The concept of home has been changing for more than a century. This change began with colonialism and the movement of people across the globe, often within a set power dynamic. Since people now move with greater frequency, the question of where home is and what home means is more relevant than ever before.Meticulously researched, "Transformations of the Liminal Self" addresses the formation of home and identity and the ways in which the latter depends on the former. Using the postcolonial Muslim characters in the literary works of British authors Salman Rushdie, Hanif Kureishi, Zadie Smith, Monica Ali, and Fadia Faqir, author Alaa Alghamdi shows how home and identity are profoundly impacted by the power dynamics of the colonial relationship, the individual immigrant's experience, and the subject's multicultural setting. Drawing upon the theoretical work of Homi Bhabha, Rosemary Marangoly George, Gayatri Chakrovorty Spivak, and Edward Said, the conception of home and the formation of hybrid identities is examined and connected to larger cultural manifestations of Muslim-Western relationships. More specifically, Alghamdi explores how these characters define their home.Bold and challenging, Alghamdi's work offers a rigorous and well-articulated contribution to the ongoing academic conversation about identity and postcolonial literature.

This volume brings together two very popular and active research fields: Swiss Studies and Intercultural Studies. It includes contributions on the movement of ideas, literatures, and individuals from one culture to another or one language to another, and the ways in which they have been either assimilated or questioned. All of the writers explore this general theme; some come from a literary angle, some look at linguistic inventiveness and translation, whilst others study the problems faced when crossing geographical and cultural borders or presenting ideas which do not 'travel' well. By emphasising the connections, borrowings and mutual influences between Switzerland and other countries such as Germany, Hungary, France, the UK, and the Americas, the articles reaffirm the importance for Switzerland of intellectual openness and cultural exchange.

Conversations with Donald Hall offers a unique glimpse into the creative process of a major American poet, writer, editor, anthologist, and teacher. The volume probes in depth Hall's evolving views on poetry, poets, and the creative process over a period of more than sixty years. Donald Hall (1928-2018) reveals vivid, funny, and moving anecdotes about T. S. Eliot, Ezra Pound, and the sculptor Henry Moore; he talks about his excitement on his return to New Hampshire and the joys of his marriage with Jane Kenyon; and he candidly discusses his loss and grief when Kenyon died in 1995 at the age of forty-seven. The thirteen interviews range from a detailed exploration of the composition of ""Ox Cart Man"" to the poems that make up Without, an almost unbearable poetry of grief that was written following Jane Kenyon's death. The book also follows Hall into old age, when he turned to essay writing and the reflections on aging that make up Essays after Eighty. This moving and insightful collection of interviews is crucial for anyone interested in poetry and the creative process, the techniques and achievements of modern American poetry, and the elusive psychology of creativity and loss.

Millions of southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of southerners-and people in general-are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of southern nationhood and redefined southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted southerners to leave the region and changed perceptions of southerners to outsiders as well as how southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant's journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and connects the history of border crossings to the issues being considered in today's national landscape.

So much to read, so little time? Get a brief overview of the Japanese KonMari method of organizing and take control of your life. Japanese cleaning consultant and New York Times-bestselling author Marie Kondo is known for the revolutionary method of organization detailed in her book The Life-Changing Magic of Tidying Up, which has helped millions create and keep tidy homes. With chapter-by-chapter breakdowns, this summary explains the key points of her book, including: How a calm, comfortable home can ease your mind Why a "little-by-little" approach doesn't work How to identify items that "spark joy" and dispose of those that don't How to declutter your home by category Complete with historical context, important quotes, fascinating trivia, a glossary of terms, and other features, this summary and analysis of The Life-Changing Magic of Tidying Up is intended to complement your reading experience and bring you closer to a great work of nonfiction.

