provides an original take on the concept of translation and repetition applied to uncreative or iterative literature. applicable to a range of areas and courses within translation studies and literature and a growing area of research. covers a very wide range of writers, artists and translators from Latin and North America to Europ

A Complete Guide to Literary Analysis and Theory offers an accessible introduction to all the current approaches to literary analysis. Ranging from stylistics and historicism to post-humanism and new materialism, it also includes chapters on media studies and screen studies. The Guide is designed for use in introductory literature courses and as a primer in theory courses. Each chapter summarizes the main ideas of each approach to the study of literature in clear prose, providing lucid introductions to the practice of each school, and conducts readings using classic and modern works of literature from around the world. The book draws on examples from a wide range of works from classics such as F. Scott Fitzgerald's The Great Gatsby and Shakespeare's King Lear to contemporary works such as Ocean Vuong's On Earth We're Briefly Gorgeous and Amanda Gorman's "The Hill We Climb." This wide-ranging introduction is ideal for students encountering literary study for the first time, as well as more advanced students who need a concise summary of critical methods. It strives to make complex ideas simple and provides readings that undergraduates should be able to understand and enjoy as well as training them to conduct analyses of their own.

The Routledge Global Haiku Reader provides a historical overview and comprehensive examination of haiku across the world in numerous languages, poetic movements, and cultural contexts. Offering an extensive critical perspective, this volume provides leading essays by poets and scholars who explore haiku's various global developments, demonstrating the form's complex and sometimes contradictory manifestations from the twentieth century to the present. The sixteen chapters are carefully organized into categories that reflect the salient areas of practice and study: Haiku in Transit, Haiku and Social Consciousness, Haiku and Experimentation, The Future of Global Haiku. An insightful introduction surveys haiku's influence beyond Japan and frames the collection historically and culturally, questioning commonly held assumptions about haiku and laying the groundwork for new ways of seeing the form. Haiku's elusiveness, its resistance to definition, is partly what keeps it so relevant today, and this book traces the many ways in which this global verse form has evolved. The Routledge Global Haiku Reader ushers haiku into the twenty-first century in a critically minded and historically informed manner for a new generation of readers and writers and will appeal to students and researchers in literary studies, Asian studies, comparative literature, cultural studies and creative writing.

The work of Michel Houellebecq - one of the most widely read and controversial novelists of our time - is marked by the thought of Schopenhauer. When Houellebecq came across a copy of Schopenhauer's Aphorisms in a library in his mid-twenties, he was bowled over by it and he hunted down a copy of his major philosophical work, The World as Will and Representation. Houellebecq found in Schopenhauer - the radical pessimist, the chronicler of human suffering, the lonely misanthrope - a powerful conception of the human condition and of the future that awaits us, and when Houellebecq's first writings appeared in the early 1990s, the influence of Schopenhauer was everywhere apparent. But it was only much later, in 2005, that Houellebecq began to translate and write a commentary on Schopenhauer's work. He thought of turning it into a book but soon abandoned the idea and the text remained unpublished until 2017. Now available in English for the first time, In the Presence of Schopenhauer is the story of a remarkable encounter between a novelist and a philosopher and a testimony to the deep and enduring impact of Schopenhauer's philosophy on one of France's greatest living writers.

2012 Reprint of 1953 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. An invaluable guide to the art and mind of Virginia Woolf, "A Writer's Diary" was collected by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing and those that are clearly writing exercises, accounts of people and scenes relevant to the raw material of her work, and finally, comments on books she was reading. The first entry is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world - the anguish, the triumph, the creative vision - of one of the great writers of our century.

Since the 1990 publication of Gender Trouble, Judith Butler has had a profound influence on how we understand gender and sexuality, corporeal politics, and political action both within and outside the academy. This collection, which considers not only Gender Trouble but also Bodies That Matter, Excitable Speech, and The Psychic Life of Power, attests to the enormous impact Butler's work has had across disciplines. In analyzing Butler's theories, the contributors demonstrate their relevance to a wide range of topics and fields, including activism, archaeology, film, literature, pedagogy, and theory. Included is a two-part interview with Judith Butler herself, in which she responds to questions about queer theory, the relationship between her work and that of other gender theorists, and the political impact of her ideas. In addition to the editors, contributors include Edwina Barvosa-Carter, Robert Alan Brookey, Kirsten Campbell, Angela Failler, Belinda Johnston, Rosemary A. Joyce, Vicki Kirby, Diane Helene Miller, Mena Mitrano, Elizabeth M. Perry, Frederick S. Roden, and Natalie Wilson.

The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. These works are shown to be remarkable for their diversity, frank satire, topical subject matter, and stylistic innovations. O'Malley reveals comparisons to and influences from European traditions, including Shakespeare and Moliere, and sets Catherine in the larger field of Russian literature in the period, further illuminating her relationship to the aesthetic debates of the period. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote political ideals and ideology. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims.

