This is a timely book that, through an insightful exploration of recent art (literary and visual texts) created by members of the Latinx community, places emphasis on social bonds and forms of conviviality that run counter to contemporary anti-Latinx discourse. Drawing mostly on neo-cosmopolitan approaches, this book provides a fresh slant on the Latinx stranger, as it not only exposes the processes of othering to which Latinxs are subjected, but also foregrounds their potential to imagine convivial modes of interaction that foster solidarity and social change. The themes and the level of scholarship at stake in this volume appeal to a variety of subject areas, e.g., US Latinx literature and culture, border studies and American studies, all of which are increasingly widely taught in US campuses, and to a lesser (but still significant) extent also in European and Latin American universities. Besides, its focus on pressing contemporary issues, ranging from Latinx immigration, family separation at the US-Mexico border, Latinx urban life, and Latinx politics in the US, may also appeal to non-specialist audiences who wish to learn what it means to be a Latinx politically and culturally. Formed by a team of geographically diverse contributors, some of whom are renowned writers and scholars (e.g., Norma Cantu), while others are at the beginning of promising careers, this volume takes a critical but also optimist approach to tackling some of the challenges that Latinxs, as well as other minorities around the world, are experiencing in contexts of increasing racism and other forms of hatred.

Provides an accessible introduction to the Environmental Humanities, a complex and interdisciplinary area, and designed to provide a foundation for future study, projects and pursuits. Written by academics with experience of teaching and writing in the field. Content is engaging and includes case studies, discussion questions, annotated bibliographies, and links to online resources. Organised by subject, this book could be used on general environmental humanities courses, or individual chapters could be used on subject specific courses i.e. Environmental History, environmental film etc.

The English Revolution of 1642-60 produced an explosion of stylistically and ideologically diverse pamphlet literature. The essays collected here focus on the prose of this new revolutionary era, and the new public sphere it helped to create. They cover a wide range of topics including the Royalist attack on the Sectarian Babel and the street theatre of the Ranters.

This volume presents a comparative exploration of Dalit autobiographical writing from India and of Latin American testimonio as subaltern voices from two regions of the Global South. Offering frames for linking global subalternity today, the chapters address Siddalingaiah's Ooru Keri; Muli's Life History; Manoranjan Byapari and Manju Bala's narratives; and Yashica Dutt's Coming Out as Dalit; among others, alongside foundational texts of the testimonio genre. While embedded in their specific experiences, the shared history of oppression and resistance on the basis of race/ethnicity and caste from where these subaltern life histories arise constitutes an alternative epistemological locus. The chapters point to the inadequacy of reading them within existing critical frameworks in autobiography studies. A fascinating set of studies juxtaposing the two genres, the book is an essential read for scholars and researchers of Dalit studies, subaltern studies, testimonio and autobiography, cultural studies, world literature, comparative literature, history, political sociology and social anthropology, arts and aesthetics, Latin American studies, and Global South studies.

the first handbook to shed light on different translation approaches and invite a rethinking of intercultural and interlingual exchanges from Latin American viewpoints.

Although rule breaking in Harry Potter is sometimes dismissed as a distraction from Harry's fight against Lord Voldemort, Harry Potter and Resistance makes the case that it is central to the battle against evil. Far beyond youthful hijinks or adolescent defiance, Harry's rebellion aims to overcome problems deeper and more widespread than a single malevolent wizard. Harry and his allies engage in a resistance movement against the corruption of the Ministry of Magic as well as against the racist social norms that gave rise to Voldemort in the first place. Dumbledore's Army and the Order of the Phoenix employ methods echoing those utilized by World War Two resistance fighters and by the U.S. Civil Rights movement. The aim of this book is to explore issues that speak to our era of heightened political awareness and resistance to intolerance. Its interdisciplinary approach draws on political science, psychology, philosophy, history, race studies, and women's studies, as well as newer interdisciplinary fields such as resistance studies, disgust studies, and creativity studies.

This book analyses the epistemological problems that Shakespeare explores in Othello. In particular, it uses the methods of analytic philosophy, especially the work of the later Wittgenstein, to characterize these problems and the play.

This book is a fierce argument against social and caste discrimination in India, especially untouchability and emphatic call for social justice. Written by a first-generation Kannada Dalit writer, the book provides an insider's view of caste discrimination as the author has lived through and experienced it. It traces the roots of present-day activism against caste discrimination, the influence of Ambedkar, the rise of Hindutva, and the role of Dalit literatures in shaping discourses around caste in India. An invigorating collection of essays and speeches by Mudnakudu Chinnaswamy, this volume will be of great interest to scholars and researchers of discrimination, literature, politics and political philosophy, exclusion studies, race, social justice, cultural studies, and South Asian studies.

