theory of the aesthetics of conversation by analyzing spontaneous talk among friends. It sheds light on such issues as pacing, turn-taking, storytelling, and humor, showing the effects on interaction when participants' conversational styles differ. Its readability makes it suitable for use as a text in discourse analysis at all levels.

This is the third in a series of conference papers on rhetorical criticism. Held in July 1995 in London, the conference included participants from the United Kingdom, the United States, Canada, Germany, Italy, Switzerland and the Republic of South Africa. Part I is concerned with the past, present and future of rhetorical analysis; Parts II, III and IV are concerned with rhetorical analysis of scriptural texts; and Part V provides a conclusion reflecting on a number of questions raised in Part I. Most of the participants would characterize themselves as advocates of rhetorical criticism; but there were others less convinced that rhetorical criticism is developing as it ought.>

In a series of cross-cultural investigations of word meaning, Cliff Goddard and Anna Wierzbicka examine key expressions from different domains of the lexicon - concrete, abstract, physical, sensory, emotional, and social. They focus on complex and culturally important words in a range of languages that includes English, Russian, Polish, French, Warlpiri and Malay. Some are basic like men, women, and children or abstract nouns like trauma and violence; others describe qualities such as hot, hard, and rough, emotions like happiness and sadness, or feelings like pain. This fascinating book is for everyone interested in the relations between meaning, culture, ideas, and words. They ground their discussions in real examples from different cultures and draw on work ranging from Leibniz, Locke, and Bentham, to popular works such as autobiographies and memoirs, and the Dalai Lama on happiness. The book opens with a review of the neglected status of lexical semantics in linguistics. The authors consider a range of analytical issues including lexical polysemy, semantic change, the relationship between lexical and grammatical semantics, and the concepts of semantic molecules and templates. Their fascinating book is for everyone interested in the relations between meaning, culture, ideas, and words.

Culture and Technology in the New Europe presents the insights of an international group of academic researchers and media practitioners who examine the impact of technology on East Central Europe, South-Eastern Europe, the Newly Independent States and the Russian Federation. Drawing from the expertise of authors from and working in the region, the book addresses concerns that the New Europe faces at the eve of the Third Millennium and a decade after the fall of communist rule. Such concerns include access to information and communication technology and the culturally-specific discourses articulated through media and technology. While the book focuses on information and communication reforms, and the development of a participatory democracy are examined. The book is distinguished by diverse studies ranging from the problems of Cyber Hate from and about the New Europe, to online activism in war-torn Kosovo, Bosnia, Croatia and Yugoslavia, to how digital media art articulates new cultural and creative freedoms once silenced by the Soviet regime. Finally, the book looks to the future of media, technology and communication in the New Europe, particularly the gaps between post-socialist nations and those more technologically advantaged, and how these gaps can be narrowed or eradicated in the Third Millennium.

This book brings together the perspectives of eminent and emerging scholars on contemporary issues relevant to the practice, pedagogy and institutionalization of the humanities in the three Chinese contexts of Hong Kong, Taiwan, and mainland China. It addresses the need to investigate how humanities discussions, often exclusively drawn from, and grounded in, western contexts, are today being played out in these three places. The humanities in contemporary Chinese contexts may have different social and pedagogical roles, and a consideration of them will enable people to moderate, and perhaps even refute, claims made in the recent (re)readings of the humanities. As Asian universities rise in the global rankings and as east-west university collaborations and partnerships become more common, it is important that the nature, practice and institutionalization of the humanities in Hong Kong, Taiwan, and mainland China are explored and described for English readers. Exploring new perspectives arising from an examination of the humanities in these places, this volume aims neither to establish a position of polarity, which would pit western sites against Chinese ones, nor to argue for universal sameness. Rather, the goal is to find nuanced correspondences and differences between these various backgrounds, so that there is a greater understanding of the specificities of Chinese contexts. This will help shed light not only on the contexts in question, but also potentially on how to rearticulate the importance of the humanities in general, creating an intercultural dialogue focused on the humanities. As the global university strives to move the different traditions of learning closer together through international rankings, rubrics, and shared research agendas, it is important that we explore these locations of potential cultural exchange.

Is it the greatest fear of all? Numerous surveys attest to the now well-known fact--the vast majority of people are more afraid of public speaking than any other experience, even death. With its unique approach, Scared Speechless turns your fear around by providing a step-by-step guide to successful speech making. To help prepare you for your next speech, some of the topics Rebecca McDaniel explores are nervousness and fears; persuasive, informative, impromptu, and extemporaneous speaking; topic choice; and learning the library. She also covers speech preparation; supporting your thesis; introductions and conclusions; delivery techniques; visual aids; choosing a topic; and organizing, supporting, and delivering your speech. Each chapter explains the process, illustrates with examples, and provides exercises to try out your new-found skills. Whether you are a student or a professional, the logical chapter sequence and the clear guidelines provided will ease you through the process. Scared Speechless is the perfect text for beginning speech classes and the essential guide for any professional who needs to improve his or her public speaking skills. With her extensive experience as a teacher of public speaking, McDaniel leaves no area uncovered and helps you go far beyond your fear of public speaking to become an accomplished presenter.

