This book presents the first comprehensive study of Anglo-Saxon manuscript texts containing runic letters. To date there has been no comprehensive study of these works in a single volume, although the need for such an examination has long been recognized. This is in spite of a growing academic interest in the mise-en-page of early medieval manuscripts. The texts discussed in this study include Old English riddles and elegies, the Cynewulfian poems, charms, Solomon and Saturn I, and the Old English Rune Poem. The focus of the discussion is on the literary analysis of these texts in their palaeographic and runological contexts. Anglo-Saxon authors and scribes did not, of course, operate within a vacuum, and so these primary texts are considered alongside relevant epigraphic inscriptions, physical objects, and historical documents. Victoria Symons argues that all of these runic works are in various ways thematically focused on acts of writing, visual communication, and the nature of the written word. The conclusion that emerges over the course of the book is that, when encountered in the context of Anglo-Saxon manuscripts, runic letters consistently represent the written word in a way that Roman letters do not.

Harper Lee's first and only novel, "To Kill a Mockingbird," published in July 1960, is not only a beloved classic but also a touchstone in American literary and social history. It may well be our national novel.

With "Scout, Atticus, and Boo," Mary McDonagh Murphy commemorates more than half a century of "To Kill a Mockingbird" by exploring the great novel's history and how it has left its indelible mark. In compelling interviews, Anna Quindlen, Tom Brokaw, Oprah Winfrey, James Patterson, James McBride, Scott Turow, Wally Lamb, Andrew Young, Richard Russo, Adriana Trigiani, Rick Bragg, Jon Meacham, Allan Gurganus, Diane McWhorter, Lee Smith, Rosanne Cash, and others reflect on their own personal connections to Lee's literary masterpiece, what it means to them--then and now--and how it ultimately has affected their lives and careers.

An indispensable collection that re-examines what it means to belong in the world. "Where are you from?" The word cosmopolitan was first used as a way of evading exactly this question, when Diogenes the Cynic declared himself a "kosmo-polites," or citizen of the world. Cosmopolitanism displays two impulses-on the one hand, a detachment from one's place of origin, while on the other, an assertion of membership in some larger, more compelling collective. Cosmopolitanisms works from the premise that there is more than one kind of cosmopolitanism, a plurality that insists cosmopolitanism can no longer stand as a single ideal against which all smaller loyalties and forms of belonging are judged. Rather, cosmopolitanism can be defined as one of many possible modes of life, thought, and sensibility that are produced when commitments and loyalties are multiple and overlapping. Featuring essays by major thinkers, including Homi Bhabha, Jean Bethke Elshtain, Thomas Bender, Leela Gandhi, Ato Quayson, and David Hollinger, among others, this collection asks what these plural cosmopolitanisms have in common, and how the cosmopolitanisms of the underprivileged might serve the ethical values and political causes that matter to their members. In addition to exploring the philosophy of Kant and the space of the city, this volume focuses on global justice, which asks what cosmopolitanism is good for, and on the global south, which has often been assumed to be an object of cosmopolitan scrutiny, not itself a source or origin of cosmopolitanism. This book gives a new meaning to belonging and its ground-breaking arguments call for deep and necessary discussion and discourse.

Sea fortune has always been an issue of good faith and good navigation. While in antiquity, fortuna gubernatrix was praised for shielding the seaborne trade, in the Renaissance fortuna symbolized the conquest of chance and danger. Under such auspices, while relying on risk technologies modern seafaring has never lost its adventurous dimension. Understanding their origin remains a challenge for the history of science and the history of literature.

At once criminal and savior, clown and creator, antagonist and mediator, the character of trickster has made frequent appearances in works by writers the world over. As Margaret Atwood observed, trickster gods ""stand where the door swings open on its hinges and the horizon expands; they operate where things are joined together and, thus, can also fall apart."" A shaping force in American literature, trickster has appeared in such characters as Huckleberry Finn, Rinehart, Sula, and Nanapush. Usually a figure both culturally specific and transcendent, trickster leads the way to the unconscious, the concealed, and the seemingly unattainable. Trickster Lives offers thirteen new and challenging interpretations of trickster in American writing, including essays on works by African American, Native American, Pacific Rim, and Latino writers, as well as an examination of trickster politics. This innovative collection of work conveys the trickster's unmistakable imprint on the modern world.

"German Text Crimes "offers new perspectives on scandals and legal actions implicating writers of German literature since the 1950s. Topics range from literary echoes of the "Heidegger Affair" to recent incitements to murder businessmen (agents of American neo-liberal power) in works by Rolf Hochhuth and others. GDR songwriters' cat-and-mouse games with the Stasi; feminist debates on pornography, around works by Charlotte Roche and Elfriede Jelinek; controversies over anti-Semitism, around Bernhard Schlink's "Der Vorleser / The Reader "and Martin Walser's lampooning of the Jewish critic Marcel Reich-Ranicki; Peter Handke's pro-Serbian travelogue; the disputed editing of Ingeborg Bachmann's "Nachlass"; vexed relations between dramatists and directors; (ab)uses of privacy law to 'censor' contemporary fiction: these are among the cases of 'text crimes' discussed. Not all involve codified law, but all test relations between state power, civil society, media industries and artistic license

Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades. Some of the highlights of the collection include contributions from many of the major scholars of Morrison's canon: as well as art pieces, music, photographs and commentary from poets, Nikki Giovanni and Sonia Sanchez; novelist, A.J. Verdelle; playwright, Lydia Diamond; composer, Richard Danielpour; photographer, Timothy Greenfield-Sanders; the first published interview with Morrison's friends from Howard University, Florence Ladd and Mary Wilburn; and commentary from President Barack Obama. What distinguishes this book from the many other publications that engage Morrison's work is that the collection is not exclusively a work of critical interpretation or reference. This is the first publication to contextualize and to consider the interdisciplinary, artistic, and intellectual impacts of Toni Morrison using the formal fluidity and dynamism that characterize her work. This book adopts Morrison's metaphor as articulated in her Pulitzer-Prize winning novel, Beloved. The narrative describes the clearing as "a wide-open place cut deep in the woods nobody knew for what. . . . In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees." Morrison's Clearing is a complicated and dynamic space. Like the intricacies of Morrison's intellectual and artistic voyages, the Clearing is both verdant and deadly, a sanctuary and a prison. Morrison's vision invites consideration of these complexities and confronts these most basic human conundrums with courage, resolve and grace. This collection attempts to reproduce the character and spirit of this metaphorical terrain.

The life and work of Albert Camus provides insight into how to navigate through an absurd historical moment. Camus's role as a journalist, playwright, actor, essayist, philosopher, and novelist allowed him to engage a complex world in a variety of capacities and offer an array of interpretations of his time. Albert Camus provides insight into how one can benefit from listening to relevant voices from previous generations. It is important to allow the time to become familiar with those who sought answers to similar questions that are being asked. For Camus, this meant discovering how others engaged an absurd historical moment. For those seeking anwers, this means listening to the voice of Albert Camus, as he represents the closest historical perspective on how to make sense of a world that has radically changed since both World Wars of the twentieth century. This is an intentional choice and only comes through an investment of time and energy in the ideas of others. Similar to Albert Camus's time, this is an age of absurdity; an age defined by contradiction and loss of faith in the social practices of the past. When living in such a time, one can be greatly informed by seeking out those passionate voices who have found a way despite similar circumstances. Many voices from such moments in human history provide first-hand insights into how to navigate such a time. Camus provides an example of a person working from a constructive perspective, as he was willing to draw upon the thought of many contemporaries and great thinkers from the past while engaging his own time in history.As the first book-length study of Camus to situate his work within the study of communication ethics and philosophy of communication, Brent C. Sleasman helps readers reinterpret Camus' work for the twenty-first century. Within the introduction, Camus' exploration of absurdity is situated as a metaphor for the postmodern age. The first chapter then explores the communicative problem that Camus announced with the publication of The Fall--a problem that still resonates over 50 years after its initial publication. In the chapters that follow other metaphors that emerge from Camus' work are reframed in an effort to assist the reader in responding to the problems that emerge while living in their own age of absurdity. Each metaphor is rooted in the contemporary scholarship of the communication discipline. Through this study it becomes clear that Camus was an implicit philosopher of communication with deep ethical commitments.Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity is an important book for anyone interested in understanding the communicative implications of Camus' work, specifically upper-level undergraduates, graduate students, and faculty.

Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.

Unlike any other book of its kind, this volume celebrates published works from a broad range of American ethnic groups not often featured in the typical canon of literature. This culturally rich encyclopedia contains 160 alphabetically arranged entries on African American, Asian American, Latino/a, and Native American literary traditions, among others. The book introduces the uniquely American mosaic of multicultural literature by chronicling the achievements of American writers of non-European descent and highlighting the ethnic diversity of works from the colonial era to the present. The work features engaging topics like the civil rights movement, bilingualism, assimilation, and border narratives. Entries provide historical overviews of literary periods along with profiles of major authors and great works, including Toni Morrison, Maxine Hong Kingston, Maya Angelou, Sherman Alexie, A Raisin in the Sun, American Born Chinese, and The House on Mango Street. The book also provides concise overviews of genres not often featured in textbooks, like the Chinese American novel, African American young adult literature, Mexican American autobiography, and Cuban American poetry. Highlights the most important print and electronic resources on multicultural literature through a detailed bibliography Features entries from 50 contributors, all of whom are experts in their fields Includes cultural works not often highlighted in traditional textbooks, such as Iranian American literature, Dominican American literature, and Puerto Rican American literature

If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices?
"Doctoring the Novel" explores the ways in which language constructs and stabilizes these slippery terms by examining medical quackery and orthodoxy in works such as Mary Shelley's "Frankenstein," Charles Dickens's "Bleak House" and "Little Dorrit," Charlotte Bronte's "Villette," Wilkie Collins's "Armadale," and Arthur Conan Doyle's "Stark Munro Letters." Contextualized in both medical and popular publishing, literary analysis reveals that even supposedly medico-scientific concepts such as orthodoxy and quackery evolve not in elite laboratories and bourgeois medical societies but in the rough-and-tumble of the public sphere, a view that acknowledges the considerable, and often underrated, influence of language on medical practices.

This volume introduces ten emerging voices in German-language literature by women. Their texts speak to the diverse modalities of transition that characterise society and culture in the twenty-first century, such as the adaptation to evolving political and social conditions in a newly united Germany; globalisation, the dissolution of borders, and the changing face of Europe; dramatic shifts in the meaning of national, ethnic, sexual, gender, religious, and class identities; rapid technological advancement and the revolutionary power of new media, which in turn have radically altered the connections between public and private, personal and political. In their literature, the authors presented here reflect on the notion of transition and offer some unique interventions on its meaning in the contemporary era.

Millions of southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of southerners-and people in general-are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of southern nationhood and redefined southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted southerners to leave the region and changed perceptions of southerners to outsiders as well as how southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant's journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and connects the history of border crossings to the issues being considered in today's national landscape.