Free Black woman, poet, novelist, essayist, speaker, and activist, Frances Watkins Harper was one of the nineteenth century's most important advocates of Abolitionism and female suffrage, and her pioneering work still has profound lessons for us today. In this new book, Utz McKnight shows how Harper's life and work inspired her contemporaries to imagine a better America. He seeks to recover her importance by examining not only her vision of the possibilities of Emancipation, but also her subsequent role in challenging Jim Crow. He argues that engaging with her ideas and writings is vital in understanding not only our historical inheritance, but also contemporary issues ranging from racial violence to the role of Christianity. This lucid book is essential reading not only for students of African American history, but also for all progressives interested in issues of race, politics, and society.

The fascinating history of French words that have entered the English language and the fertile but fraught relationship between English- and French-speaking cultures across the world English has borrowed more words from French than from any other modern foreign language. French words and phrases-such as a la mode, ennui, naivete and caprice-lend English a certain je-ne-sais-quoi that would otherwise elude the language. Richard Scholar examines the continuing history of untranslated French words in English and asks what these words reveal about the fertile but fraught relationship that England and France have long shared and that now entangles English- and French-speaking cultures all over the world. Emigres demonstrates that French borrowings have, over the centuries, "turned" English in more ways than one. From the seventeenth-century polymath John Evelyn's complaint that English lacks "words that do so fully express" the French ennui and naivete, to George W. Bush's purported claim that "the French don't have a word for entrepreneur," this unique history of English argues that French words have offered more than the mere seasoning of the occasional mot juste. They have established themselves as "creolizing keywords" that both connect English speakers to-and separate them from-French. Moving from the realms of opera to ice cream, the book shows how migrant French words are never the same again for having ventured abroad, and how they complete English by reminding us that it is fundamentally incomplete. At a moment of resurgent nationalism in the English-speaking world, Emigres invites native Anglophone readers to consider how much we owe the French language and why so many of us remain ambivalent about the migrants in our midst.

This edited collection of essays focuses on the topic of protest during the Enlightenment of the long eighteenth century (roughly 1670-1833). Resistance in the eighteenth century was extensive, and the act of protest to foment meaningful societal change took on many forms from the circulation of ballads, swearing of oaths, to riots and work stoppages, or the composition of essays, novels, posters, caricatures, political cartoons, as well as theater and opera. The contributors to this volume examine the causes of protest as well as the broad ways in which common artifacts such as poles, trees, drums, conchs, and songs acted as flashpoints for conflict and vehicles of protest. Rather than approaching the topic with strict geographical, temporal, and structural limitations, this book focuses on the time period from an international perspective and an interdisciplinary scope. Because of its wide scope, this book is an important contribution to the subject that will be of interest to both faculty and students of the history of protest, resistance and the changes that these forces bring as it also reminds us that the protests of today are rooted in historical resistances of the past.

In an unprecedented comparison of two of the most important female authors of the nineteenth century, Azelina Flint foregrounds the influence of the religious communities that shaped Louisa May Alcott's and Christina Rossetti's visions of female creativity. In the early stages of the authors' careers, their artistic developments were associated with their patrilineal connections to two artistic movements that shaped the course of American and British history: the Transcendentalists and Pre-Raphaelites. Flint uncovers the authors' rejections of the individualistic outlooks of these movements, demonstrating that Alcott and Rossetti affiliated themselves with their mothers and sisters' religious faith. Applying the methodological framework of women's mysticism, Flint reveals that Alcott's and Rossetti's religious beliefs were shaped by the devotional practices and life-writing texts of their matrilineal communities. Here, the authors' iconic portrayals of female artists are examined in light of the examples of their mothers and sisters for the first time. Flint recovers a number of unpublished life-writings, including commonplace albums and juvenile newspapers, introducing readers to early versions of the authors' iconic works. These recovered texts indicate that Alcott and Rossetti portrayed the female artist as a mouthpiece for a wider community of women committed to social justice and divine communion. By drawing attention to the parallels in the authors' familial affiliations and religious beliefs, Flint recuperates a tradition of nineteenth-century women's mysticism that departs from the individualistic models of male literary traditions to locate female empowerment in gynocentric relationships dedicated to achieving a shared revelation of God.

