A Trilogy bringing together titles by John O'Meara that are also individually available from iUniverse.

"The Modern Debacle"

Containing close readings of work by Beckett, Hemingway, and T.S.Eliot; Tennessee Williams, Chekhov, Arthur Miller, and Brecht; Plath, Hughes, and Robert Graves, and W.B. Yeats.

"beautifully and fluently written and ingenious in its combination of catastrophes"

--Anthony Gash, Drama Head, The University of East Anglia

"Myth, Depravity, Impasse"

An in-depth study of Robert Graves, the modern theory of myth and Ted Hughes, with further reference to Shakespeare and to Keats.

"I am very sympathetic to the cause of myth and especially in relation to literature"

--Michael Bell, author of "Literature, Modernism and Myth" in a letter to John O'Meara

"This Life, This Death"

An extensive study of Wordsworth's great life-crisis, with additional reference to S.T. Coleridge, and to P.B. Shelley.

"Of this Wordsworth book, one recognizes its truth, its breadth of coverage and awareness, and above all its depth..."

--Richard Ramsbotham, editor of Vernon Watkins, "New Selected Poems," Carcanet Press.

For La amon, or Lawman (both forms are used), a parish priest living on the Welsh March c.1200, the criteria of language, race and territory all provided ways of defining the nation state, which is why his "Brut" commands a diverse readership to-day. The range of view-points in this book reflects the breadth and complexity of La amon's own vision of the way his world is moulded by past conquests and racial tensions. The "Brut" is an open-ended narrative of Britain, its peoples, and its place-names as they changed under new rulers, and tells, for the first time in English, the rise and fall of Arthur, highlighting his role in the unfolding history of Britain. Beginning with its legendary founder, Brutus, the story is imagined anew, and although it concludes with an Anglo-Saxon kingdom, La amon's closing words remind us that changes will come: "i-wuroe et iwuroe: i-wuroe Godes wille. Amen." This book offers detailed discussion and new perspectives. Its contributors explore aspects of behaviour and attitudes, personal and national identity and governance, language, metre, and the reception of La amon's "Brut "in later times. Comparisons are made with Latin writings and with French, Welsh, Spanish and Icelandic, placing La amon firmly within a European network of readers and redactors. The book will interest those working on medieval chronicles, as well as specialists in medieval law, custom, English language and literature, and comparative literature.

"Nothing great was ever achieved without enthusiasm," wrote RalphWaldo Emerson in 1841. While this statement may read like an innocuoustruism today, the claim would have been controversial in the antebellumUnited States when enthusiasm was a hotly contested term associated withreligious fanaticism and poetic inspiration, revolutionary politics and imaginativeexcess. In analysing the language of enthusiasm in philosophy, religion,politics, and literature, John Mac Kilgore uncovers a tradition of enthusiasmlinked to a politics of emancipation. The dissenting voices chronicledhere fought against what they viewed as tyranny while using their writings toforge international or antinationalistic political affiliations. Pushing his analysis across national boundaries, Kilgore contends thatAmerican enthusiastic literature, unlike the era's concurrent sentimentalcounterpart, stressed democratic resistance over domestic reform as it navigatedthe global political sphere. By analysing a range of canonical Americanauthors-including William Apess, Phillis Wheatley, Harriet Beecher Stowe,and Walt Whitman-Kilgore places their works in context with the causes,wars, and revolutions that directly or indirectly engendered them. In doingso, he makes a unique and compelling case for enthusiasm's centrality in theshaping of American literary history.

Roman Jakobson stands alone in his semiotic theory of poetic analysis which combines semiotics, linguistics and structuralist poetics. This groundbreaking book proposes methods for developing Jakobson's theories of communication and poetic function. It provides an extensive range of examples of the kinds of Formalist praxis that have been neglected in recent years, developing them for the analysis of all poetry but, especially, the poetry of our urban future. Throughout the book the parameters of a city poetic genre are proposed and established; the book also develops the theory of the function of shifters and deixis with special reference to women as narrators. It also instantiates an experimental poetic praxis based on the work of one of Jakobson's great influences, Charles Sanders Peirce. Steadfastly adhering to the text in itself, this volume reveals the often surprising, hitherto unconsidered structural and semiotic patterns within poems as a whole.

Presence of the Body provides an interdisciplinary forum for the dialogue between theory and practice about the impact of the body on human awareness in the fields of art, writing, meditative practice, and performance. This dialogue benefits from the neuro-systematic integration of "embodied" knowledge in the cognitive sciences, but it also suggests creative and transformative dynamics of embodiment which, beyond conceptualisation, emerge in sophisticated acts of writing, performing and meditating. Exploring the presence and experience character of the body-awareness relationship, a double perspective beyond cognitive fixations is suggested: 1) a body-centred touch of the world which inspires life as a creative 'writing' process, and 2) in line with Buddhist thought, an empty space of 'pure presence' from which all conscious processes originate.

