This book explores the connections that Jose Joaquin de Mora (1783-1864) established with Britain, where he was exiled from 1823 to 1826 and was to return as diplomat in the following decades. His admiration for the British materialised in a series of cultural transfers aimed at the promotion and diffusion of British culture in Spain and Spanish America. He contributed to the popularization of Bentham's utilitarianism, the principles of British classical economy, and the philosophy of the Scottish School of Common Sense; he translated texts by Scott and Shakespeare and wrote an unfinished version of Byron's Don Juan; and, above all, he presented Britain as a model for the political, economic, and literary regeneration of the Hispanic world.

In Zeiten zunehmender Bedrohungen fur das aktuell gelebte Europa stellt dieser Band mit Beitragen internationaler Forscher(Innen) aus multidisziplinarer Perspektive literarische Konzepte fur eine europaische Idee vor. Kontinuitatslinien und Bruche zwischen stark divergierenden Ansatzen, die sich zu einem Selbstverstandnis Europas erganzen, werden darin anhand literarischer und publizistischer Werke untersucht, da diese auch gewagte Experimente durchzufuhren und im Einsatz zu zeigen vermoegen. Dabei werden auch aktuellste Themen beruhrt, die demonstrieren, dass Europa sich selbst standig neu erfindet, um sich an neue Bedingungen anzupassen, was den europaischen Raum zu einem deutlich groesseren Gebilde als die Summe seiner Teile macht.

The 1760s was a pivotal decade for the philosophes. In the late 1750s their cause had been at a low ebb, but it was transformed in the eyes of public opinion by such events as the Calas affair in the early 1760s. By the end of the decade, the philosophes were dominant in key literary institutions such as the Comedie-Francaise and the Academie francaise, and their enlightened programme became more widely accepted. Many of the essays in this volume focus on Voltaire, revealing him as a writer of fiction and polemic who, during this period, became increasingly interested in questions of justice and jurisprudence. Other essays examine the literary activities of Voltaire's contemporaries, including Jean-Jacques Rousseau, Chamfort, Retif, Sedaine and Marmontel. It is no exaggeration to describe the 1760s as Voltaire's decade. It is he more than any other author who set the agenda and held the public's attention during this seminal period for the development of Enlightenment ideas and values. Voltaire's dominance of the 1760s can be summed up in a single phrase: it is in these years that he became the 'patriarch of Ferney'.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. From New Orleans to New York, from London to Paris to Venice, many of the world's great cities were built on wetlands and swamps. Cities and Wetlands is the first book to explore the literary and cultural histories of these cities and their relationships to their environments and buried histories. Developing a ground-breaking new mode of psychoanalytic ecology and surveying a wide range of major cities in North America and Europe, ecocritic and activist Rod Giblett shows how the wetland origins of these cities haunt their later literature and culture and might prompt us to reconsider the relationship between human culture and the environment. Cities covered include: Berlin, Boston, Chicago, Hamburg, London, New Orleans, New York, Paris, St. Petersburg, Toronto, Venice and Washington.

"Adopting an interdisciplinary approach to a range of visual and textual material, this engaging and illuminating collection compels twenty-first-century readers to take a fresh look at the multiple ways in which readers and reading were represented in the long nineteenth century." (Professor Julia Thomas, Cardiff University) The long nineteenth century saw a prolific increase in the number of books being produced and read and, consequently, in the number of visual and textual discourses about reading. This collection examines a range of visual and textual iconographies of readers produced during this period and maps the ways in which such representations engaged with crucial issues of the time, including literary value, gender formation, familial relationships, the pursuit of leisure and the understanding of new technologies. Gauging the ways in which Victorians conceptualized reading has often relied on textual sources, but here we recognize and elaborate the importance of visual culture - often in dialogue with textual evidence - in shaping the way people read and thought about reading. This book brings together historians, literary scholars and art historians using a range of methodologies and theoretical approaches to address ideas of readership found in fine art, photography, arts and craft, illustration, novels, diaries and essays. The volume shows how the field of readership studies can be enriched and furthered through an interdisciplinary approach and, in particular, through an exploration of the visual iconography of readers and reading.