Edges of Transatlantic Commerce in the Long Eighteenth Century examines and challenges the boundaries of the Atlantic in the eighteenth century, with a particular focus on commerce. Commerce as a keyword encompasses a wide range of documented and undocumented encounters that invoke topics such as shared or conflicting ideas of value, affective experiences of the emerging global system, and development of national economies, as well as their opponents. By investigating what gets exchanged, created, or obscured on the peripheries of transatlantic commercial relations and geography in the eighteenth century, the chapters in this collection reimagine the edge as a liminal space with a potential for an alternative historical and aesthetic knowledge. To ground this inquiry in a more material dimension, the chapters engage specifically with what is being exchanged, sold, or communicated across the Atlantic by exploring ideas that are being shaped, concealed, undermined, or exploited through intricate exchanges. With its contributions from multiple contexts and disciplinary perspectives, Edges of Transatlantic Commerce offers insights into relatively neglected aspects of the transatlantic world to cultivate the value that the edges allow us to conceive.

An exploration of trends and cultures connected to electrical telegraphy and recent digital communications, this collection emerges from the research project Scrambled Messages: The Telegraphic Imaginary 1866-1900, which investigated cultural phenomena relating to the 1866 transatlantic telegraph. It interrogates the ways in which society, politics, literature and art are imbricated with changing communications technologies, from the mid-nineteenth century to the present. Contributors consider control, imperialism and capital, as well as utopianism and hope, grappling with the ways in which human connections (and their messages) continue to be shaped by communications infrastructures.

Connects the impact of the early modern period with the procedures of present-day maritime law Uses maps and historical documents to provide a rich history of piracy in the 16th and 17th centuries Explores how ideas and people circulated across boundaries of empires and nations

This book discusses the ethical dimension of the interpretation of texts and events. Its purpose is not to address the neutrality or ideological biases of interpreters, but rather to discuss the underlying issue of the intervention of interpreters into the process of interpretation. The author calls this intervention the "ethical" aspect of interpretation and argues that interpreters are neither neutral nor necessarily activists. He examines three models of interpretation, all of which recognize the role that interpreters play in the process of interpretation. In these models, the question of the truth or validity of interpretation is dependent upon the attitude of interpreters. These three models are: (1) the principle of charity in interpretation in the two different versions defended by Hans-Georg Gadamer and Donald Davidson; (2) the production of truth, as developed by Paul Ricoeur and Michel Foucault; and (3) the regulative principle in interpretation as formal validity claims-as presented by Karl-Otto Apel and Jurgen Habermas-and as benevolence or love as an epistemic virtue-as defended by Friedrich Schlegel and Friedrich Schleiermacher. The critical discussion of these three models, which brings to the fore the different manners in which interpreters intervene in the process of interpretation as persons, lays the foundations for an ethics of interpretation. The Ethics of Interpretation will be of interest to scholars and advanced students working in hermeneutics, 19th- and 20th-century philosophy, literary theory, and cultural theory.

This "Encyclopedia" is the most comprehensive guide yet to both the nature and content of literature and to literary criticism. In ninety essays by leading international critics and scholars such as Catherine Belsey, Terrence Hawker, Catherine Hayles, Cora Kaplan, Christopher Norris and Don E. Wayne, the volume covers traditional topics such as literature and history, poetry, drama and the novel, and newer topics, including the production and reception of literature. Current critical ideas are clearly and provocatively discussed, while the volume's arrangement reflects in a dynamic way the rich diversity of contemporary thinking about literature.
The "Encyclopedia" includes important sections on criticism, the contexts of English literature and "other literatures" in English. Individual essays cover subjects as diverse as feminist theatre, postmodernism, medieval literature, romantic poetry, Marxist criticism, censorship, realism and the novel, contemporary American poetry, New Historicism, the origins of the modern stage, the renaissance, women and the poetic tradition, the printed book, and Shakespeare and eighteenth-century fiction. Each essay seeks to provide the reader with a clear sense of the full significance of its subject as well as guidance for further reading.
An essential work of reference, the "Encyclopedia of Literature and Criticism" is a stimulating guide to the central preoccupations of contemporary critical thinking about literature.

Recent debates about the Anthropocene have prompted a re-negotiation of the relationship between human subjectivity and nonhuman matter within a wide range of disciplines. This collection builds on the assumption that our understanding of the nonhuman world is bound up with the experience of space: thinking about and with nonhuman spaces destabilizes human-scale assumptions. Literary form affords this kind of nonanthropocentric experience; one role of the critic in the Anthropocene is to foreground the function of space and description in challenging the conventional link between narrative and human (inter)subjectivity. Bringing together New Formalism, ecocriticism, and narrative theory, the included essays demonstrate that literature can transgress the strong and long-established boundary of the human frame that literary and narrative scholarship clings to. The focus is firmly on the contemporary but with strategic samplings in earlier cultural texts (the American transcendentalists, modernist fiction) that anticipate present-day anxieties about the nonhuman, while at the same time offering important conceptual tools for working through them.