FR: Rares mais marquantes ont ete les denonciations et les condamnations des crimes ou des vices des gouvernants. Le volume interroge les formes et les raisons de ces mises en cause, alors meme que les traditions antiques, medievales ou modernes etaient plutot accommodantes envers les abus de pouvoir. EN: Denunciations and convictions of rulers' crimes or vices are uncommon but striking. This volume investigates the forms and reasons for these accusations, even though antique, medieval or modern tradition has tended to be quite accommodating towards the abuse of power.

At a time when migration is mostly discussed in terms of "conflict" and "crisis", it is decidedly important to acknowledge the discursive traditions, narrative patterns, and conceptual categories that continue to inform how migration is represented, analyzed and theorized in contemporary Europe. This volume focuses on the potential of artistic and critical practices to challenge hegemonic framings of migration and embrace the ambivalence inherent in migration as a conflictual, often violent, yet also liberating uprooting. By placing special emphasis on "peripheral" perspectives and subject positions, the volume provides new insights into topics such as belonging and exclusion, the "migrant crisis", and memory. By bringing into dialogue creative practices and academic discourses, it explores how new modes of seeing and theorizing may emerge through experiences and representations of migration. Situated within the field of literary and cultural studies, it complements historical and social analyses in the emerging interdisciplinary field of migration studies.

In Policing Intimacy: Law, Sexuality, and the Color Line in Twentieth-Century Hemispheric American Literature, author Jenna Grace Sciuto analyzes literary depictions of sexual policing of the color line across multiple spaces with diverse colonial histories: Mississippi through William Faulkner's work, Louisiana through Ernest Gaines's novels, Haiti through the work of Marie Chauvet and Edwidge Danticat, and the Dominican Republic through writing by Julia Alvarez, Junot Diaz, and Nelly Rosario. This literature exposes the continuing coloniality that links depictions of US democracy with Caribbean dictatorships in the twentieth century, revealing a set of interrelated features characterizing the transformation of colonial forms of racial and sexual control into neocolonial reconfigurations. A result of systemic inequality and large-scale historical events, the patterns explored herein reveal the ways in which private relations can reflect national occurrences and the intimate can be brought under public scrutiny. Acknowledging the widespread effects of racial and sexual policing that persist in current legal, economic, and political infrastructures across the circum-Caribbean can in turn bring to light permutations of resistance to the violent discriminations of the status quo. By drawing on colonial documents, such as early law systems like the 1685 French Code Noir instated in Haiti, the 1724 Code Noir in Louisiana, and the 1865 Black Code in Mississippi, in tandem with examples from twentieth-century literature, Policing Intimacy humanizes the effects of legal histories and leaves space for local particularities. By focusing on literary texts and variances in form and aesthetics, Sciuto demonstrates the necessity of incorporating multiple stories, histories, and traumas into accounts of the past.

"Decentring the Avant-Garde" presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, "Decentring the Avant-Garde" highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices.

F. Scott Fitzgerald on Silent Film recalibrates the celebrated author's early career and brings fresh understanding to the life of one of America's truly great literary figures. Scholars have previously focused on Fitzgerald's connection with Hollywood when he worked in Tinseltown as a screenwriter in the 1930s. However, this ground-breaking research reveals the key role that Silent Hollywood played in establishing Fitzgerald's burgeoning reputation in the early to mid-1920s. Vividly written and drawing on a wealth of new sources, this book documents Martina Mastandrea's exciting discovery of the first film ever adapted from a work by Fitzgerald.

Most human action has a technical dimension. This book examines four components of this technical dimension. First, in all actions, various individual, organizational or institutional agents combine actional capabilities with tools, institutions, infrastructure and other elements by means of which they act. Second, the deployment of capabilities and means is permeated by ethical aspirations and hesitancies. Third, all domains of action are affected by these ethical dilemmas. Fourth, the dimensions of the technicity of action are typical of human life in general, and not just a regional or culturally specific phenomenon. In this study, an interdisciplinary approach is adopted to encompass the broad anthropological scope of this study and combine this bigger picture with detailed attention to the socio-historical particularities of action as it plays out in different contexts. Hermeneutics (the philosophical inquiry into the human phenomena of meaning, understanding and interpretation) and social science (as the study of all human affairs) are the two main disciplinary orientations of this book. This study clarifies the technical dimension of the entire spectrum of human action ranging from daily routine to the extreme of violent protest.