Lavishly published by Sylph Editions with the Center for Writers and Translators at the American University of Paris, the "Cahiers Series" features some of the most venerable names in literature as they embark on unique explorations in writing and translation. The newest additions to this groundbreaking collection exemplify the mission of the series. "Her Not All Her" is a dramatic work by Nobel Prize - winning writer Elfriede Jelinek, in which she writes to and about the great Swiss writer Robert Walser. In "Diplomat, Actor, Translator, Spy", Bernard Turle offers a window onto the working life of a translator, from craft and practice to motivations and frustrations. Finally, "Phantoms of Nature", a collaboration between writer Jeffrey Greene and artist Ralph Petty, offers a deeply personal mapping of rural America and the French countryside of Burgundy and the Ardeche.

The present English translation reproduces the original German of Carl Brockelmann's Geschichte der Arabischen Litteratur (GAL) as accurately as possible. In the interest of user-friendliness the following emendations have been made in the translation: Personal names are written out in full, except b. for ibn; Brockelmann's transliteration of Arabic has been adapted to comply with modern standards for English-language publications; modern English equivalents are given for place names, e.g. Damascus, Cairo, Jerusalem, etc.; several erroneous dates have been corrected, and the page references to the two German editions have been retained in the margin, except in the Supplement volumes, where new references to the first two English volumes have been inserted.

Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg's study addresses why such work should be the subject of scholarly examination, describes the events and attitudes which account for the critical neglect of this body of work, and models a critical approach to such narratives that demonstrates the distinctive ways in which this literature captures the complexities of post-civil rights era black experiences. In making her arguments regarding the value of popular writing, Bragg argues that black women's popular fiction foregrounds gender in ways that are frequently missing from other modes of narrative production. They exhibit a responsiveness and timeliness to the shifting social terrain which is reflected in the rapidly shifting styles and themes which characterize popular fiction. In doing so, they extend the historical function of African American literature by continuing to engage the black body as a symbol of political meaning in the social context of the United States. In popular literature Beauty Bragg locates a space from which black women engage a variety of public discourses.

This collection of essays explores the representations, incarnations and manifestations of evil when it is embodied in a particular villain or in an evil presence. All the essays contribute to showing how omnipresent yet vastly under-studied the phenomena of the villain and evil are. Together they confirm the importance of the continued study of villains and villainy in order to understand the premises behind the representation of evil, its internal localized logic, its historical contingency, and its specific conditions.

The impact of the African Diaspora in Spanish America is far greater than is understood or acknowledged in the English speaking world. Connected initially to the Spanish-Caribbean through trans-Atlantic slavery, Africa is so deeply ingrained in the biology and culture of these countries that, in the words of the Cuban poet Nicolas Guillen, it would require the work of a 'miniaturist to disentangle that hieroglyph.' Through complex explorations of narratives of Spanish Blacks in the Caribbean this collection of essays builds critically on mid and late twentieth century Afro-Hispanist scholarship and thereby amplifies the terms in which Africans in the Americas are generally discussed. Each of these essays deals with a pivotal aspect of the African experience in the Spanish speaking Caribbean from the period of slavery to the present day. The essays focus on Black African cultures in Cuba, Puerto Rico, the Dominican Republic as well as in the circum Caribbean areas of Mexico and Colombia. In the process they cover a vast and highly involved range of issues including abolition and the politics of anti-slavery rhetoric, African women's political activism, performance poetry and female embodiment of the Black Diaspora, the Cuban Revolution and its investment in African liberation struggles, race and intra-Caribbean migration, ritualised spirituality and African healing practices among others. Through their investigation of both official and popular cultures in the Caribbean not only do the essays in this volume show the indispensable functions of African cultural capital in the Spanish speaking Caribbean but they also underline the multiple demographic, socio-political and institutional imperatives that are at stake in considering contemporary understandings of the African Diaspora. ______________________________________ Conrad James received his PhD in Modern Languages at the University of Cambridge and teaches Spanish Caribbean and US Latino literature at the University of Birmingham. He taught previously at the University of Durham and has held visiting positions at the University of California Santa Cruz and the University of Maryland. James has published widely on Cuban women's writing and Afro-Cuban literature of the 20th century. He has also worked on Dominican and Dominican-American fiction and poetry.

