Early African Caribbean Newspapers as Archipelagic Media in the Emancipation Age shows how two Black-edited periodical publications in the early decades of the nineteenth century worked towards emancipation through medium-specific interventions across material and immaterial lines. More concretely, this book proposes an archipelagic framework for understanding the emancipatory struggles of the Antiguan Weekly Register in St. John's and the Jamaica Watchman in Kingston. Complicating the prevalent narrative about the Register and the Watchman as organs of the free people of color, this book continues to explore the heterogeneity and evolution of Black newspaper print on the liberal spectrum. As such, Early African Caribbean Newspapers makes the case that the Register and the Watchman participated in shaping the contemporary communication market in the Caribbean. To do so, this study engages deeply with both the textuality and materiality of the newspaper and presents fresh visual material.

The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is the first to present an account of a specifically Haitian literary tradition in the Revolutionary era. Beyond the Slave Narrative shows the emergence of two strands of textual innovation, both evolving from the new revolutionary consciousness: the remarkable political texts produced by Haitian revolutionary leaders Toussaint Louverture and Jean-Jacques Dessalines, and popular Creole poetry from anonymous courtesans in Saint-Domingue's libertine culture. These textual forms, though they differ from each other, both demonstrate the increasing cultural autonomy and literary voice of non-white populations in the colony at the time of revolution. Unschooled generals and courtesans, long presented as voiceless, are at last revealed to be legitimate speakers and authors. These Haitian French and Creole texts have been neglected as a foundation of Afro-diasporic literature by former slaves in the Atlantic world for two reasons: because they do not fit the generic criteria of the slave narrative (which is rooted in the autobiographical experience of enslavement); and because they are mediated texts, relayed to the print-cultural Atlantic domain not by the speakers themselves, but by secretaries or refugee colonists. These texts challenge how we think about authorial voice, writing, print culture, and cultural autonomy in the context of the formerly enslaved, and demand that we reassess our historical understanding of the Haitian Independence and its relationship to an international world of contemporary readers.

Throughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg's famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger.

Closely examining Jacques Lacan's unique mode of engagement with philosophy, Lacan with the Philosophers sheds new light on the interdisciplinary relations between philosophy and psychoanalysis. While highlighting the philosophies fundamental to the study of Lacan's psychanalysis, Ruth Ronen reveals how Lacan resisted the straightforward use of these works. Lacan's use of philosophy actually has a startling effect in not only providing exceptional entries into the philosophical texts (of Aristotle, Descartes, Kant and Hegel), but also in exposing the affinity between philosophy and psychoanalysis around shared concepts (including truth, the unconscious, and desire), and at the same time affirming the irreducible difference between the analyst and the philosopher. Inspired by Lacan's resistance to philosophy, Ruth Ronen addresses Lacan's use of philosophy to create a fertile moment of exchange. Straddling the fields of philosophy and psychoanalysis with equal emphasis, Lacan with the Philosophers develops a unique interdisciplinary analysis and offers a new perspective on the body of Lacan's writings.

Drawing on literary texts, conversion manuals, and colonial correspondence from sixteenth- and seventeenth-century Spain and Peru, Forms of Relation focuses on nonprocreative and nonbiological kinship ties, revealing the importance of these relationships to debates and struggles over colonial governance and identities.Goldmark begins with one Dominican friar's polemic against Spanish abuses of Indigenous women's reproductive labor, which threatened to lead to maternal infanticide, the death of the Indies' populations, and the failure of evangelization. He consults texts from sixteenth-century Peru describing how Inca authorities thwarted marriages between nonelite Inca women and Spanish men in an attempt to preserve Inca political power. He uncovers Spanish and Criollo teachers' petitions, submitted in the early seventeenth century to the Archbishopric's Archive of Lima, that hoped to convince authorities that by following these petition authors' "good examples," an Indigenous person could claim Christian rights. Forms of Relation illustrates why we must and how we can interrogate the dominant paradigms of mestizaje, heterosexuality, and biology that are too often left unchallenged in studies of Spanish colonialism, demonstrating how nonprocreative kinships proved critical to the creation of that regime.

'Retro' is not only a pervading phenomenon in today's Western culture but has informed cultural history for some centuries and thus gives momentousness to the subject of the present volume, namely literary texts and musical compositions which, for various reasons and with multiple functions, 'make it old'.

Essays focus on Baroque as a concept and category of analysis which has been central to an understanding of Hispanic cultures during the last several hundred years

Surveying the widespread appropriations of the Gothic in contemporary literature and culture, Post-Millennial Gothic shows contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer's Twilight series through Tim Burton's Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, Catherine Spooner argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of 'Happy Gothic'. Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of twenty-first century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy and romance in earlier Gothic literature.

Australian Fiction as Archival Salvage examines key developments in the field of the Australian postcolonial historical novel from 1989 to the present. In parallel with this analysis, A. Frances Johnson undertakes a unique study of in-kind creativity, reflecting on how her own nascent historical fiction has been critically and imaginatively shaped and inspired by seminal experiments in the genre - by writers as diverse as Kate Grenville, Mudrooroo, Kim Scott, Peter Carey, Richard Flanagan, and Rohan Wilson. Mapping the postcolonial novel against the impact of postcolonial cultural theory and Australian writers' intermittent embrace of literary postmodernism, this survey is also read against the post-millenial 'history' and 'culture wars' which saw politicizations of national debates around history and fierce contestation over the ways stories of Australian pasts have been written.