This book investigates how French Romanticism was shaped by and contributed to colonial discourses of race. It studies the ways in which metropolitan Romantic novels that is, novels by French authors such as Victor Hugo, George Sand, Bernardin de Saint-Pierre, Fran ois Ren de Chateaubriand, Claire de Duras, and Prosper M rim e comprehend and construct colonized peoples, fashion French identity in the context of colonialism, and record the encounter between Europeans and non-Europeans. While the primary texts that come under investigation in the book are novels, close attention is paid to Romantic fiction 's interdependence with naturalist treatises, travel writing, abolitionist texts, and ethnographies.

Colonialism, Race, and the French Romantic Imagination is one of the first books to carry out a sustained and comprehensive analysis of the French Romantic novel 's racial imagination that encompasses several sites of colonial contact: the Indian Ocean, North America, the Caribbean, West Africa, and France. Its archival research and interdisciplinary approach shed new light on canonical texts and expose the reader to non-canonical ones. The book will be useful to students and academics involved with Romanticism, colonial historians, students and scholars of transatlantic studies and postcolonial studies, as well as those interested in questions of race and colonialism.

* presents the work of a leading theorist through the years and a picture of how the field has developed, focusing on key areas of translation studies * accompanied by a further ten to fifteen essays, all in open access available on the Translation Studies Portal * essential reading for researchers, teachers and graduate students in translation studies, intercultural studies and comparative literature

This interdisciplinary study of literary characters sheds light on the relatively under-studied phenomenon of religious psychopathy. God Behind the Screen: Literary Portrais of Religious Psychopathy identifies and rigorously examines protagonists in works from a variety of genres, written by authors such as Aldous Huxley, Jane Austin, Sinclair Lewis, and Steven King, who are both fervently religous and suffer from a range of disorders underneath the umbrella of psychopathy.

As we witness monuments of white Western history fall, many are asking 'How is Shakespeare still relevant?' Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his plinth to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.

This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.

This book uses an interdisciplinary inter-mediational approach to reflect on the relational complexity of unsettlement as a predominant sensibility of the present epoque. The book tackles interrelated aspects of unsettlement including temporality, the disconcerting effects of the Anthropocene, the biomedical facets of unsettlement and the post-pandemic futures. It uses a chimeric approach combining essayistic and speculative fiction writing methods, negotiating rational, affective and imaginative ways of inquiry, and showing rather than merely explaining. The book poses questions, but gives no ready-made answers, and invites to think together on the unsettlement as a negatively global human condition that can be collectively made into a generative move of resurgence and refuturing. Contributing to critical reflections on the main features and sensibilities of the current epoque, the book will be of interest to scholars and undergraduate and graduate students, as well as the general public, interested in critical global and future perspectives, in decolonial research, gender studies and posthumanities.

1. Offers a new approach to teaching/thinking and analysing in literary studies 2. Responds to the key concerns of most researchers and students right now - global social justice and sustainability and the value of literature/humanities 3. There are no other books that tie together systems thinking, wisdom, literary studies and social justice - it is unique

No, they weren't 'just friends'! Queer women have been written out of history since, well, forever. 'But historians famously care about women!', said no one. From Anne Bonny and Mary Read who sailed the seas together disguised as pirates, to US football captain Megan Rapinoe declaring 'You can't win a championship without gays on your team', via countless literary salons and tuxedos, A Short History of Queer Women sets the record straight on women who have loved other women through the ages. Who says lesbians can't be funny?

Comics and human mobility have a long history of connections. This volume explores these entanglements with a focus on both how comics represent migration and what applied uses comics have in relation to migration. The volume examines both individual works of comic art and examples of practical applications of comics from across the world. Comics are well-suited to create understanding, highlight truthful information and engender empathy in its audiences, but it is also an art form that is preconditioned or even limited by its representational and practical conventions. Through analyses of various practices and representations, this book questions the uncritical belief in the capacity of comics and assesses their potential to represent stories of exile and immigration with compassion and discusses how xenophobia and nationalism are both reinforced and questioned in comics. The book includes essays by both researchers and practitioners like activists and journalists whose work has combined a focus on comics and migration. It predominantly scrutinizes comics and activities from more peripheral areas such as the Nordic region, the German-language countries, Latin America and southern Asia to analyse the treatment and visual representation of migration in these regions. This topical and engaging volume in the Global Perspectives in Comics Studies series will be of interest to researchers and students of comics studies, literary studies, visual art studies, cultural studies, migration, and sociology. It will also be useful reading to a wider academic audience interested in discourses around global migration and comics traditions.

The fourth edition of this essential Middle English textbook introduces students to the wide range of literature written in England between 1150 and 1400. Beginning with an extensive overview of middle English history, grammar, syntax, and pronunciation, the book goes on to examine key middle English texts -- including a new extract from Julian of Norwich's Revelation of Divine Love -- with helpful notes to direct students to key points within the text. Keeping in mind adopter feedback, this new edition includes a new model translation section with a student workbook and model exercise for classroom use. This new chapter will include sections on 'false friend' words, untranslatable idioms and notes on translating both poetry and prose. The text and references will be fully updated throughout and a foreword dedicated to the late J. A. Burrow will be included.