This title provides a reading of the popular fiction of London historicized in its political and cultural contexts. From the early years of the nineteenth century, cultural pessimists imagined in fiction the political forces that might bring about the destruction of London. Periods of popular protest or radicalism generated novels that considered the methods insurgents might use to terrorise the metropolis. There has been a tendency to dismiss such writings as the lurid imaginings of pulp novelists but this book re-evaluates the contribution of popular fiction to the construction of the terrorist threat. It analyses the high-points for the production of such works, and locates them in their cultural and historical context. From the 1840s, when a fear of Chartist insurgency was paramount in the minds of authors, it moves through the anarchist thrillers of the 1890s, considers writers' fears about Bolshevik revolution in the East End of the 1920s and 1930s, explores fears of Fascism in the inter-war years, and assesses the concerns with underground counter-culture that feature in the thriller literature of the 1970s. It concludes with a re-evaluation of the metropolitan background to the figure of the Islamist terrorist.

This book investigates early modern women's interventions in politics and the public sphere during times of civil war in England and France. Taking this transcultural and comparative perspective, and the period designation "early modern" expansively, Antigone's Example identifies a canon of women's civil-war writings; it elucidates their historical specificity as well as the transhistorical context of civil war, a context which, it argues, enabled women's participation in political thought.

This study examines Defoe's three-volume "Robinson Crusoe "series in the light of the 'banter' style he developed as a pamphleteer. That heavily ironic style had brought him renown but also put him in the pillory. The present study explores for the first time Defoe's complaint that readers and pirate abridgers misread his tale of the would-be trader "Robinson Crusoe." Using Discourse Analysis and Relevance Theory to examine the early abridgements of Volume I and Defoe's subsequent two volumes, this study argues that Defoe's greatest success is also a peculiar failure.

Perspektief en profiel - 'n Afrikaanse literatuurgeskiedenis in drie dele (1998, 1999, 2006) is die enigste omvattende Afrikaanse literatuurgeskiedenis wat tans op die mark is. Dit word wyd benut hier en in die buiteland. Van die belangrikste skrywers soos Etienne van Heerden, Marlene van Niekerk, Eben Venter, Alexander Strachan, Ingrid Winterbach en Breyten Breytenbach het egter sedert die verskyning van die deel waarin hulle oeuvres behandel is, van hul beste werk gelewer. Dit het daarom tyd geword om 'n totaal bygewerkte uitgawe die lig te laat sien. Boonop bied dit die geleentheid om van die perspektiewe by te werk en selfs nuwes (byvoorbeeld oor die) in te sluit. Dit kan met reg beweer word dat hierdie literatuurgeskiedenis toenemend bykans alle relevante aspekte van die Afrikaanse literere veld dek. 'n Nuwe uitgawe het ook die voordeel dat dit die geleentheid bied om jonger literatore as medewerkers te betrek. Nie net is hulle die akademici van die toekoms nie, maar bring hulle meestal ander (teoretiese) perspektiewe wat verrykend inwerk op die geheel. Hierdie nuwe uitgawe is ingrypend geherstruktureer: telkens met enkele perspektiewe en 'n aantal profiele, alfabeties ingedeel. Hierdie uitgawe (Deel 1) bevat die volgende perspektiewe: "Klein begin is aanhou wen" (oor die ontstaansgeskiedenis van die Afrikaanse letterkunde); 'n blik op die Nederlandstalige Suid-Afrikaanse letterkunde, 1652-1925; 'n Inleiding tot buite-kanonieke Afrikaanse kulturele praktyke; 'n perspektief op die Afrikaanse prosa. Die profiele strek van Hennie Aucamp to Henriette Grove (A-G).

Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse Audience, had to formulate a method for making the "other half" laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor.Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity-how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole's argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them-including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens-and traces the form's emergence in the pages of Joseph Pulitzer's New York World and William Randolph Hearst's Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.