This book examines mathematical discourse from the perspective of Michael Halliday's social semiotic theory. In this approach, mathematics is conceptualized as a multisemiotic discourse involving language, visual images and symbolism. The book discusses the evolution of the semiotics of mathematical discourse, and then, proceeds to examine the grammar of mathematical symbolism, the grammar of mathematical visual images, intersemiosis between language, visual images and symbolism and the subsequent ways in which mathematics orders reality. The focus of this investigation is written mathematical texts. The aims of the book are to understand the semantic realm of mathematics and to appreciate the metaphorical expansions and simultaneous limitations of meaning in mathematical discourse. The book is intended for linguists, semioticians, social scientists and those interested in mathematics and science education. In addition, the close study of the multisemiotic mature of mathematics has implications for other studies adopting a social semiotic approach to multimodality.

As a student, and in any profession based on your studies, good oral communication skills are essential. It is therefore extremely important to develop your ability to converse, to discuss, to argue persuasively, and to speak in public. This is one reason why, whatever subject you study, you will be encouraged to discuss your work in seminars and you will have opportunities to give short talks or presentations.
Most people probably take for granted their ability to speak; not thinking much about it until the have to address an audience, or attend an important interview. However, just as your first impressions of other people are based on how they look and how they speak - so are their impressions of you. In every conversation, as well as when you give a talk or presentation, or are interviewed, you are not only conveying information about the subject being discussed but also presenting yourself.
"Speaking for Yourself" provides clear, straightforward advice that will help you:
Be a good listener
Express yourself clearly and persuasively
Contribute effectively to discussions
Prepare talks or presentations
Prepare effective visual aids
Deliver effective presentations
Perform well in interviews
In short, it will help you to express your thoughts clearly and persuasively - and so to achieve your short and medium-term goals as a student, and your career goals.

While neither Kate Chopin nor Edith Wharton can be called feminist writers, each did produce "female moral art," writings that focus relentlessly on the dialectics of social relations and the position of women therein. Mary Papke analyzes their disintegrative visions through detailed readings of virtually all of their novels and several of their shorter works. Unlike comparable writers of their time, theirs was a nonpolemical but nonetheless political art in which disruption of the rules of masculine/feminine discourse and the hegemonic world view are deeply but obviously embedded within character, plot, and theme. Papke begins with a brief examination of the ideology of true womanhood, which, she argues, permeates Chopin's and Wharton's fiction and world views. The remainder of her work offers an ideological reading of their social fiction in which their characters search for states of liminality, where they might achieve, however momentarily, autonomy. Repeatedly, Papke argues, these states of liminality are literally encoded into images of characters positioned on the edge of an abyss that then becomes a repository of multiple meanings. The author presents Chopin's and Wharton's female discourse as radical art because it dares to defy that which is both alienating and destructive. Papke's provocative analysis will be of interest not only to Wharton and Chopin scholars, but also to those working in the fields of feminist and women's studies. It will also interest scholars and students of American studies, particularly those working on late nineteenth and early twentieth century literature.

