Offers a comprehensive study of key authors, texts, and topics from Chinese literature around the world and throughout history The first volume to focus on twentieth- and twenty-first-century Chinese literature, it looks at natural, psychological, fantastic, and transborder, as well as considering Chinese literature comparatively with other literature Essential reading for all students and scholars of Chinese literature, language, and culture

This book—an English translation of a key Tamiḻ book of literary and cultural criticism—looks at the construction of Tamiḻ scholarship through the colonial approach to Tamiḻ literature as evidenced in the first translations into English. The Tamiḻ original Atik�ramum tamiḻp pulamaiyum: Tamiḻiliruntu mutal �ṅkila moḻipeyarppukaḷ by N Govindarajan is a critique of the early attempts at the translations of Tamiḻ literary texts by East India Company officials, specifically by N E Kindersley. Kindersley, who was working as the Collector of South Arcot district in the late eighteenth century, was the first colonial officer to translate the Tamiḻ classic Tirukkuṟaḷ and the story of King Naḷa into English and to bring to the reading public in English the vibrant oral narrative tradition in Tamiḻ. F W Ellis in the nineteenth century brought in another dimension through his translation of the same classic. The book, thus, focuses on the attempts to translate the Tamiḻ literary works by the Company’s officials who emerged as the pioneering English Dravidianists and the impact of translations on the Tamiḻ reading community. Theoretically grounded, the book makes use of contemporary perspectives to examine colonial interventions and the operation of power relations in the literary and socio-cultural spheres. It combines both critical readings of past translations and intensive research work on Tamiḻ scholarship to locate the practice of literary works in South Asia and its colonial history, which then enables a conversation between Indian literary cultures. In this book, the author has not only explored all key scholarly sources as well as the commentaries that were used by the colonial officials, chiefly Kindersley, but also gives us an insightful critique of the Tamiḻ works. The highlight of the discussion of Dravidian Orientalism in this book is the intralinguistic opposition of the “mainstream� Tamiḻ literature in “correct/poetical� Tamiḻ and the folk literature in “vacana� Tamiḻ. This framework allows the translators to critically engage with the work. Annotated and with an Introduction and a Glossary, this translated work is a valuable addition to our reading of colonial South India. The book will be of interest to researchers of Tamiḻ Studies, Orientalism and Indology, translation studies, oral literature, linguistics, South Asian Studies, Dravidian Studies and colonial history.

• Links the cultural agency of imaginative discourse to its capacity to address, challenge, and evoke a deep sociality characteristic of humans; • Brings together two prominent currents informing contemporary literary theory—affective and neurocognitive-evolutionary literary studies and work calling for renewed attentiveness to ethical and aesthetic qualities in literary works; • Develops and illustrates his arguments through analyses of a wide range of literary works

Unpacking the Personal Library: The Public and Private Life of Books is an edited collection of essays that ponders the cultural meaning and significance of private book collections in relation to public libraries. Contributors explore libraries at particular moments in their history across a wide range of cases, and includes Alberto Manguel's account of the Library of Alexandria as well as chapters on library collecting in the middle ages, the libraries of prime ministers and foreign embassies, protest libraries and the slow transformation of university libraries, and the stories of the personal libraries of Virginia Woolf, Robert Duncan, Sheila Watson, Al Purdy and others. The book shows how the history of the library is really a history of collection, consolidation, migration, dispersal, and integration, where each story negotiates private and public spaces. Unpacking the Personal Library builds on and interrogates theories and approaches from library and archive studies, the history of the book, reading, authorship and publishing. Collectively, the chapters articulate a critical poetics of the personal library within its extended social, aesthetic and cultural contexts.

Anglophone Jewish literature is not traditionally numbered among the new literatures in English. Rather, Jewish literary production in English has conventionally been classified as 'hyphenated' and has therefore not yet been subjected as such to the scrutiny of scholars of literary or cultural history. The collection of essays addresses this lack and initiates the scholarly exploration of transnational and transcultural Anglophone Jewish literature as one of the New English Literatures. Without attempting to impose what would seem to be a misguided conceptual unity on the many-facetted field of Anglophone Jewish literature, the book is based on a plurality of theoretical frameworks. Alert to the productive friction between these discourses, which it aims to elicit, it confronts Jewish literary studies with postcolonial studies, cultural studies, and other contemporary theoretical frameworks. Featuring contributions from among the best-known scholars in the fields of British and American Jewish literature, including Bryan Cheyette and Emily Miller Budick, this collection transcends borders of both nations and academic disciplines and takes into account cultural and historical affinities and differences of the Anglophone diaspora which have contributed to the formation and development of the English-language segment of Jewish literature.