Readings in the Anthropocene brings together scholars from German Studies and beyond to interpret the German tradition of the last two hundred years from a perspective that is mindful of the challenge posed by the concept of the Anthropocene. This new age of man, unofficially pronounced in 2000, holds that humans are becoming a geological force in shaping the Earth's future. Among the biggest challenges facing our future are climate change, accelerated species loss, and a radical transformation of land use. What are the historical, philosophical, cultural, literary, and artistic responses to this new concept? The essays in this volume bring German culture to bear on what it means to live in the Anthropocene from a historical, ethical, and aesthetic perspective.

Richard Kaeuper's career has examined three salient concerns of medieval society - knightly prowess and violence, lay and religious piety, and public order and government - most directly in three of his monographs: War, Justice, and Public Order (Oxford, 1988), Chivalry and Violence in Medieval Europe (Oxford, 1999), and Holy Warriors (Penn, 2009). Kaeuper approaches historical questions with an eye towards illuminating the inherent complexities in human ideas and ideals, and he has worked to untangle the various threads holding together cultural constructs such as chivalry, licit violence, and lay piety. The present festschrift in his honor brings together scholars from across disciplines to engage with those same concerns in medieval society from a variety of perspectives. Contributors are: Bernard S. Bachrach, Elizabeth A.R. Brown, Samuel A. Claussen, David Crouch, Thomas Devaney, Paul Dingman, Daniel P. Franke, Richard Firth Green, Christopher Guyol, John D. Hosler, William Chester Jordan, Craig M. Nakashian, W. Mark Ormrod, Russell A. Peck, Anthony J. Pollard, Michael Prestwich, Sebastian Rider-Bezerra, Leah Shopkow, and Peter W. Sposato.

Blood Lines: Myth, Indigenism, and Chicana/o Literature examines a broad array of texts that have contributed to the formation of an indigenous strand of Chicano cultural politics. In particular, this book exposes the ethnographic and poetic discourses that shaped the aesthetics and stylistics of Chicano nationalism and Chicana feminism. Contreras offers original perspectives on writers ranging from Alurista and Gloria Anzaldua to Lorna Dee Cervantes and Alma Luz Villanueva, effectively marking the invocation of a Chicano indigeneity whose foundations and formulations can be linked to U.S. and British modernist writing.

By highlighting intertextualities such as those between Anzaldua and D. H. Lawrence, Contreras critiques the resilience of primitivism in the Mexican borderlands. She questions established cultural perspectives on "the native," which paradoxically challenge and reaffirm racialized representations of Indians in the Americas. In doing so, Blood Lines brings a new understanding to the contradictory and richly textured literary relationship that links the projects of European modernism and Anglo-American authors, on the one hand, and the imaginary of the post-revolutionary Mexican state and Chicano/a writers, on the other hand.

Consigned to oblivion by the Franco regime and traditional historiography, the Other Silver Age Spain (1868-1939) encompasses an array of cultural forms that are coming back into view today with the aid of mass digitization. This volume examines the period through a digital lens, reinterpreting literary and cultural history with the aid of twenty-first-century technologies that raise aesthetic and ethical questions about historical memory, the canon, and the archive. Scholars based in Spain, Germany, and the United States explore modern Spanish culture in the context of digital corpora, archives, libraries, maps, networks, and visualizations-tools that spark dialogues between the past and the present, research and teaching, and Hispanism in the academy and society at large.

Cross-cultural Studies: China and the World, A Festschrift in Honor of Professor Zhang Longxi collects twelve essays by eminent scholars across several disciplines in Chinese and cross-cultural studies to celebrate Zhang Longxi's scholarly achievements. As a leading scholar from post-Cultural Revolution China, Zhang Longxi's academic career has set a milestone in cross-cultural studies between China and the world. With an introduction by Qian Suoqiao, and a prologue by Zhang Longxi himself, the volume features masterly essays by Ronald Egan, Torbjoern Loden, Haun Saussy, Lothar von Falkenhausen, and Hwa Yol Jung among others, which will make significant contributions to Sinological and cross-cultural studies of themselves on the one hand, and demonstrate Zhang Longxi's friendships and scholarly impact on the other.