Languages across the world differ from each other in a number of respects, and one such difference is in terms of how their lexicons are categorized. Compared to most European languages with distinct, functionally dedicated word classes in the traditional sense, quite a few languages are observed to possess lexical items that can fulfill the functions typically associated with more than one traditional word class such as 'noun' and 'verb'. According to Rijkhoff and van Lier (2013), these lexemes exhibit what is called 'flexibility'. Classical Chinese is observed to feature word-class flexibility, in the sense that there are lexemes that can be used to serve the functions of two or more traditional word classes, without the functional change being marked by any derivational means. For instance, a lexical item like xin can either function as a verb meaning 'to be trustworthy [intr.]' or 'to believe, to trust [tr.]' or serve as a noun meaning 'trust, oath of alliance'. Similarly, a human-denoting lexeme such as you FRIEND cannot only mean 'a friend' but also 'to be a friend, to behave friendly [intr.]', 'to make friends with [tr.]' or 'to consider as a friend [tr.]'; an instrument word like bian WHIP cannot only mean 'a whip' but also 'to whip'. This situation is often thought to be related to the fact that Classical Chinese does not have any kind of productive morphology in the traditional sense (e.g. Zadrapa 2011). This is reflected in the lack of markedness distinctions across Croft's (2000, 2001) conceptual space for parts of speech. This study ascribes flexibility of parts of speech in Classical Chinese to precategoriality, in line with Bisang (2008 a, b). Precategoriality can roughly be defined as the absence of the noun-verb distinction in the lexicon; instead, the linking of individual words to the syntactic position of N or V as well as their text frequency in these positions are subject to pragmatics. Precategorial lexical items are those that are not preclassified into parts of speech in the lexicon; rather, their word-class specification is ultimately determined at the syntactic level, according to their position/function in a given word-class indicating construction. From a diachronic viewpoint, this study assumes that precategoriality and categoriality of individual lexical items are not static, but that they are potentialities and tendencies that may change over time. Specifically, (full) precategoriality and (full) categoriality are assumed to constitute a continuum in the lexicon of Chinese throughout its history. In any given historical period, lexical items of the language are distributed between the two extremes on the continuum, according to the intensity of the association between their lexical meaning and the syntactic position/function of e.g. N or V. Generally, along the continuum at a given historical stage, lexemes with a strong association between meaning and function (i.e. lexemes that are normally associated only with one word-class specification for a particular syntactic role) tend to be located close to the extreme of (full) categoriality. In contrast, lexemes that are not necessarily related to one specific association between meaning and function, but can potentially occur in a variety of such associations, are assumed to be placed closer to (full) precategoriality instead. Roughly speaking, the group of lexemes that is located towards (full) precategoriality are flexible lexemes, though with varying degrees of flexibility, whose semantics licenses a syntactic variety and can thus be linked to more than one word-class specification through syntactic specification, a syntactically specified process of category assignment. Based on these considerations, this study aims to present the results of a corpus-based investigation into flexibility of parts of speech in Classical Chinese. The research focuses on two types of syntactic specifications of flexible lexemes, namely, those using action-denoting lexemes in nominal function (the V N type), and those using object-denoting lexemes in verbal function (the N V type). The two types of syntactic specifications are investigated for this study in the five Classical Chinese texts (Zuozhuan, Mengzi, Guoyu, Mozi, and Zhanguoce). Based on empirical facts, flexibility of parts of speech in Classical Chinese is addressed at three descriptive levels in this study: First, at the level of syntax, the discussion focuses on the most important syntactic configurations for the use of flexible lexemes and their relations to the basic word order of this language, with flexibility being observed in two positions of an argument structure construction: the V-position and the syntactic position of an argument. The findings of this study demonstrate that as far as the argument structure constructions formed with flexible lexemes are concerned, VO word order is much more frequent than OV. This strong preference for VO is, in connection with lexical flexibility, explained as follows: With the loss of derivational morphology in early stages of Old Chinese (e.g. Sagart 1999), word order became the most important indicator of word class and strongly supported the omission of strict verb-noun distinctions (co-existence of precategoriality and categoriality) in the lexicon of this language. Second, at the level of cognitive semantics (e.g. Lakoff 1987; Koevecses and Radden 1998; Schoenefeld 2005), the discussion concentrates on the metonymic relationships that constitute the cognitive-semantic foundation of the use of flexible lexemes in Classical Chinese. In a metonymic mapping of either the V N or the N V type, the original semantics of a lexical item (which may typically be associated with a certain syntactic role of N or V) is used as a reference point to provide mental access to the newly derived meaning of the item in another syntactic function. Given the typologically salient characteristics of Classical Chinese discussed in this book, the argument is that the flexible use of an existing word form as a metonymically related but syntactically distinct item is one of the most economic ways in this language to name a new concept or a newly construed situation in discourse. Third, at the level of argument structure constructions (Bisang 2008a, b), the discussion focuses on how the different metonymic relationships mentioned interact with a given argument structure construction (which carries its own meaning within itself), and how these are further concretized into rule-based or metaphorically motivated pragmatic implicatures. A closer examination of an argument structure construction with an object word in the V-position reveals that there are two underlying frameworks for deriving the concrete meaning of the construction. In the rule-based framework, the verbal function of a given object word can basically be derived through grammatical analysis of the whole construction. In the metaphorical framework, the composed semantics of the construction actively interacts with the outside world in our conceptual system, where metaphor (Lakoff 1987, 1993; Koevecses 2010) serves as an essential cognitive principle in establishing and (re-)interpreting relations in the construction. The two mechanisms, rule-based and metaphorical, complement each other and work together to account for flexibility in Classical Chinese. This study argues that flexibility of parts of speech in Classical Chinese can only be fully understood by integrating a wide range of aspects, both linguistic and non-linguistic. The components that are needed to account for it include constructions (form-meaning pairings), semantics (Croft's conceptual space), pragmatic implicatures, metonymies, metaphors, as well as world knowledge as reflected within a culture. In my view, it is reasonable to argue that these components need not be specific to the language investigated here; they are applicable to any language that shows flexibility in its parts-of-speech system.

Quantification has been at the heart of research in the syntax and semantics of natural language since Aristotle. The last few decades have seen an explosion of detailed studies of the syntax and semantics of quantification and its relation to the rest of the theory of grammar, resulting in a highly sophisticated understanding of the mechanisms of quantification. This book considers the ways natural languages vary with respect to their realisation of quantificational notions. Drawing on data from English, German, Japanese, Korean, Mandarin, Hausa and others, the authors also link the variation in the expression of quantification to the notions of polarity sensitivity, free-choice and indefiniteness.