ground-breaking: challenges the "linguistic only" category of translation and provides an interdisciplinary and broader understanding of what translation is, what it does, how, and where. highly interdisciplinary and collaborative and will therefore appeal to anyone interested in translation across a range of approaches and disciplines, from comparative literature to semiotics. there are no books on the market that bring the historical, spatial, and material aspects of translation studies into dialogue with each other within the same volume.

This book focuses on the migrations and metamorphoses of black bodies, practices and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history.

This book describes how three of the most significant Anglophone writers of the first half of the twentieth century - Yeats, Eliot, and Woolf - wrestled with a geopolitical situation in which national boundaries had come to seem increasingly permeable at the same time as war among (and within) individual nation-states had come to seem virtually inescapable. Drawing on Jean-Francois Lyotard's analysis of the elements of performativity in J.L. Austin's speech act theory, and making critical use of Carl Schmitt's writings on sovereignty and world order, Miller situates the writings of Yeats, Eliot, and Woolf in the context of what Lyotard describes as a "civil war of language." By virtue of its dissolution of any clear boundary between "interiority" and "exteriority," as well as by virtue of its resistance to any decisive form of resolution or regulation, this "civil war of language" takes on dimensions that are ultimately global in scope. Miller examines the emergence of modernism as bound up with a crisis of personal, political, and aesthetic sovereignty that undermined traditional distinctions between the public and private. In the process, he directly engages with the theoretical discourse surrounding the geopolitical impact of globalization and biopolitics: a discourse that is central to the influential and widely-debated work of such varied figures as Carl Schmitt, Hardt and Negri, Giorgio Agamben, and Jean-Luc Nancy. This book will be of interest to anyone concerned not only with twentieth-century literature but also with questions of nationalism and globalization.

1.This is the first book-length study of male homosexuality in children’s literature from the nineteenth and early twentieth centuries. 2.This book re-examines the central role of children and childhood to sexology and the articulation of homosexuality and gay identity. 3.This book reconsiders the history of gay literature by examining works for children by gay writers in the nineteenth and early twentieth centuries, including the first works for children known to have been described by their author as homosexual children’s literature. 4.This book calls for the reconsideration of the history of gay children’s and young adult literature and finds that important milestones occurred far earlier than the 1960s.

Though only 34 years old at the time of his death in 1917, T.E. Hulme had already taken his place at the center of pre-war London's advanced intellectual circles. His work as poet, critic, philosopher, aesthetician, and political theorist helped define several major aesthetic and political movements, including imagism and Vorticism. Despite his influence, however, the man T.S. Eliot described as 'classical, reactionary, and revolutionary' has until very recently been neglected by scholars, and T.E. Hulme and the Question of Modernism is the first essay collection to offer an in-depth exploration of Hulme's thought. While each essay highlights a different aspect of Hulme's work on the overlapping discourses of aesthetics, politics, and philosophy, taken together they demonstrate a shared belief in Hulme's decisive importance to the emergence of modernism and to the many categories that still govern our thinking about it. In addition to the editors, contributors include Todd Avery, Rebecca Beasley, C.D. Blanton, Helen Carr, Paul Edwards, Lee Garver, Jesse Matz, Alan Munton, and Andrew Thacker.

Rosalia Baena's theoretically challenging, analytical volume of essays, explores the diversity of shapes that transcultural life writing takes, demonstrating how it has become one of the most dynamic and productive literary forms of self-inscription and self-representation.

Expanding much of the contemporary criticism on life writing, which tends to centre on content, the essays highlight that reading contemporary forms of life writing from a literary perspective is a rich field of critical intervention that has been overlooked because of recent cultural studies' concerns with material issues. To read life writing as primarily cultural texts undercuts much of its value as a complex dynamic of cultural production, where aesthetic concerns and the choice and manipulation of form serve as signifying aspects to experiences and subjectivities.

This book was previously published as a special issue of Prose Studies.

What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.