This international analysis of theatrical case studies illustrates the ways that theater was an arena both of protest and, simultaneously, racist and imperialist exploitations of the colonized and enslaved body. By bringing together performances and discussions of theater culture from various colonial powers and orbits-ranging from Denmark and France to Great Britain and Brazil-this book explores the ways that slavery and hierarchical notions of "race" and "civilization" manifested around the world. At the same time, against the backdrop of colonial violence, the theater was a space that also facilitated reformist protest and served as evidence of the agency of Black people in revolt. Staging Slavery considers the implications of both white-penned productions of race and slavery performed by white actors in blackface makeup and Black counter-theater performances and productions that resisted racist structures, on and off the stage. With unique geographical perspectives, this volume is a useful resource for undergraduates, graduates, and researchers in the history of theater, nationalism and imperialism, race and slavery, and literature.

This collection of research from Cuba scholars explores key conflicts, episodes, currents, and tensions that helped shape Cuba as a modern, independent nation. Cuba in the nineteenth century was characterized by social struggle. Slavery, Spanish colonial rule, and racial tension permeated every corner of Cuban life-from urban dwelling to house of charity, from sugarcane field to tobacco vega, from seaport to railway-and furnished a lively spectacle for the privileged foreigner gazing upon Cuba from afar. Chapters discuss topics including slavery, gendered forced labor, indentured labor, agricultural economics, industrial development, newspaper and print culture, and the origins of the "Cuba Threat." The volume links key aspects of Cuba's history, such as social conflict and economic underdevelopment, to present a detailed analysis of Cuban civil society in the 1800s. Social Struggle and Civil Society in Nineteenth Century Cuba appeals to general readers and scholars in a range of disciplines, including history, women's studies, economics, architectural preservation, media studies, and literature.

After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature? The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system. Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition. Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.

An exquisite, lovingly crafted meditation on plants, trees, and our place in the natural world, in the tradition of Robin Wall Kimmerer's Braiding Sweetgrass and Annie Dillard's Pilgrim at Tinker Creek "Sumana Roy has written-grown-a radiant and wondrous book."-Robert Macfarlane, author of The Old Ways: A Journey on Foot "Beautiful. . . . Roy weaves together science, nature, personal narrative, literature, sociology, and more to keep the reader turning pages-and to turn us all into tree-lovers."-Kateri Kramer, The Rumpus A Publishers Weekly Holiday Gift Guide 2021 selection "I was tired of speed. I wanted to live to tree time." So writes Sumana Roy at the start of How I Became a Tree, her captivating, adventurous, and self-reflective vision of what it means to be human in the natural world. Drawn to trees' wisdom, their nonviolent way of being, their ability to cope with loneliness and pain, Roy movingly explores the lessons that writers, painters, photographers, scientists, and spiritual figures have gleaned through their engagement with trees-from Rabindranath Tagore to Tomas Transtroemer, Ovid to Octavio Paz, William Shakespeare to Margaret Atwood. Her stunning meditations on forests, plant life, time, self, and the exhaustion of being human evoke the spacious, relaxed rhythms of the trees themselves. Hailed upon its original publication in India as "a love song to plants and trees" and "an ode to all that is unnoticed, ill, neglected, and yet resilient," How I Became a Tree blends literary history, theology, philosophy, botany, and more, and ultimately prompts readers to slow down and to imagine a reenchanted world in which humans live more like trees.

This collection shows students of English and applied linguistics ways in which language and literary study can be integrated. By drawing on a wide range of texts by mainly British and American writers, from a variety of different periods, the contributors show how discourse stylistics can provide models for the systematic description of, for example, dialogue in fiction; language of drama and balladic poetry; speech presentation; the interactive properties of metre; the communicative context of author/reader. Among the texts examined are novels, poetry and drama by major twentieth-century writers such as Joyce, Auden, Pinter and Hopkins, as well as examples from Shakespeare, Donne and Milton. Each chapter has a wide range of exercises for practical analysis, an extensive glossary and a comprehensive bibliography with suggestions for further reading. The book will be particularly useful to undergraduate students of English and applied linguistics and advanced students of modern languages or English as a foreign language.

Winner of the National Poetry Series Selected by Ellen Bryant Voigt

An exciting first collection of poetry from an emerging talent, Andrew Feld's "Citizen" was a winner of the 2003 National Poetry Series Open Competition, selected by esteemed poet Ellen Bryant Voigt. For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.