Although rule breaking in Harry Potter is sometimes dismissed as a distraction from Harry's fight against Lord Voldemort, Harry Potter and Resistance makes the case that it is central to the battle against evil. Far beyond youthful hijinks or adolescent defiance, Harry's rebellion aims to overcome problems deeper and more widespread than a single malevolent wizard. Harry and his allies engage in a resistance movement against the corruption of the Ministry of Magic as well as against the racist social norms that gave rise to Voldemort in the first place. Dumbledore's Army and the Order of the Phoenix employ methods echoing those utilized by World War Two resistance fighters and by the U.S. Civil Rights movement. The aim of this book is to explore issues that speak to our era of heightened political awareness and resistance to intolerance. Its interdisciplinary approach draws on political science, psychology, philosophy, history, race studies, and women's studies, as well as newer interdisciplinary fields such as resistance studies, disgust studies, and creativity studies.

In the colonial context of South Asia, there is a glaring asymmetry in the written records of the interaction between the Bengali women and their European counterparts, which is indicative of the larger and the overall asymmetry of discursive power, including the flow and access to information between the colonizers and their subjects. This book explores the idea of gazing through literature in Colonial India. Based on literary and historical analysis, it focuses on four different genres of literary writing where nineteenth-century Bengali women writers look back at the British colonizers. In the process, the European culture becomes a static point of reference, and the chapters in the book show the ideological, social, cultural, political, and deeper, emotional interactions between the colonized and the colonizer. The book also addresses the lack of sufficient primary sources authored by Bengali women on their European counterparts by anthologizing different available genres. Taking into account literary narratives from the colonized and the less represented side of the divide, such as a travelogue, fantasy fiction, missionary text and journal articles, the book represents the varying opinions and perspectives vis-a-vis the European women. Using an interdisciplinary approach charting the fields of Indology, colonial studies, sociology, literature/literary historiography, South-Asian feminism, and cultural studies, this book makes an important contribution to the field of South Asian Studies, studies of empire, and to Indian women's literary history.

'Utterly fascinating' Daisy Goodwin, Sunday Times Benjamin Franklin took daily naked air baths and Toulouse-Lautrec painted in brothels. Edith Sitwell worked in bed, and George Gershwin composed at the piano in pyjamas. Freud worked sixteen hours a day, but Gertrude Stein could never write for more than thirty minutes, and F. Scott Fitzgerald wrote in gin-fuelled bursts - he believed alcohol was essential to his creative process. From Marx to Murakami and Beethoven to Bacon, Daily Rituals by Mason Currey presents the working routines of more than a hundred and sixty of the greatest philosophers, writers, composers and artists ever to have lived. Whether by amphetamines or alcohol, headstand or boxing, these people made time and got to work. Featuring photographs of writers and artists at work, and filled with fascinating insights on the mechanics of genius and entertaining stories of the personalities behind it, Daily Rituals is irresistibly addictive, and utterly inspiring.

Ulysses and Faust: Tradition and Modernism from Homer till the Present examines the most important authors of Western literature: Homer, Virgil, Dante, Shakespeare, Cervantes, Marlowe, Goethe, Joyce, Eliot, Mann, Bulgakov and Pasternak, who based their works on one or other of the two key myths of the West, Ulysses and Faust. This volume provides a synoptic view of Western literature, as a foundation text for literary studies at all levels and as a way of encouraging people to once more engage with the major authors of our literary heritage. Ulysses and Faust considers the artistic revolution known as Modernism at the start of the twentieth century and the subsequent events in Europe, such as the World Wars and the totalitarian regimes, which led to a major break in Western civilization reflected in its literature. Consequently, these detailed critical studies illuminate their authors' Weltanschauung, their view of life as it was lived in their time.

1. This book is the first to frame Tolstoy's life and work through a queer, psychoanalytical and historico-political lens 2. It uniquely blends literary theory, queer/gender studies, sexology and ethics 3. Using illustrations throughout, this book also draws on the work of Freud, Cervantes, Rousseau and Kant.

This collection of essays offers a series of reflections on the specific literary and cultural forms that can be seen as the product of modernity's spatial transformations, which have taken on new urgency in today's world of ever increasing mobility and global networks. The book offers a broad perspective on the narrative and poetic dimensions of the modern discourses and imaginaries that have shaped our current geographical sensibilities. In the early twenty-first century, we are still grappling with the spatial effects of 'early' and 'high' modern developments, and the contemporary crises revolving around political boundaries and geopolitical orders in many parts of the world have intensified spatial anxieties. They call for a sustained analysis of individual perceptions, cultural constructions and political implications of spatial processes, movements and relations. The contributors of this book focus both on the spatial orders of modernity and on the various dynamic processes that have shaped our engagement with modern space. They creatively engage in a dialogue between literature, cinema, art history, geography, architecture, cultural semiotics and political science, and they transform twentieth- and twenty-first-century theory and philosophy to examine the textual forms of different spatial modernities. The chapters do not only engage with the cartographies, crossings and displacements represented within different texts and media, but are also attentive to the ways in which the latter produce space and perform mobility. Tracing an arc from Thomas More's Utopia to the digital spatiality of contemporary autobiographical film, they treat texts as active cultural forces that crystallize, reinforce, interrogate or complicate the spatial imaginaries of modernity through their own narrative and poetic form.