Metaphor is a central concept in literary studies, but it is also prevalent in everyday language and speech. Recent literary theories such as postmodernism and deconstruction have transformed the study of the text and revolutionized our thinking about metaphor.

In this fascinating volume, David Punter:

• establishes the classical background of the term from its philosophical roots to the religious and political tradition of metaphor in the East
• relates metaphor to the public realms of culture and politics and the way in which these influence the literary
• examines metaphor in relation to literary theory, philosophy, psychoanalysis and postcolonial studies
• illustrates his argument with specific examples from western and eastern literature and poetry.

This comprehensive and engaging book emphasizes the significance of metaphor to literary studies, as well as its relevance to cultural studies, linguistics and philosophy.

This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space Paying attention to academic gaps in comics' scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism, posthumanism, theories of adaptation, sociology, existentialism, and psychology Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillenium), Spain (Creepy), Italy (Dylan Dog) and Japan (Tanabe Gou's Manga Adaptations of H.P. Lovecraft), as well as the United States One of the first books centred exclusively on close readings in an under-studied area, this collection will have an appeal to scholars and students in horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre

A collection of popular and academic essays examining the influence of Emanuel Swedenborg on modern literature, with contributions by W B Yeats, Sr Arthur Conan Doyle, Gary Lachman, Adelheid Kegler and Richard Lines.

The Dictionary of Oriental Literatures fills a long-felt gap in Western literature by presenting a concise summary, in three volumes and about 2000 articles, of the literatures of Asia and North Africa. The first volume describes the Chinese, Tibetan, Japanese, Korean and Mongolian literatures; the second covers the area of South and South-East Asia, comprising, besides all literatures of India and Pakistan, those of Nepal, Bangladesh, Sri Lanka, Myanmar, Thailand, Cambodia, Vietnam, Indonesia, Malaysia and the Philippines; and the third is devoted to the literatures of West Asia and North Africa. including the those of the ancient Near East and Egypt, and Central Asia and the Caucasus, of Turkey, Iran, Afghanistan and of the various Arab countries including Morocco, Tunisia and Algeria. The majority of entries give information about the life and work of the individual writers and poets of the classical, medieval and modern periods of the literatures included and also attempt to evaluate their writings from the historical and aesthetic point of view. The remaining articles describe literary terms, genres, forms, schools and movements. The Dictionary has been prepared by the Oriental Institute in Prague under the supervision of a Advisory Editorial Board of European and American scholars of international reputation and is unique in that it is the fruit of the collaboration of over 150 orientalists from many parts of the world.

In this powerful and wide-ranging study, Sander Gilman explores the idea of "the multicultural" in the contemporary world, a question he frames as the question of the relationship between Jews and Muslims. How do Jews define themselves, and how are they in turn defined, within the global struggles of the moment, struggles that turn in large part around a secularized Christian perspective?
Gilman uses his subject to unpack a sequence of important issues: what does it mean to be multicultural? Can the experience of diaspora Judaism serve as a useful model for Islam in today's multicultural Europe? What is a multicultural ethnic? Other chapters look at specific figures in Jewish cultural history--Albert Einstein, Franz Kafka, Israel Zangwill, Philip Roth, the hermaphrodite N.O. Body (aka Karl Baer, raised as Martha Baer)--to explore issues within Jewish identity. Throughout, Gilman pays keen attention to the ways in which contemporary literature--Chabon, Ozick, Zadie Smith, Jonathan Safran Foer, Gary Shteyngart--is taking the idea of Jewishness and multiculturalism into new arenas.

Originally published in 1999 Black Writers Abroad puts forward the theory that African American literature was born, partially within the context of a people and its writers who lived, for the most part, in slavery and bondage prior to the Civil War. It is an in-depth study of black American writers who, left the United States as expatriates. The book discusses the people that left, where they went, why they left and why they did or did not return, from the nineteenth century to the twentieth century. It seeks to explain the impact exile had upon these authors' literary work and careers, as well as upon African American literary history.

Demonstrating the breadth and scope of women's writing in the Romantic period, this collection covers a variety of topics ranging across polemical treatises, private correspondence, philosophical and historical disquisitions, and poetry and prose fiction. Helping to contextualise the areas discussed, the collection includes a general introduction by the editor, which traces the history of criticism in the field, and thus current definitions of "Women and Romanticism", before going on to discuss the contents of each volume.

provides an original take on the concept of translation and repetition applied to uncreative or iterative literature. applicable to a range of areas and courses within translation studies and literature and a growing area of research. covers a very wide range of writers, artists and translators from Latin and North America to Europ

Returning to the map of the island of utopia, this book provides a contemporary, inventive, addition to the long history of legal fictions and juristic phantasms. Progressive legal and political thinking has for long lacked a positive, let alone a bold imaginary project, an account of what improved institutions and an ameliorated environment would look like. And where better to start than with the non-laws or imaginary legislations of a realm yet to come. The Cabinet of Imaginary Laws is a collection of fictive contributions to the theme of conceiving imaginary laws in the vivid vein of jurisliterary invention. Disparate in style and diverse in genres of writing and performative expression, the celebrated and unknown, venerable and youthful authors write new laws. Thirty-five dissolute scholars, impecunious authors and dyspeptic artists from a variety of fields including law, film, science, history, philosophy, political science, aesthetics, architecture and the classics become, for a brief and inspiring instance, legislators of impossible norms. The collection provides an extra-ordinary range of inspired imaginings of other laws. This momentary community of radial thought conceives of a wild variety of novel critical perspectives. The contributions aim to inspire reflection on the role of imagination in the study and writing of law. Verse, collage, artworks, short stories, harangues, lists, and other pleas, reports and pronouncements revivify the sense of law as the vehicle of poetic justice and as an art that instructs and constructs life. Aimed at an intellectual audience disgruntled with the negativity of critique and the narrowness of the disciplines, this book will appeal especially to theorists, lawyers, scholars and a general public concerned with the future of decaying laws and an increasingly derelict legal system.

International Who's Who of Authors and Writers 2007 provides an invaluable and practical source of biographical information on the key personalities and organizations of the literary world. Now in its Twenty-Second edition, the book is revised and updated annually by our editorial team and covers the most important authors and writers at work today. This title will prove an invaluable acquisition for journalists, television and radio companies, public and academic libraries, PR companies, literary organizations and anyone needing up-to-date information in this field. Entries Biographical details are listed for writers of all kinds, including novelists, playwrights, essayists, editors, columnists, journalists, as well as literary agents and publishers. Each entry provides personal information, career details, works published, literary awards and prizes, memberships and contact information, where available. Entries listed include John Banville, Tahar Ben Jelloun, Xinran Xue, Fred Vargas and Tariq Ali. Key features * Over 8,000 entries * A directory section, including detailed lists of major international literary awards and prizes, principal literary organizations, and literary agents * Entries for established writers, as well as for those who have recently risen to prominence * Hundreds of new entries are included in this edition.

This book examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into three parts: history, theory, and praxis. Arguing against the simplistic division in literary criticism between nihilism and the sublime, the book demonstrates that both are clearly implicated with the Enlightenment. Postmodernism, as a product of the Enlightenment, is therefore implicitly related to "both "nihilism "and "the sublime, despite the fact that it is often characterised as "either "nihilistic "or "sublime. Whereas prior forms of nihilism are 'modernist' because they seek to codify reality, postmodernism creates a new formulation of nihilism - 'postmodern nihilism' - that is itself sublime. This is explored in relation to a broad survey of postmodern literature in two chapters, the first on aesthetics and the second on ethics. It offers a coherent thesis for reappraising the relationship between nihilism and the sublime, and grounds this argument with frequent references to postmodern literature, making it a book suitable for both researchers and those more generally interested in postmodern literature.

The "International Who's Who of Authors and Writers "provides an invaluable and practical source of information on the personalities and organizations of the literary world. This trusted directory provides up-to-date and reliable biographical details essential to anyone interested in the world of literature.
* Includes many up-and-coming writers about whom information cannot be found elsewhere
* All entries are updated just prior to publication ensuring the utmost accuracy
Contents:
* Over 8,000 entries
* Provides concise biographical information on novelists, authors, playwrights, columnists, journalists, editors and critics
* Includes biographical details of established writers as well as those who have recently risen to prominence
* Each entry details career, works published, literary awards and prizes, membership and contact addresses
where available
* A detailed listing of major international literary awards and prizes and winners of those prizes
* Includes a directory of major literary organizations and literary agents
* Lists members of the American Academy of Arts and Letters.